Archive for 2012
Ye umar hai kyaa rangeeli
Posted on: May 1, 2012
- In: Asha Bhonsle songs | Feelings of heart | Lyrics by Prakashchandra | Lyrics contributed by readers | Manna Dey songs | Shammi Kapoor songs | Shammi Kapoor songs by Manna Dey | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1962 | Usha Mangeshkar songs | Yearwise breakup of songs
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Among all the regulars of this blog who discuss songs from Hindi movies, I may be the one who has seen the least number of movies, especially during one’s best movie watching days (viz during 8-12 years of age) :).
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Saanchaa naam teraa
Posted on: May 1, 2012
Achala Sachdev (born 3 may 1920- died 30 april 2012) died yesterday. She was 91 and she was three days short of completing 92 years. She started her film career at a young age, as a child actor in fact, but it is as a filmy mother that she is remembered the most.
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Sapt suran teen graam
Posted on: May 1, 2012
“Sangeet Samrat Tansen” (1962) was a movie based on Tansen’s tale. A movie on this topic was already made two decades ago where K L Saigal had played the title role.
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Tera haathh haathh mein aa gayaa
Posted on: May 1, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today, May 1st, is the 93rd birthday of one of the icons among the playback singers who has enthralled the listeners of both filmy and non-filmy songs with his versatile singing for over five decades. He is Prabodh Chandra Dey, popularly known as Manna Dey. We are fortunate that Manna Dey is with us to remain a source of inspiration for budding singers.
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Falak bola zameen boli
Posted on: April 30, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Earlier today, in another post I had mulled over the decline of films with mythological themes. Extending that concern further, I would also include the theme of Muslim religious and social films, which seem to be on the decline. Once again, in the 90s and later, I cannot really recall any significant film based on Islamic social and religious values.
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Dar pe aaye hain qasam le
Posted on: April 30, 2012
Though I have not watched “Love In Shimla” (1960) but I have gained enough information about the movie by watching the picturisation of various songs of the movie and by going through the comments of readers who have clearly watched the movie. 🙂
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Banda parwar thhaam lo jigar
Posted on: April 30, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As I see in the “some stats” page, Lyricist poet Majrooh Sultanpuri has 525 songs in the blog, which is the highest so far for a lyricist in the blog. The word “Majrooh” could not have been his real name. It is the “takkhallus” (Pen name) of the poet. “Majrooh” means injured/pained or a someone broken hearted and in pain. Others may have a different view of this words meaning, but I hate to go to online dictionaries to find meanings of urdu words. I would rather go by the feel.
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Main jaan gayi tujhe sainyya
Posted on: April 30, 2012
“Howrah Bridge” (1958) was a suspense movie which was produced and directed by Shakti Samanta under his banner of Shri Shakti Films Production. The movie had Ashok Kumar, Madhubala, K N Singh, Kammo, Sunder, Salien Bose, Krishnakant, Helen, Dhumal, Madan Puri, Bhagwan Sinha, Kundan, Om Prakash etc in it.
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Mehandi lagi thhi mere haath
Posted on: April 30, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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