Posts Tagged ‘Noorjahaan’
Sajan pardesi balam pardesi
Posted on: January 25, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yesterday (24 january 2015) became a dot day for the blog. This normally happens when for some reason I am unable to find time for blogging. In case I am forewarned in advance then I take measures to ensure that at least some posts are made on those days. But sometimes thing happen unexpectedly and that makes all plans go haywire.
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Rut aayi suhaani hai
Posted on: January 22, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Village Girl” (1945) was directed by K Amarnath for Ramnik Production. The movie had Noor Jehan, M.Nazir, Jagadish Sethi, Durga Khote, Rama Shukul, Anant Marathe, Rajkumari Shukla, Rajkumari Kapoor, Bikram Kapoor, F.M.Khan etc. in it.
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Main kheton ka panchhi
Posted on: January 21, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Village Girl” (1945) was directed by K Amarnath for Ramnik Production. The movie had Noor Jehan, M.Nazir, Jagadish Sethi, Durga Khote, Rama Shukul, Anant Marathe, Rajkumari Shukla, Rajkumari Kapoor, Bikram Kapoor, F.M.Khan etc. in it.
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Tum hamko bhula baithhe ho
Posted on: September 21, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (21 september 2014) is the 88th birth anniversary of Noorjahaan (21 september 1926-23 december 2000). It is an event that may have gone largely unnoticed in Indian media (I am not sure because I do not watch news on TV. Going by the faceboook groups that I frequent, only one site recalled this event. It was through that site that I came to know of this date being the birth anniversary of Mallika e Tarannum.
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Ho o o kya yahi tera pyaar thhaa
Posted on: August 24, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mirza Sahiban”(1947) was directed by K Amarnath for Madhukar Pictures. Trilok Kapoor and Noorjehan were the lead pair in the title role of Mirza and Sahiban respectively. Other cast included Roop Kamal, Amir Bano, Gope, Baby Anwari, Cuckoo etc.
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Umangen dil ki machlin
Posted on: July 25, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
” GEMS FROM THE MIGRATORS “…….Song No. 1 (New Series).
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Pakistan and India are two hostile neighbours in the South Asian Region, who vie with each other in a few fields. A great deal of excitement gets generated on either side of the border whenever the national teams to the two countries face off in cricket (these days) and Hockey (in the past).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (Song No. 1)
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MUSIC is an integral part of every Indian. From birth to death, we are drenched in music. During Vedic times, the Rishis used to teach their students verses in Taal and Sur, so that the students would remember them easily. You will have observed that whenever there is a Mahapooja or an Yadnya, the Purohits will recite the Mantras in a typical rhythm and sur.
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Ae hawa ae hawa
Posted on: February 22, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dil”(1946) was directed by S F Hasnain. The movie had Noorjahaan, Abdul Latif, Baby Zubaida, Amina etc in it.
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Today (15 august 2013) is the 66th Independence day of India. On this occasion, here is a patriotic song from 1946 when India had yet to acquire her independence.
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this article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the last few days, I have been looking for songs composed by Shyam Sundar, the forgotten music director of 40s and early 50s. Whenever I think of him, the name of another forgotten music director Sajjad Hussain creeps in my mind. If Shyam Sundar was called a genius music director, Sajjad Hussain was called an original music director by none other than Anil Biswas, the ‘Bheeshm Pitaamah’ of Hindi film music. Despite these superlatives against their names, Shyam Sundar and Sajjad Hussain composed music for only 20 and 17 Hindi films respectively in their careers. This works out to on an average 2 films per year for Shyam Sunder (1943 to 1953) and less than 1 film per year for Sajjad Hussain ( 1944 to 1977). One common reason attributed for their musical output not being commensurate with their talents was that both were short tempered and perfectionist to the extent that they were uncompromising which was not to the liking of producers/directors of the films.
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