Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for November 2012


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Laughter is a symbol of happy mood or joy. It is an important segment of ‘NAVRASAS’ as HASYA. Even the original writer Bharatmuni has described Hasya as an important element of Navaras, in his Natyashastra. That is why , probably, that many kings and Rajahs used to appoint a court Jester or Vidushak, who would ease the tension in the court by causing mirth.
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Today (6 november) is the 27th death anniversary of Sanjeev Kumar. When most of his contemporary actors were content to get typedcast in certain kinds of roles and would spend their entire career playing the same kinds of role, Sanjeev Kumar would play just about any kind of character that he was offered. While signing up movies, he did not worry about the impact of that role on his star value. To worry about one’s stardom was for lesser actors, not for Sanjeev Kumar , who could play roles that most heroes would summarily reject. Sanjeev Kumar played roles of deaf and dumb (Koshish), pimp (Manoranjan), Old man (in several movies), mad (Khilona) etc. His star value remained undiminished, no matter what kind of roles he played in his movies.
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We in this blog have discussed lots and lots of songs picturised on Shammi Kapoor. I eagerly look forward to the day when all available songs picturised on Shammi Kapoor will be available in this blog. I have not counted such songs, but I am sure we may already have at least half of all such songs in the blog.
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“Ek Phool Do Maali” (1969) was a Goel Cine Corporation Movie. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Sadhna, Balraj Sahni, Bobby, Manorama, Shyam Kumar, Brahmachari, Brahm Bharadwaj, Praveen Paul, Abu Baker, David Abraham, Durga Khote, Shabnam etc in it.
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“Baadal” (1966) was a Super Pictures Production. It was produced and directed by Aspi Irani. The movie had Sheikh Mukthar,L Vijayalaxmi, Sanjeev Kumar, Helen, Kamal Mehra, Hira Lal, Shammi Aunty, Ratnamala, Niroo, Fazal Khan, Prem, Bob, Ali Razak etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is interesting to note the striking similarities in the musical career of S D Burman and Hemant Kumar though the latter was 14 years younger than the former. Both started their musical careers as singers in the 30s followed by composing many non-filmy Bengali and Hindi songs in Calcutta (Kolkatta). Both started their Hindi filmy careers as music directors under the banner of Filmistan – S D Burman in Shikhar (1946) and Hemant Kumar in ‘Anand Math’ (1952).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The era of silent films in India started in 1913, when 2 films were made-Raja Harishchandra and Mohini Bhasmasur. One would think that this must have started a spate of Silent films, but surprisingly, in 1914, 1915 and 1916 only 1 Silent Film each was produced. From 1916 it started with 5 films till 1931, when the age of Talkies arrived with Alam Ara.
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“Rangoli” (1962) was an R S B Films Production. It was directed by Amar Kumar. the movie had Kishore Kumar, Vyjyantimala, N. Hussain, Jagdev, Sadhana (not the famous one), Jeevan, Ulhas, Sulochana, Khurshid, Durga Khote, Iftekhar, Dhumal etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of the people other than the die hard connoisseurs of filmy and non-filmy music, may not be aware that Sachin Dev Burman (S D Burman) started his musical career as a singer on All India Radio Calcutta (Kolkatta) in early 30s. During his early period of musical journey, he had sung many Bengali non-filmy songs some of them written by such distinguished personalities like Jasimuddin and Kazi Nazrul Islam. I was pleasantly surprised to know that he had also rendered Hindustani classical thumris like preet mein huye badnaam in concerts at Allahabad and Calcutta.
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