Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Two days ago, I had posted one song from a film that is very obscure –‘Jawahar’ (1960). The song I had posted was for the birth anniversary of Dwijen Mukhopadhyay. And I had written in the article that I have no additional information about this film. The same day, Kirit ji Bhatt almost immediately added the comment, appreciating the upload and requesting for another song from the same film. Ah, that give me encouragement that listeners in our friend circle do remember even the obscure films, because of the songs and music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is the 86th birth anniversary of Dwijen Mukhopadhyay, the doyen of the Bangla folk music and also considered to be the greatest living exponent of Rabindra Sangeet. We wish you all happiness, peace and good health.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Patang” (1960) was directed by Hargovind Duggal and Hari Prakash for Asiatic Pictures. The movie had Rajendra Kumar, Mala Sinha, Om Prakash, Ullhas, Raj Mehra, Achla Sachdev, Manorama, Leela Misra, Randhir, Mohan Choti, Aruna etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘ X ‘ as we all know is the 24th letter in the alphabetic order of the English Language. Over the years I have often heard the phrase ‘ angrez chale gaye aur yeh angrezi chhod gaye…… ‘ This was usually in response to someone saying either ”sorry’ or ‘thank you’. The aspersion on the whole language was cast as ‘sorry’ and ‘thank you’ seem more formal and trivial words, compared to our own ‘ shukriya ‘ and ‘ mu’aaf kijiye ‘ or ‘dhanyawad’ and ‘kshama kijiye’ .

Similarly, the alphabet ‘ X ‘ of the English language is surplus to requirement as far as Hindi /Urdu are concerned.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Since today morning there has been a flurry of activity, as the post for Burman Dada birth anniversary took me by surprise. Our anniversary list posts this event on the 10th of this month, and so I was a little surprised to see the song “Dil Mera Udaa Jaaye”, from the 1976 film ‘Arjun Pandit’ posted today morning announcing the dual anniversary of Burman Da and Majrooh Sb together.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In September 1988, Doordarshan National channel started telecasting what was to become the stupendously popular serialization of the renowned epic ‘Mahabharat’. And for a period of almost two years (94 Sundays), an audience of almost 20 crore Indians would be glued to the TV sets. And in every episode, the audience was greeted with the rendition of the title song and shlokas, and the every episode was bid good bye with a verse that summarized the story, the state of affairs, and the learnings from the particular episode. These opening and ending title song and verses came through the telecast riding on the booming voice of the one and the only singer who could have made the impact with his voice. His rendition of the opening word ‘Mahaaa-Bhaaarat’ is now etched in the aural memory of the viewers. The voice that had the power to shake a thunder. Mahendra Kapoor – the only voice that could make it happen.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

pal chin
kaliyaan gin gin
tera har din
tab tak rangon se khele
rang jab tak baaki hain bahaaron mein

Ah Asha, the everlasting hope of fresh, pristine melodies. Hearty greetings on this significant milestone in the journey of music. And wishing you many more such milestones of good health and musical times – so that we all may be blessed with the tinkle of you lovely voice, for many more years to come.
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