Archive for the ‘philosophical song’ Category
Jhoom jhoom kar baadal aaye
Posted on: December 21, 2011
For music lovers of Hindi movie music, there is a vast repository of well known songs to chose from. And if one wants to go off the beaten track and savour songs that few people even know exist, then there is an equally vast repository of musical gems. In this blog, we keep discovering such unheard gems from times gone by, almost on a regular basis.
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Aaye bhi akela jaaye bhi akela
Posted on: December 19, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A wonderful gem from the film Dost from 1954. A very poignant song, which has been rendered so soulfully by Talat Saab. Such a soft and silky smooth rendition, in a manner that only he can accomplish.
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Duniya ki sabha
Posted on: November 27, 2011
Yesterday I was unable to discuss songs because I was out of town. In these days of connectivity, I should have been able to have access to internet from most places. But that is easier said than done. The kind of connectivity that is needed for this blog and which I take for granted is a luxury that is not available in many places that I sometimes have to visit. As a result, I was unable to even access this blog, or for that matter internet itself. I am back after 24 hours, but it feels like I have been away for a lifetime. 🙂
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1950s was the decade when it was the cherished dream of Indians to see their nation progress. And Hindi movies were not immune from this zeal for nation building. Many movies of that era had nation building as the underlying theme of the movie.
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Qismat ke khel niraaley
Posted on: November 16, 2011
“Talaash” (1957) was a Anand Films, Bombay production. It was directed by Vishram Bedekar. The star cast included names like Ashok Kumar, Bina Rai, Jagirdaar, Yaakoob, Ameeta, Raj Mehra, Jamal, Mridula, Radhika, Chaman Puri, Sushil Gupta, Eruch Tarapore, Shakuntala, Pal Sharma, Rajesh Sharma, Rajan Kapoor, Ramlal, Master Chhotu, Tiwari, Maqbool, Nazir Kashmiri, Heera Sawant etc in it, Mumtaz Ali etc.
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Ye kya huaa kaise huaa kab hua
Posted on: November 12, 2011
“Amar Prem” (1971) is a movie which had the cream of Hindi movie talents at work in it. Rajesh Khanna, the then superstar alongwith Sharmila Tagore figured in this movie. R D Burman, the hottest property among the music directors, composed music for this movie. Kishore Kumar, who had taken male playback singing world by storm, was also there to sing for this movie.
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Regulars of this blog may have noticed that I tend to discuss the songs of a few artists regularly and then after some time, I stop discussing that artist and begin to discuss the songs of some other artist.
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Janam se banjaaraa hoon bandhu
Posted on: September 21, 2011
“Raahgeer” (1969), also spelt “Rahgir” is a forgotten movie even though it is a “recent” movie by the standads of this blog. This movie was a Geetanjali Chitradeep production and it was directed by Tarun Majumdar. This movie had Biswjeet, Nirupa Roy, Asit sen,Sandhya Roy,Basantha/vasantha Chowdhury,Shashikala, Padma Chauhan,Anwar Hussain, Pahari Sanyal, Master Prasenjit,Ifthekar, Kanhaiyyalal etc in it.
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“Do Dil” (1947) is a movie which is directed by Jagdish Sethi. Its cast includes Motilal, Suraiya , Karan Diwan , Badri Prasad etc.
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Ghar ye tera sadaa na mera hai
Posted on: August 30, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A diffident soul for most part of his life, Saigal Saab avoided calling or causing any attention to himself in public. BN Sircar (founder of New Theaters, Calcutta), recalls that Saigal Saab would never take himself too seriously. People that he took seriously were the people who were less fortunate than himself. He apparently lived only for music and singing. Everything in life was just for a song. And for his friends. Before he left for Jullundur in the winter of 1946, he met with Phani Mazumdar in Bombay. Phani had produced and directed the film Street Singer, for New Theatres. Saigal Saab told Phani that he wanted to work together again. When Phani Mqzumdar indicated that he may not be able to afford the star of his eminence any more, Saigal Saab promised him that finances would be the least of the issues and that he would take care of it. Leaving Phani Mazumdar to start working on script and start planning for the film, Saigal Saab traveled to Jullundur, in what turns out to be his final travels. For Phani Mazumdar, the story was forever unfinished, for he could never think of completing it with any other star.
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