Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Pt Indra Chandra


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6358 Post No. : 19713

#the Decade of Forties – 1941 – 1950 #
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Today’s wonderful song is from the movie ‘Dharti-1946’. It is a missing the beloved category of song where the lady wants to get a letter written to her beloved requesting him to write a letter to her.

‘Dharti-1946’ was directed by Manibhai Vyas and it had Mumtaz Shanti, Trilok Kapoor, Padma Banerji, Vikram Kapoor, Baby Anwari, Sheikh Hussain, Pandit Iqbal, Jugal Kishore, Lakshman, Mustafa, Leela Shinde, and Tipnis. Lyrics for this film were penned by Pandit Indra and Music was composed by Bulo C Rani. Lyrics of all the eleven songs are by Pandit Indra. Geet Kosh Vol-II (1941-1950) mentions the singer’s name for nine songs and they are Manna Dey, Hamida Bano, Mohantara Talpade, and A.R. Ojha. Two songs from this movie have been posted earlier on the blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19692

Today’s song is a duet from the Mythological film – Veer Arjun-1952.

The film was produced by Ratilal Punatar ( he was the nephew of Sardar Chandulal Shah of Ranjit Movietone), for his own banner Ajit Pictures ( Ajit was his son’s name). The film was directed by Ramchandra Thakur ( highly educated, originally from Sagar Movietone). 6 songs of this film were composed by Avinash Vyas while one song was composed by S.Mohinder- who made G.M.Durrani sing, probably his life’s only bhajan in this film !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6339 Post No. : 19638

Today’s song is from an 87 year old film Jwala-1938.

The film was made by Producer/Director Master Vinayak for his banner, Huns Pictures. Going out of his tradition, he had made a different type of film. Additionally, he continued to give the music responsibility of this film also to Classical musician – Dhamman khan, who had earlier done music for the film Chhaya-1936.

Dhamman Khan was one of those giants of classical music who had developed an urge (call it itch) to try their hand at composing film music, do a film or two and return to their own comfort zone again. Some such other examples are Bhurji Khan(Kurukshetra-33), Ameer saab(Nirdosh abla-35), Nawab Khan(Mirza sahiban-35), Wamanrao Sadolikar(Naganand-35…this is C.Ramchandra’s First film as a Hero. The film ran for just ONE day !), Abdul Kareem Khan (Maut ka Toofan-35 and Voh kaun-35), Master Giyasuddin (Typist girl-35) etc etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6335 Post No. : 19622

Today’s song is from the film Punarmilan-1940. The film was made by Bombay Talkies. It was directed by Najam Naqvi. The Music Director was Ramchandra Pal, who tuned the lyrics from 4 lyricists. The cast included Snehprabha Pradhan, Kishore Sahu, Shah Nawaz, Anjali devi, Mumtaz Ali, Pithawala, Sunalunu Devi and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6330 Post No. : 19604

Today’s song is from the film Bhakta Dhruva-1947.

It was a film by Prakash Pictures, which had become famous for religious films, after their blockbuster film Ram Rajya-1943. The film Bhakta Dhruva-1947 was directed by Shanti Kumar and the music was by the veteran Shankar Rao Vyas, who tuned the lyrics by Pt. Indra and Moti, B.A. ( he was actually M.A.).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6318 Post No. : 19562

Today’s song is from the film Adab Arz-1943.

It is one of those films, where you don’t find any connection between the film’s title and its story, even with a far-fetched imagination. This is what I call “Cheating” the audience. In the first instance you would feel that this is a story about a Muslim family. But no, it is not. Maybe the word ‘cheating’ is a harsh word, we can call it a misleading trick !

The film was made by Amar pictures, Bombay – which was started by Chimanlal Desai after Sagar Movietone closed and he also left National Studios. The film was one of the 8 films that his son-Virendra Desai – directed in his failed career. Music was provided to the 12 songs written by Rammurthy Chaturvedi, Kailash G Matwala and Pt. Indra, by Gyan Dutt who had recently left his long association with Ranjit Movietone. The cast of the film was Nalini Jayawant, Karan Dewan, Kamla Chaterjee, Ansari, Pratima Devi, Dulari, Mukesh, Nagendra M, M Kumar, and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6254 Post No. : 19342

Today’s song is from a film which is almost 90 years old – Chhaaya-1936.

This was the first Marathi/Hindi bilingual film made by Huns Pictures, Bombay – a banner owned by master Vinayak along with 2 others. The other partners were Baburao Pendharkar (actor/director) and Pandurang Naik (ace Cinematographer). The film was directed by Master Vinayak. Music was by Dhamman Khan. The film story, dialogues were translated by Pt. Indra, who also acted in this film. He wrote all the 14 songs of the Hindi version.

This was the period of tragic films by Saigal. His famous film Devdas, based on a story by Sharat Babu, became famous and popular all over the Indian subcontinent. This led to a trend in other languages to make tragedy films, in which the Hero dies. In the original Bangla language film, P.C.Barua had acted as Devdas. K.L.Saigal acted in its Hindi and Tamil version, singing 2 songs in the Tamil version. Barua directed the Bangla, Hindi and Assamese versions.

Film Chhaya-1936 was also based on this pattern, where the hero dies. Initially it was thought that such tragic films would not succeed, but film Chhaya became a Hit film. It won accolades from the public and the critics equally. It won many awards too. The cast of the film was Vinayak, Leela Chitnis, Ratnaprabha, Baburao Pendharkar, Indira Wadkar, Pt, Indra, Anant Marathe etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6249 Post No. : 19327

Today’s song is from the film Shri Rambhakta Hanuman-1948.

The film was produced and directed by Homi Wadia for his own banner Basant Pictures. The film story was adapted from Valmiki Ramayan by Shivram Vashikar and the dialogues were by P.C. Joshi- who had also acted in the film in the role of Lakshman. The film starred Trilok Kapoor (Shri Ram), Prabhas Joshi (Lakshman), Sona Chaterjee (Seeta), Niranjan Sharma (Ravan), S.N.Tripathi (Hanuman), Dalpat Joshi, Amarnath and many others.The music was by S.N.Tripathi. This was his first role as Hanuman. He went on to do Hanuman’s role 6 more times.

Film Shri Rambhakta Hanuman-48 was the first of the Mythological films Homi Wadia’s Basant Pictures had made. Due to the extraordinary success of religious films from Prakash Pictures, suddenly there was a spurt in making Mythological films. Though Prakash Pictures made hit films like Bharat Milap-42 and Ram Rajya-43, in their films, the entire focus was on Shri Ram and Seeta Mai. They did not give any importance to Hanuman in their films. When I checked the credits of these two films yesterday, I found that Hanuman’s name was not there in the credits and we do not know who did that role ! Sensing this as an opportunity, the business minded Wadia made a film on Hanuman as the central character.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6176 Post No. : 19063

Today’s song is from a 89 year old Talkie film, Jeevan Lata-1936. This was the production of the then popular Sagar Movietone, Bombay. Sagar had introduced a new hero in the same year – Surendranath, who was promoted as a competition to Saigal from Calcutta’s giant New Theatres.

Film Jeevanlata-1936 featured Motilal and Sabita devi. Motilal was introduced by Sagar in 1934 – opposite Sabita Devi, for whom that was her 4th talkie film with the production house. Jeevanlata-1936 was the 5th film of Motilal and the 8th film of Sabita Devi.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6169 Post No. : 19043

Today’s song is from an 88 year old film- Premveer-1937. It was made by Huns Pictures, Kolhapur by the owner, producer and the director of this film – Master Vinayak.

It was just 6 years ago that India had entered the Talkie film era, with Alam Ara-1931. Initially films were based on Mythology, folk stories and historical figures. Soon the talented filmmakers like V.Shantaram, Master Vinayak, Baburao Painter, Sohrab Modi, Himanshu Rai, B.C.Sircar, S.S.Vasan and others realised that the Talkie films have to be handled differently that the Silent films. Being a novelty, the moving pictures or the Silent films were in a sellers’ market – which meant that whatever was produced was sold. But now that the films had started talking, story content, music, acting, direction and the themes needed to be accepted by the audience. This meant that new filmmakers were in Buyers’ market and they needed to make what had a demand from the audience.
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