Posts Tagged ‘Khemchand Prakash’
“Shaadi” (1941) is by now a forgotten movie. This movie was produced by Jayant Desai for Ranjit Films. It had Khurshid, Ishwarlal, Madhuri, Motilal, Ghori etc in it.
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Ud jaa re ud jaa papeehe
Posted on: March 14, 2013
“Vish Kanya” (1943) was a Ranjit Production movie. The movie was directed by Kidar Sharma. It had Surendra, Sadhana Bose, Prithviraj kapoor, Kamla, Leela Mishra, Sulochana, Brijmala etc in it.
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Preet ki jyot jalaakar chup hai
Posted on: March 12, 2013
“Vish Kanya” (1943) a Ranjit Production movie. The movie was directed by Kidar Sharma. It had Surendra, Sadhana Bose, Prithviraj kapoor, Kamla, Leela Mishra, Sulochana, Brijmala etc in it.
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Wo chaand ban muskuraa rahe hain
Posted on: March 9, 2013
“Vish Kanya” (1943) a Ranjit Production movie. The movie was directed by Kidar Sharma. It had Surendra, Sadhana Bose, Prithviraj Kapoor, Kamla, Leela Mishra, Sulochana, Brijmala etc in it.
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Main albeli titli
Posted on: January 8, 2013
This article is written by Sadanand Kamath, fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the decades of 30s and 40s, some of the female singers made it to Hindi films as actors thanks to their ability to sing well. It would appear that in those days, it was more of the singing ability than the acting skills which was the deciding factors for the film producers to pick up the female actors. Some of the prominent singing female actors of that period were Khursheed Bano, Noor Jehan, Kanan Bala, Shanta Apte, Suraiya, Amirbai Karnataki, Rajkumari etc.
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“Mulaaqaat” (1947) was a Taj Mahal Pictures Production movie. This movie was directed by Munshi Dil and it had Prem Adib and Naseem Bano in lead roles.
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Mori atariya pe aa ja ho
Posted on: December 10, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The Voice of Mukesh #7
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As we had progressed from 1941 to 1942, one duet song for Mukesh was so far missing from the posts, on account of this song being unavailable anywhere I had checked at that point in time. Well, since then, things have changed, and now I have been able to recently acquire an audio recording of this song which I am posting online today. I must thank Shri Pradeep Sharma ji of Delhi, who has been very kind to share this song with me. I came in touch with Pradeep ji, just about one week ago. And in our very first meeting, he shared with me that he is a Mukesh fan, and has most of the songs by this singer. I immediately asked him whether he had this song. He confirmed it spontaneously. Mind you, all this exchange is happening as we meet for the first time, have just said hello, and the only next sentence he had said that he is a Mukesh fan. All other detailed introductions and discussion on collections and singers and songs, happened later. The request for the song, the confirmation and the promise to send it, happened first. And the next day, the song was sitting in my mailbox.
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“Mahal” (1949) was a Bombay Talkies production. This movie was directed by Kamal Amrohi who was making his debut as a director in this movie. This movie was the first Hindi suspense movie and it was made in an extremely professional manner. When the movie begins and credits roll on the screen against the backdrop of a spooky looking mansion (Mahal) and accompanied by suspenseful background music, each and every name that appears on the screen turns out to be legendary name, be they actors or background personnel. For example, choreography of dances in this movie was done by Pt Lachchu Maharaj, while the cinematographer of this movie was Josef Wirsching.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The Voice of Mukesh #2
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Listening to the first song of Mukesh, ‘Dil Hi Bujhaa Huaa Ho To Fasl e Bahaar Kyaa’ from the film ‘Nirdosh’ (1941), one is suitably impressed by this maiden effort from a singer, whom we now know as a stalwart of the Hindi film music. But back then in 1941, this debut happened singularly unacknowledged, failing to impress the public, the music directors and film producers. With Saigal Saab’s voice reigning supreme at that time, most people wrote off this voice as another Saigal imitator, trying to make it good with a voice sounding like the great icon. And what with the icon still in full bloom and alive, this song by Mukesh failed to evoke any great level of interest. And so started the career of Mukesh, unimpressive and indifferent.
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Bhiksha de de maiyya pingalaa
Posted on: October 18, 2012
I have read about this song “Bhiksha de de maiyya pingala”, but I was not aware of the details of this song and I had never heard this song before.
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