Posts Tagged ‘Asha Parekh’
Ae Kaash Kisi Deewaane Ko
Posted on: May 25, 2017
- In: "Advice" song | Artist century song in blog | Asha Bhonsle songs | Baag/Bagiya song | Biography of artists | Biography of Music Directors | Century songs for the blog | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this post, the blog now carries 700 songs by Laxmikant Pyaarelal.
The story of Laxmikant Pyaarelal reads like a dream rags-to-riches story. But it is also a story of hard work and persistent effort. Laxmikant, the senior partner in the team, was three years elder to Pyaarelal. Interestingly, both were born on 3rd of the month, Laxmikant in November and Pyaarelal in September. Pyaarelal is the son of the renowned musician Ram Prasad Sharma. Although active in the film industry since the latter part of 1930s, Ram Prasad did some films independently from 1947 to 1950. Not adept with commercial acumen, his financial status was poor most of his life. Pyaarelal, his eldest son, had to start working as a musician in recording studios at the age of 12, to support his family. The story of Laxmikant’s childhood is even more depressing. He was raised in the slums of Vile Parle in Bombay. His father passed away when he was just a toddler. A friend of his father supported him and guided him towards learning music. With time, his talent shone through, and he too started working as a musician in the film industry.
Remembering Laxmikant Shantaram Kudalkar on the 19th anniversary of his passing away today (25th May).
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“Aaye Din Bahaar Ke”(1966) was produced by J Omprakash and directed by Raghunath Jhalani for Filmyug Private Limited. The movie had Dharmendra, Asha Parekh, Naazima, Sulochana Latkar, Raj Mehra, Rajendranath, Balraj Sahni, Sunder, Mubarak, Sabita Chatterjee, Leela Mishra, Dulari, Madhu Apte, Khairati, Sarita Devi, Brahm Bhardwaj, C.S.Dubey, Nazir Kashmiri, Lata Bose etc in it.
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Bol naadaan dil tujhko kya ho gaya
Posted on: May 17, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naadaan” (1971) was directed by Deven Verma for Navratan Films. Bombay. The movie had Asha Parekh and Navin Nischol in lead roles. The movie also had Nirupa Roy, Helen, Jairaj, Karan Dewan, Sulochana Chatterjee, Madan Puri, Sunder, Brahm Bhardwaj, Asit Sen, Rashid Khan, Bela Bose, Praveen Pal, Master Chikoo, AK Hangal, Yash, Ravikant, Kuljeet, Subrato, Nazir Kashmiri, Deven Verma etc in it.
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Mera naam bahut badnaam
Posted on: February 16, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bin Phere Ham Tere”(1979) was directed by Rajat Rakshit for N P International, Bombay. The movie had Asha Parekh, Vinod Mehra, Sarika, Nazneen, Nadira, Kamal Kapoor, C S Dubey, Jankidas, Mushtaq Merchant, Jagdish Raj, Master Salim, Johny Whisky, Dr Dutt, Master Pappu etc in it, with Rajendra Kumar in a friendly appearance.
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Phoolon se mukhde waali
Posted on: January 24, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aaye Din Bahaar Ke” (1966) was produced by J Omprakash and directed by Raghunath Jhalanai for a Fimyug Production, Bombay. The movie had Dharmendra, Asha Parekh, Balraj Sahni, Nazima, Sulochana, Rajendranath, Raj Mehra, Leela Misra, Dulari, C. S. Dubey, Khurshid, Sunder, Mubarak, Madhu Apte etc in it.
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Ham tujhe dhoondh lenge
Posted on: October 4, 2016
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A few days ago when it was Lata Mangeshkar’s birth anniversary on 28 september 2016, I posted a Lata writeup, where I mentioned that we have been discussing a Lata song almost on a daily basis right from the beginning of this blog 8 years ago. I knew that we had more than 3070 Lata songs in the blog. I became curious to find out the number of days for which this blog is active. At first I decided to do the calculation manually, but then decided that I should let technology do the hard work for me. So, after some trial and error, I got just the excel formula that I needed. It was then that I realised that the blog was 2994 days old at that time. I mentioned this fact in the blog. I also realised that we were very close to 3000 days mark. So I contacted a few regulars of the blog and requested them for their special writeups on the occasion.
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Bade khoobsoorat ho tum naujawaan
Posted on: October 2, 2016
- In: "Get together" song | Dance song | Dev Anand present without lip syncing | Dev Anand songs | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Raja | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 3 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
After a gap of a few months, I am back here to present a post.
This time the occasion is the birthday of one of India’s most popular leading ladies of yesteryear, Asha Parekh. On this day (2 october 2016), we, on this blog, wish her a very happy birthday!
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“Mahal”(1969) was a Roopkala Pictures production. It was produced by Mahipat Ray Shah and directed by Shankar Mukherji. The movie had Dev Anand, Asha Parekh, Farida Jalal,D K Sapru, Azra,Abhi Bhattacharya, Kamal Mehra, Sudhir, David Abraham, Sunder, Siddhu, Rajan Haksar, Ratnamala, Pratima Devi, Naina, Ram Singh, R P Kapoor, Manju, Uma Dutt, Nadir, Rehana Vakil, Murad etc in it.
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- In: "Mela" song | "Taqraar" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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