Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘V Balsara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 32
– – – – – – – – – – – – – – – – – – – – – – – – – –

“रहोगे कब तक हमसे दूर

ishq pukaarega tumko aana hi hoga re
aana hi hoga re
aana hi hoga re

Goodness, more than four months now that the previous episode in this series was posted (29th Sep, 2016). Not a record, I must say. There are some other series (by me) (sic) in progress that have been waiting much much longer to be completed. But then, this scenario makes me marvel more and more on how Atul ji is able to pull the progression of this bandwagon, single handedly, day after day after day. I have been excusing myself on account of too much time pressure on my personal side of life. And  then I think, well, my situation is not very unique, and I am sure that there are similar constraints that are present in the lives of everyone else. And thus, I tip my hat to Atul ji, for his tenacity and perseverance. On his shoulders, the bandwagon rolls on and on. . .
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is a Manna Dey NFS.

We have just completed 2 years without the Ace Singer, Manna Dey. He left us on 24-10-2013. He was probably the last of the Golden Age male singers, who started singing in the 40s. I called him an Ace singer and most readers would agree with it too, but Manna Dey never got rated as the No 1, or 2 or 3 or even 4th singer. Every A grade composer agreed that he was a great singer, but no one would call him to sing a song, on a regular basis. Though Manna Dey sang for almost every composer of his times, he was neither a favourite of any Music Director, nor did any top actor insist for him as a playback singer of his choice. So, strangely, while recognition was there, results were not matching !
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Life is short but art and for that matter music is permanent. There is no death of a true art and so is it with music.”

These are the words of one who is known as the ‘Gentleman Musician’ amongst the community of music directors and musicians, both in Bombay and in Calcutta.  Vistas Ardeshir Balsara – a name that is part of a long list of very talented musicians, whose contributions to the making of the film music has been immense.  These musicians, instrumentalists and arrangers, most of whom were  experienced and capable of being music directors in their own right, rarely got to appear in the limelight and be recognized for their work.  V Balsara is one such gifted musicians who did get the opportunity to step out from behind the curtain, and be known for his art.  I am sure all will remember the iconic song “Ae Mere Dil Kahin Aur Chal” (‘Daag’, 1952) in all its flavors.  The piano accordion in this song is played by him.

Remembering V Balsara on the anniversary of his passing away (24th March).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Madmast” (1953) was directed by Jagdish Pant for Sweet Pictures. The movie had Ansari, Nirupa Roy, Shashikala, Shakeela, Sapru, Mukri etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Geeta Dutt was one of the few singers who got a godsend opportunity as a playback singer in Hindi films. The devdoot or farishta (angel) in her case was none other than Pandit Hanuman Prasad, one of the music director of the 40s. While walking on a Mumbai street, he heard a singing voice coming from the balcony of the building above him which attracted his attention. He straightway walked into the room and found a teenage girl singing. She was Geeta Roy as she was known then. He liked her singing so much that he offered her the chance to sing a predominantly chorus song in the film ‘Bhakt Prahlad (1946) in which she had two lines to sing. These two lines from the song attracted the attention of S D Burman who persuaded her parents to let her sing in ‘Do Bhai’ (1947). The iconic song “mera sundar sapna beet gaya” and the box office success of the film signalled the arrival of Geeta Roy as a playback singer. By the end of 40s, she had already attained the status of one of the prominent female playback singers of Hindi films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Many poet-saints were born across India between the 14th to 16th centuries. I recallthe names of a few of them mainly because films were made on their lives. They were Guru Nanak, Sant Kabeer, Sant Gyaneshwar, Sant Tukaram, Narsinh Mehta, Chandidas, Purandara Dasa, Kanaka Dasa, Arunagirinathar, Appiah Dikshitar etc. These saints wrote poems in praise of Gods. Some of them even composed music for their poems. In eastern India, there was a poet-saint Vidyapati Thakur (also known as Maithili Kavi Kokil or simply Vidyapati) who was born in the 15th century in Madhubani, Bihar. He wrote poems in Maithili dialect in praise of Lord Shiva but also wrote love lore on Radha-Krishna in keeping with the popularity of Lord Krishna in this region. Over a period of time, his poems and love lore spread across whole of eastern India. His influence over Bengal was so much that at one point of time, many including me thought that he was a poet-saint belonging to Bengal.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

If one browses through the Hindi films made in the 1940s, it will be observed that there were many lesser known music directors who had tried their luck in Hindi films. My guess is that the number of such lesser known music directors in the 1940s may be a close to 50. Sadly, most of these talented music directors could not sustain their careers for long in the Hindi film industry. This blog has covered songs of many of lesser known music directors of the 40s such as Neenu Majumdar, Shanti Kumar Desai, Shyambabu Pathak, Madhulal Damodar Master, Ramchandra Pal etc. V Balsara was one among such music directors who started his career in Hindi films but could not sustain it for long as a music director. But he changed the track of his career and became a famous instrumentalist, orchestra conductor, a music teacher and the music director of non-filmy songs and a few Bengali films during rest of his life. I became aware of his name in the 1970s mainly for his beautiful compositions of some non-filmy Hindi songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back, one of the readers of this blog commented on the song arree hato kaahe ko jhoothhi banaao batiyaan sung by Manna Dey that he is not a versatile singer. Well, the reader has given his view which we respect in line with ‘pasand apni apni khayal apna apna’. Of course, with such a sweeping statement, there were responses by some of the regulars of this blog. A few examples of songs in support of Manna Dey’s singing versatility were also listed. There is no doubt that Manna Dey is a complete singer. His repository of singing encompasses classical, patriotic, romantic, light comedy, ghazal and more. His versatility goes beyond the different genres of songs. Take for instance the variations in his renditions within the genre of romantic songs of expressing love – tera haath haath mein aa gayaa, roop tumhaaraa aankhon se pi loon, tum jo aao to pyaar aa jaaye and some non-filmy songs like ‘ye awaara raatein ye koyi si baatein’ and ‘ nazaaron mein ho tum khayaalon mein ho tum’.
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