Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6255 Post No. : 19345

Today’s song is from a Costume film- Jai Bharat-1936.

It was a Wadia Movietone film. It was produced by JBH Wadia and directed by his brother, Homi Wadia who also wrote the story and screenplay. The dialogues were written by Munshi Sarfarash. Music was by Master Mohammed, who also acted in this film. There were just 6 songs in this film, much less compared to the average of 9 songs per film for the period 1931 to 1940. 5 songs were written by Pt. Gyan Chander and today’s song was by Azeem. Gyan Chander mostly wrote for Wadia films. From 1936 to 1940, he wrote about 30 songs in 15 films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6254 Post No. : 19342

Today’s song is from a film which is almost 90 years old – Chhaaya-1936.

This was the first Marathi/Hindi bilingual film made by Huns Pictures, Bombay – a banner owned by master Vinayak along with 2 others. The other partners were Baburao Pendharkar (actor/director) and Pandurang Naik (ace Cinematographer). The film was directed by Master Vinayak. Music was by Dhamman Khan. The film story, dialogues were translated by Pt. Indra, who also acted in this film. He wrote all the 14 songs of the Hindi version.

This was the period of tragic films by Saigal. His famous film Devdas, based on a story by Sharat Babu, became famous and popular all over the Indian subcontinent. This led to a trend in other languages to make tragedy films, in which the Hero dies. In the original Bangla language film, P.C.Barua had acted as Devdas. K.L.Saigal acted in its Hindi and Tamil version, singing 2 songs in the Tamil version. Barua directed the Bangla, Hindi and Assamese versions.

Film Chhaya-1936 was also based on this pattern, where the hero dies. Initially it was thought that such tragic films would not succeed, but film Chhaya became a Hit film. It won accolades from the public and the critics equally. It won many awards too. The cast of the film was Vinayak, Leela Chitnis, Ratnaprabha, Baburao Pendharkar, Indira Wadkar, Pt, Indra, Anant Marathe etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19339

Today’s song is from a film of the first decade of Talkie films in India – Moti ka Haar aka Pearl Necklace-1937.

The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19335

Today’s song is from an 88 year old film Jeevan Prabhat-1937.

In the initial era of Talkie films, Calcutta’s New Theatres and Poona’s Prabhat were the most well known filmmakers. They used to make films on social issues. Particularly, Prabhat was famous for keeping their films centred on the Reform themes like,Dowry, Child Marriage, Second Marriage, Cast difference etc.From the mid 30s one more company came into limelight and that was Bombay Talkies- founded by Himanshu Rai and Devika Rani. They also followed the trend and films on social issues like Untouchability, illiteracy etc were made. Today’s song is from a film made by Bombay Talkies- Jeewan Prabhat-37.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6251 Post No. : 19333

Today’s song is from a very old film Anath Ashram-1937.

In the early era, when silent films were made, it was Maharashtra – especially Bombay which led the new medium as the production centre for silent films. Of course, some films were also being made in other places like Poona, Kolhapur, Coibtor, Nashik, Bangalore, madras, Calcutta and other occasional towns.

After the Talkie films started, Calcutta came up with one of the most organised, well equipped and big studios, making films in Bangla, Hindi and some other eastern languages. That was New theatres, Calcutta. In those days, Calcutta quickly rose as a busy centre for filmmaking in several languages and many studios and production houses came up, but no one could match the magnificence of New Theatres in terms of consistency, number of star actors, actresses and directors along with technicians. New Theatre ruled supreme till the rise of Bombay Talkies and Ranjit Studios in Bombay.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6250 Post No. : 19329

Today’s song is a Qawwali from the film Hurricane Hansa-1937.

The Indian film industry was still in its childhood in 1937. It had been just 6 years since the first Talkie film was made in India. The initial years were of experimentation. The filmmakers were trying various topics in their films.

Indian audiences may be from different states and languages, but Mythological and Stunt films were common favourites all over India. From the first decade when the first silent movies were made till the 1960s, these two genres continued unabated.

Most of us like to see films, be it on a TV, in a cinema hall, or through DVD. Some like old films, some like new films. Did you ever see films like, Khooni Khanjar, Dagabaj Doctor, Shaitan ka paash, Char chakram, Daku Rani Talwarwali, Jaadu ka dandaa, Zinda Laash, Revolver Rani, Sinbad-Aladdin-Alibaba, Flying man, Fighter Sheela, Khooni Darinda, Tarzan aur Jadugar, Tarzan aur Jadui Chiraag, Golden Gang, Murde ki jaan khatare mein, or Jadui putli ?
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6249 Post No. : 19327

Today’s song is from the film Shri Rambhakta Hanuman-1948.

The film was produced and directed by Homi Wadia for his own banner Basant Pictures. The film story was adapted from Valmiki Ramayan by Shivram Vashikar and the dialogues were by P.C. Joshi- who had also acted in the film in the role of Lakshman. The film starred Trilok Kapoor (Shri Ram), Prabhas Joshi (Lakshman), Sona Chaterjee (Seeta), Niranjan Sharma (Ravan), S.N.Tripathi (Hanuman), Dalpat Joshi, Amarnath and many others.The music was by S.N.Tripathi. This was his first role as Hanuman. He went on to do Hanuman’s role 6 more times.

Film Shri Rambhakta Hanuman-48 was the first of the Mythological films Homi Wadia’s Basant Pictures had made. Due to the extraordinary success of religious films from Prakash Pictures, suddenly there was a spurt in making Mythological films. Though Prakash Pictures made hit films like Bharat Milap-42 and Ram Rajya-43, in their films, the entire focus was on Shri Ram and Seeta Mai. They did not give any importance to Hanuman in their films. When I checked the credits of these two films yesterday, I found that Hanuman’s name was not there in the credits and we do not know who did that role ! Sensing this as an opportunity, the business minded Wadia made a film on Hanuman as the central character.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6247 Post No. : 19321

Today’s song is from the film Usha Kiran-1952.

In the month of September-2014, I had started a series on this Blog, titled “songs from Artists’ name films”. It ran from 18-9-2014 to 8-10-2014. I covered 10 films like Madhubala-1950, Nargis-1946, Veena-1948, Renuka-1947, Madhuri-1932, Hurricane hansa-1937, Zubeida-2001, Kamla-1946 and Asha-1948. When I came to the 10th and the last film Usha Kiran-1952, I realised that actress Usha Kiran was not in the cast of that film. In all other films, then discussed, the titled actress was in its cast. I was shocked. Nevertheless, I wrote the article and sent it for posting. But then on, I became alert and checked all the films selected for any series, fully and carefully.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6246 Post No. : 19317

Today’s song is from a less known film with well known songs – Oonchi haveli-1955.

This social film was produced and directed by Dhirubhai Desai for his own banner Sharad productions, Bombay. Dhirubhai B. Desai was a Hindi and Gujarati film director. He was born in Kaliawadi,near Navsari,Gujaratrat, on 31-1-1908. He started at Sharda studios in 1927 by assisting A.P.Kapoor. He completed Gujarati film’ Maya no Rang’,which was left unfinished by P.V.Chavan and Sunder rao Nadkarni, when Bhogilal Dave took over his United Pics Syndicate in 1929. His early work was in silent films of action ( 17 silent films), in Sharada and later with Indulal Yagnik.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6245 Post No. : 19313

Today’s song is from the ” Kam sune – Unsune ” film Pensioner-1954.

When you say that ‘Colgate is No. 1 Toothpaste’, it does not mean that everyone in India uses Colgate. It only means that the majority of people use Colgate and hence it is called No. 1 toothpaste. The decade of the 1950s was known as’ The Golden Era of Film Music’. It did not mean that there were no films with mediocre or poor music. It only means maximum films had wonderful music. In this decade there were few – only few – films whose music was not famous, for whatever reasons. Today’s film was one such film.

In the war period from 1939 to 1945, the British Government in India had coaxed the filmmakers to make films which would help the war efforts. These were called ‘ Propaganda Films’ and the Government gave special subsidies and other concessions ( like extra quota of Raw Film at control rates) to the producer. During the 1950s the Indian Government wanted to boost the ‘Small Savings’ habit among the citizens. Some films were made upholding this scheme. Today’s film Pensioner-1954 was one such film.
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