Archive for the ‘Post by Arunkumar Deshmukh’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6381 | Post No. : | 19788 |
Today’s song is a special song from a Muslim Social film – Darwaza-1954.
The film was produced by the famous writer of Urdu, Ismat Chugtai (21-8-1915 to 24-10-1991). She was the wife of this film’s director Shahid Lateef (11-6-1913 to 16-4-1967). His famous films were Naya Sansar-41, Jhoola-41, Anjaan-41, Ziddi-48, Arzoo-50, Fareb-53, Darwaza-54, Sone ki chidiya-58 and Baharen phir bhi aayengi-66. This pair of story writer, screenplay writer and producer- Ismat Chugtai and director Shahid Lateef worked in many films, including today’s film Darwaza-1954. The banner was Film India Corporation, Bombay. Music for this film was by Nashaad.
Film Darwaza-1954, true to its name, was the entry door for many artists. Singers Suman Kalyanpur and Sabita Bannerjee debuted as Hindi film singers with this film. Lyricist Khumar Barabankvi also debuted as a Lyricist with this film. The cast of the film was Shyama, Shekhar, Nazir Hussain, Leela Mishra, Neelam, Kumkum, Altaf (husband of Khurshid Jr, actress and singer as well as sister of Meena Kumari). Master Romi was a Guest artist.
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Chaman jal raha hai
Posted on: January 5, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6380 | Post No. : | 19784 |
Today’s song is from a social family drama- Bhai Saheb-1954. I have not seen this film, but as per Wiki and IMDB, the story revolves around a kind and talented man who works in Radio as a counselor for needy people and solves their problems by his means, which has a positive response. He falls in love with a sweet girl and wants to marry her but first he must complete the task of reuniting other individuals, leading to consequences. The story is not very attractive or different from normal love stories. As compared to the other musical and entertaining films of 1954, this film was actually nowhere.
The 50’s decade was called the Golden Era of HFM, not for nothing. Year after year, the films provided excellent songs, different film Genres, convincing stories, superb acting and Full Paisa Vasool Entertainment. In such a scenario an average music, beaten track stories, mediocre acting, poor direction and lustreless short lived songs had no chance of winning. Today’s film was one such film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6379 | Post No. : | 19778 |
Today’s song is the last and final song of the social film Bade Bhaiya-1951.
As seen in the ‘Hindi film Index’ by Hamraz ji, I found that there were at least 25 films having titles of ‘Bada’, ‘Badi’ and ‘Bade’. There was also another film Bade Bhaiya made in 1957. There films like Bada bhai, Badi behen (3 films), Badi Beti, Bada Ghar, Bade nawab, Bade miyan, Bade Saheb, Bade Sarkar, Bade thakur, Badi bahu, Badi baat etc. etc.
The film Bade Bhaiyya-1951 was probably one of the last films in which actor Agha was the Hero. The film was made by Super Pictures, Bombay. The owner of the banner- Aspi Irani was also the director of this film. The music was by Premnath ( Wadhwan), who was a member of the ‘Same Name Confusion’ pair with actor Premnath (Malhotra). Looking at the persona of actor Premnath, it was strange how so many people thought that he also gave music. Of course actor Premnath actually had received a regular training in classical music from Ustad Jagannath Prasad. He had also sung 2 songs in Hindi films, Rangbhoomi-1946 and Chand Sitare- 1948. However, he stopped singing after that.
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Jo ulfat karega wo rota rahega
Posted on: January 3, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6378 | Post No. : | 19776 |
Madhubala-1950, A Ranjit Movietone film, directed by Prahlad Dutt had music by Pt.Lachhiram. The cast of the film was Madhubala, Dev Anand, Jeevan, Randhir, Manju, Ram Avatar and others.
We have been taught in our school that 2=2 is 4. But in life, sometimes 2+2 is also 22 like, when a Love marriage is by the willing consent of both the families, or getting a child after 10 years of marriage or when your son stands First and wins a Gold medal in his MBBS course, it is the 2+2=22 ! Similarly when ‘Rati’ and ‘Madan’ come together, it is 2+2=22 ! In our language, when the eternal beauty Madhubala pairs with the handsome, young Dev Anand it is 2+2=22 again.
In the film Madhubala-1950, when these two were paired, no wonder people were ecstatic and crowded the cinema halls. No one bothered if the story was weak or the music was third rate. These two were enough to please them. Here, of course the story was good and the music too !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6377 | Post No. : | 19774 |
Today’s song is from a Costume film (HFGK mentions it as a ‘social’ film) – Awara Shehzadi-1956.
There are a total of 14 film titles having Awara in it. Funnily, the original “Awara Shehzada”was a film of 1933. It took 23 years to bring about a female version of the Title with Awara Shehzadi in 1956 ! Incidentally, the film ‘Awara Shehzada’-33 was the First Talkie film, having a Double Role. Shahu Modak had done the roles of the Prince ( Rajkumar) and the Pauper ( Bholaram) in this film. It was directed by Master Vithal, the First Hero of First Talike of India, “Aalam Ara “-1931. Master Vithal was also the first male actor to feature in the Silent Films’ first double role in the film ” Prisoner of Love “- 1927 (aka Raj Tarang) made by Sharda Films.
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Andhkaar mein jyot chhupee kyon
Posted on: January 1, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6376 | Post No. : | 19772 |
Today’s song is from a Mythological film – Maayaa Machhindra – 1951.
This Super film, Bombay’s film was directed by its owner Aspy Irani. There were 4 lyricists and the music for their lyrics was composed by Premnath (Wadhva), a member of a ‘Same Name Confusion’ pair. The cast consisted of Surendra, Nirupa Roy, Trilok Kapoor, Usha Kiran, Parshuram, Amirbai, Master Vinod (Mehra) and many others.
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Is lok mein is raah mein
Posted on: December 31, 2025
- In: Asha Bhonsle songs | Duet | expression of love | Feelings of heart | Guest posts | Manna Dey songs | Manna Dey-Asha Bhonsle duet | Post by Arunkumar Deshmukh | Rare song | Songs from dubbed films of 1950s | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6375 | Post No. : | 19768 |
Today’s song is from a social film – Suhag-1958.
This was a film dubbed from its Tamil version titled “Tang Malai Ragsiyam”. There was a Kannada version too, titled ” Ratnagiri Rahasyam”. Both the South Indian films were made simultaneously in 1957. The Hindi version was made in 1958. I have not seen this film. All 3 versions were directed by B.R. aka Budagaru Ramakrishnaiah Panthulu. For him this was his DEBUT film as a Director. Not only him, but even his assistant Director – Puttanna Kanagal made his DEBUT in direction. Before direction, both were mere actors. Even in later years, they appeared in a few films as actors.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6374 | Post No. : | 19767 |
Today’s song is from a social film the early era -Janmabhoomi-1936.
This was sort of a hidden or disguised Patriotic film. In those days films were scrutinised minutely by the British Government to eliminate any scene, dialogue or a song, which they suspected was a criticism of the Government. This was to ensure that there should not be any room to create or spread criticism of the Government or to promote patriotism leading to a revolt.
The police became stricter during the war period and it became the reasonKavi pradeep had to go underground for a few months for writing a daring songforthe film ” Kismet”-1943. The song was ” Door hato aye duniya walo (move away, O outsiders)”, which invited the ire of the then Government.
The first Talkie film came in 1931. The first year had just 24 films, but within a span of 3 years, the Talkie films crossed the century mark, with 121 films in 1934, 152 in 1935 and 134 in 1936. Making a film was a complicated process which needed a studio, the latest machinery and a lot of money. This was difficult for a single person and thus the Studio System got established. The studios ruled the industry and the film making. Films were sold on the names of the studios and the actors had secondary appeal to the audience.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6373 | Post No. : | 19764 |
Today’s song is from yet another Kalpanik (Imaginary) film -Son of Sindbad-1958.
Produced by Balwant Bhatt and Ram Kamlani, the film was directed by the younger brother of Balwant Bhatt – Nanabhai Bhatt. In Gujarat, ‘Nana’ means younger. His real name was Yashwant and his nickname was ‘Batuk’ (means smaller).
Director Nanabhai Bhatt ( 12-6-1915 to 24-4-1999). He was a director in many films.He directed mostly Mythological and stunt films only. Nanabhai was born as Yashwant ( pet name – Batuk) at Porbandar. Since he was the younger one he was called Nanabhai ( opposite to Motabhai-elder brother). This name continued till the end. His father was a doctor. After matriculation, he went to Mumbai in 1934, where his elder brother Balwant Bhatt was working. Balwant started with Imperial,shifted to Sagar and now was with Prakash pictures of Vijay and Shankar Bhatt. He got Nanabhai a job as Sound Recordist.Soon he graduated as Production Executive. He also wrote several screenplays.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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