Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Premnath (MD)


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5066 Post No. : 16981

Today’s song is from the movie ‘Sati Vaishalini-1959’.

‘Sati Vaishalini-1959’ was directed by Sadhu Singh for ‘Rati Chitra, Mumbai’. It was produced by P.N. Rangeen.

It had Trilok Kapoor, Sulochana, Lalita Pawar, Ratnamala, Krishnakumari, Niranjan Sharma, Nand Kishore, Tiwari, Shyam, Hari, Krishna Kumar, Roshanlal, and others. Heeralal, Sheela Kashmiri, Savita Chatterjee, Jyoti, Niranjan Tiwari, and Kamal Kapoor had made in guest appearances in this movie.

HFGK Vol-III (1951-1960) mentions in its foot note on this movie page that this movie was also known as ‘Janam Janam Ka Naata’. HFGK also mentions that the story of this movie was based on ‘Markandeya Puraan’.

This movie was passed by Censor Board on 19.11.1959.

‘Sati Vaishalini’ had eight songs written by Bharat Vyas. Music for this movie was composed by Premnath. (As mentioned by Atul ji while presenting the first song from this movie on the blog, this Premnath is different from the actor of the same name).

This movie had made its debut on the blog on 15.10.2016 with its song ‘jab tak khadaa himaalay hai… amar rahegi is jag mein’. think This was the only song from this movie that was available for posting those days. Now music enthusiasts have uploaded one more song from this movie which we will be listening to today.

Let us have a look at the list of songs of this movie.

SNo Song Title Singer/s Posted On
01 Jab tak khadaa himaalay… amar rahegi is jag mein Mohd Rafi, chorus 15.10.2016
02 Aaja re aaja re… kaho ji kaun boley … Asha Bhonsle, Rafi
03 Tu chaahe to raat… hey gori maat sun… Asha Bhonsle, chorus
04 Arey vidhaata-2, mere bhaag mein toone kya likhaa Asha Bhonsle
05 Chaahe bhale chanda tale… ya naata janam janam ka Asha Bhonsle
06 Paaon mein kaante bichhe…pati mere shyam pati mere raam Asha Bhonsle
07 Ek sati sat ke dagar par chal padi. pi se milne ki chaah hai Manna Dey
08 Ghiri ghataayein ghanghor… rakshaa-2, kar bhagwaan Asha Bhonsle, chorus

Today’s song is ‘chaahe log kare apmaan … ye hai naata janam janam ka’. I guess that that today’s song is the ‘fifth’ song in chronological order in the movie.

This song is sung by Asha Bhonsle. Lyrics for today’s song are by Bharat Vyas and music is composed by Premnath.

Tune of this song is reminiscent of some other song, but I am not able to recall that song as of now.

Only audio of the song is available. I request knowledgeable readers to throw more light on this movie and it’s songs.

Let us listen to the song now.


Song-Chaahe log karen apmaan (Sati Vaishalini)(1959) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Premnath (MD)

Lyrics

chaahe log karen apmaan
ho chaahe dushman bane jahaan
magar mere haathhon ne pakdaa haathh
jis albele balam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan

jinki chhabi mere ae
man ko suhaati ee
man ko suhaati
wo mere deepak
main unki baati ee ee
wo mere deepak
main unki baati
mere man mein jinka dhyaan
mere man mein jinka dhyaan
jagat mein wohi mere bhagwaan
ke jinke aage padaa sharmaaye
jhilmil chandaa poonam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan

mel hamaaraa jyun bijlee baadal
bijlee baadal
jaise ho ankhiyaan
ankhiyon mein kaajal
jaise ho ankhiyaan
ankhiyon mein kaajal
mere jhoome tan man praan
mere jhoome tan man praan
milaa maa tera amar vardaan
ke bujh naa paayega yamraaja se bhi
ye diyaa dharam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan
ho chaahe dushman bane jahaan
magar mere haathhon ne pakdaa
haathh
jis albele balam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
ye hai naataa janam janam ka
ye hai naataa janam janam ka


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4767 Post No. : 16516 Movie Count :

4492

Today’s song is from film Pehla Pyar-1947. Pehla pyar means First Love. Pehla is Pehla. I could never understand why it has to be called Pehla Pehla Pyar (1958 & 1994). Does it not make it Doosra Pyar ?

Everything First time in life is memorable. This is reflected in the film titles of Hindi cinema too. Pehla Pyar, Pehli Nazar, Pehli Jhalak, Pehli Pehchan, Pehli Shaadi, Pehli Mulaqat and even Pehli Raat. Pehli Tareekh, Pehla Aadmi, Pehla Aashiq, Pehla Qadam, Pehla Aadhyaya and Pehla Paisa is acceptable, but Pehla Nashaa and Pehla Qatil ? Then there was Pehli Bhool, Pehli Shaadi, Pehli Aurat and even Pehla Aadmi !

Funniest thing is there were also Doosra Aadmi, Doosri Aurat, Doosri Shaadi, Doosra Pati, Doosri Bibi etc.etc. I did not check if there was Teesra….something something ! Hamraz ji’s book of Film Index can be a good Time Pass, really ! But I know there was a film Teesra Kaun ?

Coming back to today’s film Pehla Pyar-47, HFGK mentions it as a film made under the banner of ” Sagar Movietone co. Bombay “. Actually, Sagar was closed in 1940, then came National Studio and finally it was Amar Pictures from 1942 onwards. This also closed in 1946 with their last film ” Gwalan”-46 (of Baburao Patel and Susheela Rani). Then, from where did this filmcame and how it claims to be from an extinct ‘ Sagar movietone Co.’ ?

I rummaged through the entire book “Sagar Movietone” written by Biren Kothari ji, but nowhere could I find any reference or information on this film. Finally, I spoke directly to Biren kothariji today to ask about this film. Here too the door was closed. According to Biren ji, it is difficult to say anything about this film. He was , however, sure to say that it had no connection whatsoever with the original ‘Sagar Movietone’.

At the moment it is an unsolved mystery. Maybe in future, some explanation or information on this film will appear to clarify this issue. This is not impossible. In last few years, several such ‘ riddles ‘ have been successfully solved with new evidence, when it cropped up. Some of the riddles which were solved with such new evidence were-
1. Who sang” Bharat ki ek sannari ki katha” from film ‘Ram Rajya’-1943
2. Who sang ‘ Dilli se aaya bhai Tingu’ from film ‘Ek thi Ladki’-1949
3. If Shashi Kapoor acted as a child artiste in 20 films and
4. Is Arjun-Hero fof film ‘Malhar ‘-50 the same as MD C.Arjun

The list is too big to be given here fully, but the point is proved with these examples.

Film Pehla Pyar-47 was directed by A.P. aka Anand prasad Kapoor. he was a well known director of early cinema. He had directed 14 silent before trying his hand at a Talkie film. He was born in 1892 at benares. After matriculation, he came to Bombay and joined film industry doing all odd jobs. His first silent film as a director was Fairy of the Flute-1927 made by Sharda Film Co. His first talkie film as a director was Radhesham-1932, jointly directed by R.L.Shorey. This was a film made in Lahore.

He directed 18 talkie films. He acted also in 2 films. He wrote 32 songs in 3 films as a Lyricist. He also sang 6 songs in 5 films. His last film as a director was Chor-1950. At this stage he realised that his old style was no more acceptable with the new set up. So he retired. A.P.Kapoor died on 16-9-1966 at Bombay.

The cast of the film was Vanmala, Aghajan, Sulochana Chaterjee, K.N.Singh, Sunalini Devi etc etc. Agha or Aghajaan (21-3-1914 to 30-4-1992) was a popular hero in his early career period In film Jwar Bhata-1944, he was the Hero and the Debutante Dilip Kumar was the side Hero ! His career spanned over 50 years-1935 to 1989. He worked in 328 films Pehla pyar was his last film as a hero.

The music was composed by Premnath. This is a case of Same name Confusion. many people think that the actor Premnath had also given music as a MD. Both were different.

PREMNATH the Music Director was born on 5-7-1918 in Gujranwala, Punjab. He learnt music from experts in Amritsar,Multan and Lahore.He acted in films like Shahr-e-khamoshi and also sang in Sohni Mahiwal-1938.

After marriage, he moved to Bombay. His first film as a Music Director was Rangbhoomi-1946. In this film, a novice Mohd. Rafi sang many songs for him. His other films were Dharti-47, Chandrahas-47, Sagar’s Pehla pyar-47. He then produced a film “Chand sitare”-48 under the banner of Ravindra Art productions. Mukesh, Lata and Geeta Roy sang in it. In film ‘Alakh Niranjan’-50,he used Mohd. Faruqi, Sulochana Kadam and Rajkumari.

Premnath gave music to many films of Super pictures of Aspy Irani like Bade Bhaiya-51 and Maya Machhindra-51, in which Surendra, Geeta,Rafi and Shamshad sang. His another film ‘Qatil kaun’ in late 50s was not released. For this film, Rafi, Asha, Manna Dey, Mubarak Begum and Shamshad had given songs.

His films diminished. Sati Vaishalini-59,Main hoon jaadugar-65 and Tarzan in Fairyland-68 were his last films.
After he stopped work as MD,he devoted his time for the welfare of Cine Artists as a trade union leader. As a Secretary,he served the music Directors Assn. for 30 years.
He died on 27-4-1993 at the age of 75 years.

I find that many people mistakenly credit actor Premnath as a MD for his films. Some sites include these films to the filmography of actor Premnath.

It is now clear that actor Premnath and MD Premnath were 2 different persons.

Today’s song is sung by Shamshad Begum. With this song, film Pehla Pyar-47 makes its Debut on this Blog.


Song- Haay re ghir ke baadal aaye jiya ghabraaye (Pehla Pyaar)(1947) Singer- Shamshad begum, Lyricist- I.C.Kapoor, MD- Premnath

Lyrics

haay re ghir ke baadal aaye ae
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

naina maane na kehnaa aa
kaaboo mein nahin hai mera haay dil
naina maane na kehnaa aa
kaaboo mein nahin hai mera haay dil
jhoom ke lehraaye jiya
doley re boley re
aa mil
aa mil
jhoom ke lehraaye jiya
doley re boley re
aa mil
aa mil
birha mein yaad jalaaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

ghanghor ghataayen chhaayin
laut aayin phir jawaaniyaan
ghanghor ghataayen chhaayin
laut aayin phir jawaaniyaan
aao jee sunaayen tumhen
meethi meethi dil ki kahaaniyaan
kahaaniyaan
aao jee sunaayen tumhen
meethi meethi dil ki kahaaniyaan
kahaaniyaan
haay teri yaad sataaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye

sapnon mein aane waale
dekh dekh haari teri raahen
sapnon mein aane waale
dekh dekh haari teri raahen
aao galey aan milo
poochh rahin dil mera aane
haay aane
aao galey aan milo
poochh rahin dil mera aane
haay aane
tere bin jiya nahin jaaye
jiya ghabraaye
haay re ghir ke baadal aaye
jiya ghabraaye


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4471 Post No. : 15970

Today’s song is from the film Alakh Niranjan-1950. This film is based on a story from Nath – Puran. In India, the Nath Sampraday (Sect) is spread over the whole country. In every place it has its local name and own folk lores. Now, what is this Nath Sampraday ? Few years ago, in one of posts, i had given all detailed information about it. To refresh your memory and for the benefit of new readers, here is a short note again on Nath Sampraday.

In the Hindu Sanaatan traditions the worship of Lord Shiva is called Shaivism and the worshippers and followers of Lord Shiva are called Shaivs. Nath Sampradaay is a sub tradition within Shaivism. The followers of this tradition consider Adinath or Lord Shiva as their first Lord. The word Nath implies Master. In this tradition, there is a lineage of nine Gurus or Teachers. The form of sadhna practiced by the followers of this tradition is called Hath Yog (हठ योग).

The first Guru in this lineage is Matsyendra Nath, who is better known as Machhindra Nath. The traditional history recounts that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. In the ocean the baby was swallowed by a large fish, and he lived and grew up inside the belly of the fish, for many years. The fish swam to the bottom of the ocean where Lord Shiva was imparting the secrets of yoga to Mata Parvati. Matsyendra overheard this discourse and learnt the secrets of yoga. He began to practice this yog sadhana inside the fish’s belly. After twelve years he finally emerged as an enlightened Siddha.

There is a list of Nine Nath Gurus, who are called Navnath. The first Nath Guru is Machhindra. The complete list is as follows

Machhindranath
Gorakhnath
Jalandhar Nath
Kanif Nath (Kanhoba)
Gahini Nath
Raja Bhartrihari Nath (Bharthari)
Revan Sidha Nath
Charpati Nath
Naag Nath

The stories surrounding every Nath Guru, especially the earlier ones, are very exciting, thrilling and entertaining. One must read them from the original Nath Puraan or NavNath Pothi. I have read all of them. These stories are in no way less than any Arabian Night stories. Due to their entertainment value, several films in several languages have been made on the early Gurus like Machhindranath and Gorakhnath.

Films on Machhindranath were made as ‘Maaya Machhindra’ in Hindi, in 1932, 1951, 1960 and 1975. Films on Gorakhnath as ‘Alakh Niranjan’, were made in 1940, 1950 and 1975. Films on Bharthari were made in 1932 and 1944. Films on other Naths were made as ‘Raja Gopichand’ in 1933, 1938 and 1950. Same way films on Naths in Telugu, Tamil, Gujarati and other languages were also made.

Film Alakh Niranjan-50 is a story from Bengal, where Raja Gopichand was ruling. Alakh Niranjan is the call, which a Gosavi gives, when he visits a house for his daily Bhiksha. These Gosavis do not accept cooked food. They take only the raw material, as they are supposed to cook and eat. I remember, when I was a kid and used to visit my Nanihal ( a small village in Marathwada, Maharashtra), few Gosavis used to visit the house and call out loudly “Alakh Niranjan”.It was my duty to give them the wheat or Jowar flour, which they would smilingly store in their multi-pocketed Zolis. Nowadays, even in the remotest villages, one cant find these Gosavis.

The film was directed by a veteran of the silent films – Dada Gunjal. The younger generation is unlikely to have even heard about him, because he ended his career in 1959 only. Director Vishnupant Mathaji Gunjal or simply Dada Gunjal, was born in Kolhapur on 25-1- 1904. He was not interested in education, so after passing his Matriculation, he joined the film industry. Initially he worked in various capacities, but concentrated on Directing the films. He established his own Gunjal Production company at Bombay and directed his first silent film Collegian in 1929. Soon ,realising that producing films was not his cake, he shifted to Directing films for Vishwesh film company, Bombay. Making silent films like Bharati, The Bandit, Vijeta, Bewafa qatil, khabardar, Bhedi khanjar etc.

When Talkie films started, he directed Bhakta ke Bhagwan and Ambarish in 1934. Dada Gunjal directed in all 37 films ( 30 Talkie and 7 Silent). Some of his films were, Bhakta dhruv, Panihari,Aparadhi, Ekadashi, Mata, Mamta, Tulsi, Bhakta ke Bhagwan, Noorjehan, Baraat, Kirti, Pati patni, Alakh Niranjan, Mother India -1938 etc. His last film was Ek Armaan mera-59. Dada Gunjal died on 16-11- 1968.

The music director of this film was Premnath….a case of ‘ Same Name Confusion’ . He is often confused with actor Premnath and his films are credited to the actor’s filmography.

PREMNATH the Music Director was born on 5-7-1918 in Gujranwala,Punjab. He learnt music from experts in Amritsar,Multan and Lahore.He acted in films like Shahr-e-khamoshi and also sang in Sohni Mahiwal-1938.

After marriage,he moved to Bombay. His first film as a Music Director was Rangbhoomi-1946. In this film ,a novice Mohd. Rafi sang many songs for him. His other films were Dharti-47,Chandrahas-47,Sagar’s Pehla pyar-47. He then produced a film ” Chand sitare”-48 under the banner of Ravindra Art productions. Mukesh,Lata and Geeta Roy sang in it. In the film ‘Alakh Niranjan’-50,he used Mohd. Faruqi, Sulochana kadam and Rajkumari.

Premnath gave music to many films of Super pictures of Aspy Irani like Bade Bhaiya-51 and Maya Machhindra-51, in which Surendra, Geeta,Rafi and Shamshad sang. His another film ‘Qatil kaun’ in late 50s was not released. For this film, Rafi, Asha, Manna Dey, Mubarak Begum and Shamshad had given songs.

His films diminished. Sati Vaishalini-59,Main hoon jaadugar-65 and Tarzan in Fairyland-68 were his last films.
After he stopped work as MD,he devoted his time for the welfare of Cine Artists as a trade union leader. As a Secretary,he served the music Directors Assn. for 30 years.

He died on 27-4-1993 at the age of 75 years.

The cast of the film was Nirupa Roy, Trilok Kapoor, Durga Khote, Ulhas, Sapru etc etc. There were 10 songs in the film. Today’s song is the third song here. It is sung by singer Mohammed Faruqi. In fact today’s song is the last song that he sang to end his singing career.

Mohammed Hussain Farooqi,the singer may not be known to many of our readers.

Mohd.Farooqi was born on 17-8-1915 at jhunjhunu in Rajasthan. He was keen on Music from childhood,but his religious Haji father was against it,as he wanted him to become a Teacher.

In 1945,Farooqi came to Bombay with a letter for Khemchand Prakash(originally from Rajasthan).He stayed in old khar with a friend.After an year KP called him to his house.When Farooqi went there,K.L.Saigal was also sitting there.KP asked him to sing a song.He sang Saigal’s ‘So ja rajkumari so ja’.Saigal was impressed and he was employed by Ranjeet Movietone on a princely monthly salary of 200 rupees.
He got his first break with ‘Chcheen lo Azaadi-1947.His song ‘kamzoronki nahi hai duniya’ was popular with freedom fighters.
He sang 15 songs in 12 movies, all with Bulo.C Rani and Hansraj Behl only. His voice and style became very popular,but he had to return to Rajasthan to look after ailing father and his huge property there. He never came back after 1950 and died on 8-2-1990 peacefully.

Filmography

Chheen le azadi (1947)
Duniyan ek sarai (1947)
Lakhon mein ek (1947)
Pehli pehchan (1947)
Piya ghar aja (1947) Acting only
Neel kamal (1947) Acting only
Bichhde balam (1948)
Jai hanuman (1948)
Mitti ke khilone (1948)
Pardesi mehman (1948)
Bhool bhulaiyan (1949)
Alakh niranjan (1950)

( courtesy- Dr.Surjit Singh ji’s site, with thanks.)

The story of the film shows how Raja Gopichand changes his mindset about the Nath Sampraday, to which his mother also belongs, how he renounces his Throne and how he joins as a Gosavi of the Nath Sampradaya.


Song- Alakh Niranjan Alakh niranjan (Alakh Niranjan)(1950) Singer- Mohd. Farooqi, Lyricist- Manohar Khanna, MD- Premnath
Chorus)

Lyrics

alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan

jai satguru jai dukh bhanjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan )
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)

o o o o o(alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
)
o sansaari har ko jap le (alakh niranjan alakh niranjan)
saari uski maaya hai (alakh niranjan alakh niranjan)
o sansaaari har ko jap le(alakh niranjan alakh niranjan)
saari uski maaya hai(alakh niranjan alakh niranjan)
wo tera hai tu jan ??ka (alakh niranjan alakh niranjan)
jisne tujhey banaaya hai(alakh niranjan alakh niranjan)
tod de saare jhoothe bandhan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan )
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan

o o o o o o o o(alakh niranjan alakh niranjan)
o o o o o o o o(alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
tujhmein mujhmein yahaan wahaan (alakh niranjan alakh niranjan)
ghat ghat mein hai wo basa hua(alakh niranjan alakh niranjan)
tujhmein mujhmein yahaan wahaan(alakh niranjan alakh niranjan)
ghat ghat mein hai wo basa hua(alakh niranjan alakh niranjan)
antar ke pat khol ke moorkh apne man mein jhaank zara (alakh niranjan alakh niranjan)
sukh ka sthaan hai ye tera man (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15771

Today is 31 july 2020. It is the 40th anniversary of the passing away of Mohammad Rafi ( 24 december 1924-31 july 1980) as all HFM lovers are only too aware. 31 july 1980 is a day which is still fresh in the minds of music lovers who were around at that time.

31 july 1880, a date exactly 100 years prior to 31 july 1980 was also an important day. It was on this day that Dhanpat Rai was born, who would later be known as Munshi Premchand (31 july 1880-8 october 1936), one of the most influential Urdu-Hindi author in modern Indian literature.

I have covered Munshi Premchand a few times in this blog. When one reads his creations, one is astonished at his vision, and his progressiveness. He was far ahead of the times in which he lived. He championed the cause of women empowerment, human rights and even animal rights at a time when these causes had not even become fashionable.

Munshi Premchand is considered an Urdu-Hindi literateur, but he was much more than just that. He was conversant in English as well. He was very well read in foreign literature. Translating foreign classics into Urdu and Hindi was one of his passions that has not received much attention from those who have studied him.

Munshi Premchand not only championed noble causes, he also practiced what he preached. After he separated from his first wife (with whom he was married as a child, in accordance with the then prevailing social practice), he married a widow, which was quite a revolutionary act those days.

Premchand began his career as a writer in Gorakhpur. Gorakhpur turned out to be the place where he was at his most creative. Gorakhpur was also the place where he spent the happiest days of his life (1916-1921). He was leading a contented life in Gorakhpur as a government school teacher (Assistant Master at Norman High School, Gorakhpur) when he listened to the speech of Mahatma Gandhi on 8 february 1921, where Gandhi Ji exhorted Indians to give up government jobs as part of non-cooperation movement. Munshi Premchand acted on this call and resigned from his job (he has received a promotion while at Gorakhpur and had become Deputy Inspector of Schools). With the consent of his wife, he resigned from his government job. Rest of his life was largely a struggle to make both ends meet. All that did not affect the quality of his penmanship.

Premchand briefly dabbled in the then new art form of Talkies. But he failed to adjust to the ways of the movies and went back to his first love, viz writing.

Many of his writings later went on to be made into films (Hindi as well as other languages). I have discussed ‘Do Bailon Ki Katha’ (which was made into ‘Heera Moti’ (1958) in the past. I have also discussed ‘Idgaah’. ‘Gaban’ is another of his novel that has been made into a movie.

It was in 1924 that Munshi Premchand wrote ‘Rangbhoomi’. It is the story of a blind beggar called Surdas. This story was made into a Hindi movie in 1946. This movie ‘Rangbhoomi’ (1946) was produced and directed by Mohan Bhavnani for Bhavnani Productions, Bombay. The movie had KN Singh, Nigar Sultana, Jagdish Sethi, Sulochana Chatterjee, Maqbul, Navin Yagnik, Gope etc.

To pay tribute to both Munshi Premhand and Md Rafi, here is a song from ‘Rangbhoomi’ (1946). This song is a multiple part song. Part I is sung by Rafi and chorus, while part II is sung by Rafi, Sahmshad Begam and chorus. Pt Phaani is the lyricist. Music is composed by Premnath (music director).

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Audio (Both parts)

Song-Kadam suye manzil badhaaye chala chal (Rangbhoomi)(1946) Singers-Rafi, Shamshad Begam, Lyrics-Pt Phaani, MD-Premnath (MD)
Male chorus
Female chorus
All chorus

Lyrics

———————–
Part I
———————–

kadam suye manzil badhaaye chala chal
kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
kadam suye manzil badhaaye chala chal
kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal

teri raah tedhi
teri door manzil
teri raah tedhi
teri door manzil
museebat nayi
har kadam se mukaabil
museebat nayi
har kadam se mukaabil
pahaadon ko dhhaa dega himmat bhara dil
himmat bhara dil
pahaadon ko dhhaa dega himmat bhara dil
himmat bhara dil
tu har khauf isse mitaaye chala chal
tu har khauf isse mitaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
Kadam suye manzil badhaaye chala chal
Kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal

chale na chale saath tere zamaana
chale na chale saath tere zamaana
sune na sune koi tera taraana
chale na chale saath tere zamaana
sune na sune koi tera taraana
rahe kaafilaa tera hardam rawaana
hardam rawaana
rahe kaafilaa tera hardam rawaana
tu duniya ko rasta dikhaaye chala chal
tu duniya ko rasta dikhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
Kadam suye manzil badhaaye chala chal
Kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal

—————————
Part II
—————————

chale na chale saath tere zamaana
chale na chale saath tere zamaana
sune na sune koi tera taraana
chale na chale saath tere zamaana
sune na sune koi tera taraana
rahe kaafilaa tera lekin rawaana
rahe kaafilaa tera lekin rawaana

tu duniya ko rasta dikhaaye chala chal
tu duniya ko rasta dikhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
Kadam suye manzil badhaaye chala chal
Kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal

sun ae naujawaan
sun ae naujawaan
tujhko jhukna nahin hai
sun ae naujawaan
tujhko jhukna nahin hai
unhen chhod de jinke ghutna nahin hai
unhen chhod de jinke ghutna nahin hai
tujhe raaste bhar mein rukna nahin hai
tujhe raaste bhar mein rukna nahin hai

tu kaandhe se kaandha milaaye chala chal
tu kaandhe se kaandha milaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
Kadam suye manzil badhaaye chala chal
Kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal

tu aage badhe usko peechhe hataa de
peechhe hataa de
jo roke use thokaron se uda de
thokaron se uda de
khuda se jo kehta hai use tu kar ke dikha de
tu kar ke dikha de
tu har waar seene pe khaaye chala chal
tu har waar seene pe khaaye chala chal
tu har waar seene pe khaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal
Kadam suye manzil badhaaye chala chal
Kadam suye manzil badhaaye chala chal
koi saath aaye na aaye chala chal
koi saath aaye na aaye chala chal


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4261 Post No.: 15485

“Maaya Machhindra”(1951) aka Gorakhnath was directed by Aspi Irani for Super Pictures, Bombay. This mythological movie had Surendra, Nirupa Roy, Trilok Kapoor, Usha Kiran, Shanta Kunwar, Nand Kishore, Parshuram, Chaandni, Rajni, Bheem, Amirbai, Gulzar, Mona, Master Vinod etc in it.

The movie had eight songs in it. Two of these songs have been covered in the past.

Here is the third song from “Maaya Machhindra”(1951) to appear in the blog. The song is sung by Geeta Dutt and Surendra. Manoharlal Khanna is the lyricist. Music is composed by Premnath (MD) who was different from the actor of the same name,

Only the audio of the song is available. My guess is that this song was picturised on Nirupa Roy and Surendra. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Toot gayi haay jeewan veena (Maaya Machhindra)(1951) Singers-Geeta Dutt, Surendra, Lyrics-Manoharlal Khanna, MD-Premnath (MD)
Both

Lyrics

toot gayi haaye jeewan veena
jeewan sathi bin kya jeena
bin kya jeena
toot gayi haaye
toot gayi haaye jeewan veena
jeewan saathi bin kya jeena
bin kya jeena
toot gayi haaye

tan me kaante man mein kaante
tan mein kaante man mein kaante
neend kabhi aankhon mein aake
neend kabhi aankhon mein aake
tadpoon jaise jal bin meena
jal bin meena
toot gayi haaye

pankhheen ik panchi hoon main
udna chaahoon ud na sakoon main
pankhheen ik panchi hoon main
udna chaahoon ud na sakoon main
maut hai ye jeewan bhar jeena
aise jeena
toot gayi haaye

naina kahen ab kaun hamaara
man poochhe ab kisko sahaara
beete dinon ki haaye raina
beete dinon ki haaye raina
sapnon ki godi mein jeena
toot gayi haaye

toot gayi haaye jeewan veena
jeewan saathi bin kya jeena
bin kya jeena
toot gayi haaye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4096 Post No. : 15242

“Bade Bhaiyya”(1951) was directed by Aspi Irani for Super Pictures, Bombay. This “social” movie had Nirupa Roy, Suresh, Agha, Husnbanu, Naaz, Minu, Guru, Nazir Kashmiri, Neeli, Habib, Ridku, Master Vinay, Yakoob etc in it.

The Movie had eight songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Bade Bhaiyya”(1951) to appear in the blog. This song is sung by G M Durrani and Shamshad Begam. Manoharlal Khanna is the lyricist. Music is composed by Premnath (music director).

Only the audio of this lighthearted song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Audio

Video

Song-Maine jabse tumko dekha hai (Bade Bhaiyya)(1951) Singers-G M Durrani, Shamshad Begam, G M Durrani, Lyrics-Manoharlal Khanna, MD-Premnath
Both

Lyrics

o o o o
maine jabse tumko dekha hai
mere dil mein gudgudi
mere dil mein gudgudi hoti hai
mere dil mein gudgudi
haay gudgudi
hui gudgudi
main taare ginti rahti hoon
jab saari duniya soti hai
mere dil mein gudgudi
mere dil mein gudgugdi hoti hai
mere dil mein gudgudi
haay gudgudi
huyi gudgudi

yeh mere dil ki dhadkan hai
yeh mere dil ki dhadkan hai
ya ik dholak si bajti hai
ya koyi mendhki phudak phudak kar
phudak phudak kar
dil mein mere phudakti hai
ulfat ki bulbul
haay re
ulfat ki bulbul
chahak chahak kar
aur chulbuli chulal chulbuli hoti hai
mere dil mein
ho mere dil mein gudgudi hoti hai

jab saamne mere aate ho
nazron se nazar lad jaati hai
jab saamne mere aate ho
nazron se nazar lad jaati hai
yeh mere dil ki laalaen
kuchh maddham
kuchh maddham si pad jaati hai
yeh mere dil ki laalten
kuchh maddham si pad jaati hai
mere aramanon mein

haay re
mere armnaanon mein nayi kulbuli
kulal kulbuli hoti hai
mere dil mein
ho mere dil mein gudgudi hoti hai

meree dhundhli dhundhli raaton mein
tum aao chaand ban kar aao
meree dhundhli dhundhli raaton mein
tum aao chaand ban kar aao

tum mere dil ke bangle mein
furniture ban ke saj jaao
tum mere dil ke bangle mein
furniture ban ke saj jaao
phir ham tum samjhen haay re
kyun man mein phurphuri
phurar phurphuri hoti hai
mere dil mein jee
ho mere dil mein
gudgudi hoti hai

dheere dheere
haule haule
mere dil mein gudgudi hoti hai
mere dil mein gudgudi
haay gudgudi
huyi gudgudi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3808 Post No. : 14804

Today’s song is from film Chand sitare-48. Chand, Chandni, Tare and Sitare are the favourite words of film makers to use in the film titles.As many as 40+ film titles contain these words. The song is sung by Shamshad and chorus, composed by MD-Premnath and written by Lyricist I.C.Kapoor.

My Primary education was in Urdu language. Hyderabad being a Muslim state, learning Urdu had a definite advantage, but there were schools in English, Marathi, Telugu, Kannada and even Hindi mediums as well in Hyderabad and the treatment to all other languages than Urdu, was equal by the Nizam Government. This was because Hyderabad was a Trilingual state, consisting of 8 Telugu speaking Districts, 5 Marathi speaking Districts and 3 Kannada speaking districts, plus the rulers were Urdu speakers. From 5th standard I changed to Marathi Medium and continued till end of schooling. English, Marathi and Hindi were my favourite subjects, but Maths and Geography were my sworn enemies.

Maths particularly, first confused me and then irritated me. I failed to understand a sum like ” If 5 people build a Wall 5 feet X 5 feet in 5 days, how many days 25 people will take to build the same wall. Now, if the wall was already built by 5 people, why should anyone build it again ?

Similarly, A, B and C were hated by me. Sums like ” If A borrows 500 Rupees from B at the rate of 5% interest per month and B borrows 400 rupees from C at the rate of 2% interest per month, what would be A’s loss and B’s profit. I failed to understand, why should A borrow money from B, when C was offering loan at lower rates in the first place ?

Geography was another headache. Size and population of countries, Longitudes and Latitudes, Capitals and Currency of Nations, temperatures in Tundra and Siberia and rainfall in Cherapunjee, were beyond my comprehension. However, in Geography, there used to be some chapters in Astronomy also. I liked them very much. Different Planets ,The Milky Way and Comets fascinated me.

Especially Comets aroused my curiosities no end. I learnt that Comets were Heavenly Bodies, made up of Gases and space debris, which appeared suddenly in the sky, seen for a while and then disappeared. Some Comets created panic by crossing Earth’s passage and such Comets would be featuring in newspapers and on TVs.

Comets are like those friends who walk with us for few years and disappear from this world. Comets are like those personalities who shine for a while and then disappear for ever. In Hindi Music too, there were extraordinarily Talented people, who worked for a short period and then were gone for ever, just like Comets.

Master Madan is a good example in this context. In a short life, he sang immortal Gazals like, ” Yun na rah rah kar hamein tarsaiye” and ” Hairat se tak raha hai “. He was born on 28-12-1927 in Jallunder Dist. and died on 5-6-1942. In a singing career of just 3-4 years he became immortal. He left behind him 3 Bhajans, 3 Gazals and 2 Punjabi song records. He left this world, after shining just like a Comet.

Then there is C. Arjun who composed an eternal song like ” Paas baitho tabiyat bahal jayegi,maut ayee to tal jayegi ” and disappeared like a Comet. There are many such examples in the history of HFM.

In the arena of HFM, there were several such Comets- which came, shone for a while and disappeared. They were small and big Comets. May be good or ordinary too. We do not know. There were few composers who did just 2 or 3 films and some did 15 to 20 films. Still this number was not enough for their hidden talents to showcase. Some names come to mind offhand like Daan singh, Dilip Dholakia, Jamal sen, Chand Pardesi, Sardar Malik, Sailesh Mukherji, Vasant kumar Naidu etc.

One such Comet was Music Director Premnath (Wadhva). Composer Premnath is an ideal case for ” Same Name Confusions’. Since his name coincides with the more well known actor Premnath,operating almost in the same period,people misunderstood that Actor Premnath and composer Premnath were the same persons. Surprisingly,actor Premnath was a good singer himself and had been trained by professional Ustads for classical music,but he could never fulfill his desire of becoming a singer and became an actor instead. However he did a film song,which was posted on this blog by our Sudhir ji,some years back-if I remember right. But the fact remains that both persons were different.

PREMNATH the Music Director was born on 5-7-1918 in Gujranwala,Punjab. He learnt music from experts in Amritsar,Multan and Lahore.He acted in films like Shahr-e-khamoshi and also sang in Sohni Mahiwal-1938.
After marriage,he moved to Bombay. His first film as a Music Director was Rangbhoomi-1946.In this film ,a novice Mohd. Rafi sang many songs for him.His other films were Dehati-47,Chandrahas-47,Sagar’s Pehla pyar-47. He then produced a film ” Chand sitare”-48 under the banner of Ravindra Art productions. Mukesh,Lata and Geeta Roy sang in it. In film ‘Alakh Niranjan’-50,he used Mohd. Faruqi,Sulochana Kadam and Rajkumari.
Premnath gave music to many films of Super pictures of Aspy Irani like bade bhaiya-51 and Maya Machhindra-51,in which surendra, Geeta, Rafi and Shamshad sang. His another film ‘Qatil Kaun’ in late 50s was not released. For this film,Rafi, Asha, Manna Dey, Mubarak Begum and Shamshad had given songs.
His films diminished. Sati vaishalini-59, Main hoon jaadugar-65, Tarzan in Fairyland-68 and Gyani ji-77 were his last films. He composed 99 songs in all.
After he stopped work as MD,he devoted his time for the welfare of Cine Artists as a trade union leader. As a Secretary,he served the music Directors’ Assn. for 30 years.
He died on 27-4-1993 at the age of 75 years.

Film Chand sitare’s star cast was Jeevan, Manorama, Rajan Haksar, Niranjan Sharma, Anita, Satish, Leela etc. In Hindi films two actresses were known as ” Aunty’. One was actress Shammi and the other was ” Manorama aunty “. Both actresses were Heroines in their early career for few films, but soon accepted character roles. Both were seniors and highly respected in the industry.

During the course of last 80 odd years, thousands of actors came to work in films. Most of them wanted to become Hero or Heroine, but all could not make it. What does it take to become a Hero in a film ? ( Talking only for the period 1931 to 1970 please). Is it good looks ? Then how come Shaikh Mukhtar became a Hero ? or Ranjan ? High education ? Then how come Master Bhagwan became a Hero ? A God Father ? Then how come Motilal or Surendra became Heros ? For girls too same logic applies. In the early era, most Heroines were uneducated, like Meena Shorey, for example- who could not even sign her name. All were not Handsome or beautiful. I sincerely feel, it is neither Talent nor the good looks, it is nothing but the Luck Factor, which helps in making a career in films. This explains why good looking, educated 1 or 2 film’s Heros could not sustain themselves for long. Same way, good looking girls like Vijayalaxmi, Bimla kumari, krishnakumari, Tabassum, Yashodhara katju, Shubha Khote, Shashikala etc could not continue beyond 3-4 films as Heroines.

In the 40’s era, Manorama was one such actress. She had good education, beautiful Punjabi looks, fine acting, but she could not go beyond 3 films as Heroine and to contend with side and character roles in all her career. Manorama was born in Lahore on 16-8-1920,as Irene Issac Daniels, from Punjabi father and Irish mother. She took good looks from the father. While a student, she did some child roles in films from 1926 to 1936 and as an adult, she debuted in Pancholi’s Khazanchi-41 ( when Khazanchi was remade in 1958, she was the only actor who featured in this version also. Some other such examples were Kanhaiyalal acting in film Aurat-40 and Mother India-57 and Jayant in film Mala-41 and its remake Amar-54.Naushad was the same MD for both Mala and Amar.) She then acted in Himmat-41, Khandan-42, Zamindar-42, Poonji-43, Panchhi-44, Patwari-45 in Lahore. Here only she did Heroine’s roles in Khamosh Nigahen, Rehana and Shalimar- all in 1946. After partition, she migrated to India, but she got only side and character roles.

Meanwhile, in 1947, she got married to Rajan Haksar. After coming to India, shortly, their marriage broke. She had one daughter-Roopa from this marriage. Roopa tried her luck in films in 1970, without much success. Then she got married and settled.

Manorama grew in weight. Now she got comic or vamp roles. She did films like Ghar ki izzat, Johari, Hanste aansoo, Ek phool do mali, Shor, karvaan etc etc. In all she acted in 161 films. Her last film was Water-2005. She died on 15-2-2008. She perhaps, had the longest career among actresses-from 1926 to 2005, that is a cool 80 years ! Manorama was a highly respected person in the industry. Neetu singh, Madhuri Dixit, Ram Mohan, Ekta kapoor and others were her fans. Her famous films were Jhanak Jhanak….,Half Ticket, Budtameez,and Seeta aur Geeta.

Film Chand sitare-48 had 8 songs. 7 songs have featured already on this Blog and today’s song is the last song of the film. So, with this song, film Chand sitare-48 joins the list of films who have all songs covered. My thanks to Sudhir ji for providing and uploading the full version of this song from his collection.


Song-Phir chaayi hain kaali ghataayen pardes na jaa (Chaand Sitaare)(1948) Singer-Shamshad Begam, Lyrics-Ishwar Chand Kapoor, MD-Premnath
Chorus

Lyrics

phir chhaayin hain kaali ghataayen
pardes na jaa
lo aayin hain mast hawaayen
pardes na jaa

mere sapnon ki duniya basa ke
yoon jaao na ankhiyaan churaa ke
ankhiyaan churaa ke
mere sapnon ki duniya basa ke
yoon jaao na ankhiyaan churaa ke
ankhiyaan churaa ke
hamen aisi adaayen na bhaayen
pardes na jaa
lo aayi hain mast
lo aayi hain mast hawaayen
pardes na jaa

dekho dekho
kisi ne li angdaayi
dekho dekho
kisi ne li angdaayi
haule haule
jawaani kehne aayi
haule haule
jawaani kehne aayi
haaye naa jaa
suhaani raaten bolein
ke jiya mera doley
naina moti ro len
haaye na jaa
suhaani raaten bolein
ke jiya mera doley
naina moti ro len
mere lab pe hai ye hi sadaayen
pardes na jaa
lo aayi hain mast
lo aayin hain mast hawaayen
pardes na jaa

o jee nainon se behta hai paani
raaja do din ki hai zindagaani
zindagaani
o jee nainon se behta hai paani
raaja do din ki hai zindagaani
zindagaani
ab aa jaa
kaleja munh ko aaye
bin tere raha na jaaye
ab aa jaa
kaleja munh ko aaye
bin tere raha na jaaye
ham raah pe akhiyaan bichhaayen
pardes na jaa
lo aaye hai mast
lo aayi hai mast hawaayen
pardes na jaa
phir chhaayin hain kaali ghataayen
pardes na jaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

फिर छाईं हैं काली घटाएँ
परदेस ना जा
लो आईं हैं मस्त हवाएँ
परदेस ना जा
मेरे सपनों की दुनिया बसा के
यूं जाओ ना अखियाँ चुरा के
अखियाँ चुरा के
मेरे सपनों की दुनिया बसा के
यूं जाओ ना अखियाँ चुरा के
अखियाँ चुरा के
हमें ऐसी अदायें ना भायें
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा

देखो देखो
किसी ने ली अंगड़ाई
देखो देखो
किसी ने ली अंगड़ाई
हौले हौले
जवानी कहने आई
हौले हौले
जवानी कहने आई
हाए ना जा
सुहानी रातें बोलें
के जिया मेरा डोले
नैना मोती रो लें
हाए ना जा
सुहानी रातें बोलें
के जिया मेरा डोले
नैना मोती रो लें
मेरे लब पे हैं ये ही सदाएं
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा

ओ जी नैनों से बहता है पानी
राजा दो दिन की ज़िंदगानी
ज़िंदगानी
ओ जी नैनों से बहता है पानी
राजा दो दिन की ज़िंदगानी
ज़िंदगानी
अब आ जा
कलेजा मुंह को आए
बिन तेरे रहा ना जाये
अब आ जा
कलेजा मुंह को आए
बिन तेरे रहा ना जाये
हम राह पे अखियाँ बिछाएं
परदेस ना जा
लो आईं हैं मस्त
लो आईं हैं मस्त हवाएँ
परदेस ना जा
फिर छाईं हैं काली घटाएँ
परदेस ना जा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaand Sitaare”(1948) was directed by Ishwar Chand Kapoor for Ravindra Art Productions, Bombay. The movie had Jeevan, Manorama, Rajan Haksar, Niranjan Sharma, Anita, Satish, Leela etc in it. The movie had eight songs in it. As many as six songs from the movie have been discussed in the past.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Alakh Niranjan”(1950) aka “Raja Gopichand” was directed by Gunjal for super Pictures, Bombay. This movie had Nirupa Roy, Durga Khote, Sapru, Ulhas, Trilok Kapoor, Shanta Kunwar, Chanda Kumari, Chaube Ji, Mitthu Miyaan, Master Ratan etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

With this post, the blog has now clocked thirteen thousand two hundred unique songs. It may be so that these century milestone are now an expected regularity. But then, it is these (now) minor milestones, that come together and collectively put together and characterize the larger milestones – A journey of a thousand steps is made up of a thousand steps.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17014

Number of movies covered in the blog

Movies with all their songs covered =1325
Total Number of movies covered=4609

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