Archive for the ‘Biography of actors’ Category
Aayenge saajna aayenge
Posted on: January 8, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
VINTAGE NAUSHAD….SONG NO. 3
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In 1941, Naushad had composed music for three films and Mala was his last film in 1941. By now, Naushad had assessed public’s liking and was trying very hard to compose music which would become popular with the masses. He knew that to achieve this, he will have to be different from other composers and his tunes must be so simple that a common man too could hum them in his bathroom.
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Chet chet kar chal re chatur nar
Posted on: October 8, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
SONGS FROM ARTISTE NAME FILMS….Song No. 10…Last song of the series.
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Today’s song is from Film Asha-1948. The films having title Asha were made in 1938,1948,1957 and 1980. In this century, there was Asha ki Kahani-2002 and Ashayen-2010. The film Asha made in 1957 was the most popular one due to its songs like…Eena Meena Deeka. That was the time Kishore kumar was on the seventh heaven and in demand most.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is a song sung by Asha Bhosle-for I.S.Johar ! Yes,don’t get surprised. She has given playback to a Male-in woman’s clothes. This is not the first time she has done it. Earlier too she sang for Kishore kumar in film ‘ Baap re Baap ‘-1955.
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Ae jaane jigar ghut ghut ke agar
Posted on: August 4, 2014
- In: Asha Bhonsle songs | Biography of actors | Biography of artists | Biography of singer | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Aabhaas Kumar Ganguly, was the third son of Kunjalal Ganguly, the advocate, living in the town of Khandwa in Madhya Pradesh. Aabhaas was born this day in the year 1929. While at school, he had a very serious interest in theatre and drama, and used to regularly win gold medals for his performances. Plus he had a wonderful voice, and was very much in demand as a singer in family and school/college gatherings. The renowned KL Saigal was his idol. He considered Saigal Sb to be his guru, and would sing only his songs.
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Dagmag dagmag doley naiyya
Posted on: June 2, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA – GOLDEN 50s (Pushp-7)
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One advantage of seeing religious films was that it increased your knowledge of mythology and the Puranas. Though there was a common principle highlighted( Satyamev Jayate or the victory of Good over Bad ), every story’s treatment and content used to be different. With our Holy books overflowing with stories involving all types of Gods, Godesses and Bhakts, film producers must have never fallen short of stories. Famous and well known studios like Bombay Talkies, Sagar, Mohan, Prakash, Prabhat, Wadia or Filmistan stuck to popular and traditional stories like Satyavan Savitri, Bhakta Dhruv, Shri Ram or Shrikrishna. other production companies tried comparatively less known, unknown or even Hybrid stories (Mythological base but treated in filmy style) to make films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A style icon of the industry, if ever there was one. A resplendent persona, clearly sparkling with the pathaan lineage behind him, his name spells out a split level career that he straddled almost all his active working years. A career that was forever in either the B grade cinema, getting the macho image of an anti-hero, long before the arrival of Amitabh, or being the friend or a brother of the leading man, whenever he got the opportunity to venture into the A grade films. Or the second level where he called his own shots, made his own films and produced one blockbuster after another.
Remembering Feroze Khan on his 74th anniversary of birth today.
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Duniya paagalon ka baazaar
Posted on: December 13, 2012
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the early era of the Talkie, most films were based on Mythology, History or Fantasy stories. As the years went by,the films were made on social themes and still later the films were produced on the stories written in their ‘story departments’ weaving mystery, humour, misfortune and heroics imaginatively.
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Wo thhi ham thhe ham thhe wo thhi
Posted on: August 4, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
On the occasion of Kishore Kumar’s birth anniversary on August 4th, the wheel of time(kalchakra) takes me back to my teens when I used to listen to Radio Ceylon’s programme on old Hindi film songs. On the first day of every month, the first song that was played on this programme was din hai suhaana aaj pahli taarikh hai from the film ‘Pahli Taarikh’ (1954). That was the time when I came to know about Kishore Kumar as a singer. It was a revelation to me later from the film ‘New Delhi’ (1956) that he was not only a singer but an actor also. With his many subsequent films in 50s and early 60s, I had taken it for granted that he was a comedian who sang mostly fun songs and that too for himself.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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