Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for February 2013


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Baahren phir bhi aayengi” (1966) is a film now remembered as the last production of Guru Dutt and some of the beautiful songs like Aapke haseen rukh pe aaj bada noor hai . I have found this nice duet from the film sung by Mohammed Rafi and Asha Bhosle. The music of this film is as can be guessed from the composition is by O. P. Nayyar. And the lyricist is Shevan Rizvi.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film industry has given rise to several controversies, some of them are settled, some are forever a question mark and some controversies come up again and again with the slightest of provocation. The worst thing in a controversy is that even if statements of clarification are given by the concerned people involved with it, it is viewed with suspicion of a personal bias.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Now it is finally the time for this song. This is waiting in the sidelines for almost two years now. I sent the lyrics for this song long back. And as I do usually, I had been waiting patiently for this song to be be posted.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are singing voices. Then there are voices that sing. And then there is SD Burman – affectionately Sachin Da, or just plain Dada, to most people in the industry, a voice that stands apart from everyone else.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pandit Narendra Sharma came to the film industry after having excelled in the field of academics and Hindi Literature as an author, teacher, editor and publisher. His songs have a simplicity, yet they are woven with such chaste choice of words from Hindi language. Listening to his poetry and his writings from films is like a shower of fresh flowers – soft, fragrant and very pleasing to the heart and mind. The sounds of “Yashomati Maiyyaa Se Bole Nandlala”, (‘Satyam, Shivam, Sundaram’, 1978) or “Bhanwre Ne Khilaaya Phool Phool Ko Le Gayaa Raaj Kunwar” (‘Prem, Rog’, 1982), or “Tum Aasha Vishwaas Hamaare” (‘Subah’, 1982) are very endearing to the heart. And even before, looking at the earlier decades, the songs like “Mann More Huaa Matwaala” in the voice of Suraiyya from the film ‘Afsar’ (1950), and “Kahaan Udd Chalen Hain Mann Praan Mere” from the film ‘Bhaabhi Ki Choodiyaan’ (1961) come from his pen.
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