Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Geeta Bali


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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“Baazi” (1951) was a Navketan International Films Production. It was directed by Guru Dutt. The movie had Dev Anand, Geeta Bali, Nirmal Kumar, Kalpana, Rashid Khan, Johnny Walker, K. N. Singh, Abu Baker, Roopa Verma, Krishna Dhawan, Habib etc in it.
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This article is written by Sadananad Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

ALBELAA (1951) was a musical blockbuster produced and directed by Master Bhagwan. In my childhood days, I had quite often heard ‘shaam dhale khidki tale tum seeti bajaanaa chhod do’ but none of the other songs from the film. I saw this film for the first time on Doordarshan in early 80s. Thereafter, I must have seen this movie a couple of times after I bought VCD of this film last year. This was Bhagwan’s first venture for a big budget film after producing and directing some low budget C grade films. The film was the third highest box office grosser of 1951 ranking after ‘Aawaraa’ and ‘Baazi’. It was an amazing feat for Bhagwan to achieve a box office success with this film despite having a run of the mill story ( probably based on his own life), a lacklustre direction and a non-conventional lead actor like him. The credit goes to the film’s foot tapping songs which became a craze those days and are still popular with the new generation as well.
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“Dulaari” (1949) is a movie which is today fondly remembered as the movie that helped Rafi break into the big league with the song Suhaani raat dhal chuki. Till then, Rafi’s style of singing had few takers in the Hindi movie music and with this movie it became the new style of singing. It was a paradigm shift which few people at that time may have realised. In fact the management term “Paradigm Shift” itself was not coined at that time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director N Dutta started his career as an independent composer in 1955. That year, two films were released which have music created by him. The films are ‘Marine Drive’ and ‘Milaap’. The musical scores are very impressive in both these films, and that set the pace for N Dutta’s career in subsequent years. Three songs each from both these films are already represented on this blog. But as I reviewed the remaining songs from this film, there is still a few gems contained in these movies that need to be discussed here. In this post, I present the fourth song from ‘Milaap’, that is listed as the debut film for N Dutta.
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