Archive for the ‘expression of love’ Category
Gori gori chaandni hai saajnaa
Posted on: June 23, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In olden days, viz 1970s and prior to that, people, including kids, would wake up at 6 AM and would go to bed at 9 PM. There were elders who would managed to awake till about 10 PM or so. I, as a kid, found it extremely difficult to keep my eyes open after 9:30. Vividh Bharti those days used to have a radio programme called Hawamahal. As soon as I heard the signature tune of this programme, my eyelids would begin to get heavy and I would feel sleepy. This signature tune was more sleep inducing for me that any lullaby ever would be. 🙂 . For those who have not heard the signature song of “Hawamahal”, here is how it sounded like:
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“Mr John”(1959) was produced by Nigam and directed by Indar for N K Productions, Bombay. This “social” movie had Shyama, Johny Walker, Helen, Lalita Pawar, Ifthikar, Krishnakumari, Mumtaz, Tuntun, Mohan Choti, Kamal Mohan, Sampson, Uma Dutt, Ravi, Champak Lala, Rashid, Daraz, Wahid, Genius, Tiwari, Ramlal, Anil, Singh, Ghouse, Tarun Kumar, Ajay Kumar, Ajit, B Fazle Karim, Mukhtar, Pt Baijnath etc in it.
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Regulars may be noticing that these days we rarely discuss songs composed by music directors likr Naushad, O P Nayyar, Madan Mohan, S D Burman etc. It is not by choice but by “compulsion”. All these music directors composed around 550-750 songs each. Only around 100 odd songs and in some cases even less than 100 songs are left to be discussed.
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“Maang” (1950) was directed by Saghir Usmani for New Light Film production, Bombay. The movie had Zia, Wasti, Mubarak, Ramola, Amar, Pratima, Malhotra, Leela Pande, Basu, Hemlata etc in it. This by now forgotten movie had ten songs in it. Two songs from the movie have been covered in the blog in the past.
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- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Happy song | Love song | Lyrics contributed by readers | Post by Sadanand Kamath | Shamshad Begam solo | Shamshad Begam songs | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the 1940s, Lala Jagat Narayan of Jagat Talkies Distribution was one of the biggest controller of the chains of theatres and film distributions network in Northern India having his office at Chandni Chowk in Delhi. He was regarded as an undisputed king of film distribution and exhibition. By virtue of his experience in film distribution and exhibition business, he was in a better position to assess the likes and dislikes of the film audience.
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Nazaare huye hain ishaare huye hain
Posted on: June 14, 2017
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“Jawaani”(1942) was directed by Wajahat Mirza for National Studios, Bombay. The movie had Surendra, Jyoti, Husn Banu, Kayamali, Agha, Nawab, Dulari, Gulzar, A. R. Kabul, Sankata Prasad etc in it.
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“Kaarwaan”(1956) was produced by Dev Jolly and directed by Rafiq Rizvi for Shahkar Productions, Bombay. This movie had Shakila, Mahipal, Hiralal, Gope, Yashodhara Katju, Randhir, Sateesh, Z Hussain, Pal, Sharma, Dhanraj, Prema, Sheila Vaz, Helen, Cuckoo etc in it.
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- In: Artist century song in blog | Calling the beloved | Century songs for the blog | Debut song of artist | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Love song | Lyrics contributed by readers | Post by Sudhir | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
अब क्या मिसाल दूँ में इस प्यारी आवाज़ की
इन्सान बन गई है तरंग वीणा के तार की
वीणा, माँ सरस्वती के हाथ की वीणा – जो सब ज्ञान का स्रोत है, जो समस्त सृष्टि के संगीत का उद्गम स्थान है, जो वाणी और ध्वनि का आरंभ है।
Veena, that is in the hand of Goddess Saraswati; veena, that is the source of all knowledge and all that is music in this creation.
Yes, the voice of Lata ji. A voice that is adorned in many a thousand ways, a voice that lives in the minds and memories through many a thousand songs, in Hindi films, in films of other regions, and songs that don’t belong to films. The legacy is a treasure. Quite so much has been written about this voice, my adding more would simply be repeating what has been said before. And much of that discussion is an overbearing analysis of the phases and careers, that are after all moot points, when arrayed against the qualities of the voice itself. That discussion is like ‘गूंगे की शक्कर’ – the description of the sweetness of sugar as expressed by a person who cannot speak. He would place the sugar on your palm, and tell you silently, to taste it, to eat it. After that tasting, no words are necessary, to discuss what sugar is. 🙂
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Chhalke ras ki gagariya bhaari
Posted on: June 7, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In my last two articles, I had discussed about the films of Mehboob Khan (as a producer as well as director) in combination with music director Anil Biswas. In the process of collecting information about the works of Mehboob Khan-Anil Biswas combination, I came across another unique association of Mehboob Khan with cinematographer, Faredoon A Irani. The uniqueness of this association is that all the films which were directed by Mehboob Khan (23 films during 1935-62) had Faredoon Irani as cinematographer.
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Man mein basaa le piyaa ko
Posted on: June 4, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The first song from the film CHAAND CHAKORI (1945), jogan banaa ke piyaa chhod gayo galiyon mein was posted on the Blog about 6 years back. Since then, no more songs from the film were covered in the Blog. In the write-up to the first song from the film, Atul ji had mentioned that very little information about the film was available online. At that time, I doubt whether any songs from this film was available on YT as I find that the first and the only song out of 13 songs from the film was uploaded by Atul ji on YT.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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