Khushiyaan manaao aaj deepak jalaao aaj
Posted on: December 29, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Today’s song is from the film Raja Harishchandra-1952.
The story of Raja Harishchandra is prominent in Hindu culture for being a Satyawadi king, who made big sacrifices to stand by his word given to a sage, though in a dream. Most people in the age group of 50 and above possibly must have read his story in their childhood. This was not only a popular story for children but even the Hindi film makers loved this story.
The very first silent feature film made in 1913 by Dadasaheb Phalke was on this story. From 1913 onwards there were 5 silent films made on this story, in the years 1913, 1917,1924, 1928 and 1929. After the Talkie films started, in the first year itself, i.e. in 1931, there were 2 films made on this story. The first was Harishchandra-1931 made in Bombay by Krishnatone film co. and the other was Satyawadi Raja Harishchandra-1931 made in Calcutta by Madan Theatres. Following is the list of films on this story….
1931- Harishchandra
1931- Satyawadi Raja Harishchandra
1932- Ayodhya ka Raja ( Hindi version of the First Marathi Talkie ” Ayodhyecha Raja”, by Prabhat Films )
1952- Raja Harishchandra
1958- Harishchandra
1963- Harishchandra-Taramati
1970- Harishchandra Taramati
1979- Raja Harishchandra
These are Hindi films. There were several films in Regional languages too. In the last 30 years or so, I am not aware of any mythological or religious films made in Hindi – though regional languages keep on making such films. Perhaps Hindi filmmakers have become too ‘ Secular’ to make religious films !
Film Raja Harishchandra-1952 was made by Trivedi productions, owned by Chimanlal Trivedi. He was a producer of a different kind. He founded many production houses, starting with the famous CIRCO Productions – which was sold to A.R.Kardar in 1942 to make his own Kardar studio. Kardar was a paid director in this company.
Chimanlal Trivedi, was one of the major filmmakers of the 30s and the 40s decade. He was more a Producer businessman than a Director. While he directed hardly 7 films, he produced close to 50 films- all having A grade actors, directors and composers !
Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving Master in Calcutta. Fond of writing, he started writing Dramas, which were staged in Bengal and Gujarat. He was attracted towards Cinema and tried some work in New Theatres. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film Chevrolet-36 and Danger Signal-37 for Mohan pictures.
He established his own production company CIRCO (Cine Industries Recording COmpany) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for Laxmi-40, Anuradha-40 and Vanmala-41, Balwant Bhatt for Suhag-40 and Madhusudan-41, A R Kardar for Swami-41 and Nai Duniya-42 and Debki Bose for Apna Ghar-42.
He had the art of getting the most popular stars for his films like, Prithviraj kapoor, Chandramohan, Durga Khote,Mazhar khan, Bibbo,Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis,Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose,Nitin Bose, Kardar,Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal,Profull Roy, Sudhir Sen, R S Chaudhary, Phani Mujumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs.1000 pm, and also Chandramohan, Pagnis and Mazhar khan. His friend Chandulal Shah followed his way and brought K L Saigal from New Theatres !
C L Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made mera Gaon, Sharafat, Bhagya Laxmi, Kadambari, Tamanna, Inkaar, Mohabbat,Miss Devi etc. In 1951, it was Supreme Pictures, Trivedi Productions was in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top Composers like Timir Baran, Ashok Ghosh, Rafiq Gaznavi, K C Dey, Saraswati Devi,Husnlal-Bhagatram and Naushad gave music to his films.
In the end, he turned to Stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other National leaders. His wife Kantaben was a Leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.
It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai,Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with CH ( ? ) !
My today’s post will be my last post in this year – 2021. I have written 121 posts in this year, from January 2021 till this one. This is much faster than my 95 posts written in 2020. I had reached my Landmark post no. 1000 on 18-8-2021. Forget the number of posts I write, the sheer joy I get in writing about old films and music can not be measured. The credit for my writing goes to ATUL ji and our readers of this Blog. This Blog has achieved an unique position in the Blogosphere for its consistency, accuracy, credibility and variety of information available – unrestricted to any and everyone interested in old films and music. It is a matter of Pride for us to be one of the contributors here. Thank you, ATUL ji.
Most of us who had read the story of Raja Harishchandra in our childhood may not be remembering it fully now. So, here is the story of the film Raja Harishchandra-1952….
Truth alone shall succeed in the end. For, Truth alone can keep the world stable. From times immemorial, torch-bearers of Truth have blazed the trail of human progress. Such one was Harishchandra, the King of Ayodhya. . Child Harischandra flowered into a handsome youth on the bough of royal luxury. The young heart fell for Princess Taramati of Mithila. Every full moon saw the young hunter Harischandra making his way to the forest to meet his love, Taramati.
On one such occasion, the lovers lost their track in the darkness of the heavy bursting clouds and wandered to the ashram of a blind Brahmin sage Sachchidanand, who gave them shelter for the night. Next morning came the time to take leave; but Harishchandra could not feel like leaving the ashram until he knew his future from the lips Sachchidanand, the miracle of whose astrological powers, he was fortunate to see. Sachinanand tried to dissuade Harishchandra from his thoughts but Harishchandra insisted upon knowing his future. Helpless Sachidanand had to foretell what lay in store in the future of Harishchandra. . “The married life of Harishchandra and Taramati shall be a hard one”. What a rude shock to the great lovers.
Harishchandra did his utmost to persuade Taramati away from her decision of marrying him. But how could Taramati be happy without Harishchandra? So Harishchandra and Taramati were married. The father of Harishchandra refused to believe in the words of Sachchidananad and put him behind the bars. . Destiny has its way with human beings. In spite of everything, Harishchandra could not find peace with himself. The shadows of the coming events made him restless. The words of Sachchidanad started taking shape. This development was too much for the old father of Harishchandra to bear. He broke down under its weight and died a miserable man.
This completely unnerved Harishchandra and took him to the feet of Sachchidanand seeking his advice in saving himself and his family from ruination. . Sachchidanad impressed upon him the greatness of Honesty and Karma, and asked him to practice Truth.
When Harishchandra accepted and started practicing the doctrine of Truth, Indra, the King of Gods, was greatly shocked. For, a mere human being like Harishchandra had started on his path to Godliness by practicing Truth and might one day unseat the Gods! . Sensing this great danger, Vishwamitra decided to put Harishchandra on severe trials, with a view of forcing him to commit breaches in his practice of Truth. He thought of the most ruthless snares to catch Harishchandra unawares. Next day he went to the king and asked him to donate all his kingdom, which the king had promised him in the sage’s dream. Satyavadi Harishchandra donates the kingdom, sells his wife and son to a Brahman and self to a guard of Shamshan, in order to collect Dakshina amount.
After a few days,his son dies of snake bite,but there is no money to pay tax for cremation. Taramati sells her Mangalsutra and pays to Harishchandra, the Shamshan Guard to cremate their son. Seeing all this, the Gods descend and make his son alive,return all his kingdom and give the family a place in Heaven. Thus Truth alone triumphs.
The cast of the film was Sumitra Devi, Prem Adeeb, Gope, Lalita pawar, Tiwari, Kammo and many others.Film’s 6 songs were written by Bharat vyas, Ramesh Gupta, Gulshan and qamar Jalalabadi and the music was by Husnlal-Bhagatram. 5 songs of this film were already discussed. Today’s song is the 6th and final song here, making the film an ” YIPPEE” film.
Here is wishing our readers a very Happy and prosperous New Year – 2022 !
Song- Khushiyan manaao aaj deepak jalaao aaj(Raja Harishchandra)(1952) Singers- Sulochana Kadam, Satish Batra, Lyricist- Not known, MD- Husnlal Bhagatram
Lyrics
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
o o o o
o o o o
suno suno suno saajna tumhen sikhaaun naachna
suno suno suno saajna tumhen sikhaaun naachna
aaj naache mora ang ang re
aaj naache mora ang ang re
naacho naacho chham chhama chham chham chhama chham
naacho naacho chham chhama chham chham chhama chham
jhoom jhoom gaao aaj masti lutaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
sajan ke
saajan ke sang sang naacho sajaniya
o o o o
o o o o
o o o o
dekho dekho dekho saanwri huyi khushi se baawri
dekho dekho dekho saanwri huyi khushi se baawri
man bhi naache paayal ke sang re
man bhi naache paayal ke sang re
khelo khelo khelo more baalma
khelo khelo khelo more baalma
raas rachaao aaj
rang udaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
o o o o o
o o o o
hato hato hato saanwre
chhedo na sabke saamne
hato hato hato saanwre
chhedo na sabke saamne
mukhde ka ud na jaaye rang re
mukhde ka ud na jaaye rang re
jaao jaao jaao more baalma
jaao jaao jaao more baalma
dil ko na jalaao aaj
aankhen na churaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
December 29, 2021 at 5:04 pm
Arunkumar ji,
A post every third day with so many details is indeed a herculean task.
Many Thanks for all your efforts.
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December 29, 2021 at 5:40 pm
Mahesh ji,
Thanks for your appreciation. Seeing your comment after a looooong time.
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