Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anupam Ghatak


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4642 Post No. : 16304 Movie Count :

4429

Today’s song is a duet from film Uski Tamanna aka Her last desire-39. Have you ever heard about this film ? I have also never known this film. But then, barring a few well known, successful film names, one really does not know any other film names in a specific year. Majority of films are like this only.

The year was 1939 and the British Government had declared war against Germany and japan, as soon as the WW II began. All countries ruled by Britain were – willingly or unwillingly, drawn into the war efforts and its effects. The war began in the month of September and soon various restrictions came into operation – like rationing, blackouts, shortages etc. The film industry which was still under its development stage suffered. It also realised the importance of remaining united as one industry. However, all that came after 1 or 2 years. In 1939 there was not much effect seen on the film industry.

The industry had its own problems. In spite of the playback system in operation, their problem was that because there was no technique of recording from the film negative yet, the singers had to sing twice. Once for the actual film shooting of the song, and later, with the same set of orchestra, for commercial records. Sometimes, the original singer was not available due to any reason, some other singer had to sing for commercial records. Thus we have many such examples, where the singer in the film song and the record is different. However, this problem continued only till mid 50’s when the Tape and the required technique became available. With just one time recording, the film and commercial recording were taken care of.

Khemchand Prakash. K.Datta (Datta Koregaonkar), Rafiq Ghaznavi and Anupam Ghatak made their Debut as Music Directors. Kavi Pradeep wrote his first film song for film Kangan. In 1939, 2 most Unusual songs were presented, for the first time ( and this record is not yet broken even after more than 80 years.). One was a Multi-Lingual song from film Aadmi-39, a film by Prabhat….Kis liye kal ki baat. This song was in Hindi, Urdu, Punjabi, Gujarati, Bangla, Tamil and Telugu. ( In its Marathi film version-” माणूस “, this song was only in one language-Marathi.) Different Lyricists and MDs were used for each language. The song became very popular.

Second unusual song was from film ‘ Ghareeb ka Laal’-1939. The song lyrics had the names of 32 artistes, operating in Hindi films that time. Top Heroes and Heroines were mentioned in this song. The beginning of the song was ” Tuze Bibbo kahoon ya Sulochana, Uma shashi kahoon ki Jamuna “. This song was sung by the comedian Mirza Musharraf. In later years many songs with film artistes’ names came but none had so many names. Thus this record is still unbroken, in case of both songs.

Besides these songs, let us quickly take a look at some films of 1939….

Aadmi – Prabhat’s hit film, a remake of the Marathi film ” माणूस “. It had some good songs by Shanta Hublikar, Sundarabai Jadhav and Ram Marathe.

Adhuri Kahani – a trend of Tragedy films set by the effect of film ‘Devdas’. All the 3 main characters of this film commit suicide in the end.

Badi Didi – A New Theatres film.

Brandy ki Botal – Master Vinayak’s comedy remake of Marathi film ‘ ब्रॅंडीची बाटली ‘.

Dil hi to hai – Debut of Kidar Sharma as a Director and Ramola as a Heroine in a Hindi film.

Dushman – New Theatres’ film of Saigal, with only his 4 songs.

Ek hi Raasta – Sagar presents first film with 3 Heroes in one film.

Ghazi Salauddin – Debut of Khemchand Prakash as M.D.

Hukum ka Ikka – First film with a Triple role by Umakant Desai ( who later specialised as Lakshman in 7 films, including Ramrajya-43).

Imaandaar – Debut of actress Shamim Akhtar.

India in Africa – This was the First Hindi film to be shot abroad (in Africa). The Hero B. Nandrekar had also gone to Africa for its shooting. Naaz-54 was not the first such film, though HFGK mentions it so.( Ref – pp 69, Maharashtra-The Birthplace of Indian cinema by Isak Mujawar)

Kangan – First of the 4 Hit films of Ashok kumar and Leela Chitnis, made by Bombay Talkies. Kavi Pradeep’s Debut as a Lyricist in this film.

Kapal kundala – New Theatres. Pankaj mullick’s hit song ‘ Piya milan ko jaana ‘.

Leather Face – Debut of Meena kumari as a child artiste.

Navjeevan – Debut of Hansa Wadkar as a Heroine- Bombay Talkies film.

Pukar – Hit film from Minerva Movietone. Naseem Bano sings ” Zindagi ka saaz bhi kya saaz hai….”

Film Uski Tamanna aka Her last desire-1939 was directed by Yakub and the music was by Anupam Ghatak. he was employed by Sagar movietone and gave music to its 6 films.he was one artiste who died quite young.

The music Director Anupam Ghatak – the second-generation Bengali-Hindi composer (after Rai Chand Boral and Pankaj Mullick) was born in 1911 at Mymensingh(now in Bangladesh). He took music lessons from father Atul Ghatak and Keshav Ganesh Dhekan. He became an excellent Flautist. After a short stint in AIR,as a singer in 1930, he joined as assistant to Bishen Chand Boral (brother of Raichand Boral) and later to R C Boral himself for Vidyapati-1937
First independent film score: Payer Dhulo. Later worked at Sagar Film in Bombay, composing Zia Sarhadi’s Bhole Bhale and a series of films for Badami, Luhar et al. (1939). Returned to Calcutta, notably for Barua’s Shapmukti; thereafter had assignments in both Calcutta and Lahore. Known for his wide range, from the sentimental Ekti paisa dao go babu in Shapmukti to the experimental Gane more kon indradhanu in Agni Pareeksha.

His Hindi film career started with ‘Tarzan ki Beti-38 and Bhole Bhale-39. He gave music to only 17 Hindi films, which included Ladies Only, Service Ltd.,Sadhana, Uski tamanna, Civil marriage, Sri Ramanuj etc. In Lahore he did Champa, Badnami and Shalimar, before Partition. His last Hindi film was Shamsheer, which was released only in 1953,after he died in 1947 itself.

The cast of the film was Yakub, Maya Banerjee, Jyoti, Bhudo Advani, Putlibai etc etc. The name Putlibai may be unknown to many. There was a famous dacoit in Chambal Ghati, by this name in the decade of the 50’s, but actress Putlibai has no connection with that. Mothers and daughters acted as leading ladies in the same era….Miss Putli or Putlibai and Miss Gohar Mamajiwala (the term Miss was used not merely to state the marital status of the leading ladies of those days)….

Like Miss Sharifa and Husna Banu , Putli and Gohar were mother and daughter. Putli was an accomplished actress of the silent screen who championed in the Talkies because of her extraordinary singing talents. Gohar was born in 1910 and entered the screen in 1926, where her mother Miss Putli too entered more or less the same time. Information about Miss Putli is very limited however, Gohar became India’s popular iconic star and is still remembered today.

Miss Putli acted in 33 Talkie films. Her first Talkie was Ratan Manjiri-35 and her last film was Dhoke baaz-46. She sang one song each in the film Lehri Badmash-44 and Dhokebaaz-46.

Today’s song is a duet sung by Harish and Maya Banerjee. With this song, film Uski Tamanna makes its Debut on our Blog. Including this film, my last 5 posts were from films which made Debut on the Blog. Today’s rare song was given to me by shri Abhay Jain ji (USA) and was uploaded kindly by our Sadanand Kamath ji. Thanks to both.


Song- O mast nazar diljaani teri taaza rahe jawaani (Uski Tamanna)(1939) Singers- Harish, Maya Banerjee, Lyricist- Pt. Indra, MD- Anupam Ghatak

Lyrics

O mast nazar diljaani ee ee
mast nazar diljaani
o mast nazar diljaani
mast nazar diljaani
teri taaza rahe jawaani ee
teri taaza rahe jawaani ee
mast nazar diljaani
o mast nazar diljaani
hai hamko pyaas bujhaani ee
hamko pyaas bujhaani ee
hai hamko pyaas bujhaani ee
piye aankhon ka paani ee
piye aankhon ka paani ee

mast nazar diljaani
o mast nazar diljaani
mast nazar diljaani

chaar nazar hai hone waali
aaa ha haha
ha ha ha ha ha
kuchh paa ke
kuchh khone waale

aaa ha haha
ha ha ha ha ha
chaar nazar hai hone waali
aaa ha haha
ha ha ha ha ha
kuchh paa ke
kuchh khone waale

aaa ha haha
ha ha ha ha ha

jeevan ki ee ee
jeevan ki ee phulvaari mein
jeevan ki ee ee
jeevan ki ee phulvaari mein
seenche aasha ka paani
seenche aasha ka paani
madhur prem veena ki dhun se
gaaye prem kahaani
gaaye
gaaye prem kahaani
madhur prem veena ki dhun se
gaaye prem kahaani
gaaye
gaaye prem kahaani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3598 Post No. : 14359

“Aai Bahaar”(1946) was directed by Shankar Mehta for Ganga productions, Bombay. This obscure movie had Irshad, Ajmal, Om, Asha, Romesh, Bhaag Singh, Anant Bahri, Charlie, Roofi, shrimati Atta etc in it.

The movie had eleven songs in it. One song from the movie has been covered in the past

Here is the second song from “Aai Bahaar”(1946) to appear in the blog. HFGK is silent about the singers of the songs of this movie. The uploader of the song mentions Zeenat Begam as the singer.

D N Madhok is the lyricist.

There were two music directors in this movie, viz Pt Amarnath and Anupam Ghatak, but the distribution of songs between th two is not known. So we will never know which of the two composed this nice gem of a song. I have assumed Anupam Ghatak to be the music director for this song.


Song-Aa mil baithhen zara (Aayi Bahaar)(1946) Singer-Zeenat Begam, Lyrics-D N Madhok, MD-Anupam Ghatak

Lyrics

aa mil baithhen zara
aa mil baithhen zara
aa mil baithhen zara
aa mil baithhen zara
ghadiyaan judaai ki ab aayin een
aa mil baithhen zara
aa mil baithhen zara

o jaane waale
itna kya jaana
ho more rote dil ka
ab kaun thhikaana
o jaane waale
itna kya jaana
ho more rote dil ka
ab kaun thhikaana
toh bin humen kal na aaye
humaare dil se nikle haaye
ghataayen chhaayin een
toh bin humenkal na aaye
humaare dil se nikle haaye
ghataayen chhaayin een
aa mil baithhen zara
aa mil baithhen zara
ghadiyaan judaai ki ab aayin een
aa mil baithhen zara
aa mil baithhen zara

pardes chale ho
kuchh humen bataao
o kya keh doon dil se
jab yaad tum aao
pardes chale ho
kuchh humen bataao
o kya keh doon dil se
jab yaad tum aao
toh bin humen kal na aaye
humaare dil se nikle haaye
ghataayen chhaayin een
toh bin humen kal na aaye
humaare dil se nikle haaye
ghataayen chhaayin een
aa mil baithhen zara
aa mil baithhen zara
ghadiyaan judaai ki ab aayin een
aa mil baithhen zara
aa mil baithhen zara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3565 Post No. : 14291

kuchh yaad rahe to sun kar jaa. . .

The nectar tinged fragrance of this voice suffuses through the strings of the heart through so many wonderful renderings. The mind is left amazed by the effortless expressions of the emotions covering the full spectrum of human experience. “Loot Liyo Mann Dheer. . .” is probably the only exclamation that the mind responds with, as it passed through the shower of her musical portrayals.

Kanan Devi – the doyen, the first lady of cinema in Bengal. We remember and honour her today (22nd April), on the anniversary of her birth. During her heydays in the 1930s and 40s, her popularity was so celebrated, that in those years, security had to be arranged when she moved about in public.

She was born this day in 1916, at Howrah. As per her own account, it was a very un-remarkable beginning to a tiny life, in the hands of a couple whom she knew only as her adoptive parents. Her foster father passed away quite early. She and her mother went through some difficult years, and the young Kanan Bala was not able to complete any form of formal school education.

In 1926, a family well wisher, introduced her to the management at Madon Theatres, Calcutta. Kanan was a child of 10 years. She worked in silent films and even did the male lead roles in ‘Vishnu Maya’ and ‘Prahlad’ (both in 1932). Transition from silent films to talkie films was very smooth for her. She had a good command over the spoken word and a remarkable singing talent – it only needed guidance and direction from teachers like Allah Rakha, Anaadi Dastidar, Bhishmdev Chatterjee, and yes, RC Boral.

From Madon, she moved to Radha Films in 1933. She was growing up into a beautiful and sophisticated young woman. In 1937 she transitioned to New Theatres. A regret she carried always – in 1934-35 she was offered a role in New Theatre’s ‘Devdas’ (1935), but could not accept as she was bound by her contract with Radha Films. She worked with New Theatres till 1941, and then moved to MP Productions in 1942.

After her formative years at Madon and Radha Films, her years at New Theatres and MP Productions are the most dazzling years of her career. In both organizations, her films became hugely popular hits, film after film, year after year. The music and the songs of these films made her the first lady singing superstar of Indian cinema. Her last Hindi film was ‘Chandrashekhar’ in 1948, opposite to Ashok Kumar. After this, she turned a producer in 1949, and set up her own company – Shrimati Pictures.

The song being presented today is a such lovely gem from the 1947 film ‘Faisla’. It is a duet sung in accompaniment with Aparesh Lahiri. Music is by Anupam Ghatak; the lyricist’s name is not available. Listening to this wonderful melody, brings to mind another similar song from a decade and a half later. I refer to the Talat-Lata duet from ‘Chhaaya’ (1961) – “Itna Na Mujh Se Tu Pyaar Badha, Ke Main Ik Baadal Awaara”. Although quite different songs, the mind is taken by the similarity in the theme of the song, as the gentleman professes a spirit of freedom, unencumbered by the matters of the heart, and whereas the lady expresses her desire to be together.

As the song begins, the voice of Kanan Devi flows in, giving an expression to the free spirit of the heart – a spirit like a bird that is unaware of the amorous emotions of love. Such a pleasure to listen to this voice.

Song – Khuli Hawa Mein Udne Waala Panchhi Preet Na Jaane  (Faisla) (1947) Singer – Kanan Devi, Aparesh Lahiri, Lyrics – Pran, MD – Anupam Ghatak
Both

Lyrics

khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane

kyun
wo bhanwara..aa..aa
wo bhanwara..aa ye bhi na jaane
kaliyan
kaliyan kyun muskaati
dard bhare
harne ko ye jhoom
daalon par hai gaati
koyal
daalon par hai gaati

aaa aaa aaa aaa aaa
duniya
is duniya se nyaari
khud hi chala basaane
duniya
is duniya se nyaari
khud hi chala basaane
apni dhun ka raahi kaise ho
prem dagar pehchaane
ho oo oo oo
prem dagar pehchaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane

kyun udne ki aadat koi
panchhi se chhudwaaye
kyun udne ki aadat koi
panchhi se chhudwaaye
baithi hai duniya
unke raste mein jaal bichhaaye
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane

khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने

क्यों
वो भँवरा॰॰आ॰॰आ
वो भँवरा॰॰आ ये भी ना जाने
कलियाँ
कलियाँ क्यों मुसकाती
दर्द भरे
हरने को ये झूम
डालों पर है गाती
कोयल
डालों पर है गाती

आ आ आ आ आ
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
अपनी धुन का राही कैसे हो
प्रेम डगर पहचाने
हो ओ ओ ओ
प्रेम डगर पहचाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने

क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
बैठी है दुनिया
उनके रस्ते में जाल बिछाए
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने

खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shri Ramanuja”(1943) was directed by Debki Kumar Bose for Shree Films, Calcutta. This movie had Biman Bannerji, Master Kumud, Dhiraj Bhattacharya, Bipin Gupta, B R Tandon, Vitthaldas Panchotia, Natwar, Hiralal, Vikram Kapoor, Vibhuti Ganguly, Prafull Mukherji, Tulsi Chakraborty, Nawaazish, Puttan, Meera Dutt, Radharani, Renuka, Chhaaya Devi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Banjaare” (1948), by now an obscure movie, was directed by Hiren Bose for Hiren Bose Productions, Calcutta. This movie had Baby Deepanjan, Banshree, Malwika, Pramod Chandra, Jeewanlal, Kamal Mishra, A Malik etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aisa Kyun”(1947) was directed by A K Chatterji for Shreeraj Pictures, Calcutta. This “Social” movie had Radharani, Urmila, Faiz, Tandon, Ifthhikar, Pinky etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Faisla”(1947) was a “social” movie directed by Apoorv Mitra for Geetanjali Movietone, Calcutta. Then movie had Kanan Devi, Paresh Bannerji, Hiralal, Nigam, Azurie, Flora, Gokul Mukherji, Devkumari, Puttan etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Ladies Only’ (1939) was produced under the banner of Sagar Movietone and it was directed by Sarvottam Badami. The star cast included Surendra, Bibbo, Sabita Devi, Prabha, Harish, Budho Advani, Sunalini Devi, Kaushalya etc. The film was released on 16th February 1939 and Moraraji Desai, the Revenue Minister of the then Bombay State was the chief guest.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from Sagar Movietone’s film ” Service Ltd”-39. It was a social cum crime cum mystery cum comedy film directed by Chimanlal Luhar, a well known director of those times. The music was by Anupam Ghatak, Lyricists were Zia Sarhadi and Pt.Indra and the cast included Surendra, Maya Banerjee, Bibbo, Yakub, Kayam Ali, Bhudo, Sankatha and other Sagars regulars.
Read more on this topic…


Today (27 march 2013) is the festival of Holi. This is the fifth Holi for this blog ! Majority of well known Holi songs from Hindi movies have been covered during the last four such occasions. Those are the songs that one gets to listen from all radio and TV stations that play Holi songs. But we in this blog, unlike radio and TV, cannot repeat the same songs and we have to discuss “new” as yet undiscussed songs on every occasion.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Movies with all their songs covered =1257
Total Number of movies covered =4426

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