Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1940


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Movies with the name Zindagi have been made four (or maybe five) times. As per the recorded listings, the first instance of a film named Zindagi is in 1940. This is a New Theatre Productions from Calcutta, directed by PC Barua. The primary players in this film are KL Saigal, Jamuna, Pahari Sanyal, Ashalata, Sham Laha, Nemo, Manorama, Sitara, Dhruba Kumar, Bikram Kapoor, Rajnirani, and Ramkumari etc. The screenplay for this film is adapted from the novel ‘Priya Baandhabee’ by Prabodh Sanyal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are many success stories in the film world, where in un-tested and un-trained folks from common occupations and professions, came into films and made it big. Without a doubt, the earliest such story which has turned out to be the most phenomenal success ever, is Saigal Saab. Moving from Jalandhar to Calcutta, and from being the sales manager in a typewriter company, KL Saigal broke into the Bengali cinema world in 1932, and in a short career that lasted barely 15 years, he has left behind a legacy that has charmed generation after generation of music lovers. A legend and a phenomena in his own living years, with a treasure of just 185 known recordings, an unrivalled treasure that cannot be compared to any other artist since the time the sound has been electrically recorded.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The poetry rendered to life by Saigal saab, is limited and yet infinite. By all accounts, the total recordings available of the songs and ghazals sung by him is less than 200. And yet, the presence of these countable offerings is infinite in themselves. Every time I pick up a recording to listen, it sounds new, fresh, and with new meanings and inflections. Such is the depth and range of this divine voice, that it is impossible to fathom it fully, no matter how many times one listens.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ghazal that epitomizes in parts the sufi philosophy of life, this probably is the only poetry of the famous poet Seemaab Akbarabadi that has been rendered by Saigal saab. This is a non filmi offering, and like all other songs / ghazals sung by him, this one too is steeped in a profound philosophy. The ghazal expounds the nature of life and its interpretation by the poet. The poet alludes to the ephemeral quality of what life is, and advances the thesis of detachment from this world.
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During late 1960s and much of 1970s, when I was growing up as a kid, I scoffed at the songs that were played on radio Ceylon between 7-30 to 8 AM, which was the time for the programme called “Puraani filmon ke geet”. And the programme culminated at the stroke of 8 with a song by K L Saigal.
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I am aware of movies called “Zindagi” that were released in 1956 and 1964. There was in fact another movie of this name as far back as in 1940. This movie, produced by New Theatre,Calcutta, had actors like K L Saigal, Ashalata, Jamuna, Pahadi Sanyal,Sham Laha, Nimmo etc in it.
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While looking up information about Naushad, I found out that he made his debut as a music director in 1940 in a movie called “Prem Nagar”. In this movie he composed as many as 13 songs. Those are the days when actors themselves used to sing their own songs.
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