Posts Tagged ‘Ghulaami’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 6
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GHULAAMI (1945) was produced under the banner of Shalimar Pictures owned by W Z Ahmad and directed by Mohan Wadhwani. The star cast included Renuka Devi, Masud Parvez in the lead role with the supporting cast of Tiwari, Rajkumari Shukla, David, Bharat Vyas, Mumtaz, Anwar, Ramavatar etc. The film had 9 songs written by 4 lyricists – Bharat Vyas (5), Akhtar-ul-Iman (2), Majaaz Lucknawi (1) and Josh Malihabadi (1) which were set to music by S K Pal. The DVD/VCD of the film is not available. All I know about the film from a photograph was that it was a patriotic film.
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Pee le pee le
Posted on: October 3, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (3 october 2014) is the birthday of J P Datta. J P Datta, a chip of the old block was the son of O P Datta and he made his mark in his debut movie itself, which was “Ghulaami” (1985).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Gulzar, a name that will bring to mind poems and songs of unsullied beauty and edifying simplicity. A play on words that sound commonplace, and yet the meaning and the message they carry are so profound and endearing, that can make emotions swell in the heart. Be it the perky “Mora Gora Ang Layi Le” from film ‘Bandini’ (1963), or the poingnant “Koi Hota Jisko Apna Hum Apna Keh Letey Yaaro” from ‘Mere Apne’ (1971), or the spirited “Huzoor Is Qadar Bhi Na Itthlaa Ke Chaliye” from ‘Maasoom’ (1983), or even the belligerent “Chhod Aaye Hum Wo Galiyaan” from ‘Maachis’ (1996). The spectrum of sentiments is captured fully, across the emotions as well as across the decades, something that speaks volumes of the talent of this wonderful poet. Sometimes his creations are tricky and keen – take this song from Aandhi (1975) “Is Mod Se Jaate Hain”
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