Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sangeet Samrat Tansen


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6504 Post No. : 20215

I am presenting the 16th and probably the last song from ‘Sangeet Samrat Tansen’ (1962). It is a qawwali song, ‘tu hai ke naheen hai’ written by Shailendra. The qawwali is rendered by Mohammed Rafi and Manna Dey who sings for Prem Sagar (not to be confused with Ramanand Sagar’s son of the same name) and Bharat Bhushan, respectively.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6501 Post No. : 20203

I present a short song, ‘ab aayee barkha bahaar sajnee’ from the film, ‘Sangeet Samrat Tansen, (1962). The song is rendered by Mohammed Rafi who sings for Bharat Bhushan in the role of Tansen. The song ends with aalaaps and sargam rendered by Manna Dey who sings for M Kumar in the role of Swami Haridas.

The song is not listed in HFGC probably because being a short duration of about 2 minutes, the gramophone record of the song was not released. The song is not included in the LP record of the film. SAREGAMA has also not released the mp3 clip of this song. So, the only source of the song is from the sound track of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6500 Post No. : 20198

I am presenting a song mixed with taraana and sargam, ‘kanta dha kanta dha kanta dha’ from ‘Sangeet Samrat Tansen’ (1962). It is a jugalbandi between Tansen (Bharat Bhushan) as singer and the dancer Naaz Parveen (Sabita Chatterjee) in the court of Raja (D K Sapru) of Rewa Kingdom.

The story of the film is majorly concentrated around Tansen and his childhood friend, Hansa (Anita Guha). Tansen is devoted to Hansa as well as to his music. So, he is always caught in a dilemma. As a result, most of the time, Hansa gets separated from Tansen because of the calls from his musical duties. In a way, their relationship is akin to that of Radha and Shyam.

When Tansen decides to get married to Hansa for the first time, his Guru, Mohammed Ghous (David) instructs him to join the royal court on an invitation from Raja of Rewa. After a few months, when he gets permission from Raja of Rewa to get married to Hansa, Shahenshah Akbar (S N Tripathi) orders Raja of Rewa to send Tansen to be one of his ‘navratnas’ in his court. Even though Raja of Rewa decides to reject the demand inviting the potential wrath from Akbar, Tansen decides to reluctantly accept the invitation as rejecting that would create problems for Raja of Rewa. After joining the court of Akbar, Hansa joins Tansen and Akbar has planned for their marriage in Delhi. However, a misunderstanding between Hansa and Tansen about his relationship with dancer Naaz Parveen who is, in reality Tansen’s disciple, forces her to leave Tansen and return to the ashram of Swami Haridas. They are united only after Tansen faints while singing Raag Deepak which revives Akbar’s daughter (Preeti Bala). It is dancer, Naaz Parveen who clears Hansa’s misunderstanding about her and requests her to be with Tansen who is slated to sing Raag Deepak. After hearing this, Hansa accompanies Naaz Parveen and rushes to Delhi. Seeing an unconscious Tansen, she sings Raag Megh Malhar and revives him.

The context of the song under discussion is that Tansen wants to get married to his childhood friend, Hansa after his musical training gets over both from his Guru, Mohammed Ghous and Swami Haridas (M Kumar). Tansen pays a visit to his Guru, Mohammed Ghous to take his permission to marry Hansa. However, his Guru reveals that Raja Ramchandra of Rewa Kingdom has invited him to be the court singer. Adhering to his Guru’s instructions, Tansen joins the court of Raja of Rewa where he gets the title of ‘Sangeet Shiromani Tansen’. On this occasion, Naaz Parveen, the Raj Nartaki (Royal Dancer) from the court of the kingdom of Orchha gives a dance performance on the taraana rendered by Tansen. Later, it turns out to be a jugalbandi between the dancer and the singer.

The dance starts with a taraana of rhythmic syllables after which it gets switched over to a duet song between the singer and the dancer. Towards the end, once again, the singer switches over to taraana with faster rhythmic syllables which the dancer is not able to match and she loses her balance. Later, she becomes Tansen’s disciple.

In some places, I have not been able to decipher the rhythmic syllables in which cases I have only indicated them as ‘rhythmic syllables’.

Video Clip:

Audio Clip:

Song-Kanta dha kanta dha (Sangeet Samrat Tansen)(1962) Singer-Manna Dey, Unknown female voice, Lyricist-Shailendra, MD-S N Tripathi

Lyrics (Based on Video Clip):

kanta dha
kanta dha
kanta dha..aa
kanta dha
kanta dha
kanta dha
ta na na na
tir ta na ra tir kit dum
ta na na na
tir ta na ra tir kit dum
ta na na na
ta na na na
tanum
tanum
tanum
ta na tir kit
kanta dha
kanta dha
kanta dha
ta na na na
tir ta na ra tir kit dum
ta na na na
tir ta na ra tir kit dum
ta na na na
ta na na na
tanum
tanum
tanum
ta na tir kit
kanta dha
kanta dha
kanta dha
sa ni ma pa dha
pa dha
re sa
sa ni dha
sa sa ma
sa pa ni dha ma

ta na na na
tir ta na ra tir kit dum
ta na na na
tir ta na ra tir kit dum
ta na na na
tir kit dum
tanum
tanum
tanum
kanta dha
kanta dha
kanta dha
kanta dha

[Rhythmic Syllables]

thrik thrik thrik thrik chhum sanan sanan chaayee ghata
thrik thrik thrik thrik chhum sanan sanan chaayee ghata
dhinak dhinak rumjhum bundan barsaayee ghata
dhinak dhinak rumjhum bundan barsaayee ghata
sagan kunj aali gunj sang aali kunj manohar
sagan kunj aali gunj sang aali kunj manohar
madmaati muskaati itlaati rasraati
madmaati muskaati itlaati rasraati
manjul mrid saawak maral
sukapit kapot ke hari lajaati
manjul mrid saawak maral
sukapit kapot ke hari lajaati

ang vasan mrid hasan dasan daamini sihaansini
ang vasan mrid hasan dasan daamini sinhaansini
sab nupur jhankaar chaar
chamak chamak
kantey
kantey
kantey
kanta dha
kanta dha
dha ma ga pa
ni dha ni pa ni dha
ni pa ma ga
ma sa ni dha ni pa
ma ga pa ma s ani sa
sa ga ma pa da ni
sa ga ma pa da ni sa
sa ga ma pa da ni sa
sa ga ma pa da ni sa…aa

[Faster rhythmic syllables]


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6494 Post No. : 20185

‘Sangeet Samrat Tansen’ (1962) was produced by D G Laad and was directed by S N Tripathi. The cast included Bharat Bhushan and Anita Guha in the lead roles supported by Sabita Chatterjee, Kumar, David, D K Sapru, Mukri, Preeti Bala, Prem Sagar, S N Tripathi, Parshuram, Dulari, Radheshyam etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5332 Post No. : 17483

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Blog 10-Year Challenge (2013-2023) – Song No. 27
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On this date ten years back viz on 22 February 2013, six songs from six different movies were covered in the blog. Here are their details:-

Blog post number Song Movie (Year) Remarks
7537 Khushi ka zamaana gaya Chhoti Bhabhi(1950) Movie YIPPEED by now
7538 Ek do teen ho to karoon aitbaar Ek Do Teen (1953) Movie YIPPEED by now
7539 Meri laaj raakho giridhaari Bhaabhi Ki Choodiyaan (1961) Movie YIPPEED by now
7540 Mitwa laut aaye ri Sangeet Samrat Tansen (1962) 11 songs covered out of 14 by now
7541 Uff ye mausam khushnuma Tarzan Ki Mehbooba (1966) One song covered out of 6 by now
7542 Waadiyon mein kho jaayen ham tum Aarambh Aarambh(1976) Movie YIPPEED by now

We can observe that four movies (out of six) whose songs were covered on this date ten years ago have since been YIPPEED in the blog. That leaves us with two movies that are unYIPPEED and therefore eligible for blog Ten Year Challenge today (22 february 2023).
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5035 Post No. : 16945

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Blog 10-Year Challenge (2012-2022) – Song No. 47
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This date ten years ago (1 May 2012) saw six songs from six different movies getting covered in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
5907 Tera haath haath mein aa gaya Hamdard (1953) Movie YIPPEED by now
5908 Sapt suran teen graam Sangeet Samrat Tansen(1962) Ten songs covered out of 14
5909 Saancha naam tera Julie(1975) 3 songs covered out of 5
5910 Ye umar hai kya rangeeli Professor(1962) Movie YIPPEED by now
5911 Evening news Dooriyaan(1979) Movie YIPPEED by now
5912 Chali Radhe raani ankhiyon mein paani Parineeta (1953) Movie YIPPEED by now

One can see that four movies whose songs were covered exactly ten years ago have since been YIPPEED in the blog. That leaves us with only two movies that are eligible for Blog Ten Year challenge today on 1 May 2022.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raag Maalikaa in Hindi Films – 8
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Very recently Atul-ji posted a classical song by Ustad Ameer Khan from Baiju Bawara. He has wonderfully written about the minority of film music listeners, who likes and could appreciate classical music.(I wish I had a small portion of his ability to put forward the ideas like him.) Being in that minority, I am thankful again to Atul-ji to post my classically based offerings, without my asking or making a stir for a quota of reservation for such minorities.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Seven song of the film Sangeet Samrat Tansen (1962) are posted in the blog. This singular Rafi solo is the eighth song to appear. It seems to me that Bharat Bhooshan is in the title role. The song is the creation of lyricist Shailendra and Music Director S N Tripathi. But to elevate this song in a film based on a vocalist life, the onus rest heavily on Rafi Sahab. And the award goes to Mohammed Rafi Sahab. Not lyrical, not musical but a vocal beauty, this one.
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