Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This film “Laal Quila” (1960) would have been forgotten but for the two immortal ghazals composed by S. N. Tripathi, and sung by Mohammed Rafi. These ghazal’s ‘lagtaa nahin hai dil meraa ujde dayaar mein’ and ‘na kisi ki aankh ka noor hoon na kisi ke dil ka qaraar hoon ‘ have a place in the hearts of urdu poetry readers be they lay person or scholors.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I had mentioned in my post the day before, more news and information to share. Let me start by telling about the visitors we had in Delhi during the last four, five weeks. The first to come was Dr. M L Kapoor, from Suffolk, Virginia in the US. Dr. Kapoor is an avid lover of old Hindi films and film music. He is a diehard fan of Pankaj Mullick and Naushad. He has two cars, and the number plates of the cars carry the words ‘NAUSHAD’ and ‘PMULICK’. He is one of the guiding spirits behind the websites on KL Saigal, Pankaj Mullick and KC Dey. He is a doctor of internal medicine, now retired. His main area of interest is the films from New Theatres.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It would be an injustice to call Om Prakash just a comedian. Although that is the performance for which he is most famous. In a career that spans almost six decades (from mid 40s to early 90s), Om Prakash has acted in more than 300 films. And yes, most of them in comic roles. But what sets him apart from the regular crop of comedy actors on the Hindi screen, is his
ability to handle serious roles as a character artist. His portrayals in films like ‘Khandaan’ (1965), ‘Gopi’ (1970), ‘Buddha Mil Gayaa’ (1971) and ‘Annadaata’ (1973) are serious characterizations that stand on par with the leading artists of his time.
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Bar dance in Hindi movies began in 1950s. These dances typically were “western” in nature and they were mostly performed by dancers like Cuckoo, Helen, etc. There were cases when leading ladies like Geeta Bali, Madhubala etc too would perform such bar dances. Such dances were popularly known as cabarat dance.
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“Singapore” (1960) was an Eagle Films Production. It was produced by F C Mehra and directed by Shakti Samanta. The movie had Shammi Kapoor, Padmini, Maria Menado, Shashikala, K. N. Singh, Madan Puri, Helen, Agha, Rajan Kapoor, Lilian, Ameer, Balaram, Mohan Berodia, Dwarka Divecha, Gopal, Moosa, Gautam Mukherjee, Radhakrishan, Shankar etc in it.
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“Jis Desh Mein Ganga Behti Hai” (1960) was an R K Films Production. It was produced by Raj Kapoor and directed by Radhu Karmarkar. The movie had Raj Kapoor, Padmini, Pran, Chanchal, Lalita Pawar, Raj Mehra, Tiwari, Nana Palsikar, Nayampalli, Salochana Chatterjee, Vishwa Mehra, Baboo Rao, S. K. Singh, Rattan Gaurang, Chang, Mohamed Ali, Anwari Bai, Sadhana, Azim, Master Amar etc in it.
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This blog has more than one hundred “Helen” songs. In these songs, Helen would typically perform a cabarat dance and the hero would be seated on a table in the bar where this dance is being performed. I recently begin to wonder whether one can count the number of heroes who figure in such picturisations. I can recall many names right from Ashok Kumar (Howrah Bridge-1958) to Amitabh Bachchan (several movies). Then I reminded myself that Helen had started her cabarat dancing career in 1950s when the three big heroes were Dilip Kumar, Raj Kapoor and Dec Anand.
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