Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for May 2012


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the ‘forgotten’ music directors of the golden era, Snehal Bhatkar is remembered for his immortal song kabhi tanhaayion mein yoon hamaari yaad aayegi. In my case, I remember him for an additional reason. Somehow I felt that he had an unique personality. I am not a face reader 🙂 but when I saw Snehal Bhatkar for the first time on TV some time in 90s (on one of the Marathi channels) he appeared to be to be a self contented man. He was in the TV programme to witness the renditions of some of his popular filmy and non-filmy songs by some young and budding singers. Sitting in the front row with his trade mark white Gandhi cap, he was enjoying the rendition of his songs without any nostalgic reactions on his face. Whenever I see his photographs – old as well as new ones, I get the same impression of a contented man.
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Today (28th may), which happens to be the birthday of music director Vinod gives me a good reason to discuss a few songs composed by him. Vinod, whose real name was Eric Robert was born on 28th may 1922 at Lahore. He came to Bombay in late 1940s alongwith Roop K Shorey. Vinod composed music in about 32 Hindi movies and a few Punjabi movies. He was one of the pioneers of Hindi movie music during its formative years. He was one of those who used western music as well as Hinglish lyrics in his compositions at a time when such compositions were not quite in vogue.
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“Mukhda” (1951) is an obscure movie by now. It was a Shorey Pictures presentation. It was produced and directed by Roop K Shorey. The movie had Satish, Kuldip Kaur, Majnu, Neeta, Siddiqui, Kukku etc in it. I am surprised to note that the name of Meena Shorey, the wife of Roop K Shorey does not figure in the list of actors. The list of actors in the starcast could well be only partial.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

Many have sung Meera bhajans – from classical greats like M.S. Subbulakshmi to Bollywood greats such as Lata Mangeshkar … and so many in between – and to their credit. But for me, Juthika Roy’s vocals and expression seem to be made for Meera bhajans. Her Meera numbers touch even my atheist heart! Juthika Roy’s private numbers are galore, but she seems to have sang for only three movies: Lalkar (1944) under the baton of C Ramchandra, Ratnadeep (1952) under Robin Chatterjee (Hindi and Bangla versions) and the Bangla movie Dhooli (1954) under Ranjan Sarkar.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

My all-time favourite Lata-Kishore duet is from the Famina Production’s Fareb (1953) ” Aa, mohabbat ki basti basaayenge hum”, in which the duo are at their soulful best in expressing the pangs of separation of the two lovers, so poignantly captured in Majrooh Sultanpuri’s breath-taking imagery “dekh dharti se aakaash hai kitni door!”
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