Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Bhaiyya bhaiyya bhaiyya aao aao Mohan bhaiyya

Posted on: February 20, 2021

This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in If this article appears in other sites without the knowledge and consent of the web administrator of, then it is piracy of the copyright content of and is a punishable offence under the existing laws.

This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in If this article appears in other sites without the knowledge and consent of the web administrator of, then it is piracy of the copyright content of and is a punishable offence under the existing laws.

Today’s song is from a totally obscure and unknown film – Draupadi-1944. It was a Mythological story set in Mahabharat times, underlining the ills of Gambling. This film was made by Baburao Pendharkar, under his own banner- New Huns Pictures Ltd. Bombay (Huns Pictures was owned by Master Vinayak. After it closed down, this was floated.) The first film of this banner was Nagad Narayan-1943 and after this second film, the company was closed.

The director was Baburao Patel and the film’s story, dialogues and screenplay was written by its Heroine Susheela Rani herself. 9 songs- all sung by Susheela Rani, were composed by Pt. Hanuman Prasad. Pt. Indra wrote the lyrics. The cast of the film was Susheela Rani, Badri Prasad, Mazhar Khan, Chandra Mohan, Anant marathe, Surekha, Kanhaiyalal,Leela Mishra and a host of small artistes.

Cut to 11-2-2014 Evening, Bandra-Mumbai

On this day, there was a function in a Hall, to release the book ” Sagar Movietone”, written by shri Biren kothari ji. The chief guest was Amir khan. I was invited to this function. Since I knew Biren ji earlier, I went to this function. Many stars like Amir khan, Anil kapoor, Vidhu Vinod Chopra and others from the film world had come. Among the honourable guests was a 95 year old singer/dancer/actress of yesteryears- Susheela rani was also present.I had an opportunity to meet her and spend about 15 minutes talking to her about our Blog and the ” History Recording Work” that we do here. She looked appropriately impressed. During that function, I also met Urvish kothari, Chandrashekhar Vaidya, Shishir krishna Sharma and also Nalin Shah for the first time.(He was of course with his trade mark white Fur Cap – a la V.Shantaram style). It was a memorable function, in which I added one more celebrity of films in my list having met so far. Sadly, within 6 months of this function, Susheela Rani left this world.

Susheela Rani was one of the very few highly educated film personalities in that era. More than a singer actress, she was first into film journalism and later into teaching music and dance for the rest of her life.

Sushila Rani Patel (1918–2014) was a classical singer, actress, vocalist, Lawyer, and journalist. She established Shiv Sangeetanjali, a school for classical music. She was born on 20-10-1918 at Madras. Her father- Madhav Rao Tombat, a Chitrapur Saraswat Brahmin from Karwar – was an advocate in Madras High Court. She did her M.A. and came to Bombay to become a journalist. Here she met Baburao Patel through a friend. He offered her a Sub Editor’s post in his Film India magazine.

In those days, Baburao Patel was involved with actress Padma Devi. When Susheela Rani became close to Baburao, she slowly ensured that Padma Devi made an exit from Baburao’s life.

Sushila Rani Patel began her singing career in 1942 when she signed a recording contract with HMV music company. In the early years of her career, she was helped by Baburao Patel. In 1944 she acted in film Draupadi and in 1946 in film Gwalan, playing the lead actor and singer. Both films fared poorly at the box-office. They were directed by Baburao Patel whom she later married.

Continuing with her singing career, Rani trained with renowned classical singers like Mogubai Kurdikar and later with Sundarabai Jadhav. In 1961 Rani and her husband Baburao Patel set up Shiv Sangeetanjali, a school for classical music. It was established to encourage classical music and also discover new talent. Some of her students were Pradeep Barot, Ronu Majumdar, Sadanand Nayampilli, Dhanashree Pandit Rai and Nityanand Haldipur. Shiv Sangeetanjali was later amalgamated into the Sushilarani Baburao Patel Trust.

Rani and her husband also ran a film business-related magazine called Filmindia, later to evolve into the more political Mother India. Rani and Baburao Patel wrote under the pseudonyms “Judas” and “Hyacinth”. Their column was called Bombay Calling. Almost the entire content of the magazine was produced by them. Rani would personally conduct interviews with film personalities. She was close to actress Madhubala, who had started acting at a young age, and taught her to speak, read, and write English. At the age of 45 years, Susheela Rani did her LL.B. and LL.M. from Bombay University and registered her name as a Lawyer in the High Court.

After Baburao’s death in 1982, she managed the magazine till 1985 and then it was closed.

In her later years, Rani was involved in a property dispute with the children and grandchildren of her late husband’s second wife over the ownership of their House. Rani continued to run her classical music school until her death on 24-7- 2014 at the age of 96.

Rani received the Maharashtra Rajya Sanskrutik Puraskar, and in 2002 the Sangeet Natak Akademi award. (Partly based on information from wiki, with thanks and my own notes.)

When you talk of Susheela Rani, you can’t ignore Baburao Patel. She was his third wife. Contrary to his wife, Baburao had not even passed his matriculation, but he was a highly learned man in various subjects on his own efforts. The name of Baburao Patel is known to every old film lover, but as a political commentator and a Member of Parliament, he is known to others. From the mid 30s to the 80s he was a name synonymous with daredevil journalism, superb quality English writing and an active Lifestyle. Add to it several marriages and countless children by legitimate and otherwise relationships.

Baburao Pandurang Patil ( he mas a ‘ Marathi Manoos’ and not a Gujarati) was born on 4-4-1904 ( a strange confluence of numbers, the total of all these digits also add up to prime number 4 only), in Masvan village, about 100 kms from Bombay, in Palghar district, in a Vanzara ( Banjara) community. When he was 4 year old, mother died, father remarried and family shifted to Bombay. He was put in an English school. However he did not complete his Matriculation. Lack of formal education always pinched him in life and he always respected highly educated people. He compensated by avidly reading books on Philosophy, Religion, Politics and Medicine. This gave him excellent command over spoken and written English language.

After doing many petty jobs. He joined ” Cinema Samachar ‘ a film magazine in Hindi, English and Urdu languages, in 1926. He never knew when he entered the Film world becoming a script writer and a director. He established his own banner ‘ Gandharva Cinetone ‘ and made 5 films as a Director- Kismat-31 (silent film), Sati Mahananda-33, Maharani-34, Baala Joban-34 and Pardesi Sainya-35. Later in life, he directed 2 more films- with (future wife) Susheela Rani Patel as Heroine- Draupadi-44 and Gwalan-46.

He joined D.N.Parkar, who owned New Jack printing press and who was publishing a house magazine ” Prabhat” for Prabhat films. He started his magazine ‘ FILM INDIA’ in April 1935, at a price of 4 annas(annual 3 rupees). From the first issue, it was printed on high quality art paper. The first issue featured a hand painting of actress and Novelist Nalini Tarkhud, from film Chandrasena, on the cover. There were many ads in the magazine, which promised “honest journalism and constructive criticism”, though in later issues his criticism was incisive, insulting and quite daring. The cine industry feared his reviews, but readers adored him.

In all this, Baburao’s surname became Patel instead of Patil. He continued with it. He hurt many of his fellow filmmakers and actors. In one case, Shanta Apte is on record having gone to his office and beaten him with a whip, for his defamatory and derogatory remarks in the magazine. Khwaja Ahmed Abbas joined him and looked after the magazine when Baburao went abroad.

Baburao married 3 times.First marriage was when he was studying. The second was with Shirin and the third was with his ex-secretary Sushila Rani Tombat- a konkani good looking singer and dancer.

Sidharth Bhatia has written a book on ” The Patels of Filmindia”. Noted author Manto also wrote extensively on Baburao. Bhatia says, ‘ Baburao had an eloquence and power of writing. He had a sharp humour,often barbed. There was a tough guy assertiveness with his venomous pen.” Baburao called Kalpana Kartik ” Pigeon busted”, Suraiya- ” Ugly’, and Dev Anand ” effeminate”. Meena kumari was ” like an inverted shuttlecock”.

His magazine celebrated 50 years in 1985. Baburao became an MP from M.P. in 1967 for Jansangh. One good quality of Baburao was that he was very kind to the poor and helpless people. Baburao Patel died on 4-9-1982.

Film Draupadi was a failure, but undeterred, Baburao Patel tried one more time to make Susheela Rani a successful actress, by featuring her in a social film Gvalan-1946. This time he chose well known artistes. She sang 8 out of 10 songs in the film. Alas ! This film also flopped. Good sense prevailed and no more attempts were made again towards this goal !

Susheela Rani was a good singer and I find her songs of Draupadi and Gwalan very good. However that alone was not enough for her films. Let us enjoy this song today.

Song-Bhaiya bhaiyya bhaiyya aao aao Mohan Bhaiyya (Draupadi)(1944) Singer- Susheela Rani, Lyricist-Pt.Indra, MD- Hanuman Prasad


Bhaiyya aa
bhaiyya aa
aao aao mohan bhaiyya aa aa
aao krishn kanhaiyya aa aa
aao aao mohan bhaiyya

bhari sabha girdhaari
jaaye laaj hamaari
kit gaye ho krishhn kanhaiyya aa aa

tum ne kahaan thha aaungaa
poojan ??unga
tum ne kahaan thha aaungaa
poojan ??unga
prabhu kahaan chhupe ho khevaiyyaa aa
bhaiyya aa

aao aao mohan bhaiyya
bas hai itni vinti karni
aa dekh meri bikhri veni
aa dekh meri bikhri veni
sharmaa re
sharmaa re bansi bajaiyya aa
bhaiyya aa

ab ant ghadi hai aayi re
ab ant ghadi hai aayi re
ansuvan ki ?? laayi re
ansuvan ki ?? laayi re
tohe bahan pukaare hai bhaiyya aa
bhaiyya aa
bhaiyya aa
tohe bahan pukaare hai bhaiyya aa

6 Responses to "Bhaiyya bhaiyya bhaiyya aao aao Mohan bhaiyya"

Arun Ji,
Thanks for the post with details about Baburao Patel & Sushila Rani Patel. All I knew, till now, is that Babu Rao Patel published and edited Filmindia ( I have in the past browsed thru some issues and read scathing film reviews), and that Sushila Rani apart from being his wife and editorial help was a classical singer. Your post added many more notable aspects of their life and their accomplishments.


Satish ji,


Thanks Arun ji, for providing information about Sushila Rani, I remember her face , I remember her pictures in Weekly Film Paper SCREEN, in verious musical programmes


Thanks, Prakash ji.


Dear Arun ji,

Thanks a ton for detailed information on Sushila Rani & Baburao Patel, your posts read like interesting History book…..

Warm Regards,



Umesh ji,
Thanks for your kind words.


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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