Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5679 Post No. : 18192

Today’s song is from the Mythological film – Mohini-1957.

During the decade of the 1950s, maximum religious, Bhakti pradhan and Mythological films were made. Among them, most had roots in some or the other Puranas, Ramayan or mahabharat, but there were also films having the tag of ‘ Mythological’ film, which had absolutely no connection whatsoever, known or unknown, to any of the mythological stories. I have read all 18 Puranas, Ramayan and Mahabharat. I do not claim to know each and everything from there, but even in the film booklet no mention is made of the source of the story. Film Mohini is one such film. With 100s of Gods and 1000s of stories, it is easy to make up a story resembling any genuine story. Looks like that, like Arabian Night stories, here too adulteration has entered ! A simple trick of adding a lot of magic scenes can enable a story to become a Mythological or Arabian Night story !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5678 Post No. : 18191

Today’s song is from the ‘ imaginary ‘ film, which was a Costume C grade film – Son of Alibaba-1955.

So, here we are again talking about a Costume C grade film which has an ‘imaginary’ category in the HFGK. I selected this film song because among such other films, this film had much better and good songs, composed by Sardul Kwatra, the Music Director.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5677 Post No. : 18190

After the box office success of the Tamil film, ‘Thevar Magan’ (1992), written and produced by Kamal Hasan with Sivaji Ganesan, Kamal Hasan, Revathi, Gautami and Nasser in the main roles, Kamal Hasan decided its remake in Hindi with himself in the lead role and Dilip Kumar in Sivaji Ganesan’s role. It was his intense desire to work with Dilip Kumar. However, Dilip Kumar declined to work in the film as he had almost retired from the films. So, Kamal Hasan kept the Hindi remake of the film in the backburner until he sold the film’s rights to his friend, Priyadarshan for its remake in Hindi as ‘Viraasat’ (1997).(Source: Hindustan Times, May 29, 2022).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5676 Post No. : 18189

Hullo Atuldom

“Kaash” (1987) was produced by Anwar Ali & F.K. Rattonsey & directed by Mahesh Bhatt. Dimple Kapadia- Jackie Shroff- Master Makrand Joshi formed the main cast, with Anupam Kher playing a character that was important for the story viz. he played the third angle of the love triangle; of course Jackie & Dimple were the other two angles. Akash Khurana, Dalip Tahil, Mehmood, Mukri, R.S. Chopra, Kamal Chopra, Avtar Gill, Satish Kaushik, Vikas Anand, Subbiraj, Raju Kher all had small important parts to play; tagged as either special or guest appearance in the titles of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5676 Post No. : 18188 Movie Count :

4951

‘Bobby Jaasoos’ (2014) was produced by Dia Mirza and Sahil Sangha under the joint banners of Born Free Enterprises and Reliance Entertainment and was directed by debutant Samar Shaikh who also wrote the story. The screenplay and dialogues were written by Sanyukta Chawla-Shaikh. Vidya Balan and Ali Fazal were in the lead roles supported by Supriya Pathak-Kapur, Tanvi Azmi, Zarina Wahab, Arjan Bajwa, Rajendra Gupta, Kiran Kumar, Anupriya Goenka, Prasad Barve, Aakash Dahiya etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5676 Post No. : 18187

Today’s song is a duet from the film Shrikrishna Bhakti-1955.

This was a Mythological film (पौराणिक ), directed by the “Trick Magician” – Babubhai Mistri. The music director was the Melody Maker – Chitragupta. The cast of the film was Manmohan Krishna, Lalita Pawar, Mahipal, Bipin Gupta, B.M.Vyas, Dalpat and many others. A special feature of this film was that there were as many as 7 “Guest Appearance ” artistes – clearly a record number for any film till then. I doubt very much if any other film has broken this record. Any reader, who knows about more than 7 Guest artistes in a film, mentioned in the HFGK, so far, may please give the information in the Comments column. The Guest artistes in this film were….Krishna Kumari, Anwar Hussain, Maruti, Shaikh, Indira bansal, Bagala and Chitalkar (surprised with this name !).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5675 Post No. : 18186 Movie Count :

4950

‘Nazar Andaaz’ (2022) is produced by T Series and Kathputli Productions and is directed by the debutant Vikrant Deshmukh. The main cast includes Kumud Mishra in a protagonist’s role of a visually impaired person with Divya Dutta and Abhishek Banerjee. Rajeshwari Sachdev makes a special appearance in the film. The outdoor shooting of the film took place in Mumbai and in Kutch (Gujarat). The film was released on October 7, 2022, in a very limited theatres without any marketing. In Mumbai, the film was released in two theatres only and that too the single show. Because of this, the film went largely unnoticed. After a month or so, the film was released on the OTT platforms. I watched the film on the OTT platform.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5674 Post No. : 18185 Movie Count :

4949

#the Decade of Seventies – 1971 – 1980 #
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(Martyr’s day 2024)

Today 30th January is the ‘martyr’s day’ where we pay our tributes to all the known and unknown martyrs of this great country. It is well known fact that during freedom struggle of India i.e. Bharat, many people fought against the British Empire and laid down their lives to see their fellow countrymen free. For years together we have grown-up reading stories of our freedom struggle and the great revolutionaries who sacrificed their lives on the way of their fight for freedom of this country.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5673 Post No. : 18184 Movie Count :

4948

William Shakespeare’s plays such as ‘Othello’, ‘Macbeth’, ‘Hamlet’, ‘Romeo And Juliet’, ‘A Midsummer Night’s Dream’, ’12th Night’, The Comedy of Errors’ etc have been adapted in Hindi films. These Shakespearian plays have romance, emotions, tragedy, melodrama, actions etc and Hindi mainstream filmmakers thrive on such ingredients in the film. The most popular Shakespeare’s play which have been adapted for Hindi films is ‘Romeo and Juliet’. There may be at least a dozen Hindi films adapted and inspired from this play. From the summary version of this play which I have read, two important aspects in the play emerge. First, the lovers are from two different feuding families who desperately try to separate them. Second, from the incipient stage of their love, there are strong indications that they are not going to be united and at the end, they die as doomed lovers. So, the adapted films need to have these two important aspects to qualify as a fair adaptation of Shakespeare’s ‘Romeo and Juliet’. The viewers must feel that it is tragic love story from start to end. Insofar as Hindi adapted films are concerned, I feel that Jaddan Bai’s ‘Romeo and Juliet (1947), directed by her son, Akhtar Hussain with her daughter, Nargis playing the role of Juliet, can be said to be the first version in Hindi film with an earnest degree of adaptation of Shakespeare’s play. In fact, this film has accredited William Shakespeare as the ‘story writer’. Films such as ‘Ek Duje Ke Liye’ (1981) and ‘Qayaamat Se Qayaamat Tak’ (1988), also fulfill this criteria.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5673 Post No. : 18183

Today’s song is a duet from the film ‘Pehla Aadmi’ (1950). This was a film from New Theaters, Calcutta, which had a background of Netaji Subhash Chandra Bose’s I.N.A. (Indian National Army or Azad Hind Fauz).
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