Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Raj Kumar


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5568 Post No. : 18039 Movie Count :

4838

Hullo atuldom

Wishing the Dream Girl of the 1970s, 1980s,1990s a very happy birthday. She is still so dainty, graceful & I shall not use the cliché word “Beautiful”- there is no debate about that.

She has been a favourite of the public through her career – a personal favorite ever since I saw her singing “zindagi ek safar” to her tiny son. Her Geeta in “Seeta aur Geeta” just entrenched her in my head. She followed it up with ‘Basanti’ & my love for her has never dried up.

My tryst with Bollywood began with The Dream Girl and then the other beauties of the industry got added to my file of favourites; but Dream Girl is Dream girl- no two ways about that.

16th October is the date for which I make an attempt to write a post. And I have the usual dilemma- too many options to choose from. My general habit- I try to find anything connected with the debut of the artist. Our Dream Girl is a producer/director in addition to being a classical dancer & actress. Actually it is the other way round- she was first a dancer, then an actress then she turned a producer / director.

She was the unofficial producer of “Sharara”(1984) – almost her debut as producer. R. J. Chakravarti (her brother) was the producer & S. V. Rajendra Singh Babu (I think he was associated with telugu and/or Kannada films) was the director. The songs of the film were written by Anand Bakshi & Laxmikant- Pyarelal used only 3 singers Asha Bhonsle Lata Mangeshkar & Suresh Wadkar.

This was a production for which she is said to have first approached Dharmendra for playing the lead (as quoted in magazines of those times) but ended up having Raaj Kumar (8th October 1926- 3rd July 1996) playing the central character of Dharam Veer Singh Pathan. Shatrughan Sinha, Tina Munim, Kadar Khan, Shakti Kapoor, Ranjeet, Tom Alter, Bob Christo, Asrani, Ramesh Deo, Dina Pathak, Kalpana Iyer, were the other actors in the film. Vijendra Ghatge, Mithun Chakravarti were in guest appearances. The film had an armed forces & espionage based story.

Our Dream Girl (do I need to mention who I am referring to) played a double role of Chandni (Champavati) & Madhu.

The film was given an “A” certificate at the time of its release, hence I was not allowed to see it but there was a Lata Mangeshkar solo which was a party song that was heard often on the Radio, I may have seen it only once in my life. I think it is a multi-part song.

Presenting a song from “Sharara” (1984) in the voice of a “nightingale” on our “Dream Girl”. Wishing Hema Malini all health & happiness with friends & family.

(part 1, audio)-Longer

(part 1, video)

(part 2, video)

Song-Shabnam ka ye qatra hai yaad ka ik sharaara (Sharaara)(1984) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

———————
Part I (Based on audio link)
——————–

hmmmm hmmmm hmm hmmm
lalala aaaa
laa lalaa
lalaalaa

shabnam ka ye qatra hai
yaad ka ik sharaara
shabnam ka ye qatra hai
yaad ka ik sharaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye qatra hai
yaad ka ik sharaara
pyaar mohabbat kehta hai jisko
ye zamaana saara

laalaalalaalaalaalaa
laalaalalaalaalaalaa
lalalalala
laalaalalalalaa

sau raaton ke baad sahi
ik chaand(?) ki raat to hogi
sau raaton ke baad sahi
ik chaand(?) ki raat to hogi
is chaahat mein aakhir koi
aisi baat to hogi
ho o o o o gi
jiski khaatir kar dete hain log marna gawaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye qatra hai

pyaar mohabbat na ho
to na ho koi bhi kahaani
pyaar mohabbat na ho
to na ho koi bhi kahaani
patjhad mein man tarse
na barse saawan mein paani ee
ye jannat ka phool hai koi
ya baadal aawaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye katra hai

laalaalalaalaalaalaa
laalaalalaalaalaalaa
lalalalala
laalaalalalalaa

ik nasha ban kar rehta hai
khaali paimaanon mein
ik nasha ban kar rehta hai
khaali paimaanon mein
mast hawaa ban kar chalta hai
dil ke veeraanon mein aen
dil ke veeraanon mein aen
mere honthhon par aaya hai
ban kar naam tumhaaraa
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye katra hai yaad ka ik sharaara
sharaaraa
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye katra hai
yaad ka ik sharaara aa
pyar mohabbat kehta hai jisko
ye zamaana saara

—————————-
Part II
—————————-
shabnam ka ye qatra hai yaad ka ik sharaara
shabnam ka ye qatra hai yaad ka ik sharaara
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye qatra hai

shaque ek begaana hota hai apnon ki mehfil mein
aankhon mein kya dhoond rahe ho
jhaanko mere dil mein
dil mein
aankhen hain do chamkeele patthar
dil hai ek sitaara
pyar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye qatra hai yaad ka ek sharaara
pyaar mohabbat kehta hai jisko ye zamaana saara
ye zamaana saara
ye zamaana saara
ye zamaana saara


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5404 Post No. : 17731

We all have heard of World Happiness Index. We have heard about it because this index gives India a very low rating. People in India who believe in this rating ironically do not believe in ratings that show India in good light. On the other hand, there are people who wonder how India can be ranked so low when we see countries that appear in far more distress than India ranked higher than India.

There are not too many people who actually buckle down and try to go to the details of this world Happiness Index. Not even the media who report on this topic. I have been thinking of going to the depth of this World Happiness Index for quite some time but I was not able to find time. You see, people like me who are inherently happy most of the time cannot be easily persuaded to waste time analysing an Index that accuses you of belonging to a country whose population is unhappy. 🙂

Nevertheless, someone had to do the painful job of analysing this world Happiness Index. No one in India is seemingly interested so I have volunteered and I have done it. In this post, I will give my findings on this index.

World Happiness Index is published by “The Sustainable Development Solutions Network” of the UN. They release their annual report on 20 march which has been declared as International Day of Happiness.

The General Assembly of the United Nations in its resolution 66/281 of 12 July 2012 proclaimed 20 March as the International Day of Happiness recognizing the relevance of happiness and well-being as universal goals and aspirations in the lives of human beings around the world and the importance of their recognition in public policy objectives.

The meeting was convened at an initiative of Bhutan, a country which recognized the supremacy of national happiness over national income since the early 1970s and famously adopted the goal of Gross National Happiness over Gross National Product.

World Happiness Index is compiled considering six characteristics to rank countries on overall happiness: GDP per capita, social support, life expectancy, freedom to make choices, generosity, and perception of corruption.

Factor Source data Remarks
GDP per capita World Bank /IMF figures Data can be considered objective
Social support Gallup polls Data is highly subjective as will be discussed later
Healthy Life expectancy WHO figures Data is objective
Freedom to make life choices Gallup polls Data is highly subjective as will be discussed later
Generosity Gallup polls Data is highly subjective as will be discussed later
Perception of corruption Gallup polls Data is highly subjective as will be discussed later

Let us discuss these factors in detail.

Following two factors (out of six) can be considered Objective factors:-

Factor Maximum to Minimum range Remarks
GDP per capita 2.200 to 0.000 The GDP/capita is processed in a mathematically complicated mannner to arrive at figures where higher per capita nation gets assigned higher value. Luxembourg gets the highest value while Venezuela gets the lowest value
Healthy life expectancy 0.702 to 0.000 The life expectancy figure is processed in a mathematically complicated mannner to arrive at figures where country with higher life expectancy gets assigned higher value. Hongkong has the highest figure whereas Mozambique gets the lowest figure

I thought that it was not possible to bungle in the above factors because figures for them are available on reputed sites. For example, GDP per capita is available on sites like World Bank, IMF etc. Likewise figures of Life expectancy are available on WHO site.

I notice that the country with the lowest GDP per capita in the Happiness chart is Venuzuela ! It defies logic. Venezuela per capita GDP is $ 7260 on PPP basis and $3460 on Nominal GDP basis in 2022. There are at least 50 countries behind Venezuela on GDP per capita basis. Such glaring error casts severe doubts on the authenticity of Happiness Index, at least for Venezuelans, if not for others. Had Venezuela’s rank been correct on GDP per capita basis, they would have ended up in top 30, instead of ending up at 89th position in the latest Happiness Index, (all other things remaining same).

I hope healthy life expectancy figures do not contain any such glaring errors.

The highest figure theoretically achievable for the above two factors is 2.200 + 0.702= 2.902. The lowest figure theoretically possible is 0.00. The actual highest achieved figures is 2.383 by Taiwan followed by USA of 2.370. So these two countries are the happiest if only GDP per capita and life expectancy rankings are considered. The actual lowest figures achieved on these two factors is 0.341 by Venezuela and 0.570 by Mozambique.
As discussed above, the faulty ranking of Venezuela in GDP per capita means that they end up at the very bottom when we add up its marks for the two factors.

As for India, India will be in 101th position with 1.411 marks. Pakistan with 1.238 will be at 109th position. Nepal 107th with 1.260. Bangladesh 97th with 1.487 marks. Sri Lanka 68th with 1.847 marks.

Now we come to the subjective factors. Unlike figures of GDP per capita and life expectancy which are collected and maintained by reputed world bodies with considerable experience and expertise, no well defined and accepted standards exist to measure the four subjective factors that form such a large part of World Happiness Index. Following are the four subjective factors that are considered while measuring happiness :-

Factor Maximum to Minimum range Remarks
Social support 1.620 to 0.000 Data is highly subjective as will be discussed later Iceland gets the highest rating Afghanistan the lowest
Freedom to make life choices 0.772 to 0.000 Data is highly subjective as will be discussed later .Finland scores the highest Afghanistan the lowest
Generosity 0.422 to 0.000 Data is highly subjective as will be discussed later. Indonesia scores the highest Georgia the lowest
Perception of corruption 0.561 to 0.000 Data is highly subjective as will be discussed later. Singapore scores the highest viz it is least corrupt-Romania considers itself the most corrupt

How were these figures arrived at ? Based on Gallup world polls (GWP). What are Gallup polls? Gallup is an organisation that supposedly approaches a few people and ask them simple YES/ NO questions. Based on the reply, the countries’ Social Support, Freedom to make choices, generosity and perception of corruption are measured and entire country gets branded. It is basically the opinion of the people polled. We know that opinions are not facts, but this World Happiness Index tries to pass off opinion of a few people as facts about a country.

Let us see what questions are asked. Under social support, the question anked is “If you were in trouble, do you have relatives or friends you can count on to help you whenever you need them, or not?”. The national average of the binary responses (0=no, 1=yes) to the Gallup World Poll (GWP) question is taken. In “social support”, India ranked an abysmal 121st, but Pakistan and Bangladesh were even behind India as 123 and 132. Perhaps all these people are watchers of sad Hindi movies where society does not support the love birds. 🙂 I was under the impression that Asian countries with better social and family ties offer way more support to an individual in need than in Western countries where these ties are quite weak. Nevertheless, what people say in this poll matters in the happiness ranking, not the reality.

Under generosity, the question asked was -“Have you donated money to a charity in the past month?”. If the ansewr is yes, then the people of that counry are considered generous other wise they are branded as misers. The fact that there are ways of being generous other than by donating money, such as helping out by devoting time and effort, feeding hungry people free of cost etc does not count towards generosity as far as this happiness index “generosity” factor is concerned. When we look at the chart, we find that Nepal (one of the least developed countries in the world) which even today is getting loan from IMF is ranked at number 26 in Generosity. They consider themselves far more generous than G-7 countries with money like Germany (57), France (113), Japan(135) etc even though Nepal does not lend any money to any other country. All they had to do was just to reply YES to the relevant generosity related poll and they leapfrogged most of the actually generous countries of the world. Likwise Pakistan (ranked 65) is considered more generous than China (88). 🙂 And we thought otherwise. 🙂

Freedom to make life choices is the national average of binary responses to the GWP question “Are you satisfied or dissatisfied with your freedom to choose what you do with your life?” Reply to this question throws up some hilarious rankings. Nepalese, who have hardly any options to chose from, feel that they have full freedom to make their life choices. So much so that they get a rank of 63 which is higher than USA (70) and Japan (71).

Perceptions of corruption are the average of binary answers to two GWP questions: “Is corruption widespread throughout the government or not?” and “Is corruption widespread within businesses or not?”. Where data for government corruption are missing, the perception of business corruption is used as the overall corruption-perception measure. Perception of corruption polls are no less amusing. Myanmar is ranked 33 which is higher than the ranking of USA (38). Even Bangladesh at 40 considers itself less corrupt than South Korea (41), Israel (44), Spain (45) etc. In Indian sub continent, Sri Lankans consider themselves more corrupt than their other south Asian neighbours.

Theoretically the highest scoring country can score the maximum of 3.375 in the four factors (viz. 1.620 + 0.772 + 0.422+ 0.561= 3.375). The highest figure actually achieved under these categories is 3.018 by Finland followed by 3.016 by Denmark.
Likewise the worst scoring country can score a low figure of 0.000 + 0.000 +0.000 + 0.000=0.000. In reality the lowest scoring country in these categories is Afghanistan at 0.152 followed by Lebanon at 0.687.

When we combine the marks of two objective categories with the marks obtained in the four subjective categories then we get overall points under the six catogories. According to that, Singapore emerges first with 5.52 points, Denmark comes at number 2 with 5.503, Sweden is third at 5.492 , Norway is fourth at 5.486, Finland is fifth at 5.441, Israel 23rd at 4.782, USA is 25th at 4.769.

Among Indian subcontinent countries, Sri Lanka is 73rd with 3.817, Nepal at 96th with 3.173, India 101st with 3.057,Bangladesh 106th with 2.922, Pakistan is 114th with 2.649.

I can see vehement protests coming from some quarters because the World Happiness ranking shows India behind all its neigbours in general, and behind Pakistan and Bangladesh in particular.

I am going to explain how India fell behind Pakistan, Bangladesh etc despite outscoring them in the six categories. India was put behind Pakistan and Bangladesh by shifting the goalpost. Yes, those who create this world Happiness Index have kept a trick up their sleeve which they use to manipulate the ranking arbitrary at their whim and fancy. To achieve this manipulation, they have introduced another category called Dystopia + residual.

“Dystopia” is a hypothetical nation that scores the lowest under all categories. Dystopia represents the lowest national averages for each of the six key variables and is, along with residual error, used as a regression benchmark.

From the earlier discussion we have seen that “Dystopia” nation would achieve a score of 0.000 under the six categories. The country that comes the closest to Dystopia in our ranking seen so far is Afghanistan that scores 0.883. Next country after Afghanistan is Comoros with 1.847.

From the above explanation of Dystopia, one would assume that countries that score high marks (and are thus far away from the hypothetical country of Dystopia would have similar marks under the heading of Dystopia + residual. Likewise countries that score poorly under the six factors and are thus closer to Dystopia would be expected to score similar marks under the heading of Dystopia + residual. Not by a long shot ! We cannot be more wrong !

We find that countries that score very high under the six headings and countries that score abysmally can have similar scores under the heading of Dystopia + residual. On the other hand Countries that have similar scores under the six categories can have vastly different scores under the category of Dystopia + residual. In fact, countries that were way behind after adding up their marks under the six categories were made to leapfrog other nations rather unfairly and arbitrarily.

Here are some examples to show the arbitrariness of all this:-

Singapore that stood first in ranking when the scores of six categories were counted was given a score of only 1.067 in the category of Dystopia + residual. Denmark was given 2.084, Sweden 1.903, Norway 1.829 and Finland 2.423.

When this dystopia + Residual category figures were added to the sum total total of the six categories, Finland became the number one nation, whereas Singapore, for no fault of theirs was relegated from number one position down to 26th position. Israel, who were on a lowly 23rd position, jumped up to 4th because they were given a whopping 2.691 under the category of Dystopia + residual.

Let us see the above discussion in tabular form:

Country sum total marks of six categories Ranking after sum total of six categories Marks given in the category of Dystopia + residual Final marks Final ranking
Singapore 5.520 1st 1.067 6.587 26th
Finland 5.441 5th 2.363 7.804 1st
Israel 4.782 23rd 2.691 7.473 4th

We have heard that Finland was number one in the happiness ranking for the fifth year in a row. How creditable, we are told. Now we know how they are achieving their number one ranking year after year. It is by using corrupt means. It has been done by awarding them very high marks and awarding the actual winner very low marks on the artificially and fraudulently created category of dystopia + Residual.

Let us now come to the changes in ranking of Indian subcontinent nations before and after Dystopia + residual marks.

Country sum total marks of six categories Ranking after sum total of six categories Marks given in the category of Dystopia + residual Final marks Final ranking
India 3.057 101st 0.979 4.036 126th
Pakistan 2.649 114th 1.907 4.555 108th
Bangladesh 2.922 106th 1.361 4.282 118th
Nepal 3.173 96th 2.187 5.360 78th
Sri Lanka 3.817 73rd 0.625 4.442 112th

We observe that Sri Lanka was 73rd and India was 101st in the happiness index. But those who publish the list had other ideas. They awarded low marks to India and Sri Lanka and such high marks to Pakistan and Bangladesh under Dystopia + residual that they rose above India. In their over enthusiasm, they awarded such high marks to Nepal that it reached a rank of 78th where it hardly belongs.

India finds itself behind Pakistan and Bangladesh, and also behind countries like Mali and Liberia, but then that was because Mali and Liberia were artificially granted huge points viz 2.070 and 1.869 respectively under the category of Dystopia + residual, otherwise they were at the bottom without the grace marks provided under Dystopia + residual.

The data for this happiness index 2023 is available in the excel sheet format at this link.

The relevant page containing the above data is this and this.

So, my conclusion is, this world happiness Index is a bogus ranking. It is hogwash, it is fraud. It should not be taken seriously. The people behind this ranking are taking people for a ride by creating a list that is based on dubious data where opinions of a few hundred people are used to brand an entire nation as happy or unhappy. When even that does not serve their purpose, they further move nations up or down the list by arbitrarily increasing or decreasing their marks in the column of dystopia + error which itself is a column created to manipulate the rankings.

Gallup methodology of poll shows that they take a poll of a few hundred people without doing any due diligence to ensure that their polls follows the principles of sampling. In a country like India, whose population is more than that of any continent (other than Asia), a truly representative sampling would run into at least 25 thousand people, may be a few lakhs, and it would take elaborate preparation and vast expenditure on the scale of Indian elections opinion polls. I do not think Gallup have bothered to spend so much time, money and effort while carrying out their polls in India, if at all they have bothered to carry it out. Had they done this exercise in India, this would have been a vast exercise and we would have known about it. But we do not know anything about it. So most likely, their poll in India has been an eyewash. Few people seem to have questioned their methodology. Most people interested in Indian affairs seem to have blindly believed this happiness ranking and they have used this ranking to bash the Indian government or it has been used to troll India and Indians.

Based on the above discussion, I feel that the world Happiness Index is not worth the paper it is printed on. Indians should stop giving credence to it because plainly speaking it is nothing but a fraud that has successfully been perpetrated for over a decade by now. Forget Indians, people worldwide should also question the people behind this Index. So far they have managed to avoid scrutiny and have continued on their own merry ways.

I hope readers will now gain some insight into the mechanism of this so called World Happiness Index. The creators of this index decide the ranking beforehand and then they artificially award points under the column of Dystopia + residual. It is the most corrupt methodology to make a list.

I have not yet analysed press freedom index, democracy index, human rights index etc. There too India is ranked low behind countries that have now press freedom, no democracy and no human rights. When I analyse them, I am sure I will find similar gory details there as well.

I have mentioned in the beginning of the post that I am by nature a happy person. My guess is that most readers of this blog are also like me. I feel that music lovers are by nature well adjusted people who find it easy to stay happy most of the time. Even our film songs are no different. In almost all movies of golden era, we had happy joyuos songs where actors would be seen singing and dancing, often for no apparent reasons. On other occasions, they are singing and dancing because it is some festival/ celebration. Indians have so many festivals, and so many occasions of celebration. And all those occasions finds people singing and dancing. If that does not count towards happiness index, that is the problem of the index makers. Indians are more happy than the Happiness Index makers can ever imagine.

Here is a happy song from a movie called “Dil Ka Raja”(1972).

‘Dil Ka Raaja-1972’ was produced by A K Nadiadwala and directed by P. Madhwan for ‘Nadiadwala Associates, Bombay’. The movie had Raj Kumar, Leena Chandavarkar, Ajit, Bindu, Jagdeep, Indrani Mukherjee, Randhir, Meena T., Sheikh, Surendra Rahi, Manjeet, Omkar, Pandit Iqbal, Jankidas, Uma Dutt, Rajesh, Maqbool, Master Anil, Master Ripple, and Waheeda Rehman (in special appearance) etc in it.

The movie had five songs in it. Two songs have been covered in the past.

While looking for a joyous song to go with this post on World Happiness ranking, I came across that song. I realised that I had last heard this song in 1972, when this song was quite a popular song. I loved this song, though I had no inkling which movie this song was from. Now more than half a century later, I find myself getting reunited with this song, like how it happens in a Manmohan Desai movie.

The song is sung by Rafi, Asha Bhonsle and Manna Dey. It is picturised as a joyous dance song on Raj Kumar (double role of father and son, Leena Chandawarkar and Jagdeep plus another person that I could not identify. I request our knowledgeable readers to identify the unidentified person. What a wonderfully lively and joyous song ! Enjoy !


Song-Jin ke paas haathhi ghoda un ke paas dil hai thhoda (Dil ka raaja) (1972) Singers-Rafi, Asha Bhonsle, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
All together

Lyrics

jinke pas haathi ghoda
un ke paas dil hai thhoda
are tum se thhoda
aaha
ke dil ka badshah
aaha
koi tum sa kahaan
aha
kahe saara jaahaan
ho rajaji ee
jinke pass haathi ghoda
un ke paass dil hai thhoda
are tum se thhoda
aaha

ke dil ka badshah
aaha
koi tum sa kahaan
aaha
kahe saara jaahan
ohh raajaji ee ee ee

yoon to kehne sun’ne ko hum bhi hain jawaan
tumse naujawaan kaun hoga
itna(?) sakhi daata ke jaise Bhagwaan
aisa to yahaan kaun hoga
ho o
chaandi ka
sone ka dil tumhaara
aaha
ke dil ka baadshah
aha
koi tumsa kahaan
aha
kahe saara jahaan
o raaja jee ee ee ee

jis ne maanga aangan
diya hai tumne gaaon
jaane raaja saari nagariya
ho o o
laakhon ke liye leke thhandi thhandi chhaanv
tani hai tumhaari chadariya
ho ho ho
laakhon ka aangan hai dil tumhaara
aha
ki dil ka baadshah
aha
koi tumsa kahaan
aaha
kahe saara jahaan
ho rajaji ee ee

ho jinke pass hathi ghoda
unn ke pass dil hai thhoda
are tum se thhoda

aaha
ke dil ka badshah
aaha
koi tum sa kahaan
aaha
kahe saara jahaan
ho ohh rajaji

o o o
o o o o
o o o o o
o jinke paas haathi ghoda
un ke paas dil hai thhoda
are tum se thhoda

aaha
ke dil ka badshah
aaha

koi tum sa kahaan
aaha
kahe saara jaahaan
o raaja jee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5346 Post No. : 17530

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—————–-
#Bhoole-Bisre Geet # (A tribute to Sahir Ludhianvi)
—————————————————————————————

Today 8th March’2023 is the 102nd birth anniversary of poet-lyricist Sahir Ludhianvi.
He was born on this day in 1921 (08.03.1921) and left this mortal world on 25.10.1980.

Much and much has been written about Sahir Ludhianvi and his poems in print media, digital media and on this blog too.

There is nothing new that I am going to write now, but yes, there is still too much that the upcoming generations are going to read and understand about Sahir Ludhianvi. Sahir Ludhianvi has immortalized him in his timeless poems and classics on the wide ranging issues that are and will ever be relevant to humanity forever.

As long as ‘emotions’ will exist in ‘humans body’ Sahir’s poems will be sung and people will find their expressions in the words of Sahir. As long as people dream about a ‘better future’ and continue to ‘hope’ for a ‘new beginning’ Sahir’s words will be motivating them.

The latest in this series was the revival of Sahir’s songs in the movie ‘Chup-2022’.

Then there was a discussion in a group of Sahir Ludhianvi fans on a social media platform regarding relevance of Sahir’s poems in today’s world and the socio-political conditions existing in today’s world.

Well, I will also taking my thoughts further on Sahir’s poetry, its relevance to me as a ‘citizen’ and as ‘common man’ who loves ‘cinema’ and ‘HFM’, that I will be discussing in future on the blog.

For today, as a tribute to Sahir Ludhianvi we will listen to a song written by him for the movie ‘Chambal Ki Kasam-1979’.

‘Chambal Ki Kasam-1979’ was directed by Ram Maheshwary for ‘M.P.D. Productions’.

It was produced by V L Murlidhar.

It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.
Pradeep Kumar makes a guest appearance in this movie, whereas Amjad Khan makes a special appearance in this movie.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee.
Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary.
Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie was passed by Censor Board on 29.12.1979.

‘Chambal Ki Kasam-1979’ has eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.

The following six songs have been posted from this movie earlier on the blog.

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021
Kaun hai mujrim kaun hai munsif 18.02.2021

Today’s song is sung by Lata Mangeshkar. It is lip-synced on screen by Moushumi Chatterjee. It is a ‘female drunkard’ song where the lady is pretending to be drunk. It is my guess that she is trying to get the man to get intoxicated. Ranjeet is the drunk ‘male’.

We can also see Raj Kumar and one other actor (whom Raj Kumar guns down ) in the picturization of this song.

Let us listen to this ‘intoxicated’- song penned by Sahir, and beautifully sung by Lata Mangeshkar and equally beautifully composed by Khayyam Saab…

Audio

Video (Partial)

Song-Kuchh aur bahak jaaun (Chambal Ki Kasam)(1979) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Khayyam

Lyrics

kuchh aur bahak
jaaun
kuchh aur bahak jaaun
tab mere kareeb aana aa
khil jaaun
mahek jaaun
khil jaaun
mahek jaaun
tab mere kareeb aana aa
kuchh aur bahak jaaun

kam kam hai
abhi nashaa
kam kam hai
abhi masti
kam kam hai
abhi nashaa
kam kam hai
abhi masti
huh
thhodi si abhi pee
thhodi si abhi pee hai
thhodi si abhi li hai
hasrat abhi baaki hai
tu aaj ka saaqi hai
peene de
pilaane de
kuchh rang pe aane de
ae ae ae ae ae ae
huh
kam kam hai
kam kam hai
abhi nashaa
kam kam hai
abhi masti
kuchh aur bahak jaaun
kuchh aur bahak jaaun
tab mere kareeb aana aa
kuchh aur bahak jaaun

machle huye is dil ko o
kuchh aur machalne de
machle huye is dil ko o
kuchh aur machalne de
shhh a a
aisi jaldi
aisi jaldi bhi hai kya
garm hone de fazaa
raat dhhalne de zaraa aa
shauk palne de zaraa
dagmagaane de badan
tez hone de lagan
huh
machle ae
machle huye is dil ko o
kuchh aur machalne de
lehraaun
lehak jaaun
lehraaun
lehak jaaun
tab mere kareeb aana aa
kuchh aur bahak jaaun

rag rag mein
utarne de ae
jazbaat ki garmi ko
rag rag mein
utarne de ae
jazbaat ki garmi ko
hunh hunh
dil aur dhadakne..
dil aur dhadakane de
aag aur bhadakne de
tab husn savaa hoga
aalam hi judaa hoga
tab husn savaa hoga
aalam hi judaa hoga
aa aa aa aa aa aa aa
huh
rag rag mein ae
rag rag mein
utarne de ae
jazbaat ki garmi ko
sholaa si dahak jaaun
sholaa aa si dahak jaaun
tab mere kareeb aana aa
kuchh aur bahak jaaun
kuchh aur bahak jaaun
tab mere kareeb aana aa
kuchh aur bahak jaaun


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4579 Post No. : 16191

Sahir Ludhianvi & His Music Directors-5 – (‘Five-movie’ collaboration only)
—————————————————————————–
Welcome all to today’s post. Today we have a song from the ‘1979’ movie ‘Chambal Ki Kasam’. Music for ‘Chambal Ki Kasam-1979’ was composed by Khayyam Saab.

Sahir Ludhianvi and Khayyam Saab collaborated for five movies as given in the table below.
Other than Khayyam Saab it was O.P. Nayyar with whom Sahir Ludhianvi’s collaboration was for the same number of movies i.e., five movies (though ‘Tumsa Nahin Dekha’ had only one song penned by Sahir and 12’ O Clock had two songs by Sahir)

S.no Movie Year MD Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Bade Sarkar 1957 O.P. Nayyar 4 4 4
2 Naya Daur 1957 O.P. Nayyar 9 9 9
3 Tumsa Nahin Dekha 1957 O.P. Nayyar 1 1 1
4 12 O’Clock 1958 O.P. Nayyar 2 2 2
5 Phir Subah Hogi 1958 Khayyam 8 8 8
6 Sone Ki Chidiya 1958 O.P. Nayyar 7 7 7
7 Shagoon 1964 Khayyam 8 8 8
8 Kabhie Kabhie 1976 Khayyam 10 10 12
9 Trishul 1978 Khayyam 8 7 8
10 Chambal Ki Kasam 1979 Khayyam 4 8 8
Total 61 64 67

‘Chambal Ki Kasam-1979’ was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora. Pradeep Kumar makes a guest appearance in this movie, whereas Amjad Khan makes a special appearance in this movie.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialouges were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie was passed by Censor Board on 29.12.1979.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
As mentioned above music of this movie was composed by Khayyam Saab and lyrics for all the eight songs were penned by Sahir Ludhianvi.

Four songs of this movie have been posted on the blog so far.

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016

If we summarize the ‘Sahir-Music director collaboration’ statistics considering ‘one movie collaboration’ to ‘five-movies’ each we get the following table; (updated till today)

S.no MD No of movies together Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 G.D. Kapoor 1 1 4 4
2 Shyam Sundar 1 8 8 8
3 Ali Akbar Khan 1 7 8 8
4 Dhani Ram 1 1 1 1
5 Vasant Ramchandra 1 7 7 7
6 Manohar 1 1 1 1
7 Sudha Malhotra 1 1 1 1
8 Nirmal Kumar 1 1 1 1
9 Hemant Kumar 1 7 7 7
10 Robin Banerjee 1 1 1 1
11 C. Ramchandra 1 7 7 7
12 Sonik Omi 1 2 5 5
13 C. Arjun 1 5 4 5
14 Rajesh Roshan 1 7 6 7
15 Hridaynath Mangeshkar 1 5 5 5
16 Anil Biswas 2 8 8 7
17 Usha Khanna 2 3 3 3
18 Chitragupta 2 13 13 13
19 Sapan Chakravarty 2 11 11 12
20 Kalyanji-Anandji 2 7 9 9
21 Ravindra Jain 2 5 10 10
22 Madan Mohan 3 24 23 23
23 Jaidev 4 18 17 16
24 R.D. Burman 4 22 25 24
25 O.P. Nayyar 5 23 23 23
26 Khayyam 5 38 41 44
TOTAL 48 233 249 252

Today’s song is sung by Lata Mangeshkar and lip-synced on screen by Moushumi Chatterjee. Raj Kumar, Shatrughan Sinha, Paintal and others can also be seen in the picturization of this song.

Let us now enjoy this song.

Audio (Longer)

Video

Song-Marta hai koi to mar jaaye (Chambal Ki Kasam)(1979) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Khayyam

Lyrics(Provided by Prakashchandra)

martaa hai
koyi to mar jaaye
aa aa aa aa aa
martaa hai koyi to mar jaaye
ham apnaa nishaana kyun chhoden
ham apnaa nishaana kyun chhoden
dil waale bachaayen dil apnaa
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

majboor naa ho ton ishq hi kya
aa aa aa aa aa aa aa aa aa
majboor naa ho to ishq hi kya
magroor naa ho to husn hi kya
aa aa aa aa aa aa
tum ham ko manaanaa kyun chhodo
ham tumko sataanaa kyun chhoden
ham tumko sataanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

(dialogue by Rajkumar)

jo ham ko naseehat karte hain ae
jo ham ko nasihat karte hain
wo apnaa zamaanaa dekh chuke ae
dekh chuke ae ae ae
ham par bhi jawaani aayi hai
aa aa aa aa aa
ham par bhi jawaani aayi hai
ham apnaa zamaanaa kyun chhoden
ham apnaa zamaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae

duniyaa to hamaare saamne hai
ae ae ae ae
aa aa aa aa aa aa aa
duniyaa to hamaare saamne hai
Jannat ka pataa kya
ho ke naa ho o o o o o o o
jannat mein chhupi daulat ke liye
duniyaa ka khazaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4466 Post No. : 15955 Movie Count :

4372

‘Ulfat’ was the maiden offer from K Razdan, the producer. The film was directed by K Shankar, who had directed many Tamil and Telugu films apart from some Hindi films such as ‘Bharosa’ (1963), ‘Rajkumar’ (1964), ‘Sachaai’ (1969), ‘Parde Ke Peeche’ (1971), ‘Chhote Sarkaar’ (1974), ‘Raja’ (1975) etc. The main star cast consisted of Raaj Kumar, Sadhana, Waheeda Rehman, Nazir Hussain, Agha, Shammi, Gulshan Bawra, Ramesh Deo, Seema Deo, Mohan Choti, Sundar etc.

K Razdan started his career as a film publicist and Public Relation Officer for some film productions houses and actors. He was associated with Guru Dutt Films, Ashok Kumar Films, Sippy Films, Sagar Films, Vishal International Productions of Manoj Kumar etc. ‘Ulfat’ was his maiden film as well as the last film as a producer. Why did the film ‘Ulfat’ which went to the floor sometime in early 1970s, take so much time to complete?

I had read an article on Raaj Kumar in ‘Daily Hunt’ in which there was a paragraph on Raaj Kumar creating problems for K Razdan, the producer during the shooting of the film. For trivial issues, Raaj Kumar used to have problems with other actors and crew members. For instance, Raaj Kumar did not like Cinematographer, G Singh for his habit of scratching his beard while filming the shoot. One can observe from the credit title of the film that there were 3 cinematographers listed for the film.

Fed up with his tantrums, K Razdan filed a suit in the court against Raaj Kumar. While it is not known as to what was the outcome of the suit, Razdan was happy that at least he made Raaj Kumar to sit on a wooden bench in the court room with commoners during the court hearings. K Razdan decided to expose Raaj Kumar by writing a book, ‘Nark Yatra’ sharing his experiences of working with Raaj Kumar. However, he refrained from publishing the book. Finally, in disgust, K Razdan abandoned the film left unfinished. He continued to work as film publicist and PRO in the Hindi film industry till 1990.

Raaj Kumar has been known for his eccentricity. His decision to take charge of the unfinished film in early 1990s with good amount of investment was nothing less than a part of his eccentric behaviour. He required Sadhana for shooting a college scene and a romantic song with him. However, she flatly refused to join the shooting. Her rejection is understandable as in early 1990s, Sadhana was around 50 and Raaj Kumar was 64. The audience would not have appreciated watching both of them in a college scene and singing a romantic song!

Finally, Raaj Kumar completed the film by using a double for shooting the unfinished scenes of Sadhana with long shots and her back to the camera in close-up scenes. Of other actors, only Waheeda Rehman agreed to resume shooting for her parts. The dialogues for the left-over scenes were written by Raaj Kumar himself. Panini, his younger son, provided the background music. Obviously, with a long delay in completing the film with patched-up works, the film was out of date. There were no takers for distributing the films. Finally, according to a comment on one of the songs uploaded on the video sharing platform, the film was released under a new title. ‘Ulfat Ki Nayi Manzilein’ (1994) on VHS tapes in August 1994 for satellite TVs. I am not sure whether the film had a theatrical release anytime thereafter.

I have no idea about the story of ‘Ulfat Ki Nayi Manzilein’ (1994). Looking at the star cast of the film, the story appears to be a love triangle. All the 5 songs of the film which was released by HMV on LP in 1978 were retained in the film. 4 songs were written by Rajinder Krishan while one song which Qateel Shifai had already written for a Pakistani film in the early 70s was used with a new tune. All the songs were set to music by Kalyanji-Anandji.

I am presenting the first song, ‘bahaaron se kahenge nazaaron se kahenge’ from ‘Ulfat’ (1978, UR/‘Ulfat Ki Nayi Manzilein’ (1994) to appear on the Blog. The song is sung by Lata Mangeshkar and Mohammed Rafi on the words of Rajinder Krishan. Kalyanji-Anandji composed the music. The song is picturised on Raaj Kumar and a double of Sadhana.

At first, I was not too keen to provide the link of the video clip of the song which was probably taken from VHS tape of the film. The visuals are very bad and audio quality is average. Also, it is a shorter clip than the audio clip which was released in 1978 under the film’s original title ‘Ulfat’. One can make out from the visuals in video clip that the female actor is not Sadhana but her double. The audio clip of the song is excellent in audio quality and is longer. In the audio clip, there is also a bonus addition of the sad version of the song with dialogues between Raaj Kumar and Sadhana.

With this song, ‘Ulfat Ki Nayi Manzilein’ (1994) makes its debut on the Blog.

Audio Clip:

Video Clip:

Song-Bahaaron se kahenge nazaaron se kahenge (Ulfat Ki Nayi Manzilen)(1994) Singers-Lata, Rafi, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Both

Lyrics

la la la la la la laa
la la la la
la la la la la laa
bahaaron se kahenge
nazaaron se kahenge
bahaaron se kahenge
nazaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge
bahaaron se kahenge

bahaaron se na kehna
nazaaron se na kehna
bahaaron se na kehna
nazaaron se na kehna
ye do dilon ki baat hai
hazaaron se na kehna..aa
bahaaron se na kehna

chhupaane se to pyaar na chhupaaya jaayega
chhupaane se to pyaar na chhupaaya jaayega
bujhaane se ye shola na bujhaaya jaayega

zamaane se na kehna ke jalega zamaana
zamaane se na kehna ke jalega zamaana
karega badnaami banega afsaana
acchaa
hmm
zamaane ka jo dar hai
sitaaron se kahenge
zamaane ka jo dar hai
sitaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge
bahaaron se kahenge

bahaaron se na kehna
nazaaron se na kehna
bahaaron se na kehna
nazaaron se na kehna
ye do dilon ki baat hai
hazaaron se na kehna aa
bahaaron se na kehna

abhi to nayi nayi mulaakaat huyi hai
abhi to nayi nayi mulaakaat huyi hai
nigaahon hi nigaahon mein to baat huyi hai
hawaayen jaanti hain
ghataayen jaanti hain
hawaayen jaanti hain
ghataayen jaanti hain
jahaan se gujre hain
wo raahen jaanti hain

accha
hoon
jubaan se na kahenge
ishaaron se kahenge
jubaan se na kahenge
ishaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge ae
bahaaron se kahenge
bahaaron se kahenge
nazaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge ae
bahaaron se kahenge

bahaaron ne kaha thhaa
nazaaron ne kaha thhaa aa
bahaaron ne kaha thha
nazaaron ne kaha thha
ye duniya bewafa hai
hazaaron ne kaha thha aa
hazaaron ne kaha thha

[Dialogues]


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Blog Day : 4464 Post No. : 15947

“Zindagi”(1964) was directed by Ramanand Sagar for Gemini , Madras. This “social” movie had Vyjyanti Mala, Rajendra Kumar, Raj Kumar, Mehmood, Jayant, Jeewan, Kanhaiyalal, Dhumal, Hiralal, Master Shahid, Prithviraj Kapoor, Helen, Leela Chitnis, Mumtaz Begam, Pushpawalli etc in it.

The movie had thirteen songs in it. Ten of these songs have been covered in the past.

Here is the eleventh song from “Zindagi”(1964) to appear in the blog. This song is sung by Manna Dey. It is picturised on Raj Kumar, lip syncing this song of hasrat (longing) in front of a portrait of Vyjyanti Mala.

Hasrat Jaipuri is (quite appropriately) the lyricist. 🙂 Music is composed by Shankar Jaikishan.


Song-Dil ko baandha zulf ki zanjeer se (Zindagi)(1964) Singer-Manna Dey, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

dil ko bandha zulf ki zanzeer se
hosh loote husn ki taaseer se
hum kahan tak zapt karte dard e dil
haal e dil kehna pada tasveer se

baat dil ki zabaan pe rehti hai
lafz honthon pe thharthharaate hain
tum pe jab bhi nazar milaata hoon
mere armaan kaanp jaate hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15845

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 64
———————————————————————————–

Ten years ago on this date (29 august 2010), as many as seven songs from seven different movies were covered in the blog. Here are their details:-

Blog song post number Song Movie-Year Remarks
2864 Haay mera dil le gaya koi aake ishaaron se Parbat 1952 Movie YIPPEED
2865 I love you O madam Dulhan 1958 5 songs covered (out of 8)
2866 Chaand ko dekho ji Chaand Mere Aaja 1960 6 songs covered out of 7. The seventh song too is apparently part of an already covered song
2867 Pyaase panchhi neel gagan mein geet milan ke gaayen Pyaase Panchhi 1960 5 songs covered out of 10
2868 Apni bhi kyaa zindagi hai niraali Aas Ka Panchhi 1961 YIPPEED
2869 Beta jamoore kah de duniya ko lalkaar ke Biraadari 1966 YIPPEED
2870 Chup ho aaj kaho kyaa hai baat Chhattees Ghante 1974 YIPPEED

“Dulhan”(1958) is still eligible for Blog Ten year Challenge” ten years later today (29 august 2020). The movie had nine songs in it and five of them have been covered so far.

Here are these songs of “Dulhan”(1958) that have been covered so far:-

Song Posted On
Jiyaa sharmaaye nazar jhuki jaaye 07.08.2010
I love you Madam Multiple version song 29.08.2010
Mooliram aur bhindimal ka nikal gayaa hai deewaala 14.04.2012
Mere gore gore gaal 25.11.2018

Here is the sixth song from “Dulhan”(1958) to appear in the blog. The picturisation shows Nirupa Roy leaving Raj Kaumar, but then changes her mind. Some dialogue from Raj Kumar are followed by a few lines of Hemant Kumar after which it is all Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Ravi.

HFGK mentions this song as a female solo, and the audio of the song is indeed a female solo song in Asha Bhonsle’s voice, but we can see from the picturisation that the song begins with Hemant Kumar’s voice. Remark in HFGK mentions that this song was sung by Hemant Kumar in a prose form. We can see that the picturisation combines these two seemingly separate songs to form what looks like a duet song. Incidentally, no records were made of Hemant Kumar version and it is there only in the picturisation.

Lyrics of this song were sent to me by Prakashchandra while BTYC details were provided by Avinash Scrapwala.

Lyrics of video link:(contains Hemant Kumar`s voice while the song begins)
video link:

audio link(does not contains Hemant Kumar`s lines)

Song-Rukne lage kadam aur…Kaise jaaoon main piyaa (Dulhan)(1958) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-P L Santoshi, MD-Ravi

Lyrics(Provided by Prakashchandra)

(dialogues)

rukne lagey kadam
aur jhukne lagi nigaahein
aasaan ho chali hain
ulfat ki apni raahein

kaissey
jaaoon main piyaa.aaa
moraa..aaa maaney na jiyaa
tooney mujh pe
na jaaney kaissa jaadu kiyaa

kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

ye mulaaqaat kaissi hamaari huyee
ye mulaaqaat kaissi hamaari huyee
main to pehli nazar mein tumhaari huyi
tum to nikley balamwa badey hi chhaliyaa
tum to nikley balamwa badey hi chhaliyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

bairi duniya ki baaton mein aanaa nahin
bairi duniya ki baaton mein aanaa nahin
mujhe dil se kabhi tum bhulaanaa nahin
charnon mein tumhaari rahoongi rasiya
charnon mein tumhaari rahoongi rasiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4308 Post No. : 15581

“Chhattees Ghante”(1974) was produced and directed by Raj Tilak for Tilak movies private Limited, Bombay. The movie had Sunil Dutt, Mala Sinha, Raj Kumar, Parveen Babi, Iftekhar, Ashoo, Ramesh Deo, Danny Denzongpa, Alankar Joshi, Sonia Sahni, Jagdish Raaj, Deven Verma, Urmila Bhatt, Madan Puri etc in it.

The movie had four songs in it. Two of these songs have been covered in the past.

Here is the third song from “Chhattees Ghante”(1974) to appear in the blog. This song is sung by Mahendra Kapoor and Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Sapan Chakravorty.

The song is picturised as a Lord Ram bhajan. The picturisation shows Raj Kumar and Mala Sinha singing this bhajan. Master Alankar joshi, late for the bhajan by a few seconds, is hesitant to join his parents. Mala Sinha does not frown and gives him a pat assuring him that he may take his seat. And who is the lady seated behind them, devotedly joining her hands together. She is Parveen Babi.

It is rather unusual to see Raj Kumar and Parveen Babi, and also Mala Sinha to some extent, singing a bhajan. So that way, this song is a special song. 🙂

The picturisation also shows Ranjeet, trying to enter the house stealthily. So, unlike the other characters, he sticks faithfully to his reputation Hindi movies.

It is quite a nice and soothing song to listen to, especially in the morning. I listened to this song for the first time this morning, some 46 years after this song was created. 🙂

Audio

Video

Song – Teen lok par raaj tihaara (Chhattes Ghante) (1974) Singers – Mahendra Kapoor, Asha Bhonsle, Lyrics – Sahir Ludhianvi, MD – Sapan Chakravorthy
Mahendra Kapoor + Asha Bhosle

Lyrics (Provided by Avinash Scrapwala)

teen lok par raaj tihaara
chaar khoont tora dhaam re ae
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re
teen lok par raaj tihaara
char khoont tora dhaam re
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re

prabhu tumhre haath hazaar
sada rakhiyo laaj hamaar
prabhu tumhre haath hazaar
sada rakhiyo laaj hamaar
o o

tum ho jagat ke swaami
hum hain moorakh agyaani
girne lage to leejo thhaam re ae
rakhiyo najar shri Raam re

tori rachna sab sansaar
tori leela aprampaar

tori rachna sab sansaar
tori leela aprampaar
o o
sankat ko taale tu hi
doobe ubhhaare tu hi
dukh bhanjan tero naam re ae
rakhiyo najar shri Raam re
teen lok par raaj tihaara
chaar khoont tora dhaam re
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re

———————————————
Devnagri Script Lyrics (Provided by Avinash Scrapwala)
———————————————

तीन लोक पर राज तिहारा
चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे

तीन लोक पर राज तिहारा

चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे

प्रभु तुमरे हाथ हज़ार
सदा रखियों ओ लाज हमार
प्रभु तुमरे हाथ हज़ार
सदा रखियो ओ लाज हमार
ओ ओ
तुम हो जगत के स्वामी
हम है मुरख अज्ञानी
गिरने लगे तो लीजो थाम रे ए
रखियो नज़र श्री राम रे

तोरी रचना सब संसार
तोरी लीला अपरमपार
तोरी रचना सब संसार
तोरी लीला आ अपरमपार
ओ ओ
संकट कों टाले तू ही
डूबे उभारे तू ही
दुःख भंजन तेरो नाम रे ए
रखियो नज़र श्री राम रे

तीन लोक पर राज तिहारा
चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3937 Post No. : 15012

“Kudrat”(1981) was produced by B S Khanna and directed by Chetan Anand for Trishakti Productions, Bombay.

This multi starrer movie had Rajkumar, Rajesh Khanna, Hema Malini, Vinod Khanna, Priya Rajwansh, Aruna Irani, Deven Verma, Om Shivpuri, Keshto Mukheri, Shammi, Sapru, Kumar Aditya, Sundar, Vandana Shashtry,, Kalpana aiyyar, Tom Alter, Jolie, Daramveer, Ved Goswami, Raja Duggal, Darshan, Ratna, Rajrani, Ashok Khanna, Sunil Raahi, Pinchoo Kapoor, A K Hangal, Satyen Kappoo, Raj Mehra etc in it.

The movie was a multistarrer but most stars were were past their primes for one reason or the other. So this movie failed to attract me to the movie hall. Even today, I have not watched this movie.

The movie had eight songs in it. Seven of these songs have been covered in the past. The first three songs were covered in early days of the blog viz in 2008 and 2009. The next song was covered in 2013. The penultimate song was covered in 2018.

Here is the details of the songs from the movie that have been covered in the past :-

1 Hamen tumse pyaar kitna Multiple version song 377 12-Dec-08
2 Toone o rangeele kaisa jaadoo kiya 846 4-Mar-09
3 Chhodo sanam kaahe ka gham 1219 4-May-09
4 Dukh sukh ki har ik maala multiple version song 8331 11-Jul-13
5 Saawan nahin bhaadon nahin 14307 27-Apr-18

The eighth and final song from “Kudrat”(1981) is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised as a get together piano song where an actor (Priya Rajwansh) in this case plays a piano and sings simultaneously- an Herculean task, but people watching Hindi movies have come to regard it as quite an easy task, a baayen haath ka khel. 🙂

The picturisation also shows other main actors viz Raj Kumar, Rajesh Khanna etc. The song culminates when Hema Malini, accompanied by Vinod Khanna, makes a grand entry to the get together.

With this song, all the songs of “Kudrat”(1981) get covered and “Kudrat”(1981) joins the list of movis that are YIPPEED in the blog.

Audio – Part I

Video

Audio – Part II

Song-Sajti hai yoon hi mahfil (Kudrat)(1981) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

ho o
sajti hai yoon hi mehfil
sajti hai yoon hi mehfil
rang yoon hi dhalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yu hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaayen
hum
saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaaye hum
shaam ye murado ki
subah tak to chalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
aaj to dilon jaan ki hasraten nikalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2024) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

18313

Number of movies covered in the blog

Movies with all their songs covered =1411
Total Number of movies covered=4951

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