Posts Tagged ‘Om Prakash’
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3469 | Post No. : | 13927 |
Today (16 january 2018) is the 92nd birth anniversary of O P Nayyar (16 january 1926- 28 january 2007).
Instead of discussing his biography and discussing his well known songs, I have decided to pay my tribute to the legendary music director by presenting his full filmography for Hindi movies here.
In summary, O P Nayyar composed music for 73 Hindi movies from 1952 to 1995. He composed 569 songs in these movies. The blog has 462 songs from these movies. 69 out of 73 movies are represented in the blog. Out of these movies represented in the blog, 47 movies are already YIPPEED. So we now have to look for just the remaining 26 movies to look for the balance 107 songs. We are very much in the last lap as far as covering all available O P Nayyar songs in the blog is concerned.
Here is the movie wise breakup:
| S No | Movie | Year | Songs in the blog | Songs in the movie | Balance songs | Remarks |
|---|---|---|---|---|---|---|
| 1. | Aasmaan | 1952 | 8 | 8 | NIL | Movie YIPPEED |
| 2. | Chham Chhama Chham | 1952 | 9 | 11 | Two | |
| 3. | Baaz | 1953 | 8 | 8 | NIL | Movie YIPPEED |
| 4. | Aar Paar | 1954 | 8 | 8 | NIL | Movie YIPPEED |
| 5. | Mangu | 1954 | 4 | 4 | NIL | Movie YIPPEED. Three Other songs composed by Md Shafi |
| 6. | Mehbooba | 1954 | 5 | 5 | NIL | Movie YIPPEED. Four other songs composed by Roshan |
| 7. | Baap Re Baap | 1955 | 11 | 11 | NIL | Movie YIPPEED. |
| 8. | Miss Coca Cola | 1955 | 8 | 8 | NIL | Movie YIPPEED. |
| 9. | Mr and Mrs 55 | 1955 | 8 | 8 | NIL | Movie YIPPEED. |
| 10. | Musaafirkhaana | 1955 | 8 | 8 | NIL | Movie YIPPEED. |
| 11. | Sabse Bada Rupaiyya | 1955 | 6 | 6 | NIL | Four other songs composed by Naashaad |
| 12. | Bhaagambhaag | 1956 | 10 | 10 | NIL | Movie YIPPEED |
| 13. | Chhoomantar | 1956 | 10 | 10 | NIL | Movie YIPPEED |
| 14. | CID | 1956 | 7 | 7 | NIL | Movie YIPPEED |
| 15. | Dhaake Ki Malmal | 1956 | 7 | 7 | NIL | Movie YIPPEED. One more song by Robin Chatterji |
| 16. | Ham Sab Chor Hain | 1956 | 9 | 9 | NIL | Movie YIPPEED. |
| 17. | Mr Lambu | 1956 | 8 | 8 | NIL | Movie YIPPEED. |
| 18. | Naya Andaaz | 1956 | 11 | 11 | NIL | Movie YIPPEED. |
| 19. | Shrimati 420 | 1956 | 8 | 9 | One | |
| 20. | Bade Sarkaar | 1957 | 4 | 4 | Movie YIPPEED | |
| 21. | Duniya Rang Rangeeli | 1957 | 8 | 8 | Movie YIPPEED | |
| 22. | Johny Walker | 1957 | 6 | 6 | Movie YIPPEED | |
| 23. | Maai Baap | 1957 | 6 | 6 | Movie YIPPEED | |
| 24. | Naya Daur | 1957 | 9 | 9 | Movie YIPPEED | |
| 25. | Qaidi | 1957 | 5 | 8 | Three | |
| 26. | Tumsa Nahin Dekha | 1957 | 6 | 6 | Movie YIPPEED | |
| 27. | Ustaad | 1957 | 7 | 7 | Movie YIPPEED | |
| 28. | 12 O Clock | 1958 | 7 | 7 | Movie YIPPEED | |
| 29. | Farishta | 1958 | 6 | 6 | Movie YIPPEED | |
| 30. | Howrah Bridge | 1958 | 8 | 8 | Movie YIPPEED | |
| 31. | Kabhi Andhera Kabhi Ujaala | 1958 | 5 | 9 | FOUR | |
| 32. | Mr Qartoon M A | 1958 | 5 | 8 | THREE | |
| 33. | Mujrim | 1958 | 8 | 8 | Movie YIPPEED | |
| 34. | Phagun | 1958 | 11 | 11 | Movie YIPPEED | |
| 35. | Raagini | 1958 | 8 | 12 | FOUR | |
| 36. | Sone Ki Chidiya | 1958 | 8 | 8 | Movie YIPPEED | |
| 37. | Do Ustaad | 1959 | 8 | 8 | Movie YIPPEED | |
| 38. | Basant | 1960 | 10 | 14 | FOUR | |
| 39. | Jaali Note | 1960 | 8 | 8 | Movie YIPPEED | |
| 40. | Kalpana | 1960 | 5 | 10 | FIVE | |
| 41. | Mitti Mein Sona | 1960 | 7 | 7 | Movie YIPPEED | |
| 42. | Ek Musaafir Ek Haseena | 1962 | 12 | 12 | Movie YIPPEED | |
| 43. | Hong Kong | 1962 | 7 | 9 | TWO | |
| 44. | Phir Wohi Dil Laaya Hoon | 1963 | 9 | 9 | Movie YIPPEED | |
| 45. | Kashmir Ki Kali | 1964 | 9 | 9 | Movie YIPPEED | |
| 46. | Mere Sanam | 1965 | 9 | 9 | Movie YIPPEED | |
| 47. | Akalmand | 1966 | 6 | 9 | THREE | |
| 48. | Bahaarein Phir Bhi Aayengin | 1966 | 6 | 6 | Movie YIPPEED | |
| 49. | Do Dilon Ki Daastaan | 1966 | 5 | 8 | THREE | |
| 50. | Love And Murder | 1966 | 2 | 6 | FOUR | |
| 51. | Mohabbat Zindagi Hai | 1966 | 5 | 8 | THREE | |
| 52. | Saawan Ki Ghata | 1966 | 8 | 8 | Movie YIPPEED | |
| 53. | Ye Raat Phir Na Aayegi | 1966 | 8 | 8 | Movie YIPPEED | |
| 54. | CID 909 | 1967 | 6 | 6 | Movie YIPPEED | |
| 55. | Naseehat | 1967 | 3 | 6 | THREE | |
| 56. | Dil Aur Mohabbat | 1968 | 6 | 6 | Movie YIPPEED | |
| 57. | Hamsaaya | 1968 | 7 | 7 | Movie YIPPEED | |
| 58. | Kahin Din Kahin Raat | 1968 | 7 | 7 | Movie YIPPEED | |
| 59. | Kismat | 1968 | 5 | 5 | Movie YIPPEED | |
| 60. | ShreemaanJi | 1968 | 3 | 6 | THREE | |
| 61. | Sambandh | 1969 | 5 | 12 | SEVEN | |
| 62. | The Killers | 1969 | 0 | 6 | SIX | |
| 63. | Aisa Bhi Hota Hai | 1971 | 1 | 4 | THREE | |
| 64. | Ek Baar Muskuraa Do | 1972 | 8 | 8 | Movie YIPPEED | |
| 65. | Pran Jaaye Par Vachan Na Jaaye | 1973 | 6 | 6 | Movie YIPPEED | |
| 66. | Taxi Driver | 1973 | 6 | 6 | Movie YIPPEED | |
| 67. | Heera Moti | 1974 | 2 | 6 | FOUR | |
| 68. | Khoon Ka Badla Khoon | 1978 | 1 | 8 | SEVEN | |
| 69. | Bin Maa Ke Bachche | 1979 | 1 | 6 | FIVE | |
| 70. | Mangni | 1992 | 1 | 8 | SEVEN | |
| 71. | Nischai | 1992 | 0 | 6 | SIX | |
| 72. | Zidd | 1994 | 0 | 7 | SEVEN | |
| 73. | Muqaddar Ki Baat | 1994 | 0 | 8 | EIGHT | |
| Summary | 73 Movies | 462 | 569 | 107 | One NFS is also posted in the blog |
Not all of the remaining songs are available. Some of these balance songs may have been lost for ever. For instance, the one remaining song from “Shrimati 420” (1956) viz-“tum to hamre man mein bhagwan ban ke base ho” was only there on the movie and its record was not issued. The movie prints are not available, so this remaining song will remain unavailable and as such this movie will remain un YIPPEED.
Yesterday, we discussed a song from “China Town”(1962). It turns out that there was a movie called “Hongkong” (1962) as well in the same year. “Hongkong” (1962) had music by O P Nayyar. This movie was directed by Paachhi for Paachi Productions, Bombay. This movie had Ashok Kumar, B Saroja Devi, K N Singh, Helen, Bhalla, Babu Rao, Kitty, King, Doctor, Balram, Kundan, Om Prakash etc in it.
This movie had nine songs in it. Seven songs from the movie have been discussed in the blog in the past.
This eighth song from “Hongkong” (1962) begins as a “teasing” song, where Om Prakash tries to play a roadside Romeo, but Helen, the target of Om Prakash’s attentions decides that attack is the best form of defence and boos him heartily. 🙂
The lyrics are quite amusing. The movie had four lyricists (Raja Mehdi ali Khan, Qamar Jalalabadi, Shewan Rizvi and S H Bihari), but sadly the lyricist of this song is not known. The lyricist has let his hair down in this song. He must have enjoyed penning this light hearted song. 🙂 The song is quite long. It has video as well as as audio versions and the lyrics differ in some stanzas. I have provided lyrics and links of both the versions.
Music is of course O P Nayyar, and it would appear that he too must have enjoyed composing this song. the song is sung by his favourite playback singing pair of Rafi and Asha Bhonsle.
Video
Audio
Song-Tumhaari adaaon pe ae husn waalon (Hongkong)(1962) Singers-Rafi, Asha Bhonsle, MD-O P Nayyar
Lyrics
———————————
Video version
———————————
tumhari adao pe ae husnwaalon
haan aan aan aan aan
haaye
tumhaari adaaon pe ae husnwaalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta
nahin tumsa koi
agar ham na kehte
to ye naaz o andaaz rakkhe hi rehte
na itraao itna tum is baankpan par
nazar lag na jaaye
chalo yoon na tan kar
sharaarat se mud mud ke kya dekhte ho
hamen ya ke apni ada dekhte ho
ham hi jab na honge to phir kya karoge
har ik baat per kis se akda karoge
kise dekh kar sharm aaya karegi
haya kis se munh ko chhupaaya karegi
ye chutki se dil kiska masla karoge
hamen yaad kar kar ke machla karoge
mohabbat ki baaton pe itna na bigdo
zara haath seene pe rakhkar ye keh do
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
ye tum husnwaalon se kya baat karta
haaye ae ae ae ae
ye tum husnwaalon se kya baat karta aa
arre ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
arre ham na hota to tum kispe marta
ke soorat se dilbar ho aur dil se patthar
khari baat keh di to bigde huye ho
angoothhe ko daanton se pakde huye ho
zara paas aao
mulaaqaat kar len
agar hans ke dekho to ik baat kar len
aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
koi romeo koi farhaad dekha
jise dekha majnu ka ustaad dekha
liye phirte ho ishq ki chot dil mein
nazar mein safai to hai khot dil mein
tumhen har qadam pe ye hota hai dhokha
jo dekhega tumko
wahi mar mitega
zara dekh le
ham to kuchh aur samjhe
chalo peechhe peechhe
nateeja na socho
bina jaan pehchaan ke baat karna
bahaane banaa kar mukaaqaat karna
bahut khoobsoorat samajhte ho khud ko
zara aaina le ke soorat to dekho
muhabbat haseenon se karne chale hain
koi inko dekho ye marne chale hain
aa aa aa aa
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
tumhaari adaaon pe ae husn waalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta
————————————-
Audio version
————————————-
tumhari adao pe ae husnwaalon
haan aan aan aan aan
haaye
tumhaari adaaon pe ae husnwaalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta
nahin tumsa koi
agar ham na kehte
to ye naaz o andaaz rakkhe hi rehte
na itraao itna tum is baankpan par
nazar lag na jaaye
chalo yoon na tan kar
sharaarat se mud mud ke kya dekhte ho
hamen ya ke apni ada dekhte ho
ham hi jab na honge to phir kya karoge
har ik baat per kis se akda karoge
kise dekh kar sharm aaya karegi
haya kis se munh ko chhupaaya karegi
ye chutki se dil kiska masla karoge
hamen yaad kar kar ke machla karoge
mohabbat ki baaton pe itna na bigdo
zara haath seene pe rakhkar ye keh do
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
ye tum husnwaalon se kya baat karta
haaye ae ae ae ae
ye tum husnwaalon se kya baat karta aa
arre ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
arre ham na hota to tum kispe marta
karo ladkiyon se na baaten akadkar
police le na jaaye ji gardan pakad kar
hamen dekhte hi chahakne lage ho
hawa lag gayi hai
bahakne lage ho
ye fashion ye makeup
ye tie ye collar
tumhaare to nakhre hain hamse bhi badh kar
do roza jawaani pe phoole huye ho
tum apne budhaape ko bhoole huye ho
hamen dekhte ho nigaahen bachaa kar
sharaafat dikhaate ho nazren jhukaa kar
ho tum kitne chaalaak ham jaante hain
tumhaari nigaahon ko pehchaante hain
chalo tum pe chhodaa tumhi faisla do
ke tum ache bure ho magar ye bata do
aa aa aa
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
hawaaon mein julfon ko lehraate niklo
chalaate huye teer bal khaate niklo
idhar dekhte ho udhar dekhte ho
giraate ho bijli jidhar dekhte ho
ye lip stick se honthon ko shola banaa kar
kahaan chal diye aag dil mein laga kar
anokha design hai ye sandlon ka
yahi shape hai bas hamaare dilon ka
haseen naazneen ho magar ho sitamgar
ke soorat se dilbar ho aur dil ke patthar
khari baat keh di to bigde huye ho
angoothe ko daanton se pakde huye ho
zara paas aao mulaakaat kar len
agar hans ke dekho to ik baat kar len
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
koi romeo koi farhaad dekha
jise dekha majnu ka ustaad dekha
liye phirte ho ishq ki chot dil mein
nazar mein safaai to hai khot dil mein
tumhen har qadam pe ye hota hai dhokha
jo dekhega tumko
wahi mar mitega
zara dekh le
ham to kuchh aur samjho
chalo peechhe peechhe
nateeja na socho
bina jaan pehchaan ke baat karna
bahaane banaa kar mukaaqaat karna
bahut khoobsoorat samajhte ho khud ko
zara aaina le ke soorat to dekho
muhabbat haseenon se karne chale hain
koi inko dekho ye marne chale hain
aa aa aa aa aa
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
Baras Gayi Re Taras Gayi Re
Posted on: December 29, 2017
- In: "Aankh" song | "neend na aaye" song | Calling the beloved | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lover's Complaint | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Raja | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 3 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Just five days ago, I’d written a post here paying tribute to one of the most loved legends of the Hindi film industry, Mohammad Rafi, on his birth anniversary. Referred to by many (including me) as Rafisaab, he was a giant in his field. Yet he remained humble to his last day, never letting success get to his head. He treated everyone with great respect and, in turn, earned the respect of everyone he interacted with.
Today we pay tribute to another legend of the industry on his birth anniversary. Also a superstar in his own right, albeit for a relatively short period of time, he was possibly the best antithesis of Rafisaab in terms of letting success get to his head, treating everyone with great respect, and in turn, earning respect of everyone he interacted with. Thus his career, and his life, turned out to be very different from Rafisaab’s. Everyone goes through ups and downs in his career – and both this person and Rafisaab are not exceptions to this phenomenon.
Yet, even in his “downs”, there were those who stood by Rafisaab. The goodwill he had earned earlier stood him in good stead. On the other hand though, this other legendary person was not so lucky. His airs and rather dismissive (to use the most charitable term I can think of) treatment of others during his heyday, came back to haunt him when he was on his way down. He hadn’t built enough goodwill, his relationships were damaged – this only hastened his downfall. Although he made a somewhat modest recovery later, and even admitted to his earlier mistakes, his image as an arrogant, even mean and vindictive, person stayed till his last day.
This world can be so unforgiving.
By now, I’m sure everyone knows who I am talking about. The one-time superstar of Hindi cinema, the one who at one time could deliver a superhit even if the main character in his film was an elephant, the one whose mere smile and slight shake of the head had audiences in a swoon, the one who set off a rage of buttoned-up silk kurtas as a fashion trend – yes, I am talking about Rajesh Khanna.
He would have been 75 today if he’d been alive. But he didn’t live to even see 70 – he died in 2012, when still just 69. Although he’d been ailing for a while, news of his death still shocked me – I wrote a blogpost on the occasion on my blog, in tribute to him.
See, here’s the thing. I don’t, for one moment, defend Rajesh Khanna for all his wrongdoings, his arrogance, any charges that anyone might level against him. If true, he must rightly be called out for them. So if anyone is trying to troll me by pointing out his failings (this happens sometimes) and expecting me to defend Rajesh Khanna, it won’t work – I will probably wholeheartedly agree with them. I am not living in denial about his misdeeds.
Yet, I can also not deny that Rajesh Khanna’s films provided me with a lot of entertainment and fun in my childhood days, of which I still have very fond memories. It just so happened that his superstar days coincided almost exactly with the time that I was watching Hindi films as a young boy. I have a sort of attachment towards him that is hard to explain – considering everything else. It of course need not have been so. Atul too is of my era – and he has no such attachment. Fair enough. I happen to have it – and even now, I sometimes watch videos of Rajesh Khanna songs of that 1969-1973 period, and get transported to that period.
I distinctly remember watching him then in songs like “Gussa Itna Haseen Hai To Pyar Kaisa Hoga” (‘Maryada’), “Yahaan Wahaan Saare Jahaan Mein Tera Raaj Hai” (‘Aan Milo Sajna’), “Ye Jo Mohabbat Hai”, “Ye Shaam Mastaani”, and “Pyaar Deewaana Hota Hai” (all three from ‘Kati Patang’ – one of my favourite films at the time), “Rona Kabhi Nahin Rona” (‘Apna Desh’), “Vaada Tera Vaada” (‘Dushman’), “O Mere Dil Ke Chain” (‘Mere Jeevan Saathi’) and many more songs – and enjoying these songs and his mannerisms a lot.
I was very young then – and initially thought he was singing these songs himself. 🙂 When I was told he was only the actor in front of the camera and that someone else (in this case, Kishore Kumar) was the singer, I remember being a bit disappointed. But that did not take away from the enjoyment of the songs, or his mannerisms, or the films. Later on, when his mannerisms became forced and began to jar, the long hair (which was a fashion at the time) made him look less appealing to me, and the quality of films too began dropping, the charm wore off, not only for India’s masses, but also for me. (After all, I also belonged to those masses).
But for the memories of those few early years, I have always had a soft corner for Rajesh Khanna. That sideways tilt of the head, that dialogue delivery (check out the dialogue just before the song “Daanton Taley Dabaa Kar Honth” from ‘Doli’ – the video is available on YouTube – and you will know what I mean). These are the memories of him I always keep with me. I have not watched many of his later films – maybe because I want to keep his 1969-73 image in my mind and not a 1985 one. Having said that, I’ve heard that some of his 1980s films are worth a watch – so I think I will give them a try.
So, to summarise, yes, Rajesh Khanna had a lot of faults – more than probably any other actor. But he also had a meteoric rise that no other actor had – and , while he need not have let success get to his head – he was also only human. Sometimes maybe you do need extremes to make a point.
Maybe it is examples like Rafisaab (or probably for a more modern generation, Rahul Dravid) and Rajesh Khanna that can be held up for youngsters. When you achieve success, make sure you don’t lose your head. Make sure you follow the Rafisaab (or Dravid) example, not the Rajesh Khanna one. I don’t think Rajesh Khanna himself would mind this. Much later in life, he did realize his mistakes – and warned other youngsters not to fall prey to their own success. A lesson learnt the hard way.
Coming to the song for today. As always with Rajesh Khanna songs, I prefer to roll back the years and go back to the Rajesh Khanna of 1969-73. The film si ‘Joru Ka Ghulaam’ (1972) – one of the films I distinctly remember from my childhood days. It is not one of Rajesh’s biggest hits, but I remember quite liking the film when I saw it. One of its songs, “Nainon Mein, Nindiya Hai”, was very popular in its time. But the other songs were also fairly well-known, as was not uncommon for songs from Rajesh Khanna films at the time.
The song is “Baras Gayi Re Taras Gayi Re”. I had marked this song for a write-up the last time I wrote about Rajesh Khanna, but at the last minute, I decided to go with “O Monalisa” from ‘Dil Daulat Duniya’. I was a bit surprised to find that this song was still available for posting – so here goes.
The lyrics have been provided by Avinashji, who, as everyone knows is a big Rajesh Khanna fan. Even bigger than I am. So when I decided to write this up, he immediately offered to provide the lyrics. I gladly accepted. Thank you, Avinashji.
Hope you enjoy this song. It is written by Anand Bakshi and composed by Kalyanji-Anandji.
Song – Baras Gayi Re Taras Gayi Re (Joru Ka Ghulam) (1972) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – Kalyanji Anandji
Lyrics (Provided by Avinash Scrapwala)
hmm mm
arey oo oo oo
ho o o o
baras gayi re taras gayi re
baras gayi re taras gayi re
tere daras ko najariya ho
tere daras ko najariya
baras gayi re taras gayi
o uparwaale
sun uparwaale ae
o uparwaale
ham niche waalon ki
kab tu lega
khabariyaa
khabariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan
hamne bahot ki hai teri sewa..aa
hamne bahot ki hai teri sewa
jaane milega ab kab hamko mewa
aasha niraasha mein tere bhagat ki..ee
aasha niraasha mein tere bhagat ki
beet na jaaye umariyaa
umariyaa
baras gayi re taras gayi re
tere daras ko najariyaa
ho o tere daras ko najariyaa
ho
tan bhi hai pyaasa
mann bhi hai bhookhaa
tan bhi hai pyaasa
mann bhi hai bhookhaa
neelkanth ka kanth bhi sookha
barsegaa saawan takraayegi kab
barsegaa saawan takraayegi kab
parvat se ayike badariyaa
badariyaa
baras gayi re, taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan
niche main jaagoon
upar tu soye
niche main jaagoon
upar tu soye
kaise milan tera mera hoye
bairi jagat raste mein padaa hai ae he
bairi jagat raste mein padaa hai
rok ke hamri dagariyaa
dagariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
o uparwaale
ham niche waalon ki
kab tu lega
khabariyaa
khabariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
हम्म म्म
अरे ओ ओ ओ
हो ओ ओ ओ
बरस गयी रे तरस गयी रे ए
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
तेरे दरस को नज़रिया आ
ओ उपरवाले
सुन उपरवाले ए
ओ उपरवाले
हम निचे वालों कि
कब तू लेगा
खबरिया
खबरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ आ
हमने बहोत की है तेरी सेवा आ
हमने बहोत की है तेरी सेवा आ
जाने मिलेगा अब कब हमको मेवा
आशा निराशा में तेरे भगत कि ई
आशा निराशा में तेरे भगत कि
बीत न जाए उमरिया
उमरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हो
तन भी है प्यासा
मन भी हैं भूखा
तन भी है प्यासा
मन भी हैं भूखा
नीलकंठ का कंठ भी सूखा
बरसेगा सावन टकराएगी कब अ ह
बरसेगा सावन टकराएगी कब
पर्वत से अईके बदरिया
बदरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ
निचे मैं जागूँ
ऊपर तू सोये ए
निचे मैं जागूँ
ऊपर तू सोये ए
कैसे मिलन तेरा मेरा होए
बैरी जगत रस्ते में पडा है ए हे
बैरी जगत रस्ते में पडा है
रोक के हमरी डगरिया
डगरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
ओ उपरवाले
हम निचे वालों कि
कब तू लेगा
खबरिया
खबरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ
Us Jaan e Do Aalam Ka Jalwaa
Posted on: June 26, 2017
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 55 # Qawwalis – 7#
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Under this series today we have this beautiful ‘Sufi Qawwali’ composed by C.Arjun and which is written by none other than Sahir Ludhianvi for the movie ‘Nawaab Sahib-1978’. I have vague memories of watching this movie in late seventies or early eighties, but I do not remember much about this movie or its story line. The only memory of this movie that I had carried over in my growing years and thereafter was this song ‘Hum Mein Hai Kya Ke Hamen Koi Haseena Chaahe’ sung by Mohd Rafi.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Hongkong”(1962) was directed by Paachhi for Paachi Productions, Bombay. This movie had Ashok Kumar, B Saroja Devi, K N Singh, Helen, Bhalla, Babu Rao, Kitty, King, Doctor, Balram, Kundan, Om Prakash etc in it.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sohni Mahiwal” (1958) was a Chaudhary Art Production movie. It was directed by Raja Nawathe. The movie had Bharat Bhushan, Nimmi, Kumar, Achla Sachdev, Mukri, Lotan, Chand Burque, Om Prakash etc in it.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 1
– – – – – – – – – – – – – – – – – – – – – – – –
‘अ’
Celebrating another year without Rafi Sb, celebrating another anniversary of this peerless artist. And more than anything else, celebrating another year of endless memories and ruminations. God does not duplicate, they say. And so, for us listeners, memories is all that is there to live by.
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Aao aao aate kyun nahin
Posted on: November 4, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Around The World” (1967) was a P S Pictures production. It was directed by Pachhi. The movie had Raj Kapoor, Rajshree, Ameeta, Mehmood, Pran, Raj Mehra, Achla Sachdev, Vishwa Mehra, Om Prakash, Pachhi etc in it.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mukesh and his Composers – 2
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Mukesh started his singing and acting career in 1940. Madan Mohan started his composing and singing career a decade later in 1950. His first film Aankhen had some interesting trivia.
• Meena Kapoor sung her only song for Madan Mohan, the beautiful “Moree Atariyaa Pe Kaagaa Bole Moraa”.
• Madan Mohan himself sang a duet with Shamshad Begum.
• Raj Khosla, the famous director and producer has sung a rail song in this movie.
• Lata Mangeshkar was not part of this debut movie of Madan Mohan’s.
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