Posts Tagged ‘K Datta’
Jogee chhod gayaa adhhbeech
Posted on: October 26, 2023
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5578 | Post No. : | 18051 |
Today’s song is from the film Alakh Niranjan-1940.
This was a bilingual film made in Hindi and Marathi (in Marathi the title was ‘ Gorakhnath ‘). This was made by Arun Pictures, a banner floated and owned by the film’s director Bhal G. Pendharkar. Bhal ji, like V.Shantaram, was trained by the Kala Maharshi Baburao Painter, who employed them in his pioneer film company ‘ The Maharashtra Film Company’, Kolhapur.
It is a matter not very well known that Bhal ji, Shantaram and Master Vinayak were all closely related.
Bhal ji Pendharkar (Bhalchandra Gopal Pendharkar) was the son of Dr. Gopal Pendharkar, the Royal Physician of Shahu Maharaj of Kolhapur state and his partner Radhabai. (Dr. Gopal was already married to another lady). This couple gave birth to Bhalji and Baburao Pendharkar. Their mother Radhabai left Dr. Gopal Pendharkar and married Damodar Karnataki. They had two sons- Master Vinayak (father of Baby Nanda), famous actor, director, producer and a studio owner and his brother Vasudev- who became a Cameraman. Kamalabai, the younger sister of Radhabai married Rajaram Vankudre and they had 2 sons- V. Shantaram, famous actor, director, producer and a studio owner and his brother V. Awadhoot- equally famous Cinematographer.
The Lyricist of this film was Pt. Anand Kumar. He was born in Delhi on 4-9- 1907. He was a producer, director, writer and Lyricist. From childhood, he was not interested in studies in English medium. He was taught Urdu, Hindi and Sanskrit by his poor Brahmin Shastri father.
When he was 15 year old, he entered a business. He was always discontented. He wanted to become an actor, but family resisted. He tried fasting and even suicide. Then he stole some money and ran to Bombay. He could not get into any studio and after money finished, he returned to Delhi, only to take more money and run to Bombay again. Even after this failure, he went back to Delhi and started writing stories.
His first book ‘Mera Huq‘ became a hot seller and he started earning money. He was invited by film people and he went to Bombay nth time. He wrote stories, dialogues and Lyrics of scores of films and earned name and money. He produced the film ‘Zameen’-43, under his own banner Anand Brothers. He directed 5 films,including a Hit Marathi film, Gora Kumbhar-42. Some of his films as a Lyricist were Suvarn Mandir-34,Katle aam-35, Pratibha-37, Divorce-38, Saathi-38, Alakh Niranjan-40, Punarmilan-40, Charnon ki Dasi-41, Raja Rani-42 etc. As a writer some films were, Divorce-38, Honhaar-36, Saathi-38, Vasant sena-42, Rang mahal-48 etc etc.
This was a film of 1940, the last year of the first decade of the Talkie films. Most of the artistes who were a spillover to Talkie film from the Silent film era were disappearing from the films. Those who were Hero and Heroines in the initial Talkie films had now become character artistes and those who were character artistes in the beginning, had left films. The year 1940 was the end of the first decade of Talkie films. From 1931 to 1939 most of the film music was made and sung by people who were experts in Classical Music. Classical music has never been the area of common people. It was born in Temples and nurtured in the Darbars of Kings and Nawabs. When film music relied heavily on classical mode, it became an imposition on the masses. Luckily, from the last 2 years of the 30’s, film music started changing and the emphasis shifted to traditional and Folk tunes over the classical.
1940 saw the emergence of Naushad with his first film “Prem Nagar”, as an independent MD. He is the one who advocated the combination of classical with Folk music and this was accepted by other MDs. More people now turned to film songs. MDs like Naushad, Anil Biswas, C Ramchandra, Saraswati Devi, Gyan Dutt, Pankaj Mullick and their followers in the later part of the 40’s changed film music upside down.
National Studios emerged from the merger of Sagar Movietone and Mehboob gave his blockbuster milestone film ” Aurat”. Himanshu Rai died untimely and the reigns of Bombay Talkies came into the hands of Devika Rani. Ranjit brought more popular films from its factory. Though there were signs of slow death, New Theaters still continued with musical films. Prabhat brought its third successive Saint film ‘ Sant Gyaneshwar”. Wadias looked after their Stunt films with fearless Nadia and John Cavas.
In the south, SSVasan started his Gemini Studios. Master Vinayak and P K Atre started Navyug Films. In August 1940, there was a big fire in New Theatres leading to heavy losses. The use of Harmonium was banned on A.I.R. Due to War Times, Raw Film controls were given to the Film Advisory Board. It also gave rise to Black Marketing of Raw film, in addition to already existing Rationing, and a new class of rich investors emerged in the film industry shaking its established Studio Systems and Culture.
The year 1940 made only 86 Hindi films, less than 100 for the consecutive third year in a row. Let us take a look at some important films of 1940.
New Theatres film “Aandhi” had good music and songs.
Bombay Talkies continued with Ashok Kumar and Leela Chitnis with the film “Azaad”, but it was not as popular as “Jhoola”, “Kangan” and “Bandhan”.
A dubbed foreign film -“Azadi E Watan” was the only Hindi film for which Malika Pukhraj had sung 2 songs.
Ranjit’s “Achhut” tackled a social evil, with good songs composed by Gyan Dutt.
A Stunt film of Shankar Vazare “Aflatoon Aurat” had an English song in it.
Sagar’s last film ” Alibaba” by Mehboob was released. “Aurat” , a Landmark film by Mehboob for National Studios was the origin of its remake ” Mother India”57.
Film “Bharosa” by minerva was based on an Incest story.
Sirco’s offering “Geeta” had a crime story, with double roles of Chandramohan and Durga Khote.
Prakash Pictures film “Narsi Mehta” had Sant Tukaram fame Vishnupant Pagnis and some good bhajans.
Film “Usha Haran” saw the Debut of Sitara Devi.
Film “Zindagi” from New Theatres had very good songs by Saigal.
Story of “Alakh Niranjan” was taken from the “Nath Puran”. The Nath sampraday had spread all over India and was known by different names in each state. There is a list of Nine Nath Gurus, who are called Navnath. The first Nath Guru is Machhindra. The complete list is as follows….
Machhindranath
Gorakhnath
Jalandhar Nath
Kanif Nath (Kanhoba)
Gahini Nath
Raja Bhartrihari Nath (Bharthari)
Revan Sidha Nath
Charpati Nath and
Naag Nath.
The stories surrounding every Nath Guru, especially the earlier ones, are very exciting, thrilling and entertaining. One must read them from the original Nath Puraan or Nav Nath Pothi. I have read all of them. These stories are in no way less than any Arabian Night stories. Due to their entertainment value, several films in several languages have been made on the early Gurus like Machhindranath and Gorakhnath. Films on Machhindranath were made as ‘Maaya Machhindra’ in Hindi, in 1932, 1951, 1960 and 1975. Films on Gorakhnath as ‘Alakh Niranjan’, were made in 1940, 1950 and 1975. Films on Bharthari were made in 1932 and 1944. Films on other Naths were made as ‘Raja Gopichand’ in 1933, 1938 and 1950. Same way films on Naths in Telugu, Tamil, Gujarati and other languages were also made.
‘Alakh Niranjan’ is the story of Gorakhnath. The story of his birth is ….
The first Guru Machhindra Nath went to a house for bhiksha. The lady of the house, after giving him the bhiksha, asked him if he can bless her to bear a child, a wish that had remained unfulfilled thus far in her life. Guru Machhindra Nath dipped his hand in his jholi and took out some vibhuti (ash). He gave it to her and asked her to partake in it and that she will conceive a son. After he is gone, one of the neighbours tells the lady not to believe all this. The lady gets a doubt and throws the vibhuti on a pile of garbage.
Time passes. After 12 years, Machhindra Nath again comes to the lady and asks how her son was. The lady, ashamed, tells him the truth. The Guru goes to the pile of garbage and gives a loud call, “My son, come here”. From the garbage rises a son of about 12 years. He is Gorak Nath. Machhindranath takes him away and gives him the deeksha (anointing him as his disciple) of Nath Sampradaya. ‘Go‘ means Earth and ‘rakh‘ means to protect. So Gorakh is one who is protected by Mother Earth.
Film Alakh Niranjan-1940 had a cast consisting of Leela Chandragiri, Nandrekar, Chandrakant, Vimal Sardesai, Raja Paranjpe and many others. Today’s song is sung by the Heroine Miss Leela Chandragiri herself. Though she was not a trained singer, she did her best to sing songs. This film was remade in 1950, with the same title but with a different team altogether.
Song-Jogee chhod gaya adhbeech (Alakh Niranjan)(1940) Singer- Leela Chandragiri, Lyricist- Pt. Anand Kumar, MD- K.Datta
Lyrics
Jogee ee ee ee ee
chhod gaya aa aa adhbeech
jag ?? hai waaree re
jag ?? hai
jo o o o gee
chhod gaya aa aa adhbeech
Jogi chhod gaya adhbeech
jogee ?? hai saaree re
?? hai saaree re
chhod gaya adhbeech
Jogi chhod gaya adhbeech
janam gaye re jogee
janam gaye re jogee
ant kee ?? toh sang keenhi preet
chhod gaya adhbeech
jogee
tere hee rang rangee chunariyaa
tere hee rang rangee chunariyaa
chhod ?? sakhee ree
chhod ?? sakhee ree
nibhaayee gayee na yaaree re ae
nibhaayee gayee na yaaree re ae
?? hai saaree re
? hai saaree re
chhod gaya adhbeech
jogee
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5327 | Post No. : | 17463 |
#the Decade of Fifties – 1951 – 1960 #
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I joined this blog as a ‘lyrics contributor’ in September’2012 and I began by sharing lyrics of songs from the seventies to pre-eighties. These songs were the songs those were ‘nostalgic’ for me and ‘songs that brings back memories’ for me. Slowly and gradually during my daily browsing I started coming across many golden oldies that I was not aware of or the songs that I had never listened before. I was also under the impression the songs possessed by me on the cassettes were the old songs that were available because I was not aware of the total number of songs created till then. It was only after I came in contact with this blog that I became aware of the number of songs created. That put things in perspective for me and I realised where my collection of 400-500 cassettes stood vis a vis that total number of HFM songs.
I started enjoying the golden era songs and I shared some songs of my favorite singer Geeta Dutt also. It was a regular practice for me in the beginning but as years passed I have learnt that there are still many songs yet to be discovered and brought here on the blog.
Today’s movie is one such movie from the 1950s that I become aware of when I come across a song sung by Lata Mangeshkar. I had shared it in 2014. Incidentally this movie was also introduced on the blog the same time in 2014 when a song was presented by our In house encyclopedia Shri Arunkumar ji on the blog. That song ‘dil naache aur gaaye jawaani’ was posted on the blog on 22.02.2014. The second song from this movie was added to the blog on 22.03.2014. There was a long wait for the third song to appear which was posted on the blog on 06.09.2020 which again was a post by our Shri Arunkumar ji.
Today I am presenting the fourth song from this movie which is in the voice of Geeta Dutt. As per the list of songs for this movie mentioned in the HFGK Vol-III (1951-1960) this is the only song sung by Geeta Dutt in this movie. I am also giving below the details of the songs in this movie.
Before that here is a brief about this movie taken from HFGK Vol-III.
‘Gumaashtaa-1951’ was directed by S.M. Yusuf. He was also the producer of this movie.
The star cast of this movie included Nigar, Wasti, Kuldeep, Baby Tabassum, Husna Bano, Balam, Murad, Tiwari, Wazeer Muhammad Khan, Faizi, Ismail, Sayyad, Shakeela, Noorjahan, Mirza Musharraf and others.
This movie was passed by Censor Board on 24.10.1951.
This movie has nine songs written by three lyricist viz. Raja Mehndi Ali Khan, Wahid Qureshi and Noor Lucknowi.
Music for this movie was composed by K. Datta.
Here are the details of the songs in this movie:-
| SNo | Song Title | Lyricist | Singer/s |
|---|---|---|---|
| 01 | Dil de do ya dil le jaao | Raja Mehndi Ali Khan | Shamshad Begam, G.M. Durrani |
| 02 | Ishq base hain shahar mein..ik baar idhar bhi tak (Part-1) | Raja Mehndi Ali Khan | Shamshad Begam |
| 03 | Ishq base hain shahar mein…ped se yah bandhe hain | Raja Mehndi Ali Khan | Shamshad Begam, chorus |
| 04 | Mere dil ki duniya mein halchal machaa di | Wahid Qureshi | Geeta Dutt |
| 05 | Dil naache aur gaaye jawaani | Raja Mehndi Ali Khan | G.M. Durrani, Jagjit Kaur |
| 06 | Wah chale jaayen…yahi apni raahat yahi zindagi hai | Noor Lucknowi | Asha Bhonsle |
| 07 | Tera gora gora gaal hamko ekdam pasand hai | Raja Mehndi Ali Khan | Shamshad Begam, G.M. Durrani |
| 08 | Ye duniya badi bewafaa ho gayi hai | Wahid Qureshi | Lata Mangeshkar |
| 09 | Kaise tum bin kategi umariya | Wahid Qureshi | Lata Mangeshkar |
As mentioned above three songs from this movie have been posted on the blog earlier.
Today’s song is the fourth song from this movie to appear on the blog. It is sung by Geeta Dutt. Lyrics are by Wahid Qureshi.
Music is composed by K. Datta.
Only the audio of this song is available.
Let us now listen to this ‘falling in love’ category song …
Audio
Song-Mere dil ki duniya mein halchal macha di (Gumaashta)(1951) Singer-Geeta Dutt, Lyrics-Wahid Qureshi, MD-K Datta
Lyrics
mere dil ki duniya aa aa mein aen
halchal machaa di ee
muhabbat jataa kar
muhabbat jagaa di ee
mere dil ki duniyaa mein
halchal machaa di
mere dil ki duniyaa mein
halchal machaa di
muhabbat jataa kar
muhabbat jagaa di
mere dil ki duniyaa mein
halchal machaa di
kuchh aisaa mere dil ko
tadpaa gaye wo
kuchh aisaa mere dil ko
tadpaa gaye wo
muhabbat ki zanjeer
pehnaa gaye wo
mujhe dillagi ki
ye achchhi sazaa di
mere dil ki duniyaa mein
halchal machaa di
wo aayen jo waapas
to poochhoon phir unse
ye kya khel khelaa
meri zindagi se
ke dil ne
muhabbat ki baazi lagaa di
mere dil ki duniyaa mein
halchal machaa di
bahot hamne dil ko
sambhaala aa
bachaaya aa
bahot hamne dil ko
sambhaala aa
bachaaya aa
jo dil mein tadap thhi
usey bhi chhupaaya
magar aaj charnon mein
aaj gardan jhukaa di
mere dil ki duniyaa mein
halchal machaa di
muhabbat jataa kar
muhabbat jagaa di
mere dil ki duniyaa mein
halchal machaa di
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5279 | Post No. : | 17294 |
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Blog 10-Year Challenge (2012-2022) – Song No. 140
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On this date ten years back viz on 31 December 2012, seven songs from seven movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7294 | Jhulna jhulaave Nandlala | Narsi Bhagat (1940) | 3 songs covered out of 15 by now |
| 7295 | Dekho dekho sajan tum na aana | Meri Kahaani (1948) | 4 songs covered out of 10 by now |
| 7296 | Baaje waala Patiyaale waala | Basant (1960) | 12 songs covered out of 14 by now |
| 7297 | Chhainyaa re chhainya re taaron ki chhainyaa | The Train(1970) | Movie YIPPEED by now |
| 7298 | Dil agar hai paas to huzoor zara laaiye | Shree Naqad Narayan(1955) | 5 songs covered out of 11 by now |
| 7299 | Dil ko na mere tadpaao | Badtameez (1966) | Movie YIPPEED in the blog with this song |
| 7300 | Mohabbat ka haath jawaani ka palla | Howrah Bridge(1958) | Movie YIPPEED by now |
We notice that three movies (out of seven) whose songs were discussed ten years ago on this date (viz on 31 decemberb2012) have since been YIPPEED. One of them in fact was YIPPEED on that date.
That leaves us with four movies that are eligible for blog Ten Year Challenge today (31 December 2022).
“Meri Kahaani”(1948) is one movie which is eligile for Blog Ten Year Challenge today.
“Meri Kahaani”(1948) was directed by Keki Mistry for Super Team Federal Productions, Bombay. The movie had Surendra, Munawwar Sultana, Prathima devi, Sanobar, Leela Kumari, Ramesh Sinha, Bhudo Advani, Santosh Kumar, Murad Khan, Vaskar etc in it.
The movie had ten songs in it. Four songs have been covered so far.
Here is the fifth song from “Meri Kahaani”(1948) to appear in the blog. The song is sung by Surendra and Geeta Dutt (then Roy). Pt anuj is the lyricist. Music is composed by K Datta (aka Datta Korgaonkar).
Only audio of the song is available. It is clear that this “expression of love” song was picturised on the le pair viz Surendra and Munawwar Sultana. I request our knowlegeable readers to throw light on the movie as well as on the picturisation of the song.
Song-Bulbul ko mila phool to nadi ko kinaara (Meri Kahaani)(1948) Singer-Geeta Dutt, Surendra, Lyrics-Pt Anuj, MD-K Datta
Lyrics
bulbul ko milaa phool
bulbul ko milaa phool
to nadi ko kinaara
har dil ko hai duniyaa mein
har dil ko hai duniyaa mein
kisi dil kaa sahara
bulbul ko milaa phool
to nadi ko kinaara
har dil ko hai duniyaa mein
kisi dil kaa sahaara
ithlaaye huye koi chalaa aata hai man mein
ithlaaye huye koi chalaa aata hai man mein
kartaa hai koi chaand ki khidki se ishaaraa
kartaa hai koi chaand ki khidki se ishaaraa
har dil ko hai duniyaa mein
har dil ko hai duniyaa mein
kisi dil kaa sahara
bulbul ko milaa phool to nadi ko kinaara
har dil ko hai duniyaa mein
kisi dil kaa sahaara
machla hua dil apna ye armaanon bhara dil
kehne ko humaara hai
magar hai ye tumhaara
kehne ko humaara hai
magar hai ye tumhaara
har dil ko hai duniyaa mein
kisi dil kaa sahaara
baithe huye hum gaate rahe pyaar bhara geet
chha jaaye zamaane pe yahi geet humaara
chha jaaye zamaane pe yahi geet humaara
har dil ko hai duniyaa mein
kisi dil kaa sahaara
ik tooti hui naav hai insaan kaa jeewan
armaan nadi aur muhabbat hai kinaara
armaan nadi aur muhabbat hai kinaara
har dil ko hai duniyaa mein
kisi dil kaa sahara
bulbul ko milaa phool to nadi ko kinaara
har dil ko hai duniyaa mein
har dil ko hai duniyaa mein
kisi dil kaa sahaara
Main lajwanti hoon naar
Posted on: July 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5122 | Post No. : | 17071 |
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Blog 10-Year Challenge (2012-2022) – Song No. 75
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This date ten years ago (viz 27 July 2012) saw four songs from four different movies getting covered in the blog.
Here are the details:-
| Blog Post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6314 | Ye kaun chala haay ye kaun chala | Dard (1947) | Movie YIPPEED by now |
| 6315 | O pagley der na hogi palchhin ki | Kinaare Kinaare (1963) | Movie YIPPEED by now |
| 6316 | Chanda ka ran liye taaron ka sang liye | Harihar Bhakti(1956) | 4 songs out of 11 covered so far |
| 6317 | Kisne dekha hai kal kisko kal ki khabar | Heeralal Pannalal(1978) | 4 songs out of 6 covered so far |
It can be observed that two movies (out of four) whose songs were covered on this date ten years ago have since been YIPPEED. That leaves us with two movies that are eligible for Blog Ten Year Challenge today (27 July 2022).
“Harihar Bhakti”(1956) is one of the movies eligible for Blog Ten Year Challenge today.
“Harihar Bhakti”(1956) was directed by C Raghuveer for Raghuvir chitra niketan, Bombay. The movie had Asha Mathur, Trilok Kapoor, Vivek, Maruti, Shahu Modak, Ulhas, Durga Khote, Indira, Hira Sawant, Ramesh Sinha, Rajank Kapoor etc in it.
“Harihar Bhakti”(1956) had eleven songs in it. Four songs have been covered so far.
Here is the fifth song from “Harihar Bhakti”(1956) to appear in the blog. The song is sung by Asha Bhonsle. S P Kalla is the lyricist. Music is composed by K Datta.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
Audio link:
Song-Main lajwanti hoon naar (Harihar Bhakti)(1956) Singer-Asha Bhonsle, Lyrics-S P Kalla, MD-K Datta
Lyrics(Provided by Prakashchandra)
aa…aaa…aaa….aaa….
aaa aa aa aaaa…aaa
main lajwanti hoon naar
main lajwanti hoon naar
rokaa..aaa kyun bataao
mohey..ae na sataao
rokaa kyun bataao
mohey..ae na sataao
main lajwanti hoon naar
tumse main kehti hoon..on sau baar
aaa aaa aaa aaaaa
aaa aaa aaa aaaaa
tumse main kehti hoon…oon sau baar
peechhey..ae hat jaao
mohey…ae na sataao
mohey…ae na sataao
main lajwanti hoon naar
main lajwanti hoon naar
padee laaj ki bedi pag mein
mosey chalaa na jaaye
kadam kadam haaye patli kamariyaa
lachak lachak reh jaaye
ghoor ghoor kar mujhe na dekho o
ghoor ghoor kar mujhe na dekho
zulm sahaa naa jaa…aa aa aa aaa…aaye
biktaa naahin galiyon mein pyaar
aaa aaa aaa aaa aaa
aa aaa aaa aa aa aaa
biktaa naahin galiyon mein pyaar
mohey ae na banaao
mohey…ae na banaao
mohey…ae na sataao
main lajwanti hoon naar
main lajwanti hoon naar
binaa baat peechey padte
kaisi mardon ki jaat
aankh churakar ye kartey andar hee andar ghaat
lekin takkar sambhal ke lenaa
bigad jaayegi baa aa aa aa aaa…aaat
dekho mosey jaaogey haar
aaa aaa aa aa
aaa aaa aaa aaaaa
aaa aaa aaa aaaaa
dekho mosey jaaogey haar
aankhein na dikhaao
aankhein…aen na dikhaao
mohey..ae na sataao
main lajwanti hoon naar
main lajwanti hoon naar
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5086 | Post No. : | 17011 |
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Blog 10-Year Challenge (2012-2022) – Song No. 55
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Welcome all to this post under ‘blog ten-year challenge 2012-2022’.
Today’s song is from the movie ‘Rishtaa-1954’.
One song from this movie was presented on the blog on 21.06.2012 with songs from other three movies viz. ‘Grihasthhi-1963’, ‘Hamaari Yaad Aayegi-1961’ and ‘Patanga-1949’.
| Song Title | Name of the movie (year) | Remarks |
|---|---|---|
| Saajan se pehli baar ham kaise bolen haay | Rishta(1954) | 5 of 7 songs posted |
| Jeewan jyot jaley | Grihasthhi(1963) | All songs covered |
| Jawaan muhabbat haseen aankhon mein | Hamaari Yaad Aayegi(1961) | All songs covered |
| O dilwaalon dil lagaana achchhaa hai | Patanga(1949) | All songs covered |
Out of the four movies represented on 21.06.2012, three movies viz. ‘Grihasthhi-1963’, ‘Hamaari Yaad Aayegi-1961’ and ‘Patanga-1949’ have already been ‘Yippeeee’ed’ on the blog, which means all the songs from these three movies have been covered on the blog.
So, we are left with only one movie i.e., ‘Rishta-1954’, which is eligible for blog ten year challenge today (21 June 2022).
“Rishta-1954” was directed by Aslam for ‘Rajasthan Productions, Bombay’. It was produced by Rashid Parwez. It had Nigar Sultana, Suresh, Anwar, S. Nazeer, Ram Mohan, Leela Mishra, Neelam, Faizi, Agni, Shaikh, Ramlal, K.R. Thapar, Baby Chaand, Nadir, Kalyan, Vijaylakshami and others.
This movie was passed by censor board on 05.06.1954.
“Rishta-1954” had seven songs that were written by Pt. Phani and composed by K. Datta. Here is the list of the songs of this movie:-
| Sr.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Saajan se pehli baar ham kaise bolen haay | Lata Mangeshkar | 21.06.2012 |
| 02 | Bedard zamaane se shikwaa na shikaayat hai | Lata Mangeshkar | Being discussed today |
| 03 | Khataa kya hamaari… o jaanewaale tum na maane | Talat Mehmood | 24.09.2017 |
| 04 | Wahi chaandni hai, wahi aasmaan hai | Talat Mehmood | 21.08.2012 |
| 05 | Dukhiyaari dukhiyaari naari dukhiyaari | S.D. Batish | |
| 06 | Ek hi rishtaa maa ka jag mein | Mubarak Begum | 08.05.2016 |
| 07 | Kya khabar thhi yoon tamanna khaaq mein mil jaayegi | Mubarak Begum | 06.08.2018 |
So far, five songs from this movie have been posted on the blog.
Today we present the sixth song from this movie. The song is sung by Lata Mangeshkar. Lyrics are by Pt. Phani and music is composed by K. Datta.
Let us now listen to the song.
Lyrics for today’s song were provided by Prakashchandra.
Song-Bedard zamaane se shiqwa na shikaayat hai (Rishta)(1954) Singer-Lata, Lyrics-Pt Phani, MD-K Datta
Lyrics(Provided by Prakashchandra)
Bedard zamaane se ae
shikwaa naa shikaayat hai ae
hum dard ke maaron ki ee
qismat hai ye qismat hai ae ae ae
bedard zamaane se ae
bheegi huyee palkon mein aen
chhoti si kahaani hai ae ae
bheegi huyee palkon mein aen
chhoti si kahaani hai ae
ik dard ki duniyaa hai ae
kehne ko jawaani hai
saajan se judaa ho kar
ye roti huyi ulfat hai ae
hum dard ke maaron ki ee ee
qismat hai ye qismat hai ae
bedard zamaane se ae
aankhein bhi tarasti hain aen
armaan bhi machalte hain aen aen
aankhein bhi tarasti hain aen
armaan bhi machalte hain
ye dil bhi dhadaktaa hai ae
aansoo bhi nikalte hain
marnaa bhi nahin bas mein aen
marne ki si haalat hai ae
hum dard ke maaron ki ee
qismat hai ye qismat hai ae ae ae
bedard zamaane se ae
shikwaa naa shikaayat hai ae ae
hum dard ke maaron ki ee
qismat hai ye qismat hai ae ae ae
bedard zamaane se ae ae
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4901 | Post No. : | 16706 |
Today’s song is from the film Badi Maa-1945.
No wonder that the word Maa is one of the favorites of our film makers. There were 5 films called Maa and its varieties like Badi Maa, Chhoti Maa. Then there were Maa films with Baap, Beta, Beti, Behen,Biwi, Mamata, Aanchal, Pyaar, Aansoo, Saugandh, Shakti, and Qasam. Additionally, Durga and Santoshi Maa were also made. Almost 30 films about Maa at one place in the index book. I did not try other letters of the alphabet to see more films with the word maa – like Naani Maa etc !
BADI MAA-1945 was a film of Prafull Pictures of Master Vinayak (Father of actress Nanda).It was produced and directed by Master Vinayak with music by K.Datta or Datta korgaonkar or D.P.Korgaonkar.The story was by V.S.Khandekar,noted Marathi writer,who was ,later,the First Marathi recipient of Gyanpeeth Award for his novel “YAYAATI”.The lyrics were by Anjum Pilibhiti,Zia Sarhadi and Raja Badhe,who was a noted Marathi poet.
Master Vinayak was forced to produce this war effort movie to save his company,because the Govt. At that time desperately needed public support for their war efforts.Such pictures were given grants for production also.if they refused,the consequences were dire. The word Badi Maa,in this film meant Motherland-India.
Today’s song is one of Lata’s early songs in Hindi films. Being brought up in a Marathi atmosphere, initially, she had to struggle very hard to learn Hindi / Urdu word pronunciations, which, like a good learner, she picked up fast. Entering Film world was not so easy, but Master Vinayak played a vital role in establishing her in films or at least in bringing her to the notice of other stalwarts, because he himself died quite early in 1947 itself.
After Deenanath Mangeshkar’s death, Lata was adopted by Master Vinayak. In 1942, vinayak directed his last film for navyug Films “Pahili Mangalagaur”. he gave a small role and one song to her in that film. Then he, with the help of friend Vasant joglekar got her a song in Marathi film ” Kiti Hasaal’. However it was removed from the film before its release. In 1943, Vinayak launched his own Prafulla Pictures and madr 6 movies – 3 Marathi and 3 Hindi.
In the film Gajabhau-44 he gave Lata a hindi song. Then in the film Subhadra, Lata got 3 songs. In 1945, he directed ‘Badi Maa’. Lata and Asha got acting roles and Lata got 2 songs. In Jeevan yatra-46, she sang one song. And finally in 1947, Lata sang her first Hindi playback song in the film ” Aap ki Sewa mein”.
Vinayak died almost immediately after our Independence, but he had done the basic ground work to give a beginning to Lata’s career. Lata was later helped by Ghulam Haider, Khemchand Prakash and Anil Biswas. Then she never looked back.
The story of the film Badi Maa-45 was written by V.S.Khandekar. In those days there were Bangla, Gujarati, Hindi and Marathi writers with almost all film companies to assist in stories and dialogues. V. S. Khandekar was a very popular and famous writer in Marathi.
Vishnu Sakharam Khandekar (11 January 1898 – 2 September 1976) was a Marathi writer from Maharashtra. He was the first Marathi author to win the prestigious Jnanpith Award.
Khandekar was born on 11 January 1898 in Sangli, Maharashtra. His father was a munsif (a subordinate official) in Sangli principality where he spent his childhood and completed his early education. In his early life, he was interested in acting in movies and staged various dramas during school days.
After passing his matriculation exam in 1913, Khandekar joined Fergusson College, Pune. In 1920, he started working as a school teacher at a school in Shiroda.
Khandekar’s writing career began in 1919 when Shrimat Kalipuranam, his first work, was published, and continued to 1974 when his novel Yayati was published.
In 1920, Khandekar started working as a school teacher in a small town, Shiroda, in the present-day Sindhudurg district of the Konkan region in Maharashtra. He worked in that school until 1938. While working as a teacher, Khandekar produced in his spare time abundant Marathi literature in various forms. In his lifetime, he wrote sixteen novels, six plays, around 250 short stories, 50 allegorical stories, 100 essays, and over 200 critiques. He worked and founded Khandekari alankar in Marathi grammar.
In 1941, Khandekar was elected as the president of the annual Marathi Sahitya Sammelan (Marathi Literary Conference) in Solapur. In 1968, the Government of India honoured him with a Padma Bhushan award in recognition of his literary accomplishments. Two years later, he was also honoured with the Sahitya Akademi Fellowship of the Indian Sahitya Akademi. in 1974, he was awarded the Jnanpith Award, country’s highest literary recognition, for his novel Yayati. Shivaji University at Kolhapur, Maharashtra conferred on him an honorary degree of D.Litt. In 1998, the Government of India issued a commemorative postage stamp in his honour.
Khandekar’s novel Yayāti (ययाति) received three prestigious awards: A Maharashtra State Award (1960), a Sahitya Akademi Award (1960), and a Jnanpith Award (1974).
Films on his novels were made in Marathi (5), Hindi (3 – Chhaya-36, Jwala-38 and Amrut-41) and in Telugu and Tamil (1 – Dharm Patni-41). He wrote stories, lyrics and dialogues for Marathi and Hindi films too.
Here is his Filmography as per the Indian Cinema Encyclopedia-
1936: Chhaya (Writer, Lyricist), 1938: Dhruva (Lyricist), Jwala (Writer, Lyricist), Jwala (Writer, Lyricist), 1939: Devata (Writer, Lyricist, Screenplay, Dialogue), Mera Haq (Writer, Lyricist), Sukhacha Shodh (Writer, Lyricist), 1940: Lagna Pahave Karun (Writer, Lyricist, Screenplay), 1941: Amrit, Amrit (Writer, Lyricist), Dharma Patni (Writer, Story), Dharmapatni (Writer, Story), Sangam (Writer, Lyricist), 1942: Sarkari Pahune, Tuzhach (Writer, Lyricist), 1943: Mazhe Bal (Writer, Lyricist), 1945: Badi Maa, 1946: Subhadra, 1948: Mandir, 1953: Soneri Savli, 1960: Antaricha Diva (Writer, Lyricist), 1961: Mansala Pankh Astaat (Writer, Lyricist, Story, Screenplay, Dialogue), 1962: Sunbai (Lyricist)
The cast of the film Badi Maa was Noorjahan, Ishwarlal, Yaqub, Jog,Meenakshi, Sitara, Leela Mishra, Damuanna, Lata Mangeshkar and others. The story of the film Badi Maa-45 was…..
In Dinapur,Durgadas(Salvi) was worried about his son Dinesh(Ishwarlal) studying in London,due to attacks by Germans.Moneylender Ghanashyam(Girish)agrees to write off his loan,if his daughter Usha(Meenakshi) marries his son Rajendra(Yakoob).But Rajendra and Mona(Sitara Devi) are Japanese spies in India.When Durgadas refuses ,his house is confiscated,sold and he is on road. Ghanashyam’s daughter Hema(Noorjehan) does not like this as she loves Dinesh.Dinesh comes back to find father poor and destitute.SuddenlyJapanese attack the village and Rajr=endra helps them .Usha urges Rajendra to fight for Badi Maa i.e. Motherland and dies due to bullets.Rajendra repents and saves his village,along with Dinesh.In this,Rajendra dies for the motherland or Badi Maa.
Dinesh and Hema marry.
Let us now listen to this song by Lata, Meenakshi Shirodkar and chorus.
Song- Janani Janmabhoomi (Badi Maa)(1945) Singers- Meenakshi Shirodkar, Lata Mangeshkar, Lyricist- Anjum Pilibhiti, MD- Datta Korgaonkar
chorus.
Lyrics
Janani Janmabhoomisch
swargdapi gariyasi
swargdapi gariyasi
Janani Janmabhoomisch
swargdapi gariyasi
tum maa ho
badi maa
tum maa ho
badi maa
nyaay ke jag mein
deep jala do
o o o o o
soye huye hirday ko jaga do
nyaay ke jag mein
deep jala do
soye huye hirday ko jaga do
dharti ko
aakaash bana do
bana do
aakaash bana do
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
chhote baalak bilakh rahe hain
aen aen aen
nange bhookhe sisak rahe hain
nange bhookhe sisak rahe hain
daulatwaale ae ae
daulatwaale
hulas rahe hain
julam sitam ka raaj mita do
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
badli gham ki aisi chhaayi
chhaayi
dushman hua hai
bhai ka bhai
dushman hua hai
bhai ka bhai
hindu musalmaa sikh isaai
hindu musalmaa sikh isaai
ab tum sabko
galey mila do
o o o o
o o o
ab tum sabko galey mila do
o o o o
o o o o
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4791 | Post No. : | 16548 |
Today’s song is from the film Rang mahal-1948. This social film was made by Eastern Pictures, Bombay. It was written and directed by Pt. Anand Kumar.
Not much is known about this director. He was one of those aspirants who ran away from home to Bombay- the Dream City, to make a career. In his first attempt he failed, went back to his village to do the ‘run away’ scene again second time, with more money. Even this time he failed, so he returned to his home and became a big and famous writer. He came back to Bombay only when he was invited by the film industry to make use of his skill !
Pt.Anand Kumar was born in Delhi on 4-9- 1907. He was a producer, director, writer and Lyricist. From childhood, he was not interested in studies in English medium. He was taught Urdu, Hindi and Sanskrit by his poor Brahmin Shastri father.
When he was 15 year old, he entered a business. He was always discontented. He wanted to become an actor, but family resisted. He tried fasting and even suicide. Then he stole some money and ran to Bombay. He could not get into any studio and after money finished, he returned to Delhi, only to take more money and run to Bombay again. Even after this failure, he went back to Delhi and started writing stories.
His first book ‘ Mera Huq ‘ became a hot seller and he started earning money. He was invited by film people and he went to Bombay nth time. He wrote stories, dialogues and Lyrics of scores of films and earned name and money. He produced the film ‘Zameen’-43, under his own banner Anand Brothers. He directed 5 films, including a Hit Marathi film, Gora Kumbhar-42. Some of his films as a Lyricist were Suvarn Mandir-34,Katle aam-35, Pratibha-37, Divorce-38, Saathi-38, Alakh Niranjan-40, Punarmilan-40, Charnon ki Dasi-41, Raja Rani-42 etc. As a writer some films were, Divorce-38, Honhaar-36, Saathi-38, Vasant sena-42, Rang mahal-48 etc etc.
The 6 songs of this film were written by Shiv Kumar and were tuned by a pair of MDs, namely K. Datta and V.A. Balsara. The songs are not credited to any specific MD in HFGK. However, singer’s names are given for all the songs. Suraiyya has 3 songs in it, which are already covered in the Blog. Today’s song is the 4th song sung by Shalini and Anant Marathe.
I could not get any information about this singer-Shalini. She was an actress in Hindi films. Starting her career with film Tulsi-1941, which was one of the last films of CIRCO Productions owned by Chimanlal Trivedi. After making 12 films from 1937 to 1942, he sold this company, studio and land to A.R. Kardar, who established his Kardar Sudios in Parel, Bombay. In her first film, Shalini was the Heroine opposite Trilokn Kapoor. Anant marathe was also in this film. Shalini acted in 25 Hindi films. her last Hindi film was Taqdeer-1967. She sang 3 songs in 2 films, Rang mahal-2 songs and Roop Sundari-49 1 song.. She seems to have worked in some Gujarati and Marathi films too.
Anant Marathe also known as Anant Kumar acted in 71 films. He also sang 5 songs in 5 films. His career started in 1936. Anant Marathe aka Anant Kumar was the brother of actor and famous singer Ram Marathe. I was searching for his information for quite some time. My search ended when I found an article written by his son about his father.
Anant Marathe was born in 1936. In a career that spanned over 50 years, he was a witness to many changes and upheavals in the Hindi film industry. Born in Pune, in a family that was doing well for itself, he had three brothers and two sisters. Losing his father at the tender age of four, he was forced to give up education and begin work, to fend for his family. In the process the family left Pune and came to Mumbai, the city that fed every soul.
The world of films, those days, was not an industry. It was just like a 9 to 5 job in an office. Anant Marathe, with his innocent looks, expressive eyes and inborn confidence, was chosen by Master Vinayak, to play a role as a child artiste in a hindi film, Chhayaa. In this film he played the role of a son, who for his own selfish means is used by his father, ( played by Late Shri Chandra Mohan).
The real breakthrough came when he was called for an audition at Prabhat Studios, the most distinguished film company of those days. This 1943-44 film was ‘ Ramshastri’, in which he was to play the part of Chhota (young) Ramshastri. Ramshastri Prabhune was the Supreme Judge of the Peshwa dynasty and known for his supreme judgement. Once he was selected for the role, his grooming as an actor really began. In the storyline, Chhota Ramshastri was depicted as a boy who hates to study and loves to play all day long. He would swim, roam about with his pet dog and enjoy life. For this role Anant marathe was made to learn swimming even though he was scared of water! He could not get along with the puppy dog, even though it was supposed to be his pet. And to top it all, after shooting, the swimming and the sequences with the dog were edited from the film! The song, ‘Don ghadicha daav, yala jeevan aise naav” sung by him was very popular at that time. He received an award for his performance as Ramshastri from Bengal Film Journalists Association as the best supporting actor of the year. This film was screened in a number of National and International film festivals.
Film industry in South India was very active in the early 50’s. Anant Marathe acted in a number of films produced by the South Indian film studios, namely AVM, Gemini studios etc. Shri Chettiar of AVM was planning a socio-mythological film on the life of a famous saint. The lead role was played by Shahu Modak. The film in general was devotional and to bring in an interesting element, a comic character was created, in the form of the saint’s shishya ( pupil ). This role was offered to Anant Marathe and he displayed histrionics that astonished everybody on the sets.
The Director who groomed the great showman Raj Kapoor was Kidar Sharma and Anant Marathe had the privilege to work in one of his films, this time as a villain! The film was Hamaari Yaad Aayegi. This film also launched Tanuja, who would be known as a talented actress in the coming years. Anant Marathe played the role of a character called Pyarelaal, a very deceiving name for a villain! He is a suave character, moving about in the company of elite people but behind the cute face there is a monster of sorts, a wolf in sheep’s clothes. Anant Marathe, with his charming smile was very stunning, not only in his looks but in every move. Kidar Sharma was known to reward any actor who performed a great scene with a 4 anna coin, known as chavanni in those days. A chavanni earned for a great shot was like an achievement. And Anant Marathe earned many, which he cherished till the end.
His journey as an actor continued with great flourish. Since he could speak Marathi and Hindi fluently, he received offers from both Marathi and Hindi films. He was truly a bi-lingual actor.
Manoj Kumar was inspired by the life of Bhagat Singh, the great sikh patriot from Punjab and was planning a film on his life. Manoj Kumar and Prem Chopra were to play the roles of Bhagat Singh and Sukhdev respectively but casting for Raajguru, the third freedom fighter was still to be done, as Manoj Kumar wasn’t happy with the short-listed few, to play the role. Manoj Kumar heard about Anant Marathe, who had acted in many hindi and marathi films. Anant Marathe was asked to come over and meet Mnoj Kumar. One look at him and he had found his Raajguru! The experience of working in a truly patriotic film, that too with a thespian like Pran who played a cameo in Shaheed, was a very inspiring experience for him. Incidently Pran did not charge a single rupee for this role! Shaheed brought a wave of patriotism in the audience, they cheered and loved their heroes. The real mother of Bhagat Singh was felicitated at the premiere of this film at Delhi. She was moved by the performances of every actor in the film. What’s more, a special screening was arranged for the then Prime Minister of India, Late Shri Lal Bahadur Shastri, who praised the film and awarded certificates of honour to all the actors.
Anant Marathe acted in over 250 Hindi and Marathi films, out of which 71 films are Hindi. he also sang 5 songs in 5 Hindi films.When he made his foray in Hindi films, he was not very fluent in Hindi so he took lessons from a tutor who taught him the nuances of Hindi, thus improving the pronunciations so he could speak the language flawlessly. He also learnt English to give his persona the required sparkle, so important for a lead hero. He had to give up formal schooling due to circumstances that prevailed and may be he made up for it in this manner.
Some of the films he acted in are, Bhakta Bilwamangal (Durga Khote), Bhakta Gopalbhaiya (Amir Kanataki), Geeta (Chandra Mohan, Durga Khote), Gokul ( Kamala Kotnis, Sapru), Jivacha Sakha (Durga Khote, Sulochana), Malti Madhav (Durga khote, Baby Shakuntala), Nanda Kumar ((Durga Khote), Sant Janabai (Hirabai Badodekar), Seeta Swayamvar (Durga khote, Baby Shakuntala), Jawaee Majha Bhala, Choravar Mor, Bhintila Kaan Astaat, Shri Krishna Darshan ( (Durga khote, Usha Kiran), Sampoona Ramayan, Bharat Milap and many more.
In “ Barkhaa”, he played the role of a doctor opposite Nanda. The song, “Ek raat mein do-do chaand khile…” became an instant hit. “Bada bhai”, a film starring late Ajit, had him playing Ajit’s younger brother with Amita as the female lead. In “Sanskaar” also he played the lead role opposite Amita. He acted in some Gujarati films also.
In the early stages acting was like a job for him but soon it became a passion. All these years, while he worked in front of the camera as an actor, he learnt the finer details of film making, by observing, making mental notes. He had a flair for writing. In fact, he was a habitual diary writer. He wrote poems for small children and later they were published in the form of a book.
He had a good voice and was planning to be a singer but destiny had something else in store for him, a career in acting.
He wielded the megaphone in 1974, for a Marathi film named “Sonarana Tochala Kaan”, starring comedian and an intense actor Nilu Phule in lead role with Usha Chavan as the female lead. It was inspired by a Hollywood caper with famous comedian, Bob Hope in lead. The film was a huge success all over Maharashtra.
Soon he was set to direct a film in Hindi. After a detailed script was worked out by him, the producer backed out. Losing hope but not the spirit, he turned a new leaf and began work on his next project, once again in Marathi. The name of the film was “ Bijlee”, meaning lightning.
Rangat-Sangat Pratishthan, founded by the wife of late Shri Shahu Modak conferred the Manus puraskaar, an award on him for life-time achievement. The name for this award, for obvious reason is Manus (meaning human), a film by this name had Shahu Modak in a memorable role as a Havildaar.
Anant Marathe lived a contented life. Having worked in films from the age of 8 took its toll on him and he passed away in 2002.(Thanks to http://www.writewrong.wordpress.com, muVyz, HFGK, and my notes).
With this duet song singer Shalini makes her Debut on the Blog.
Song-Bachpan tu mera daaman chhod zaraa (Rang Mahal)(1948) Singers- Shalini, Anant Marathe, Lyricist- Shiv Kumar, MD- K.Datta and V.A.Balsara
Lyrics
Bachpan tu mera aa aa aa
daaman chhod zaraaa aa aa aa
daaman chhod zaraaa aa aa aa
jaa
le ja apne khel khilaune jaa aa aa aa
Bachpan tu mera aa aa aa
daaman chhod zaraaa aa aa aa
daaman chhod zaraaa aa aa aa
chanka ki kanghi se
ab main uljhe baal sanwaaroongi ee
aasmaan se tod ke taare
aasmaan se tod ke taare
maang mein apni daaroongi ee
maang mein apni daaroongi
kheloongi
koi kheloongi
kheloongi koi khel niraala sa aa aa aa
jaa
le ja apne khel khilaune
jaa aa aa aa
Bachpan tu mera aa aa aa
daaman chhod zaraaa aa aa aa
daaman chhod zaraaa aa aa aa
bijli si chanchalta lekar
nainon mein bhar loongi main
phoolon se muskaan chheen kar honthon mein bhar loongi main
le loongi koyal se ae
le loongi koyal se
madhur gala aa aa aa
jaa
le ja apne khel khilaune
jaa aa aa
Bachpan tu mera aa aa aa
daaman chhod zaraaa aa aa aa
daaman chhod zaraaa aa aa aa
phoolon ke ras ke laalach mein
main bhanwra ban jaaooonga
koyal ki sunkar madhur kook main
vasant ban aaunga
main phool ban
tu bhanwra ban kar aa aa aa
khelenge
koi khel niraala saa aa
jaa
le ja apne khel khilaune
jaa aa aa
Bachpan tu mera aa aa aa
daaman chhod zaraaa aa aa aa
daaman chhod zaraaa aa aa aa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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