Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Song of 1938’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the early era there was a fair exchange of film themes and music between all the centres of film production like Bombay, Lahore, Calcutta, Madras, Poona and Kolhapur( and Hyderabad and Bangalore at a later time). That is why sometimes Bilingual films were made. Madras was not directly interested in making films in Hindi upto 1948,till Vasan’s CHANDRALEKHA-48 had an All India release with over 700 prints, in those days.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Rajkumari and Amirbai Karnataki were among the leading female playback singers of 1930s and 40s. Both of them started their filmy careers around 1934-35 and also acted and sang songs in the films on themselves. Curiosity led me to check as to who had sung more Hindi film songs among them. So I checked the number of Hindi film songs sung by Amirbai Karnataki and Rajkumari during their careers from http://www.myswar.com. Since this website gives the details of songs only from the year 1941 onward, it was not possible to get the total number of songs sung by them in their entire filmy careers. Nonetheless, I felt that within this limitation, one should get a fair assessment of their contributions to Hindi film songs. As per these data, Amirbai Karnataki sang a total (solo, duets etc) number of 302 songs while Rajkumari sang a total of 387 songs during 1941 and onward. On this basis, I would guess that Rajkumari may have sung more Hindi film songs then Amirbai Karnataki.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Films made in the early era of Indian Talkie are a national heritage. Unfortunately, most of the films from the period 1931 to 1939 are not available . Very few films of that era are available. Even the leaflets and film books of these films are not traceable in most cases. In few books like Encyclopaedia of Indian Films the short notes on some films are to be found.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. With this, he completes 50 writeups in this blog

HAPPY REPUBLIC DAY to all readers.

India became Independent in 1947 from British rule. Till that time, Patriotism and its open expression was considered as acts against the British Government and was a punishable crime. However,India , with a history of strong patriotism did not keep quiet. The Indian film industry also did not lag behind in this.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The era of silent films in India started in 1913, when 2 films were made-Raja Harishchandra and Mohini Bhasmasur. One would think that this must have started a spate of Silent films, but surprisingly, in 1914, 1915 and 1916 only 1 Silent Film each was produced. From 1916 it started with 5 films till 1931, when the age of Talkies arrived with Alam Ara.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie and a regular contributor to this blog.

A few months back, I came across a thumri ‘ro ro nain gawaaun sajanwaa aan milo’ sung by Ashraf Khan. I liked this thumri and assumed it to be a traditional thumri bandish rather than from a Hindi film. I marked it in my play list and forgot about it. It was only when I read an article on actor-singer Ashraf Khan written by Arun Kumar Deshmukh as part of a series of his articles on some lesser known singers for this blog that I realised that the thumri sung by Ashraf Khan which I referred to earlier was in fact a thumri based song from the film ‘Baaghbaan’ (1938).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This write up contains hard to find details on this obscure movie. This is the 400th obscure movie whose details have been provided by him in this blog.

I was very fond of seeing movies and listening to the songs since childhood. Those days, children were not allowed to see films, unlike today (only the other day I saw my neighbour taking his family of wife and 2 sons aged 10 and 14 to see the film “The Dirty picture”. I became sqeamish, but these are current trends). If at all a film was to be seen, the children had to go with their mother, aunt, grandmother or some such female relative and the film would invariably be “Ram Ravan Yudh” or “Bakasur ki Maut”.
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In olden days, professions like “Gramophone Singer”, “Station Master”, “Taxi Driver”,”Trolly Driver” etc were quite coveted ones. We in fact have Hindi movies with such titles. So far we have discussed songs from “Station Master” (1942), “Taxi Driver” (1954) and “Trolly Driver” (1958) in the blog. Here is a song from “Gramophone Singer” (1938).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

GOPAL KRISHNA (1938) was produced under the banner of Prabhat Film Company both in Hindi and Marathi versions. The film was directed by V G Damle and S Fatelal. The star cast included Ram Marathe, Shanta Apte, Parshuram, Ganpatrao Tambat etc. I have not seen the full movie but based on a few short clips of the films including the video clips of the songs that are available on the internet, it is a mythological film with a subtle message of nationalism against the British rule in India. The conflict between Gokul villagers on the one hand and King Kansa on the other side was compared with that of Indians and the British rule. Some of the dialogues of Krishna were full of nationalist fervour. For instance, he says to Nand that if we continued the live under the fear of King Kansa, none of our work would be successful. In some other context, Krishna says that the King and his men have been blinded by an authority of absolute power and when Kans’s men drag our cows like dogs and keep with them without proper food, such ruler and his men need to be mauled.
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