Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1951


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Today is the Birth Anniversary of C.Ramchandra or Ramchandra Narhari Chitalkar.

Only the other day I got hold of the Marathi Autobiography of C.Ramchandra(CR),titled ‘ Majhya Jeevanachi Sargam’ (Saragam of my life.) Copyright by Yeshwant Ramchandra Chitalkar-1977.
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Regulars of this blog must have noticed that the daily output of this blog seems to have dwindled for the last few days. The reasons for that can be summed up briefly by saying that I have not been able to devote as much time to the blog as is necessary for its usual daily quota of songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Shabistaan’ (1951) – the film that saw the sensational and tragic end of a very young and handsome star, who had broken into the popular imagination of the cinegoers just two or three years earlier. Called by some as the Eroll Flynn of Hindi cinema, Shyam was all of 31 years old when he died following the injuries sustained in a fall from horseback while shooting for this film. Historians have speculated that the course of Hindi cinema in the 1950s would have been very different, had this accident not happened.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name of SHABISTAN evokes the memories of a very handsome and jovial actor-SHYAM.

He died during the final scene shooting of this film while riding a horse. Actually, Shyam was an expert rider and the horse was also the same,usual one. Everything was the same but the Time had come for Shyam to go…
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 4-Pt Motiram
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Mayanagari Mumbai attracts people. Earlier, when it was BOMBAY (Bambai), it acted like a magnet for all those who wanted Name, Fame and Wealth. Bombay gave this all to the Lucky and the Desrving with both hands stretched fully.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Shammi-Arjun starrer Malhaar (1951), which was conceived by S.K.Pal and directed by Harish, was first of the two films produced under the banner of Darling Films by singer Mukesh (the other being “Anuraag” in 1956). It had a young and largely inexperienced cast and crew, for many of whom it was their debut vehicle. The film was a showpiece of technical brilliance, especially the taut and precise editing by S. Prabhakar and deft cinematography by M. Rajaram, considering the equipment available to him in that era.
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