This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6081 | Post No. : | 18872 |
Today’s song is the last song of the film Sardar-1955.
The film was made by the Gyan Mukherjee productions, Bombay, by its owner- Producer Gyan Mukherjee, who also directed this film. The film is unique in the sense that this was the only Hindi film, for which the famous singer Jagmohan Sursagar gave the music. Yes, the same famous singer of NFS – Jagmohan Sursagar. The cast of the film was Ashok Kumar, Bina Rai, Tiwari, Nigar Sultana, Jagdish Sethi, Rama Shukul, Murad, Iftikhar, Mehmood and many others. There was a Guest Artiste – Nana Palshikar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6080 | Post No. : | 18871 |
Nanubhai Vakil (B.A., LL.B.) was an old timer in Indian film industry who commenced his filmy career as a director with a silent film in 1929. By 1932, he had directed as many as 21 silent films. His first talkie film as a director was ‘Narsinh Mehta’ (1932) which also happened to be the first talkie film in Gujarati. He has directed over 50 Hindi films most of which belonged to action, stunts, fantasy and costume genres of films. He directed his last Hindi film, ‘Alam Ara’ (1971) which he had earlier directed in 1956. In both these films, W M Khan donned the same role which he had done in India’s first talkie film, ‘Alam Ara’ (1931). He has also produced six Hindi films and W M Khan acted in all these films.
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Laila Laila pukaaron main ban mein
Posted on: March 10, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6079 | Post No. : | 18870 |
‘Mr Sampat’ (1952) was produced and directed by S S Vasan under the banner of Gemini Pictures. The film starred Motilal in the title role of Mr Sampat with Padmini, Vanaja, Sundari Bai, Swaraj, Agha, Kanhaiyalal, Badriprasad, Kailash Nath, J S Casshyap, B S Kalla etc. This was Padmini’s first Hindi film in a lead role. The film was adapted from R K Narayan’s novel, ‘Mr Sampat – Printer of Malgudi’ (1949). It is a satirical film.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6078 | Post No. : | 18869 |
“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.
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Jaane waale tod kar dil ko na jaa
Posted on: March 8, 2025
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6077 | Post No. : | 18868 |
When one looks at Hindi movies, one realises that the dominant genres of Hindi movies keep changing with time. In the early decades of 1930, fantasy movies and mythological movies ruled the roost. From late 1940s, melancholic movies became popular.
In 1950s, crime movies, inspired from similar movies made in the west, began to be made by Hindi movie makers. Then we saw lost and found stories in 1960s, and angry young man stories in 1970s and so on.
One notices that the music in crime movies of 1950s were also inspired from west. In some cases, tunes were lifted from western tunes. Since information age was nowhere in sight those days unlike now so movie makers could get away from plagiarisation with impunity in most cases. Even otherwise, western instruments came into usage in Hindi movie magic that were used to create not only western style music but also desi style music.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6076 | Post No. : | 18867 |
Today’s song is from an obscure film called Maharani Minal devi-1946.
The film was produced and directed by Chimanlal Trivedi for his own banner Laxmi productions, Bombay. The music director was Saraswati Devi. The Lyricists were Ramanand and Neelkanth Tiwari. However, for lack of individual credit for each song in the HFGK, we do not know who wrote which song. Even the uploaders do not mention specific names. The cast of the film included Prem Adib, Leela Desai, Durga Khote, Jagdish Sethi, Agha, Sankatha Prasad and many others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6075 | Post No. : | 18866 |
Today, March 6, 2025, is the 7th Remembrance Day of Shammi Aunty (26/04/1929 – 06/03/2018). Her trade mark smile with a cheerful face which many of us have seen during her six decades of filmy career, masked her chequered life – both personal and professional. The tough life which she had gone through in her childhood made her to accept any type of roles out of the financial necessity. That made Shammi to act in various genre of roles. In the event, she became more well-known in her character roles than her lead/second lead roles of early 1950s.
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Ab ke Bhagwan daya karenge
Posted on: March 6, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6075 | Post No. : | 18865 |
Today’s song is from a less known film Sona Chandi aka Bhai-Bhai- 1946.
This film was made by the New Bombay Theatres, Bombay. It was produced and directed by R. D.Parinja. Music was by Tufail Faruqi and lyricists were Shamim (1 song), Khawar Jaman (1 song) and Wali Saheb (8 songs). The cast included Chandni, Suresh, Kishori, Saroj Borkar, kamla, Amrutlal, Radha Kishen and others.
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Jaan o dil donon hain haazir
Posted on: March 5, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6074 | Post No. : | 18864 |
‘Love And Murder’ (1966) was an obscure film which I came to know very recently due to its couple of pleasing dance songs composed by O P Nayyar. The film was produced by B K Adarsh under his banner, Adarshlok and was directed by Raja Paranjpe. The cast included Ramesh Deo, Jaymala in lead roles, supported by Prithviraj Kapoor, Heeralal, P Kailash, Helen, Kammo, Chandrakant, Asit Sen, Edwina etc. One of the features of this film’s marketing was that the publicity posters of the film contained only the name of producer, director and the music director. The names of even the main actors were not mentioned.
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Main hoon miss Bambai
Posted on: March 5, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6074 | Post No. : | 18863 |
Today’s song is from the comedy film ” Mr. Cartoon, M.A.-” 1958.
What a coincidence ! Last Sunday, I had selected a song from this film to be discussed today (usually I line up 3-4 songs for writing posts). However, the same song was discussed by our Sadanand Kamath ji, on Monday, 3rd March. Instead of going for another film song, I selected the only remaining song from this film for today’s post. Being the last song of the film, it will make the film YIPPEED today !
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