Nazar phero na ham se
Posted September 9, 2011
on:“Deedaar” (1951) is a movie that was directed by Nitin Bose. This movie had a formidable star cast consisting of Ashok Kumar, Dilip Kumar, Nargis, Nimmi etc.
This movie had lots and lots of great songs in it. Rafi, who idolised G M Durrani got an opportunity to sing in the same movie as his idol.
Here is a song from this movie which is sung by G M Durrani and Shamshad Begam. Shakeel Badayuni is the lyricist. Music is composed by Naushad.
Lyrics of this song were sent to me by nahm.
I have provided audio as well as video link of the movie. The video link is quite unclear and I have been unable to identify the actors on whom this song is picturised. I request our knowledgeable readers to throw more light on this matter.
Audio
Video
Song-Nazar phero na ham se (Deedaar) (1951) Singer-G M Durrani, Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Naushad
Lyrics(Provided by nahm)
nazar phero na ham se
ham hain tum par
marne waalon mein
nazar phero na ham se
nazar phero na ham se
ham hain tum par marne waalon mein
hamaara naam bhi likh do
mohabbat karne waalon mein
mohabbat karne waalon mein
jahaan nazren mileen
bolen ke ham hain
marne waalon mein
jahaan nazrein mileen
bolen
jahaan nazrein mileen
bolen ke ham hain
marne waalon mein
banaawat hi banaawat hai
mohabbat karne waalon mein
mohabbat karne waalon mein
ho ho
ooo
tumhaari shokhiyon ko
dil meraa
nakaam kar degaa
ho oooo
sunaa kar pyaar ke naghme
tumhen badnaam kar degaa
haan aaaan
aji ye dil
nahin chhip chhip ke
aahen bharne waalon mein
hamaara naam bhi likh do
mohabbat karne waalon mein
mohabbat karne waalon mein
wohi dil hai jo ik
duniyaa mein apnaa naam kar jaaye
mohabbat kyaa karegaa wo
jo badnaami se dar jaaye
haan aaaan
nahin ham aap ki
in dhamkiyon se darne waalon mein
banaawat hi banaawat hai
mohabbat karne waalon mein
mohabbat karne waalon mein
September 9, 2011 at 11:17 am
The song is picturized on Ashok Kumar & Nargis. The faces are more clear if the screen is enlarged on Youtube. It is a bit dark, but i was able to recognise them from the first frame.
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