Archive for the ‘Theme song’ Category
Here is a piano cum party song from “Tu Nahin Aus Sahi” (1960). The lyrics in fact ensure that this is the title song of the movie as well.
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“Aankhen” (1968) begins with its its title/ theme song as the credits roll in. This song, sung by Rafi is quite a soul stirring song, one that rouse passions. Sahir Ludhianvi has written this song. His brief was to write a song on “Aankhen”, and he came up with this amazing song.
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“Anarkali” (1953) was one of the all time great musical blockbusters. Its songs have gone on to become iconic songs. C Ramchandra was the music director of this movie and Rajinder Krishan had written the lyrics.
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Kishore Kumar, who is normally known for singing playful songs, has also sung some very memorable serious songs. And in addition, he has sung some great philosophical songs that have gone on to become iconic songs.
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Kal ki daulat aaj ki khushiyaan
Posted on: May 4, 2009
“Asli Naqli” (1962) was a movie starring Dev Anand.
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Jaisa desh waisa bhesh
Posted on: May 4, 2009
“Des Pardes” (1978) was a Dev Anand movie where he introduced yet another heroine, namely Tina Munim.
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Aawaaraa hoon
Posted on: May 2, 2009
Though Raj Kapoor’s career was launched with “Andaaz” and “Barsaat”,”Aawaara” was the movie that firmly established his image by which he is known even today.
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Tu mera chaand main teri chaandni
Posted on: April 23, 2009
When I listened to “Purani filmon ke geet” programme on Radio Ceylon in my younger days, this song “tu mera chand main teri chandni” used to get played so very often in that programme. If they had a popularity contest among all those old songs then this song would have won hands down in popularity, it seems to me.
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Iktaara boley kuchh kahe wo tumse
Posted on: April 13, 2009
Manoj Kumar was a movie maker who would make movies with simplistic messages telling India was good, west was bad ( Purab aur paschim), Villagers were good, city folks were bad ( Upkaar ) etc. In this connection, here is this movie “Yaadgaar” (1970) where Manoj Kumar continues to shove his ideals down the throats of public.
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Rajshri productions had hit upon a sureshot formula for success in the decade of 1970s. They would make movies for a small target audience who wanted to watch love stories full of nice songs and heartwarming plots. This was a winning formula because love stories by definition required new faces ( and as such Rajshri Productions saved money on hiring big name actors). In these movies, story and music were the real stars and Rajshri productions had built up a small loyal audience for their movies.
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