Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1951


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

HAM LOG (1951) was a typical Zia Sarhadi film highlighting the social issues in keeping with the socialistic ideology followed by Indian People’s Theatre Association (IPTA). The film was produced under the banner of Ranjit Movietone. In this film, social issues were raised that arose out of the difficulties faced by a poor family of Lalaji Harcharandas (Kanhaiyalal) and his wife (Durga Khote), unemployed son Raj (Balraj Sahani), a sickly daughter Paro (Nutan) and a school going son (Master Ratan). The problem is further accentuated by the arrest of Lalaji for allegedly stealing money from his employer for which he is sent to prison.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Kidar Sharma wrote the lyrics of the song so jaa rajkumari so jaa, he might not have been aware that he wrote the first lori (lullaby) song for a Hindi film. Another thing he did differently was that he wrote the lori lyrics for a male singer-actor (K L Saigal) whereas the lori is traditionally sung by women. This could happen because, as he said in his autobiography ‘The One and Lonely Kidar Sharma’ (2002), he had in fact written a lori ‘so jaa raj dulari so jaa, so jaa main balihaari so jaa’ especially for his wife Raj Dulari. But K L Saigal fell in love with it and pressurised Kidar Sharma to make it public. It was only after his wife agreed that Kidar Sharma consented to use this lori for the film ‘Zindagi” (1940) by changing ‘raj dulari’ to ‘rajkumari’. This lori sung by K L Saigal became very popular all over India.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“BACHELOR MOTHER”-39 was a popular Hollywood film directed by Garson Kanim, with Ginger Rogers and David Niven in the lead. It was the story of a single girl, who finds an abandoned child and raises it. She is stamped as unwed mother and many hilarious situations are created with her lover.
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“Sansaar” (1951) was a Gemini Pictures production. It was directed by S S Vasan. Most actors of this movie were from South Indian movie industry. The movie had Ishwarlal, M. K. Radha, Vanaja, Mohana, Agha, Meera, J. S. Kashyap, Anil Kumar, Kalla, Ratnappa, Pushpavalli, Swaraj, David Abraham etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 200th writeup in the blog.

SHOKHIYAN (1951) was produced and directed by Kidar Sharma under the banner of Ambitious Pictures. The star cast included Premnath, Suraiya, Jeewan, Kamlesh Kumari, Nazira, Shanta Kanwar, Achala Sachdev, Ramesh Sinha etc. There were 8 songs in the film of which 6 were penned by Kidar Sharma and remaining two songs by his brother Himmat Rai Sharma. Kidar Sharma was impressed with Jamal Sen’s classical and Rajasthani folk tunes he demonstrated to him and thus got the music direction of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

An old adage – they say that the real geniuses leave early. Many an instance are scattered all over the history timeline. Gosh, she was still 4 months short of her 40th birthday when she gave up her resistance to the personal tragedies and tribulations, making her way out of the miserable labyrinths of control and manipulations that she was subjected to most of her life. Ah but, what a color her own life, rubbed on to her on screen persona, as she moved from one perfection to the next in the tragic milieu of tangled relationships and human miseries. A performer too young, too vivacious, to be baptized as the Tragedy Queen. And the vicious circle moved from real life to screen and back, so many times over, that her cup of life proved to be diminutive, unable to hold all the sorrows that the world put in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Aha, the 7700th. Congratulations and celebrations. 🙂 🙂

Welcome all to yet another century milestone on this blog. Habit forming, and on the dot, never missing a beat. The regularity is so predictable, that we can set our calendars accordingly. A hundred new songs on the blog – ah yes, about 18 days must have passed. Kudos to Atul ji for managing and controlling the pace of new songs, no matter what.
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