Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Toone gham diye maine sah liye
Posted on: August 27, 2025
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is his 100th post in the blog.
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6249 | Post No. : | 19328 |
This post is in memory of legendary singer Mukesh on his Remembrance Day (22 July 1923 to 27 August 1976).
The post is also in memory of arguably Mukesh’s greatest fan and compiler of Mukesh Geet Kosh, Shri Harish Raghuwanshi ji(15 October 1949 to 27 August 2024), who passed away on the same day and month last year (on 27 August 2024).
At the outset, as I pen down my 100th post on this unique blog, I take the opportunity to express my heartfelt and sincere thanks to Atul ji for providing this platform on a platter for Hindi Film Music aficionados to not only contribute thoughts on films and songs but also flex flairs for writing.
Today’s song in memory of Mukesh and Harish ji is easily available but is unique in the sense that the details about the making of this song are not available in public domain.
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Aankhen meree maikhaana
Posted on: August 26, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6248 | Post No. : | 19324 |
Kamsune/Unsune songs of Asha Bhosle – 45
This song is full of energy & verve and is performed by each and every dancer with full passion and dedication. The song is “Aankhen Meri Maikhana” sung by Asha Bhosle. The song is written by Varma Malik and composed by Sonik Omi. It is from the hugely successful “Saawan Bhadon” released in 1970.
The film is produced under the banner of Deluxe Films, Bombay and is directed by Mohan Sehgal, a director of certain repute from that era. The list of actors is presented as Navin Nischal, Rekha, Shyama, Jaishri Talpade, Agha, Narendra Nath, Iftikhar, Krishan Dhawan, Ranjeet, Chandrima Bhaduri, Sushma, Madhukar, Devi Chand, Pardesi, OP Kohli, Dhruv Kumar, Ajeet Bengali, Mamaji, and Darpan Nille etc.
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Tum pyaar karo to aise
Posted on: August 24, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6246 | Post No. : | 19318 |
Today, August 24, 2025, is the 25th Remembrance Day of Kalyanji of the music director duo, Kalyanji-Anandji. Surprisingly, none of the two brothers had any inkling of becoming music director when Anandji started his amateure orchestra group doing live variety stage shows in around Girgaum area. Kalyanji, his elder brother joined this group after completion of his boarding school where he had learn to play various musical instruments.
Kalyanji (30/06/1928 0 24/08/2000) was born to Virji Shah, a Jain businessman from Kutch who migrated to Mumbai in early 20th century to set up the grocery and dry-fruit shops in Mangalwadi, Girgaum area of South Mumbai, a predominately Marathi and Gujarati speaking region. While Kalyanji was sent to a boarding school, Anandji, his 5 year junior younger brother joined the local school. In those days, there were many film personalities like V Shantaram, Durga Khote, Shanta Apte, Kikubhai Desai (father of Subhash and Manmohan Desai), some crew members and the film musicians staying in Girgaum. Anandji learnt percussions from a music teacher in lieu of his outstanding grocery bills of his father’s shop. However, his Jain mother did not allow him to bring the Dholak at home because it had animal skin. So, he had to keep his Dholak at his music teacher’s house. Similarly, he gained some working knowledge of Hindustani classical music when he started giving tanpura accomplishment to a Hindustani classical vocalist of his locality during her practice session for which she would give him a chocolate as reward.
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Dekha tujhe palat ke
Posted on: August 20, 2025
- In: "Aankh" song | "Ghoonghat" song | Duet | expression of love | Feelings of heart | Guest posts | Krishna Kalle songs | Mahendra Kapoor songs | Mahendra Kapoor-Krishna Kalle duet | Post by Avinash Scrapwala | Rare song | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6242 | Post No. : | 19305 |
#the Decade of Sixties – 1961 – 1970 #
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In this post I am presenting a song from the movie ‘Badmaash-1969’. This movie was introduced on this blog by our Shree Sudhir jee with its song ‘uthhaa palkein milaa nazren’ on the blog. This movie was then a ‘missing movie’ for the blog. I guess this movie was a very rare and obscure movie and it continues to remains so.
“Badmaash-1969” was a stunt movie which was directed by B.J. Patel for Saras Chitra, Bombay. It had Sheikh Mukhtar, Helen, Chandrashekhar, Padma, N.A. Ansari, Vishva Mehra, Dalda, Shashimala, Satyen Kapoor, Jilani, Chandrakala, Surya Kumar, Bhagwan, Rachna, Jayshree, Satish Vyas, Nawab, Jaswant, Ajit, Abdul Sattar, Nanak, Motu, Nandini Desai and others. This movie ‘Badmaash-1969’ has four songs composed by Avinash Vyas. Lyricist for all the four songs is Anjaan. The singers list mentioned in HFGK has Krishna Kalle and Mahendra Kapoor as singers for this movie. However for one song the singer’s name is not mentioned in HFGK.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19303 |
ye ilm kaa sauda, ye risaale, ye kitaaben
ek shaks ki yaadon ko bhulaane ke liye hain
—– Jaan Nisaar Akhtar
The meaning of the sher is that these exchange of knowledge, these journals, these books are meant to forget memories of a person. But I write this article for remembering today, Jaan Nisaar Akhtar on his 49th Remembrance Day. He was essentially a poet but circumstances forced him to write songs for films when an arrest warrant was issued against him in Bhopal being the follower of leftist ideology. He went underground eventually landing in Mumbai in 1949 leaving behind his wife and two small children. So, to manage the family, he started writing songs for Hindi films.
Syed Jaan Nisaar Hussain Rizvi (18/02/1914 – 19/08/1976), popularly known as Jaan Nissar Akhtar was born in Gwalior. His father, Muztar Khairabadi, a well-known Urdu poet was the Magistrate in the State of Gwalior. After completion of the matriculation from Gwalior, Jaan Nissar Akhtar joined Aligarh Muslim University and completed M.A. in Urdu. He returned to Gwalior and got a job as a lecturer in Victoria College. In 1943, he got married to Safia, sister of Urdu poet, Mazaj Lucknawi. In 1947, he shifted to Bhopal where he joined Hamidia College as Head of Urdu and Persian Department. In Bhopal, he joined the Progressive Writers’ Movement.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19302 |
Today, August 19, 2025, is the 6th Remembrance Day of a ‘ruhaani‘ music director, Mohammed Zahoor Khayyam Hashmi (18/02/1927 – 19/08/2019), better known as Khayyam. His musical career can be divided into three parts. The first part (1948-67) was his struggling years during which he mostly got low budget films. In the second part (1967-74), he took sabbatical from the Hindi film industry and concentrated in composing non-film Hindi songs. In the last part of his musical career, (1974-2013) he rejoined his musical career in Hindi films during which he had a successful stint both financially and career-wise.
Khayyam was born in Rahon in Nawanshahr district (now Shaheed Bhagat Singh Nagar) of Punjab in a Muslim scholar’s family who loved poetry and music. There used to be a regular gathering in his father’s large library room to discuss poetry and music which included films as well as classical music. All the family members were highly educated. His father expected Khayyam to follow suit. But he was glued more to the gramophone record player listening to film songs than to his schoolbooks (akin to the addiction to smartphone among today’s school going children) as he wished to become an actor-singer like K L Saigal, his idol.
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Daiyya kasam saram saram laage
Posted on: August 18, 2025
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6240 | Post No. : | 19295 |
Hullo Atuldom
18th August 2025. It is the 92nd birthday (completes 91) of a most revered lyricist/ poet, writer and film director of Hindi Films. He was born Sampooran Singh Kalra in a Sikh family in the small town of Dina (now in Pakistan). Deeply engrossed in literature and poetry right from his school days, he avidly listened to Hindustani music, attended concerts by Pt. Ravi Shankar and Ustad Ali Akbar Khan.
His family moved to Delhi after Partition, but Sampooran moved to Bombay to pursue his ambition to become a writer. He started working as a mechanic in a garage and wrote poetry in his free time under the pen name (first) Gulzar Deenvi & later on (simply) Gulzar. All this is public knowledge.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6240 | Post No. : | 19292 |
Today’s song is from a film – Naya Kanoon-1965 – which had an offbeat story on current affairs of IPC. Unfortunately due to several reasons the film was not successful. Two reasons were there. First was, in 1965 so many iconic and milestone movies were made that anything less than their standard was unlikely to have acceptance of the audience. Secondly, the film had inherent lacunae which downgraded it.
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