Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Zohrabai Ambalewali


“Elaan” (1947) was one of the major movies of Mehboob Productions and one whose messages are relevant even today. This movie, which was produced and directed by Mehboob Khan had Surendra, Munawwar Sultana, Zebunissa, Agha, Shahnawaz, W. M. Khan, Leela Mishra, Rita, Shaheda, Subhasini, Reehan, Mohammad Afzal etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had never heard of the film SANYASI (1945) until a few months back. The film was produced under the banner of Kardar Productions and directed by A R Kardar. The cast included Shamim Bano, Amar, Shyam Kumar, Ghulam Mohammed. I checked the available songs on internet and found to my surprise that there were 10 songs in this film out of which 7 songs were sung by Zohrabai Ambalewali (both solo and duets). These songs were written by Pandit Madhur and set to music by Naushad. Other than these, I am not able to get other details about this film such as genre and box office success or otherwise of the film.
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“Shamaa” (1946) is a movie about which very little information is available and digging up information about this movie is a time consuming process. And irritatingly, the little information that turns up is incorrect as well. So I decided to dig up my own comments from the two earlier songs of this movie that I had discussed in the past. From those comments, I see that this movie has Mehtab and Rehana in this movie.
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This song is a long pending farmaish for this blog. This song is “Haseenon ki adaayen”, aka “haan ye bholi soorat waale” from “Chaar Din” (1949). This song has been giving me lots of troubles. For one, this song has not one , but two parts. And secondly, each of the part is supposed to have three singers each and as per credits, only one singer is repeated in the other part of the song. But I can clearly notice that these parts have more than three singers singing in them. Moreover, more than one common voice can be heard in both the versions.
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In my teen and pre teen days, I was a cricket enthusiast. In addition to doing the usual thing line playing it and listening to its radio commentary, I was also into maintaining cricket records. Personal computers were obviously not invented them, and I kept my records manually on registers. I had several thick registers with me, and the scores of all test matches played til them was available with me, and I had collected all these records by painstakingly culling records from many publications. When a new test match began (that was the only form of international cricket back then), I already knew what record was likely to get made in that match. Those were the days when centuries, especially centuries by Indian cricketers were rare. Also, hitting sixes was a rare phenomenon. One Indian player called Salim Durrani had hit a six sometime in 1972 and based on that one six, he was touted in Indian magazines as Mr Sixer.

These days, I no longer maintain cricket records. We already have such records being maintained by professional cricket sites. But I find that these days I am maintaining similar records for Hindi movie songs that I am discussing. And the suggestion for maintaining these song statistics came from Raja, who also grew up with similar passion for cricket and Hindi movies in a neighbouring state in the eastern parts of the country those days.
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I am aware of a movie called “Shamaa”(1961) that had music by Ghulam Mohammad. Now it turns out that there is another movie by the same name that was released in 1946 and it had music by Ghulam Haider. I other words, both these movies with similar names have music by similarly named music directors as well.
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