Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1951


Yesterday Raja got me going on Geeta Dutt-Rafi duets after he sent me some statistics regarding Geeta Dutt songs in general and Geeta Dutt-Rafi duets in particular. According to those details, Geeta Dutt has sung most number of her songs for Chitragupta (about 100 songs). Also, Geeta Dutt has sung 155 duets with Rafi, and most number of these duets (30 numbers) are with Chitragupta, which may come as a surprise for music lovers, who may guess otherwise.
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When I was growing up as a kid in 1970s, I was a very enthusiastic cricket statistician. By going through various resources, I had painstakingly collected details about all the test matches that were ever played till then. Maintaining those records is no longer necessary for cricket lovers now that we are in the era of internet and comprehensive cricket related statistics are available online.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“naseeb dar pe ter aazmaane aaya hoon” is a song from film ‘Deedar”(1951), which I found again just now. And to find a link with HD restored video clip made me doubly happy. The print is looking as good as new. This song is like one of those cherished childhood friends whom we remember every now and then. With fond memories of fighting, playing and generally enjoying the innocence of those times. What i miss most about that era is the general sense of freedom. Free to live and breath, to think, to say and hear and to form opinions and impressions. Also to like and dislike giving no thought to personal gain and loss.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1950s was the decade when Sur Saraswati Lata Mangeshkar showered scores of melodious gems on the music lovers which have defied time to linger in their memory like pangs of the first-love.
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These days people fight elections to come to power and once they get a taste for it, then want to cling to it at any cost. During mythological times, the King of gods, viz Lord Indra would cling to his chair like a leech. One did not have to fight elections to come to power those days. One needed to do tapasya (penance) in a jungle for long years. Whenever a tapaswi sage would decide to go to a jungle and do “tapasya”, Lord Indra would get worried, thinking that the sage was after his chair. So he would try to disrupt the “tapasya”.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sandhya Mukherjee is one of the relatively lesser known playback singers of 50s as far as Hindi film industy is concerned. But she has gone on to become one of the top most playback singers of Bengali films. I first came to know about her as a playback singer when I bought a 78 RPM record (No. N. 36794) of the film ‘Sazaa’ (1951) for the iconic song ‘tum na jaane kis jahaan mein kho gaye’. The other side of the gramophone record had “aa gupchup gupchup pyaar karen” sung by Sandhya Mukherjee and Hemant Kumar. When I first listened to this song, I felt that I got a bonus song along with the iconic song of the film.
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