Posts Tagged ‘1950’
Meri aankhen banin deewaani
Posted on: April 10, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The magic of Jagmohan’s NFS does not end, it is for ever.
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Ladka aur ladki miley parody song
Posted on: April 1, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Quantity and Quality must be enemies, because generally it is found that when Quantity increases, the quality diminishes.
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Maine sapna jo dekha hai raat
Posted on: March 31, 2013
“Hanste Aansoo” (1950) was one of the first Hindi movies to get an Adult certificate from the censors. The reasons for getting A certificate those days used to be quite flimsy. For instance, “Barsaat” (1949) had become the first Hindi movie to get an A certificate. The reason why censors were provoked thus was that the female actors in the movies, viz Nargis, Nimmi etc are shown without dupattas and in one song there is even the talk of dupatta flying away in the breeze, viz. Hawa me udta jaaye mora laal dupatta malmal ka. 🙂 And the censors were righteously indignant about all this. 🙂
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Jaana na dil se door
Posted on: March 30, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During 1948-50, Dilip Kumar-Kamini Kaushal was a much talked about lead pair having worked in ‘Shaheed’ (1948), ‘Nadiya Ke Paar’ (1949), ‘Shabnam’ (1949) and ‘Aarzoo’ (1950). All these films were successful at the box office. Then why is it so that this successful lead pair did not work together in any films after ‘Arzoo’ (1950)? There is a story behind it but before that let me share Kamini Kaushal’s profile in brief which I found unusual and interesting. Some highlights of her profile including the reason for not working with Dilip Kumar after ‘Arzoo’ (1950) are given below:
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Ulfat ka adhoora afsaana
Posted on: March 28, 2013
“Neeli” (1950) was a Ranjit Film Company production. It was directed by Ratibhai Punatkar. The movie had Dev Anand, Suraiya, Agha, Shyama, Dulari, Cuckoo etc in it.
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Daaro re rang daaro re rasiya
Posted on: March 27, 2013
“Jogan” (1950) was a Ranjit Film Company Production. It was directed by Kidar Sharma. This movie was a landmark movie in many respects.
Musically speaking, this movie was a musical blockbuster. As many as ten songs from this movie have discussed in the past and still we are not done with this movie. 🙂
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Morey dwaar khule hain
Posted on: March 25, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I had mentioned in one of my earlier write-ups that all the songs from the film ANMOL RATAN (1950) were very rare to get in the 70s even with the individual collectors. Though the film failed miserably at the box office, all the songs from this film were the forgotten ‘ratans’ (gems). We are fortunate that majority of the songs from this film are now available on the internet as audio clips. There are 11 songs in the film of which 5 songs have been discussed in this blog.
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Ek baar muskuraa do
Posted on: March 25, 2013
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Recently our Mr. Sadanand Kamath has posted on this Blog two superb numbers by Jaganmoy Mitra, better known as Jagmohan Sursagar, together with rich information (and links) on this veritable ocean of melody. They are: O varsha ke pehle baadal from Meghdoot (1945), and a non-filmy song Mat kar saaj-singaar sundari.
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Mat kar saaj singaar sundari
Posted on: March 22, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Jagmohan Sursagar was known mostly for his non-filmy songs whether in Bengali or Hindi. After the success of his songs in ‘Meghdoot’ (1945), he collaborated with Faiyyaz Hashmi and Kamal Das Gupta for recording many non-filmy Hindi songs which became very popular. Faiyyaz Hashmi was a full time employee of EMI (HMV) at Calcutta. After bifurcation of British India, Faiyyaz Hashmi was transferred to Dhaka in 1947 and to Lahore a year thereafter to strengthen the office which was affected by the migration of many of its artists to India. With this, the collaboration of these trios virtually came to an end. Thereafter, Jagmohan Sursagar recorded some more Hindi non-film songs with different lyricists such as B C Madhur, Madhuraj, Rajinder Krishan etc. But most of these songs are silent on the name of the composer. It is believed that during this period, Jagmohan himself may have composed the music for most of his non-filmy songs.
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