Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970’ Category


“Puraskaar” (1970) was produced and directed by Ram Kumar. This movie had Joy Mukherjee, Sapna, Fariyal, Abhi Bhattacharya, Farida Jalal, Mahendra, Nigar Sultana, Helen, I. S. Johar, Bipin Gupta, Ram Kumar etc in it. This movie may not be remembered today, but it was quite an interesting movie as Memsaab found.
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“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sometimes the directors of Hindi films will put across really strange scenarios, that one does not really expect to see in the films, especially in the formula or near formula films that are a hallmark of the Indian film industry. Now, think of Helen, and the very first thing that will come to mind is a dance song. In a variety of dance forms, whether that be a folk dance (a handful), a classical (very very few indeed), a fun song (very many) or a cabaret dance (a huge number), when one sees Helen on the screen, she is singing a song, and dancing. Some time back on a particular post, we came across a Helen dance song in which she is not singing herself, someone else is. In response, others readers identified more such songs where Helen did not sing, while she was dancing on the screen.
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There have been quite a few Rafi songs where Rafi has sung with such high energy levels that the listeners are left gasping for breath literally. To this day I keep wondering how a singer can sing with such high energy level throughout in a song lasting well over three minutes and sometimes more. Songs of “Junglee”(1961), “Rajkumar”(1964),”Prince” (1967),”Saawan Bhaadon”(1970) etc readily come to mind as songs whose energy levels could have lit up a few households if harnessed properly.
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“Dastak” (1970) was a movie on a theme that called for mature audience, But Indian audience, media as well as the censors were not mature at that time. Such movies were regarded as obscene and were given A certificates. Instead of attracting mature audience to the movie halls, such movies attracted immature audiences hoping to find some titillating scenes in the movies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am writing again today to document another very important interaction; an interaction that has been a dream for me for many months now. I am in San Diego today, and the local time is 2.00 am. And I am writing this post from the residence of Shri Surjit Singh ji. I am sure friends on this blog would be familiar with his name, in context of Hindi films and film music. He is a diehard fan of this music, and has been playing a major role in raising awareness about it, collecting rare materials and making them available on the internet. His web site is at here , and I recommend friends and readers on this blog to visit this and find out more about him.
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When one looks at the Hindi movie actors of today, one finds that almost all of them are relatives of old time movie personalities. And those who are not, become related to old time film personalities by marrying into such families. So much so that it is a daunting task for rank outsiders to break into Hindi movies.
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I became aware of “Puraskaar” (1970) after Memsaab reviewed this movie in her blog. It turns out that the movie is a treasure of great songs. I wonder how I was not aware of this movie when it was released in 1970s, seeing that this movie had music by R D Burman and I, like most music lovers was a big fan of R D Burman’s music.
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