Archive for the ‘Post by Sudhir’ Category
Jo naukri dilaa de
Posted on: July 16, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The versatility of Saigal Saab never ceases to amaze. Given that only 185 recordings of his songs are available, may the history of Indian cinema have been different, had Saigal Saab lived a longer life.
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Neend nigaahon ki kho jaati hai
Posted on: July 15, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Lootera (1965) is a story of pirates and princesses. It is a B grade action drama, with a star cast that includes Dara Singh, Prithviraj Kapoor, Nishi, Helen, Hiralal, Jeevan, Maruti, Bela Bose and others. The music of this movie is simply superb. All songs of this movie are very hummable and well known. And all songs, except one, are rendered by Lata Mangeshkar.
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Duniya banaane waale ne
Posted on: July 14, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
When a cricketer hits a fast paced century (in any form of the game), that is stuff for headlines. Newspapers will carry that item on front page. (Btw fastest century record is held by Shahid Afridi, scoring an ODI century in 37 balls; for test cricket Vivian Richards with a century in 56 balls.)
We have stuff for a similar headline news on this blog. We have a new record for the fastest century of songs. Welcome to the 4200th offering of what is increasingly becoming a misnomer, Song-A-Day blog. With an average of over 7 songs posted per day, the musical journey from 4101 to 4200 has been covered in 14 days flat. This beats the previous record of 16 days. Congratulations ALL. 😀
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Kaun bujhaawe
Posted on: July 14, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are many success stories in the film world, where in un-tested and un-trained folks from common occupations and professions, came into films and made it big. Without a doubt, the earliest such story which has turned out to be the most phenomenal success ever, is Saigal Saab. Moving from Jalandhar to Calcutta, and from being the sales manager in a typewriter company, KL Saigal broke into the Bengali cinema world in 1932, and in a short career that lasted barely 15 years, he has left behind a legacy that has charmed generation after generation of music lovers. A legend and a phenomena in his own living years, with a treasure of just 185 known recordings, an unrivalled treasure that cannot be compared to any other artist since the time the sound has been electrically recorded.
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Mere dil ke musaafir khaane mein
Posted on: July 13, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When the name of Ghulam Mohammed is mentioned, the mind conjures up the classical and semi classical sounds and rhythms, foremost from Pakeezaah and then from many other movies like Shamaa, Mirza Ghalib, Laila Majnu, Dil e Nadaan, Shaayar, and other such movies. And so it is a surprise to come across lighter songs and foot tapping numbers that have been composed under his baton. On first hearing, if the details are not known, one can easily attribute these songs to OP Nayyar or Shankar-Jaikishan, Chitragupt etc.
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Roop tumhaaraa aankhon se pi loon
Posted on: July 12, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ajit Merchant, a leading music director for Gujarati films and for the theatre world in Bombay, passed away about 4 months ago (18th March, 2011). He was 80 plus. Although better known for his work in the Gujarati cinema, he did compose music for Hindi movies, albeit a small number. By some accounts, his offerings in the Hindi film world number less than 10. An accomplished music director, Ajit Merchant gave a first important break to a struggling Jagjit Singh in the late 60s. Raj Kapoor was also a fan of Ajit Merchant. It is said that after hearing the song “mari ankh no afini tara roop no bandhani . . .” (from the Gujarati film “Divadndi” he requested Shankar Jaikishan also to listen to it. The result of this reference was the song “Mera joota hai japaani” from film Shri 420, based on the tune of the Gujarati song.
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Raat se kaho rukey zaraa
Posted on: July 11, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The 1965 movie, Luteraa, is a typical pirates movie, with an esteemed star cast that includes Dara Singh, Prithviraj Kapoor, Nishi, Helen, Hiralal, Jeevan, Maruti, Bela Bose and others. The story is about two brothers who are separated as children. Prithviraj Kapoor plays the role of the elder brother, who grows up to be the leader of a pirate group. Dara Singh also grows up to be a sort of vigilante who operates as a loner. Hiralal is a king, and Nishi is his daughter, the princess. Jeevan is the Wazir in the court of Hiralal.
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Zindagi ka ajab fasaanaa hai
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is another beautiful ghazal from the film Chhoti Chhoti Baaten (1965), presented as a duet in this movie. The ghazal is sung by Mukesh and Lata Mangeshkar, and on screen, it is picturized on Moti Sagar and Manju. Moti Sagar plays the role of Motilal’s son in this movie. Motilal leaves his children and comes to live in a village. After some time, one of his sons, Moti Sagar, disillusioned with his own life in his own ways, also follows him and starts to live with his father in the village. Here, he falls in love with a village girls, Radha, played by actress Manju.
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Suno suno hey Krishn kaalaa
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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