Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Raj Kumar


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4579 Post No. : 16191

Sahir Ludhianvi & His Music Directors-5 – (‘Five-movie’ collaboration only)
—————————————————————————–
Welcome all to today’s post. Today we have a song from the ‘1979’ movie ‘Chambal Ki Kasam’. Music for ‘Chambal Ki Kasam-1979’ was composed by Khayyam Saab.

Sahir Ludhianvi and Khayyam Saab collaborated for five movies as given in the table below.
Other than Khayyam Saab it was O.P. Nayyar with whom Sahir Ludhianvi’s collaboration was for the same number of movies i.e., five movies (though ‘Tumsa Nahin Dekha’ had only one song penned by Sahir and 12’ O Clock had two songs by Sahir)

S.no Movie Year MD Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Bade Sarkar 1957 O.P. Nayyar 4 4 4
2 Naya Daur 1957 O.P. Nayyar 9 9 9
3 Tumsa Nahin Dekha 1957 O.P. Nayyar 1 1 1
4 12 O’Clock 1958 O.P. Nayyar 2 2 2
5 Phir Subah Hogi 1958 Khayyam 8 8 8
6 Sone Ki Chidiya 1958 O.P. Nayyar 7 7 7
7 Shagoon 1964 Khayyam 8 8 8
8 Kabhie Kabhie 1976 Khayyam 10 10 12
9 Trishul 1978 Khayyam 8 7 8
10 Chambal Ki Kasam 1979 Khayyam 4 8 8
Total 61 64 67

‘Chambal Ki Kasam-1979’ was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora. Pradeep Kumar makes a guest appearance in this movie, whereas Amjad Khan makes a special appearance in this movie.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialouges were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie was passed by Censor Board on 29.12.1979.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
As mentioned above music of this movie was composed by Khayyam Saab and lyrics for all the eight songs were penned by Sahir Ludhianvi.

Four songs of this movie have been posted on the blog so far.

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016

If we summarize the ‘Sahir-Music director collaboration’ statistics considering ‘one movie collaboration’ to ‘five-movies’ each we get the following table; (updated till today)

S.no MD No of movies together Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 G.D. Kapoor 1 1 4 4
2 Shyam Sundar 1 8 8 8
3 Ali Akbar Khan 1 7 8 8
4 Dhani Ram 1 1 1 1
5 Vasant Ramchandra 1 7 7 7
6 Manohar 1 1 1 1
7 Sudha Malhotra 1 1 1 1
8 Nirmal Kumar 1 1 1 1
9 Hemant Kumar 1 7 7 7
10 Robin Banerjee 1 1 1 1
11 C. Ramchandra 1 7 7 7
12 Sonik Omi 1 2 5 5
13 C. Arjun 1 5 4 5
14 Rajesh Roshan 1 7 6 7
15 Hridaynath Mangeshkar 1 5 5 5
16 Anil Biswas 2 8 8 7
17 Usha Khanna 2 3 3 3
18 Chitragupta 2 13 13 13
19 Sapan Chakravarty 2 11 11 12
20 Kalyanji-Anandji 2 7 9 9
21 Ravindra Jain 2 5 10 10
22 Madan Mohan 3 24 23 23
23 Jaidev 4 18 17 16
24 R.D. Burman 4 22 25 24
25 O.P. Nayyar 5 23 23 23
26 Khayyam 5 38 41 44
TOTAL 48 233 249 252

Today’s song is sung by Lata Mangeshkar and lip-synced on screen by Moushumi Chatterjee. Raj Kumar, Shatrughan Sinha, Paintal and others can also be seen in the picturization of this song.

Let us now enjoy this song.

Audio (Longer)

Video

Song-Marta hai koi to mar jaaye (Chambal Ki Kasam)(1979) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Khayyam

Lyrics(Provided by Prakashchandra)

martaa hai
koyi to mar jaaye
aa aa aa aa aa
martaa hai koyi to mar jaaye
ham apnaa nishaana kyun chhoden
ham apnaa nishaana kyun chhoden
dil waale bachaayen dil apnaa
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

majboor naa ho ton ishq hi kya
aa aa aa aa aa aa aa aa aa
majboor naa ho to ishq hi kya
magroor naa ho to husn hi kya
aa aa aa aa aa aa
tum ham ko manaanaa kyun chhodo
ham tumko sataanaa kyun chhoden
ham tumko sataanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

(dialogue by Rajkumar)

jo ham ko naseehat karte hain ae
jo ham ko nasihat karte hain
wo apnaa zamaanaa dekh chuke ae
dekh chuke ae ae ae
ham par bhi jawaani aayi hai
aa aa aa aa aa
ham par bhi jawaani aayi hai
ham apnaa zamaanaa kyun chhoden
ham apnaa zamaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae

duniyaa to hamaare saamne hai
ae ae ae ae
aa aa aa aa aa aa aa
duniyaa to hamaare saamne hai
Jannat ka pataa kya
ho ke naa ho o o o o o o o
jannat mein chhupi daulat ke liye
duniyaa ka khazaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4466 Post No. : 15955 Movie Count :

4372

‘Ulfat’ was the maiden offer from K Razdan, the producer. The film was directed by K Shankar, who had directed many Tamil and Telugu films apart from some Hindi films such as ‘Bharosa’ (1963), ‘Rajkumar’ (1964), ‘Sachaai’ (1969), ‘Parde Ke Peeche’ (1971), ‘Chhote Sarkaar’ (1974), ‘Raja’ (1975) etc. The main star cast consisted of Raaj Kumar, Sadhana, Waheeda Rehman, Nazir Hussain, Agha, Shammi, Gulshan Bawra, Ramesh Deo, Seema Deo, Mohan Choti, Sundar etc.

K Razdan started his career as a film publicist and Public Relation Officer for some film productions houses and actors. He was associated with Guru Dutt Films, Ashok Kumar Films, Sippy Films, Sagar Films, Vishal International Productions of Manoj Kumar etc. ‘Ulfat’ was his maiden film as well as the last film as a producer. Why did the film ‘Ulfat’ which went to the floor sometime in early 1970s, take so much time to complete?

I had read an article on Raaj Kumar in ‘Daily Hunt’ in which there was a paragraph on Raaj Kumar creating problems for K Razdan, the producer during the shooting of the film. For trivial issues, Raaj Kumar used to have problems with other actors and crew members. For instance, Raaj Kumar did not like Cinematographer, G Singh for his habit of scratching his beard while filming the shoot. One can observe from the credit title of the film that there were 3 cinematographers listed for the film.

Fed up with his tantrums, K Razdan filed a suit in the court against Raaj Kumar. While it is not known as to what was the outcome of the suit, Razdan was happy that at least he made Raaj Kumar to sit on a wooden bench in the court room with commoners during the court hearings. K Razdan decided to expose Raaj Kumar by writing a book, ‘Nark Yatra’ sharing his experiences of working with Raaj Kumar. However, he refrained from publishing the book. Finally, in disgust, K Razdan abandoned the film left unfinished. He continued to work as film publicist and PRO in the Hindi film industry till 1990.

Raaj Kumar has been known for his eccentricity. His decision to take charge of the unfinished film in early 1990s with good amount of investment was nothing less than a part of his eccentric behaviour. He required Sadhana for shooting a college scene and a romantic song with him. However, she flatly refused to join the shooting. Her rejection is understandable as in early 1990s, Sadhana was around 50 and Raaj Kumar was 64. The audience would not have appreciated watching both of them in a college scene and singing a romantic song!

Finally, Raaj Kumar completed the film by using a double for shooting the unfinished scenes of Sadhana with long shots and her back to the camera in close-up scenes. Of other actors, only Waheeda Rehman agreed to resume shooting for her parts. The dialogues for the left-over scenes were written by Raaj Kumar himself. Panini, his younger son, provided the background music. Obviously, with a long delay in completing the film with patched-up works, the film was out of date. There were no takers for distributing the films. Finally, according to a comment on one of the songs uploaded on the video sharing platform, the film was released under a new title. ‘Ulfat Ki Nayi Manzilein’ (1994) on VHS tapes in August 1994 for satellite TVs. I am not sure whether the film had a theatrical release anytime thereafter.

I have no idea about the story of ‘Ulfat Ki Nayi Manzilein’ (1994). Looking at the star cast of the film, the story appears to be a love triangle. All the 5 songs of the film which was released by HMV on LP in 1978 were retained in the film. 4 songs were written by Rajinder Krishan while one song which Qateel Shifai had already written for a Pakistani film in the early 70s was used with a new tune. All the songs were set to music by Kalyanji-Anandji.

I am presenting the first song, ‘bahaaron se kahenge nazaaron se kahenge’ from ‘Ulfat’ (1978, UR/‘Ulfat Ki Nayi Manzilein’ (1994) to appear on the Blog. The song is sung by Lata Mangeshkar and Mohammed Rafi on the words of Rajinder Krishan. Kalyanji-Anandji composed the music. The song is picturised on Raaj Kumar and a double of Sadhana.

At first, I was not too keen to provide the link of the video clip of the song which was probably taken from VHS tape of the film. The visuals are very bad and audio quality is average. Also, it is a shorter clip than the audio clip which was released in 1978 under the film’s original title ‘Ulfat’. One can make out from the visuals in video clip that the female actor is not Sadhana but her double. The audio clip of the song is excellent in audio quality and is longer. In the audio clip, there is also a bonus addition of the sad version of the song with dialogues between Raaj Kumar and Sadhana.

With this song, ‘Ulfat Ki Nayi Manzilein’ (1994) makes its debut on the Blog.

Audio Clip:

Video Clip:

Song-Bahaaron se kahenge nazaaron se kahenge (Ulfat Ki Nayi Manzilen)(1994) Singers-Lata, Rafi, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Both

Lyrics

la la la la la la laa
la la la la
la la la la la laa
bahaaron se kahenge
nazaaron se kahenge
bahaaron se kahenge
nazaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge
bahaaron se kahenge

bahaaron se na kehna
nazaaron se na kehna
bahaaron se na kehna
nazaaron se na kehna
ye do dilon ki baat hai
hazaaron se na kehna..aa
bahaaron se na kehna

chhupaane se to pyaar na chhupaaya jaayega
chhupaane se to pyaar na chhupaaya jaayega
bujhaane se ye shola na bujhaaya jaayega

zamaane se na kehna ke jalega zamaana
zamaane se na kehna ke jalega zamaana
karega badnaami banega afsaana
acchaa
hmm
zamaane ka jo dar hai
sitaaron se kahenge
zamaane ka jo dar hai
sitaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge
bahaaron se kahenge

bahaaron se na kehna
nazaaron se na kehna
bahaaron se na kehna
nazaaron se na kehna
ye do dilon ki baat hai
hazaaron se na kehna aa
bahaaron se na kehna

abhi to nayi nayi mulaakaat huyi hai
abhi to nayi nayi mulaakaat huyi hai
nigaahon hi nigaahon mein to baat huyi hai
hawaayen jaanti hain
ghataayen jaanti hain
hawaayen jaanti hain
ghataayen jaanti hain
jahaan se gujre hain
wo raahen jaanti hain

accha
hoon
jubaan se na kahenge
ishaaron se kahenge
jubaan se na kahenge
ishaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge ae
bahaaron se kahenge
bahaaron se kahenge
nazaaron se kahenge
hum ho chuke tumhaare
hazaaron se kahenge ae
bahaaron se kahenge

bahaaron ne kaha thhaa
nazaaron ne kaha thhaa aa
bahaaron ne kaha thha
nazaaron ne kaha thha
ye duniya bewafa hai
hazaaron ne kaha thha aa
hazaaron ne kaha thha

[Dialogues]


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4464 Post No. : 15947

“Zindagi”(1964) was directed by Ramanand Sagar for Gemini , Madras. This “social” movie had Vyjyanti Mala, Rajendra Kumar, Raj Kumar, Mehmood, Jayant, Jeewan, Kanhaiyalal, Dhumal, Hiralal, Master Shahid, Prithviraj Kapoor, Helen, Leela Chitnis, Mumtaz Begam, Pushpawalli etc in it.

The movie had thirteen songs in it. Ten of these songs have been covered in the past.

Here is the eleventh song from “Zindagi”(1964) to appear in the blog. This song is sung by Manna Dey. It is picturised on Raj Kumar, lip syncing this song of hasrat (longing) in front of a portrait of Vyjyanti Mala.

Hasrat Jaipuri is (quite appropriately) the lyricist. 🙂 Music is composed by Shankar Jaikishan.


Song-Dil ko baandha zulf ki zanjeer se (Zindagi)(1964) Singer-Manna Dey, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

dil ko bandha zulf ki zanzeer se
hosh loote husn ki taaseer se
hum kahan tak zapt karte dard e dil
haal e dil kehna pada tasveer se

baat dil ki zabaan pe rehti hai
lafz honthon pe thharthharaate hain
tum pe jab bhi nazar milaata hoon
mere armaan kaanp jaate hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15845

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 64
———————————————————————————–

Ten years ago on this date (29 august 2010), as many as seven songs from seven different movies were covered in the blog. Here are their details:-

Blog song post number Song Movie-Year Remarks
2864 Haay mera dil le gaya koi aake ishaaron se Parbat 1952 Movie YIPPEED
2865 I love you O madam Dulhan 1958 5 songs covered (out of 8)
2866 Chaand ko dekho ji Chaand Mere Aaja 1960 6 songs covered out of 7. The seventh song too is apparently part of an already covered song
2867 Pyaase panchhi neel gagan mein geet milan ke gaayen Pyaase Panchhi 1960 5 songs covered out of 10
2868 Apni bhi kyaa zindagi hai niraali Aas Ka Panchhi 1961 YIPPEED
2869 Beta jamoore kah de duniya ko lalkaar ke Biraadari 1966 YIPPEED
2870 Chup ho aaj kaho kyaa hai baat Chhattees Ghante 1974 YIPPEED

“Dulhan”(1958) is still eligible for Blog Ten year Challenge” ten years later today (29 august 2020). The movie had nine songs in it and five of them have been covered so far.

Here are these songs of “Dulhan”(1958) that have been covered so far:-

Song Posted On
Jiyaa sharmaaye nazar jhuki jaaye 07.08.2010
I love you Madam Multiple version song 29.08.2010
Mooliram aur bhindimal ka nikal gayaa hai deewaala 14.04.2012
Mere gore gore gaal 25.11.2018

Here is the sixth song from “Dulhan”(1958) to appear in the blog. The picturisation shows Nirupa Roy leaving Raj Kaumar, but then changes her mind. Some dialogue from Raj Kumar are followed by a few lines of Hemant Kumar after which it is all Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Ravi.

HFGK mentions this song as a female solo, and the audio of the song is indeed a female solo song in Asha Bhonsle’s voice, but we can see from the picturisation that the song begins with Hemant Kumar’s voice. Remark in HFGK mentions that this song was sung by Hemant Kumar in a prose form. We can see that the picturisation combines these two seemingly separate songs to form what looks like a duet song. Incidentally, no records were made of Hemant Kumar version and it is there only in the picturisation.

Lyrics of this song were sent to me by Prakashchandra while BTYC details were provided by Avinash Scrapwala.

Lyrics of video link:(contains Hemant Kumar`s voice while the song begins)
video link:

audio link(does not contains Hemant Kumar`s lines)

Song-Rukne lage kadam aur…Kaise jaaoon main piyaa (Dulhan)(1958) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-P L Santoshi, MD-Ravi

Lyrics(Provided by Prakashchandra)

(dialogues)

rukne lagey kadam
aur jhukne lagi nigaahein
aasaan ho chali hain
ulfat ki apni raahein

kaissey
jaaoon main piyaa.aaa
moraa..aaa maaney na jiyaa
tooney mujh pe
na jaaney kaissa jaadu kiyaa

kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

ye mulaaqaat kaissi hamaari huyee
ye mulaaqaat kaissi hamaari huyee
main to pehli nazar mein tumhaari huyi
tum to nikley balamwa badey hi chhaliyaa
tum to nikley balamwa badey hi chhaliyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

bairi duniya ki baaton mein aanaa nahin
bairi duniya ki baaton mein aanaa nahin
mujhe dil se kabhi tum bhulaanaa nahin
charnon mein tumhaari rahoongi rasiya
charnon mein tumhaari rahoongi rasiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4308 Post No. : 15581

“Chhattees Ghante”(1974) was produced and directed by Raj Tilak for Tilak movies private Limited, Bombay. The movie had Sunil Dutt, Mala Sinha, Raj Kumar, Parveen Babi, Iftekhar, Ashoo, Ramesh Deo, Danny Denzongpa, Alankar Joshi, Sonia Sahni, Jagdish Raaj, Deven Verma, Urmila Bhatt, Madan Puri etc in it.

The movie had four songs in it. Two of these songs have been covered in the past.

Here is the third song from “Chhattees Ghante”(1974) to appear in the blog. This song is sung by Mahendra Kapoor and Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Sapan Chakravorty.

The song is picturised as a Lord Ram bhajan. The picturisation shows Raj Kumar and Mala Sinha singing this bhajan. Master Alankar joshi, late for the bhajan by a few seconds, is hesitant to join his parents. Mala Sinha does not frown and gives him a pat assuring him that he may take his seat. And who is the lady seated behind them, devotedly joining her hands together. She is Parveen Babi.

It is rather unusual to see Raj Kumar and Parveen Babi, and also Mala Sinha to some extent, singing a bhajan. So that way, this song is a special song. 🙂

The picturisation also shows Ranjeet, trying to enter the house stealthily. So, unlike the other characters, he sticks faithfully to his reputation Hindi movies.

It is quite a nice and soothing song to listen to, especially in the morning. I listened to this song for the first time this morning, some 46 years after this song was created. 🙂


Song – Teen lok par raaj tihaara (Chhattes Ghante) (1974) Singers – Mahendra Kapoor, Asha Bhonsle, Lyrics – Sahir Ludhianvi, MD – Sapan Chakravorthy
Mahendra Kapoor + Asha Bhosle

Lyrics (Provided by Avinash Scrapwala)

teen lok par raaj tihaara
chaar khoont tora dhaam re ae
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re
teen lok par raaj tihaara
char khoont tora dhaam re
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re

prabhu tumhre haath hazaar
sada rakhiyo laaj hamaar
prabhu tumhre haath hazaar
sada rakhiyo laaj hamaar
o o

tum ho jagat ke swaami
hum hain moorakh agyaani
girne lage to leejo thhaam re ae
rakhiyo najar shri Raam re

tori rachna sab sansaar
tori leela aprampaar

tori rachna sab sansaar
tori leela aprampaar
o o
sankat ko taale tu hi
doobe ubhhaare tu hi
dukh bhanjan tero naam re ae
rakhiyo najar shri Raam re
teen lok par raaj tihaara
chaar khoont tora dhaam re
tu jo kare so hoye
tujh sa na dooja koye
rakhiyo najar shri Raam re
rakhiyo najar shri Raam re

———————————————
Devnagri Script Lyrics (Provided by Avinash Scrapwala)
———————————————

तीन लोक पर राज तिहारा
चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे

तीन लोक पर राज तिहारा

चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे

प्रभु तुमरे हाथ हज़ार
सदा रखियों ओ लाज हमार
प्रभु तुमरे हाथ हज़ार
सदा रखियो ओ लाज हमार
ओ ओ
तुम हो जगत के स्वामी
हम है मुरख अज्ञानी
गिरने लगे तो लीजो थाम रे ए
रखियो नज़र श्री राम रे

तोरी रचना सब संसार
तोरी लीला अपरमपार
तोरी रचना सब संसार
तोरी लीला आ अपरमपार
ओ ओ
संकट कों टाले तू ही
डूबे उभारे तू ही
दुःख भंजन तेरो नाम रे ए
रखियो नज़र श्री राम रे

तीन लोक पर राज तिहारा
चार खूंट तोरा धाम रे
तू जो करे सो होए
तुझसा न दूजा कोए
रखियो नज़र श्री राम रे ए
रखियो नज़र श्री राम रे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3937 Post No. : 15012

“Kudrat”(1981) was produced by B S Khanna and directed by Chetan Anand for Trishakti Productions, Bombay.

This multi starrer movie had Rajkumar, Rajesh Khanna, Hema Malini, Vinod Khanna, Priya Rajwansh, Aruna Irani, Deven Verma, Om Shivpuri, Keshto Mukheri, Shammi, Sapru, Kumar Aditya, Sundar, Vandana Shashtry,, Kalpana aiyyar, Tom Alter, Jolie, Daramveer, Ved Goswami, Raja Duggal, Darshan, Ratna, Rajrani, Ashok Khanna, Sunil Raahi, Pinchoo Kapoor, A K Hangal, Satyen Kappoo, Raj Mehra etc in it.

The movie was a multistarrer but most stars were were past their primes for one reason or the other. So this movie failed to attract me to the movie hall. Even today, I have not watched this movie.

The movie had eight songs in it. Seven of these songs have been covered in the past. The first three songs were covered in early days of the blog viz in 2008 and 2009. The next song was covered in 2013. The penultimate song was covered in 2018.

Here is the details of the songs from the movie that have been covered in the past :-

1 Hamen tumse pyaar kitna Multiple version song 377 12-Dec-08
2 Toone o rangeele kaisa jaadoo kiya 846 4-Mar-09
3 Chhodo sanam kaahe ka gham 1219 4-May-09
4 Dukh sukh ki har ik maala multiple version song 8331 11-Jul-13
5 Saawan nahin bhaadon nahin 14307 27-Apr-18

The eighth and final song from “Kudrat”(1981) is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised as a get together piano song where an actor (Priya Rajwansh) in this case plays a piano and sings simultaneously- an Herculean task, but people watching Hindi movies have come to regard it as quite an easy task, a baayen haath ka khel. 🙂

The picturisation also shows other main actors viz Raj Kumar, Rajesh Khanna etc. The song culminates when Hema Malini, accompanied by Vinod Khanna, makes a grand entry to the get together.

With this song, all the songs of “Kudrat”(1981) get covered and “Kudrat”(1981) joins the list of movis that are YIPPEED in the blog.


Song-Sajti hai yoon hi mahfil (Kudrat)(1981) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

ho o
sajti hai yoon hi mehfil
sajti hai yoon hi mehfil
rang yoon hi dhalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yu hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaayen
hum
saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaaye hum
shaam ye murado ki
subah tak to chalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
aaj to dilon jaan ki hasraten nikalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neel Kamal” (1968) was directed by Ram Maheshwari for Kalpanalok. The movie had Waheeda Rehman, Raj Kumar, Shashikala, Balraj Sahni, Jairaj, Chhaya, Sulochana, David Abraham, Mehmood, Manoj Kumar, Lalita Pawar, Tiwari etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nausherwan e Adil”(1957) was directed by Sohrab Modi for Minerva Movietone. The movie had Raj Kumar, Mala Sinha, Sohrab Modi, Murad, Naseem, Bipin Gupta, Agha, Shammi, Niranjan Sharma, Sheela Vaz, Heera Sawant, Amir Banu etc in it.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16237

Number of movies covered in the blog

Movies with all their songs covered =1252
Total Number of movies covered =4410

Total visits so far

  • 14,228,227 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,934 other followers

Bookmark

Bookmark and Share

Recent comments

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: