Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Singer-MD


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film music became people oriented, in the real sense, from Khazanchi-1941. Till then HFM was ,as if, in the clutches of Classical and stage music.

The begining of the Fifth decade of the 20th century was a revolutionary period for Film Industry. Mehboob, Kardar, K.Asif, V.Shantaram, Filmistan etc established their own studios and started producing meaningful cinemas. It also brought a new dimension to film music. This decade showed that Good Music, on its own, can make a film successful at the box-office, irrespective of other factors like cast, plot etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

Here now is the fourth and final song from the film ‘Sannata’. Earlier this year, in June, when I had started posting the songs from this film, I did not realize it will be almost six months by the time all the songs will be posted. Just four songs. June, July, October and now today. Four simply sublime songs that have come from the pen of Gulzar and the baton of Hemant Kumar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Connoisseurs of vintage Hindi film songs while listening to songs like jaao jaao ae mere sadhjo raho guru ke sang and baba man ki aankhen khol, would identify these songs with K C Dey without blinking their eye lids. The name K C Dey and kirtan songs (devotional and philosophical songs) are inseparable. Since he was blind, this genre of songs suited him best when he was also acting and singing in the films. Whenever I listened to his filmy songs, I felt that his voice quality suited well for thumri and ghazals. Little did I know at that time that he was also an accomplished Hindustani classical and bhajan singer with more than one hundred NFS in Hindi, Urdu and Bengali to his credit. I also find from his discography that he had recorded at least four Gujarati devotional songs in 1942.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am reasonably well versed with the profiles of maestro S D Burman and his son R D Burman but not about Meera Burman, wife of S D Burman and mother of R D Burman. I was also curious to know about her life after the untimely death of her only son in January 1994. Apart from keeping a low profile, Meera Burman remained in the background under the shadows of her illustrious husband and son. Contrary to my expectation, I was able to get enough information about her from the archives of newspapers reports, articles and Yahoo discussion forum of R D Burman Fans on the internet. But reading all the these material made me very sad, particularly after knowing that this multi-talented woman had spent the last 13 years of her life in a very pathetic condition.
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“Madhosh” (1974) was produced by Tahir Hussain and directed by Desh Gautam. The movie had Reena Roy, Rakesh Roshan, Mahendra Sandhu, Johny Walker, Helen, Jayshree T, Ravindra Kapoor etc in it. Present day star Aamir Khan is also present in the movie as a child artist.
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“Shabnam” (1964) was a Super Pictures Production. It was produced and directed by Aspi Irani. The movie had Sheikh Mukhtaar, L Vijayalaxmi, Sheikh Mukhthar, Mehmood, Helen, Jeevan, Mukri, Shyam Kumar, Mohan Choti, Jerry, Cukku, Jeevan Kala, Fazal Khan, Uma Dutt, Suresh, Bismilla, Julien, Khurshid Khan, Habib, Ramesh, Juggu, Surender, Mahabal, Tukaram, Gopal, Sinha, Narayan, Mithoo Miyaa, Shiraz, Shanta Kumari, Hiralal(Guest Artist), Moolchand etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of the people other than the die hard connoisseurs of filmy and non-filmy music, may not be aware that Sachin Dev Burman (S D Burman) started his musical career as a singer on All India Radio Calcutta (Kolkatta) in early 30s. During his early period of musical journey, he had sung many Bengali non-filmy songs some of them written by such distinguished personalities like Jasimuddin and Kazi Nazrul Islam. I was pleasantly surprised to know that he had also rendered Hindustani classical thumris like preet mein huye badnaam in concerts at Allahabad and Calcutta.
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