Archive for the ‘Feelings of heart’ Category
Paas rehta hai door rehta hai
Posted on: January 4, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6379 | Post No. : | 19780 | Movie Count : |
5175 |
#the Decade of Eighties – 1981 – 1990 #
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(Music Composer R.D. Burman’s 32nd Remembrance Day)
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Today 4th January 2026 is the 33rd Remembrance Anniversary of Rahul Dev Burman who is fondly known as ‘Pancham’. He was born on 27th June 1939 and he passed away on 4th January 1994 at the age of only 54.
Today on Pancham’s 33rd Remembrance Day we will be paying our tributes to him by listening to some of his compositions that were not yet presented till now.
While much of his musical treasure is already available for music lovers to savour, some more of this treasure is still being unearthed and is being shared online. I hope this process of digging up his as yet unknown compositions will continue in future as well.
From an estimated figure of 1755 songs from 331 Hindi movies composed by Pancham we have so far covered 944 songs from 254 Hindi movies on this blog.
I start day’s proceedings by presenting a song from the 1985 movie ‘AMEER AADMI GHAREEB AADMI’. It was directed by Amjad Khan for ‘Cinema International’s’. Shehla Khan and Vinay Sinha were the producers of this movie. Actor Amjad Khan who directed this movie had also credited as writer and editor of the movie as well. Dialogues for this movie were written by Akhtar-Ul-Iman. This movie was passed by Censor Board on 19.02.1985.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6379 | Post No. : | 19778 |
Today’s song is the last and final song of the social film Bade Bhaiya-1951.
As seen in the ‘Hindi film Index’ by Hamraz ji, I found that there were at least 25 films having titles of ‘Bada’, ‘Badi’ and ‘Bade’. There was also another film Bade Bhaiya made in 1957. There films like Bada bhai, Badi behen (3 films), Badi Beti, Bada Ghar, Bade nawab, Bade miyan, Bade Saheb, Bade Sarkar, Bade thakur, Badi bahu, Badi baat etc. etc.
The film Bade Bhaiyya-1951 was probably one of the last films in which actor Agha was the Hero. The film was made by Super Pictures, Bombay. The owner of the banner- Aspi Irani was also the director of this film. The music was by Premnath ( Wadhwan), who was a member of the ‘Same Name Confusion’ pair with actor Premnath (Malhotra). Looking at the persona of actor Premnath, it was strange how so many people thought that he also gave music. Of course actor Premnath actually had received a regular training in classical music from Ustad Jagannath Prasad. He had also sung 2 songs in Hindi films, Rangbhoomi-1946 and Chand Sitare- 1948. However, he stopped singing after that.
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Jo ulfat karega wo rota rahega
Posted on: January 3, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6378 | Post No. : | 19776 |
Madhubala-1950, A Ranjit Movietone film, directed by Prahlad Dutt had music by Pt.Lachhiram. The cast of the film was Madhubala, Dev Anand, Jeevan, Randhir, Manju, Ram Avatar and others.
We have been taught in our school that 2=2 is 4. But in life, sometimes 2+2 is also 22 like, when a Love marriage is by the willing consent of both the families, or getting a child after 10 years of marriage or when your son stands First and wins a Gold medal in his MBBS course, it is the 2+2=22 ! Similarly when ‘Rati’ and ‘Madan’ come together, it is 2+2=22 ! In our language, when the eternal beauty Madhubala pairs with the handsome, young Dev Anand it is 2+2=22 again.
In the film Madhubala-1950, when these two were paired, no wonder people were ecstatic and crowded the cinema halls. No one bothered if the story was weak or the music was third rate. These two were enough to please them. Here, of course the story was good and the music too !
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Agar tum saathh ho
Posted on: January 2, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6377 | Post No. : | 19775 |
A R Rahman – The Musician of 21st Century – 10
The sad and pensive songs have about 30% share in all Bollywood songs. Romantic songs will be a little above at 40%. This is a hazardous line of guessing data game. As there are 100% of them, the rest of 30% shall go in which account? They will be the inane, fillers, comic relief, or item numbers. There are less songs now then the golden era, so there is less or everything. Less of meaningless, song fillers, bathroom break type of songs.
Sad songs of ARR are a special breed. Most award winning songs of other musicians are sad songs, not so for ARR. ARR has more dance songs winning accolades. “Jai Ho” in ‘Slumdog Millionaire” is a case in point. I am not sure where to fit “chanda re chanda re”. It is a romantic song with dance/rhythm.
I am posting here a sad song here from the 2015 film “Tamasha”.One song from the film is posted in the blog. I believe I have seen this film in bits and patches, so cannot recall much.
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- In: "Naam" song | "Nok-Jhonk" song | Anuradha Paudwal songs | Duet | Feelings of heart | Guest posts | Manhar Udhas songs | Manhar Udhas-Anuradha Paudwal duet | One singer singing for several actors | Post by nahm | Question-Answer song | Songs of 1980s (1981 to 1990) | Songs of 1989 | Yearwise breakup of songs
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6375 | Post No. : | 19771 |
In Shakespeare’s Romeo and Juliet, the famous line “What’s in a name? That which we call a rose / By any other name would smell as sweet” means names are mere labels, arbitrary conventions that do not define the essence or true quality of a thing (or person). Juliet says this to Romeo, lamenting that his family name (Montague) is the only barrier to their love, as his actual person is still wonderful regardless of that name.
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Is lok mein is raah mein
Posted on: December 31, 2025
- In: Asha Bhonsle songs | Duet | expression of love | Feelings of heart | Guest posts | Manna Dey songs | Manna Dey-Asha Bhonsle duet | Post by Arunkumar Deshmukh | Rare song | Songs from dubbed films of 1950s | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6375 | Post No. : | 19768 |
Today’s song is from a social film – Suhag-1958.
This was a film dubbed from its Tamil version titled “Tang Malai Ragsiyam”. There was a Kannada version too, titled ” Ratnagiri Rahasyam”. Both the South Indian films were made simultaneously in 1957. The Hindi version was made in 1958. I have not seen this film. All 3 versions were directed by B.R. aka Budagaru Ramakrishnaiah Panthulu. For him this was his DEBUT film as a Director. Not only him, but even his assistant Director – Puttanna Kanagal made his DEBUT in direction. Before direction, both were mere actors. Even in later years, they appeared in a few films as actors.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6374 | Post No. : | 19767 |
Today’s song is from a social film the early era -Janmabhoomi-1936.
This was sort of a hidden or disguised Patriotic film. In those days films were scrutinised minutely by the British Government to eliminate any scene, dialogue or a song, which they suspected was a criticism of the Government. This was to ensure that there should not be any room to create or spread criticism of the Government or to promote patriotism leading to a revolt.
The police became stricter during the war period and it became the reasonKavi pradeep had to go underground for a few months for writing a daring songforthe film ” Kismet”-1943. The song was ” Door hato aye duniya walo (move away, O outsiders)”, which invited the ire of the then Government.
The first Talkie film came in 1931. The first year had just 24 films, but within a span of 3 years, the Talkie films crossed the century mark, with 121 films in 1934, 152 in 1935 and 134 in 1936. Making a film was a complicated process which needed a studio, the latest machinery and a lot of money. This was difficult for a single person and thus the Studio System got established. The studios ruled the industry and the film making. Films were sold on the names of the studios and the actors had secondary appeal to the audience.
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Mere rasiyaa mere man basiyaa
Posted on: December 29, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6373 | Post No. : | 19765 |
‘Naya Kaanoon’ (1965) was produced by Girdharilal Manchanda and was directed by R C Talwar. The cast included Ashok Kumar, Vyjayantimala, Bharat Bhushan, Om Prakash, Purnima, Nishi, Leela Mishra, Badri Prasad, Kamal Mehra etc.
The film’s director, R C Talwar (full name: Raghubir Chandra Talwar) was born in Talagang near Rawalpindi (now in Pakistan) on April 21, 1910 in an affluent family. He completed his graduation from Lahore. Knowing that he was interested in pursuing a career in filmmaking, his father sent him to New York to get trained in film photography and sound engineering. After completing the courses, Talwar returned to India via London where he studied the working of the studio system.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6372 | Post No. : | 19763 |
Today’s song is the last and final song from the coloured social film Rahgir-1969.
I specifically mentioned coloured film, because it was still a novelty for the audience. Even in the 60’s, a few films were made in B & W, but by the end of 1960’s decade they were a thing of the past. Rahgir-1969 was a sort of a hybrid film – mixture of a regular film and a New Wave cinema. The audience was not yet ready for the New Wave Cinema, but the excellent films presented by the select producers and the directors their acceptance was achieved soon. The film was released on 2-7-1969 .
Film Rahgir-1969 was a remake of the celebrated Bengali film “Palatak” (1963). Tarun Majumdar, the director of the remake, had directed the Bengali original along with two co-directors – Sachin Mukherjee and Dilip Mukherjee. The film was based on the story “Angti Chattujjer Vai” by Manoj Basu. Hemant Kumar, who composed the music for the Bengali film, also composed the score for the remake.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6371 | Post No. : | 19761 | Movie Count : |
5174 |
A few weeks back while going through Deepti Naval’s filmography on her Website, I found the mention of one of her films, ‘Anant’. I have never heard of this film. I did not find the mention of this film on any regular film/song-based websites, like IMDb, myswar.in etc. Fortunately, a video clip of the film was available on one of the video sharing platforms which was uploaded by the producer of the film. I watched the film in one sitting and liked it immensely.
Anant (1999) was a tele film which was produced by Project Smita Society and Voluntary Health Association of India and was directed by Raman Kumar. The cast included Deepti Naval, Kanwaljeet Singh, Seema Biswas, Satyadev Dube, Bhakti, Javed Khan, Nanda and Avtar Gill. The story of the film was written by Alok Mukhopadhyay mainly to create an awareness about AIDS/HIV+ . Vinta Nanda wrote the screenplay and dialogues. The film was premiered on Star TV on December 1, 1999, on World Aids Day. Later, it was dubbed in nine languages for being telecast on the regional TV channels. The film was produced in mainstream cinema format with the focus on creating the awareness of AIDs for the people at large. The film is of 70 minutes’ duration.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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