Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi songs’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6380 Post No. : 19785

Today, January 5, 2025, is the 44th Remembrance Day of Ramchandra Narhar Chitalkar, popularly known as C Ramchandra as a music director and Chitalkar as a playback singer. He regaled the connoisseurs of Hindi film music with his melodious musical compositions in the 1950s and 1960s. He was the pioneer of introducing popular foot-tapping songs with western musical influence and western musical instruments like saxophone and guitar in his compositions as early as in the 1940s. At the same time, he was composing classical raag-based as well as folk-based songs. He was trained in Hindustani classical music for six years first under Vinayakbua Patwardhan and later Shankarrao Sapre.

Despite producing many melodious songs especially in the 1950s, it is unfortunate that C Ramchandra did not get any award – whether National Film Award or Filmfare Award as a music director. The first Filmfare Awards were announced in April 1954 for films released in 1953. But his film, ‘Anarkali (1953) was not in the reckoning for the best music director’s award. His film, ‘Aazaad’ (1955) and ‘Paighaam’ (1959) were nominated for the Filmfare Award in best music director category but did not win. But the fact remains that many of his melodious and rhythmic songs of 1950s are still popular among the current generation which itself is a great award to a creative genius.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6379 Post No. : 19779

What is global capitalism theory?

Global capitalism refers to the concept of a global economy dominated by globalizing corporations and those who own and control them, operating beyond national boundaries and interests.

What are the three theories of capitalism?

These include laissez-faire or free-market capitalism, state capitalism, and welfare capitalism. Different forms of capitalism feature varying degrees of free markets, public ownership, obstacles to free competition, and state-sanctioned social policies.

What are the 4 types of capitalism?

In our analysis, we found it useful to classify capitalist economies into four categories: oligarchic capitalism, state-guided capitalism, big-firm capitalism, and entrepreneurial capitalism.

*******************************************

The above is just to get to the idea of “Bade log” in todays context. We are in the middle of third decade of 21st century, a quarter of which we all have seen/ lived through.

Alhamdullillah for everything, the grand plan of the Almighty takes shape in the ways he ordains. We humans must just bear it, as we cannot change anything. We can try and equip ourselves, using the faculties granted by the Almighty, to deal with the things destined. With wisdom, dignity, patience, and faith.

We are grappling as a human race, with fears of food shortages, natural calamities like wildfires, unnatural calamities like a nuclear war, plus the biggest fear of all, giving the power over fate, to the unwise, the undignified, the impatient and the faithless.

The biggest responsibility and purpose of the humans in the universe is to be worthy of its creator. We have been given the faculties, granted to no other being. This is the simple purpose of creation; scientists/thinkers/philosophers are trying to find for millennia.

This is “chhotta munh aur badi baat”, but just to state things in the proper perspective as things stand.

The song under discussion is from the film “Phandebaaz” 1978. R. D. Burman is the composer, with lyrics of Anand Bakshi. Mohammed Rafi is singing for Dharmendra and Amit Kumar is singing for Dharmendra’s partner, the actor I cannot name.

These 3 songs are posted in the blog.

Song Date of post
Dulhan khoobsurat hai.. abhi gyaarah nahin baje hain 27 May 2009
Mohabbat mein aji kya aap apna imtihaan denge 28 June 2013
Duniya mein paise binaa kaise hum jiyenge 30 December 2023

Helen is also seen in the song. The filming is done in areas of South Bombay, showing some landmark buildings and roads of the city, how it all looked in 1978. This could be the first duet song of Mohammed Rafi – Amit Kumar to feature in the blog. I had seen a photograph of Kishore Kumar sitting on the floor with a young boy next to the “maiyyat” of Rafi Sahab. It must have been taken on 1st August, 1980 at home, before the funeral procession. The boy is the younger son of Kishore Kumar, looked exactly like Amit Kumar. I mistook him for Amit Kumar. But checked recently that Amit Kumar is much older, and here he is singing duets with Rafi Sahab.

Dharmendra – Rafi songs are not over yet. More landmark songs remain to be posted. I have posted so many over the last 2 months, that a series could have been made.

Video:

Audio:

Song-Badey badey logon ke yaar bade bade hain raaz (Phandebaaz)(1978) Singers-Rafi, Amit Kumar, Lyricist-Anand Bakshi, MD-R D Burman
Both

Lyrics

Badey badey logon ke yaar
badey badey hain raaz
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
maamoolee phandebaaz
arey maamoolee
maamoolee kya

phandebaaz
phandebaaz
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
maamoolee phandebaaz

badey badey logon ke yaar
badey badey hain raaz

ham naheen khaate chanda
aur hai apna dhandha
apne aap phanse sab jis mein
apna hai wo phandaa
ho.. dhokha wo dete hain jo
hote hain dhokhebaaz

achha aa
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
ma’amoolee phandebaaz

ho unn se bhi milte hain
aur inn se bhi milte hain
phool nahin ham sirf
gulistaanon mein jo khilte hain

ham uss ke ho jaayen
ham ko jo bhi de aawaaz
hey ae ae
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
ma’amoolee phandebaaz

gorey hain ya kaaley
ham hain bholey bhaaley
achha aa
jaisa apna chehra
waisa dil sun le jag waaley
ho ham sab se khush hain lekin
ham se sab naaraaz

kyun?
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
maamoolee phandebaaz
badey badey logon ke yaar
badey badey hain raaz
apna kya hai
ham to hain
maamoolee phandebaaz


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6376 Post No. : 19772

Today’s song is from a Mythological film – Maayaa Machhindra – 1951.

This Super film, Bombay’s film was directed by its owner Aspy Irani. There were 4 lyricists and the music for their lyrics was composed by Premnath (Wadhva), a member of a ‘Same Name Confusion’ pair. The cast consisted of Surendra, Nirupa Roy, Trilok Kapoor, Usha Kiran, Parshuram, Amirbai, Master Vinod (Mehra) and many others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6369 Post No. : 19752

Today, December 25, 2025, is the 10th Remembrance Day of Sadhana, the fashion icon of Hindi cinema in the 1960s. She was also called the ‘mystery girl’ because she acted in three mystery genre of films one after another. In her short filmy career of about 15 years, she had a high success ratio in terms of hit films. She worked with top directors like Bimal Roy, Raj Khosla, Yash Chopra, Hrishikesh Mukherjee and H S Rawail. Her co-stars included Dev Anand, Shammi Kapoor, Rajendra Kumar, Raj Kapoor, Raj Kumar, Sunil Dutt, Rajesh Khanna and Dharmendra. Sadhana came and conquered the Hindi film industry in the 1960s and by the end of 1970s, she virtually vanished from the film industry.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6368 Post No. : 19749

Remembering Mohammed Rafi Sahab – 101st Birth Anniversary

“Naghmon ka karwaan” is unleashed with this one name. We the Rafians are not in the mood to yet finish the centenary celebrations. The celebrated artist, the legend is celebrated everyday in various forms, through his songs, through the many fans, ever increasing, with newly exposed people. Though all the songs are 4 decades old, but somehow, they never grow old. The younger generation of new fans is ever increasing, and fan clubs abound in the whole world. The musically aware people, when they become aware of the phenomena called Mohammed Rafi, they are surprised and shocked, that where was he, all this while, how come they did not know of him. Then they come to know, that there lived a playback singer in India, who left for heavenly abode on 31st July 1980. But the songs and voice lives on, in the hearts and in the sound waves of the world.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6365 Post No. : 19738

There are some people, who are in our lives, not related to us by blood, but are a very important part of our daily lives. Whom we meet every day, they come and wish us in the morning, they serve us, do a job for us to make our life easier. Yet some form an affinity, a well-wishing, non-interfering, loyal, non-judgmental, they are a friend of the family. Your children, your neighbor’s family, your acquaintances, your relatives, family members in far off and nearby places, your colleagues, your business associates, or whomever you come in regular contact with, associate that person as your so and so.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6363 Post No. : 19731

Today’s song is the last and final song from the costume film – Raaka-1965.

The film was directed by Kedar Kapoor. He was born on 2-9-1927. Not much information is available about him. Kedar joined the film line in 1945 and did a small role in the film Bhakta Prahlad-46. Working as an assistant to many directors, he started his career by directing the film Lal Pari-1954.

In all he directed 35 Hindi films, mostly B and C grade. He specialised in Dara singh films. He directed 8 films of Dara Singh in the 60s. Some of his films were, Miss Cocacola-55, Changez khan-57, Senapati-57, Dara singh-64, Patanga-71 etc etc. His last film was Bekhabar-83. Kedar Kapoor died on 5-6-1987.

The music for the film ‘s 6 songs was by Dattaram (Wadkar).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6361 Post No. : 19725

In this short write-up, I present the last song, ‘aaya hoon gharbaar chhod main ban ne filmi star’ to be covered on the Blog from an obscure film, ‘Bahke Kadam’ (1971). The song is written by Dharmesh Dutt which is set to music by Usha Khanna. The film was produced and directed by Dharmesh Dutt who also acted in the film and wrote the songs. The cast included Agha, Aprajita, Dharmesh Dutt, Madan Puri, Jagirdar, Sundar, Mridula, Sulochana, Kanu Roy etc. This appears to be the only film of Dharmesh Dutt as a producer, director, actor and song writer. The VCD/DVD of the film is not available on any video sharing platform.

The song under discussion is rendered by Mohammed Rafi. Since video clip of the song is not available, I can only make a guess based on the lyrics that the song may have been picturised on Agha. Two features of this song are that in the last stanza, suddenly the mukhda part of the song, ‘dil dekhe dekho’ gets incorporated. Incidentally, the old song was also rendered by Mohammed Rafi and set to music by Usha Khanna.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6360 Post No. : 19722

In this short write-up, I present a duet song, ‘gulaabi nazaare nazaare gulaabi’ rendered by Mohammed Rafi and Suman Kalyanpur from an obscure film, ‘Lakhpati’ (1991). It was the only film produced and directed by Jal Baliwala. The film was certified by Censor Board on April 5, 1991, but it could not get the theatrical release. Later, the film was released on VCD. I have given the story of the film in my earlier article while covering the song, nashe mein choor nazar hai mujhe.

The musical composition of at least three songs including the one under discussion gives a feel of the golden period of Hindi film music of 1960s and I am not completely off the mark. Music director, Iqbal Qureshi came into prominence in the 1960s. Lata Mangeshkar was not singing with Mohammed Rafi in most part of 1960s. The song under discussion is a duet of Rafi with Suman Kalyanpur.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 600th song post of Chitragupta in the blog as a music director.

Blog Day :

6357 Post No. : 19710 Movie Count :

5167

In this article, I am presenting a song, ‘suno aye duniyawaalon ek naya paighaam laaya hoon’ from an incomplete film, ‘Naya Mandir’ (1961). It was directed by Kishore Sahu. It had Manoj Kumar, Mala Sinha and Mehmood in main roles. I came to know of this song on the audio album of ‘Film Hi Film’ (1983). Unfortunately, this song seems to have been deleted from the VCD of the film available on one of the video sharing platforms. Since video clip of the song is available in continuation of the scene from ‘Film Hi Film. (1983), it can be construed that the song was included in the film.

Shahab Ahmed, the producer of ‘Film Hi Film’ (1983) had earlier produced ‘Cinema Cinema’ (1979). During his visit to Bombay Film Laboratory, he was astonished to see cans of more than 2000 unfinished films lying in the laboratory. Shahab Ahmed thought that a lot of efforts had gone into making these films which unfortunately remained incomplete for various reasons. So, he came with the idea of incorporating scenes and songs from a few select incomplete films to make a full-length feature film [Source: ‘…and Pran’ (2005) by Bunny Rueben].
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