Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for April 2014


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There was a movie called “Amar Kahaani” (1949) and then there was another movie called “Kanchan” (1955). Both these movies were directed by Baij Sharma under Kamal Kunj Chitra and the star cast consisted of Jairaj, Suraiya, Mehta, Ranjana etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaamini” was an unreleased movie whose songs were recorded in late 1940s. There are sites that mention this movie as belonging to 1950s by mentioning it as “Kaamini” (195X).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Before the advent of cinemas in India, Parsi theatres played the role of a catalyst for transmitting social, historical, political and religious messages to the people at large. The owners of theatres were rich and educated Parsis. Alfred Theatrical Company of Bombay (Mumbai) and Madan Theatres Ltd. in Calcutta (Kolkata) were two of the prominent theatre companies. With the successful staging of some of the plays by these two theatre companies, the audience from all the strata of the society and of different religious background started patronising the plays. The themes of the plays were diversified to cater the needs of the audience. With this, the theatre companies were always looking for play writers and stage actors.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Badalte Huye Saathi (Episode 10th)(Mukesh sings with Lata Mangeshkar)
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I am of the firm opinion that sad songs are best sung by 1) Mukesh 2) Talat and 3) Hemant Kumar. Though I like Mohd. Rafi very much, he is not among the first 3 names for sad songs in my list. The pathos one finds in the voice of Mukesh in unmatched !
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A very special song for Mohammad Rafi fans. This is what is real effortless singing. He makes it sound as if it is his ‘baayen haathh ka khel’. And it was his forte to seamlessly go from one mood to another, go from light, comic mode to qawwali, sounding quite serious and melodious and switch to western style, all in the space of less than a minute. If what I say does not make sense, than one can only listen to this song and confirm. What range and what smoothness of voice and diction. And adding the punjabi tadka too in a spoken line towards the end of the song.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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“Genius of Jaidev”
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‘Footpath’ was a film under production and direction by Amol Palekar, but for unknown reasons was shelved and never saw the light of the day. The film’s music was entrusted to music director Jaidev and had lyrics by Naqsh Layalpuri.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaahi Farmaan” (1961) was directed by K Anand for Shriwatan Talkies. The movie had Krishna Kumari, Kamran, Habib, Bazid Khan, Uma Dutt, Azim etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A young sarangiya (sarangi player) from Lahore becomes the sarangi accompanist to some of the female singers such as Inayatbai, Hirabai, Akhtaribai (Begum Akhtar) etc in their concerts in the late 1920s for a living. In such concerts, he also sings thumris composed by his uncle as fillers during breaks.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Resham”(1952) was directed by Lekhraj Bhakri for Jubilee pictures. The movie had Jairaj, Suraiya, Sapru, Naaz, Achla Sachdev, Khurshid, Ramesh Thakur, Jagdish, Sundar etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Badalte Huye Saathi (Epiosde No. 9) ( Shamshad Begum sings with Mukesh)
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To be a multi-lingual person is good. Knowing more languages-not just knowing, but speaking many languages has its own advantages. I had the built in advantage of having been born in a Multi-lingual state of Hyderabad. Starting with Urdu, I soon learnt Marathi(Mother tongue), Hyderabadi and Pure Hindi, Telugu and Kannada. Because of my father, I learnt Sanskrit, but could not master it, though I am well conversant in it. After coming to Bombay,I learnt Gujarati so well that I can read Gujarati papers, books and E Mails etc.
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