Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘C Ramchandra


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roothha Na Karo” (1970) was a Nirmal Pictures Production. It was produced by Biswanath Prasad Shahabadi and written and directed by Sundr Dhar. The movie had Nanda, Shashi Kapoor, Aruna Irani, Kumari Naaz,Rajendranath, Sulochana Latkar,Tuntun, Laxmi Chhaya, Jayashree.T., Miraza Musharraf, Saroj,Rita, Hiralal etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Stree”(1961) was produced and directed by V Shantaram for Rajkamal productions. The movie had Rajshree, Babloo, Charusheela, Sandhya, Vandana, K. Date, Baburao, Pendharkar, Indira, Uma, Padma Chavan, Bhagwan, V. Shantaram etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Navrang” (1959) was one of the the first Hindi colour movies, following the lead of movies like “Aan” (1951), “Jhanak Jhanak Paayal Baaje” (1955), “Mother India” (1957) etc. “Navrang” (1959) was produced and directed by V Shantaram under his banner of Rajkamal. It had Mahipal, Sandhya, Nirmal Kumar, K. Date, Vandana, Agha, Baburao Pendharkar, Ullhas, Chandrakant Desai, Vatsala Deshmukh etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Three Hindi films of the 50s which had created lots of hype during their pre-released days were ‘Aan’ (1952), ‘Jhanak Jhanak Paayal Baaje’ (1955) and ‘Navrang’ (1959). They were all made in Technicolor. With nearly all the films made during that time and earlier in black and white, there was curiosity among film buffs to watch these Technicolor films. While none of these films had good story lines, they all ran in the theaters for a long time. I remember ‘Jhanak Jhanak Paayal Baaje’ (1955) had completed 100 weeks of run in Metro theater and ‘Navrang’ (1959) ran for over 50 weeks in Liberty theater of Mumbai.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The 13th song in the ” VINTAGE KISHORE ” series is from film Lehren-1953. It is a duet by Kishore and Lata and the Music Director is C.Ramchandra.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jigar” (1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zabaan” (1943) was produced and directed by Jayant Desai. The movie had Ishwar Lal, Kaushalya, Mubarak, Dixit, Vatsala Kumtekar, Bhagwan etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Muskuraahat” (1943) is an obscure movie by now. Going by the information available online, this movie was directed by Vedi, Dwarka Khosla and Ram Kamlani. The movie had Motilal, Hari Shivdasani, Vanmala, Leela Mishra, Gope etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Since time immemorial, classical and semi-classical ( thumri, dadra, khayal etc,) music have been the privilege mainly of the higher strata of the society. As such, they have not been as popular as the film music as the latter has a wider reach. Then we have the legacy and a rich heritage of regional folk music which remained within the confines of the respective regions. However, with the advent of talkies and playback singing from early 1930s, film songs based on the classical ragas, semi-classical and folk tunes have played a major role in popularising these genres of Indian music especially during the golden era of the film music. In a way, films have become the catalyst for providing equal opportunity to all across India to access music.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is the Death Anniversary of DEV ANAND.

He was one of those who can never be forgotten. He was the most handsome of the three great heroes of India, Raj, Dilip and Dev. Raj and Dilip grew old, did grandpa’s roles and we digested them. But even the thought of seeing Dev Anand as an old Grandfather was highly disturbing. He forever, remained the evergreen chocolate Hero for people of his generation.
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