Posts Tagged ‘Majrooh Sultanpuri’
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Club dance in night club-it was a genre of song that began in early 1950s and became very popular. The song would typically be sung by Geeta Dutt or Asha Bhonsle and it would be picturised on a female dancer. She would be watched by shady looking characters up to no good and scheming against others present in the gathering. 🙂
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More man mein sama gaye aise piya
Posted on: June 18, 2015
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“Fareb”(1953) was directed by Shahid Lateef and Ismat Chugtai for Filmina. The movie had Kishore Kumar and Shankutala in lead roles. Others in the movie included Amar, Maya Das, Lalita Pawar, Zohra Sehgal, Tiwari, Shuzzu, Anwari Bai, Cooper, Hamida Bano, Habib Alkaf, Mehmooda, Afzal, Qamar, Mohan, Zubeda, Pagare, Baby Roshan etc in supporting roles.
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Ghar aaja morey raaja
Posted on: June 17, 2015
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Basics of Music part IV (playing swars on keyboard)
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After a longish break, here is the fourth article on the series “Basics of Music”. In the first three articles, we looked at notes (swars) and rhythm (taal). Then we discussed the classification of “Raag” into various categories.
In this part, we will discuss another important topic- viz. how to create swars on a musical instrument.
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Aate jaate aankh bachaana
Posted on: June 13, 2015
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – The Incomparable – 7
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“I’m…fine. I’m just sorry you had to wander under the little black cloud that’s been following me around all day. That’s probably why I nearly ran you over earlier, and why you got stuck with me now.”
Refusing to consider what else could go wrong, she aimed a commendably calm smile at him. If she’d learned anything from her years in advertising, it was that perception was everything. If you appeared in control, everyone thought you were.
“The good news is that it’s me, not you, and that bad days get better.”
“What about bad weeks?”
“Those are the ones that build character.” Or so her grandma said.
“Bad months?” he asked, and watched as her smile made it to her eyes. Something knowing shifted in those doe-brown depths.
“That’s when you need to find something to do that takes you away from your problems for a while. Whatever you’re dealing with won’t go away,” she warned him,“but for that hour or that day, you have taken away its power over you.”
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The above is just a portion of some pulp fiction that I keep reading every now and than. When there is nothing good to read, usually after the Sudoku in the newspapers is done and i have read the usual article’s that are readable in the newspaper. Some times these books have these ” nuggets of wisdom ” or some portions where a lot is said like in the above portion. I had copied and saved in the drafts to use for a suitable song some months back, though it has no connection with the song post here.
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I have confused “Chambal Ki Raani”(1979) with “Chambal ki Kasam”(1979) for a very long time indeed. “Chambal Ki Kasam” (1979) was directed by Ram Maheshwari for M P D Productions, Bombay. It had Raj Kumar, Shatrughan Sinha, Mausami Chatterji, Farida Jalal, Ranjeet, Pradeep Kumar, Nirupa Roy, Paintal, Amjad Khan (Special appearance), Gopal Sahgal, R Tiwari, Usha KIran, Peace Kanwal, Jagdish Raj, Nazeer Hussain, Paro devi, Goofi, Maruti Rao, Uma Khosla, Raj Rani, Baby Shalu, Master Bhagwan, Usha (Gwalior), Pt Ganga Prasad (Gwalior), Gurcharan etc. This movie had lyrics by Sahir Ludhianvi and music by Khayyam.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Troika of the Blog’s latest century singers – Mukesh, Rafi and Kishore Kumar : 3. Kishore Kumar
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After reading a vast repository of information available on the internet as well as in the books, I am pretty certain about the personalities of Mukesh, Mohammed Rafi, Lata Mangeshkar, Talat Mehmood, Manna Dey, Geeta Dutt, Asha Bhonsle etc. But I am not so sure about what sort of person Kishore Kumar was. He was branded as eccentric, unpredictable, money minded, stingy etc etc. In a rare interview conducted by Lata Mangeshkar about a couple of years before his death in 1987, he had revealed that he donned the mask of eccentricity and unpredictable behaviour just for those persons whom he disliked and did not wish to be associated with. But how can one explain his eccentric behaviour even with his elder brother Ashok Kumar and his family members whom he respected a lot ? (In this context, there is a story narrated by Ashok Kumar’s daughter, Preeti Ganguly which I will skip here. (Those interested may read it here).
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- In: Actor-Singer song | Asha Bhonsle songs | Century songs for the blog | expression of love | Feelings of heart | Guest poster century song | Guest posts | Helicopter song | Kishore Kumar lip syncing in another voice | Kishore Kumar songs | Manna Dey songs | Post by Arunkumar Deshmukh | Song picturised abroad | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This is his 400th article in the blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s…Song No. 18….LAST SONG OF THIS SERIES
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Today’s song is from film Bewaqoof-60. This is the last song of this series. This series has been very interesting and it gave a pleasure of discussing songs from the 50’s decade. Some of the songs were well known and popular in those times and the most others were good enough to provide nostalgic feelings.
Today’s article happens to be my 400 th article on this Blog. I started writing consistently on this Blog from 1-10-2012. Thanks to ATUL ji’s encouragement and active substantial help in writing Lyrics for me,I was able to reach the figure of 400 articles on songs in 30 months. This is an average of about 13-14 songs every month. During these months,our readers from all over the music loving world gave comments of appreciation,which worked as a motivation for me. In this period,I did 21 series of songs on different Themes. My endeavour has always been to present forgotten pearls from Hindi films and side by side,provide useful,unique information on films, songs, singers, composers, actors, directors, production houses, mythology and behind the scene stories.
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Naacho ghoom ghoom ke
Posted on: April 20, 2015
- In: "western" dance | Asha Bhonsle songs | C Ramchandra Asha Bhonsle duet | C Ramchandra songs as a singer | Dance song | Dev Anand songs | Dev Anand songs by C Ramchandra | Duet | Guest posts | Missing gems from the golden 50s | Post by Arunkumar Deshmukh | Rock & Roll | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s…..Song No- 17
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Today’s song is from the film Sarhad-1960.
We now enter the the final year of the 50’s decade,into the year 1960. This was an year full of interesting films in different genres. The most important event of the year,of course, was the release of the monumental film “Mughal-E- Azam “.
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Ye kaun aaj aaya mera dil churaane
Posted on: April 11, 2015
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Of late I have discussed quite a few “stage performace” songs of Hindi movies. These movies typically have the lead actress of the movie performing a dance in an auditorium which is invariably sold out. Secondly, the hero of the movie is invariably among the audience. He in fact is in the front row of the audience. To this day I have not been able to find out how the hero manages to get tickts/pass for the front row of such performance even though he is does not play a politician/ administrator/ VIP who normally get to occupy front row on such occasions. I have in fact seen Amitabh Bachchan getting a front row seat for Nirupa Roy and Mukri getting front row seats for himself and his six burqa clad daughters in a song of “Amar Akbar Anthoni”. No, neither Amitabh Bachchan not Mukri are top administrators/ politicians of the town, but they still occupy the front row. 🙂 VIP culture is conspicuous by its absence in such picturisations. 🙂
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Tum bade wo ho
Posted on: April 11, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s….Song No-14
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Today’s song is from a 1958 film-Night Club.
With great determination and very much reluctantly, have moved away from the songs of 1957. As I mentioned I had shortlisted 17 songs from this year alone. It was ridiculous ! With songs from other years, the series would have become a marathon of about 30 odd songs. This is not acceptable to me. Stretching ONE theme for such a long time,in my opinion loses its meaning,charm and writer’s interest. We have already enjoyed 5 Gems from 1957. This much laxity was enough for 1957. The balance songs, I am sure,will find their way to this Blog,anyway.
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