Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category

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Satyamev jayate Satyamev jayate

Posted by: on: January 17, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6392 Post No. : 19828

Film Naya Kadam-1958 was a social film stressing the need to teach the children the right things, from childhood. Excessive pampering not only spoils the child but also makes the parents repent when it is too late. In this film,Balraj was paired with Sulochana (Latkar). The film was directed by S P Kalla, who also wrote a few songs for the film. The music was given by the pair of Pt. Shivram and Narayan Datt. The cast of the film was Balraj, Lalita Pawar, Nazir Husaian, Sulochana Latkar, Sunder, Daisy Irani, Bhagwan, Roopmala,Tilak Raj etc. The songs were written by Bharat Vyas, Shailendra and S.P.Kalla.
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Aankhon mein aaya jo ban ke khumaar

Posted by: on: January 16, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6391 Post No. : 19822

Today’s song is from the film Roop Kahani-50, a bi-lingual film( Roop katha-50 in Bangla), made by New Theatres during their last years. It was probably after this film that they closed shop forever.

The film was directed by Souren Sen. Souren Sen was a product of New Theatre’s policy of producing directors from within the company. Examples are Premankur Atorthy ( ex writer), Nitin Bose ( ex Editor) and Bimal Roy ( ex Editor). Souren Sen had started as an Art Director for film Desher Mati or Dharati mata-3 and followed it by films like Kashinath-43,Dui Purush-45, Milan-46, Desher Dabi-47, Nauka Dubi-47, Ramer Sumati-47, Manzoor-49 etc. He got a break as Director only in the last film of New Theatres Roop katha-50 Bangla and Roop kahani-50 Hindi version. Later he also directed one more film from Ashok Films, Calcutta- Chitrangada-54 in Bangla and Hindi. Thereafter he shifted to Bombay and he was an Art Director in Sahib bibi aur Ghulam-56, he did Shankar Narayan Bank-56 and Girls school-5 in Calcutta again. He did in Bombay Ek musafir ek haseena-62,Leader-64, Baharen phir bhi aayengi-66, Shikar-68 and Abhilasha-68.

The cast of the film was Ashita Bose, Asit Baran Mukherjee, Vijay Kumar, Tulsi Chakraborty, Zahar Roy and others. Music was by Pankaj Mullick.
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Kar le dil ka sauda dil se

Posted by: on: January 15, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6390 Post No. : 19818

Today’s song is from a costume film Yahudi ki Ladki-1957. The film was produced and directed by S.D.Narang for New oriental Pictures, Bombay. Music was by Hemant Kumar, ably assisted by Ravi, who had already started giving music to films independently since film Vachan-1955. The Lyricist was S.H.Bihari. The film cast included Madhubala, Pradeep Kumar, Gajanan Jahagirdar, Heeralal, Sunder, S.D.Narang, Smriti Biswas, Krishnakant, Helen and many others.

When Talkie films started, films made in Bombay had two major influences. One influence was films made from Calcutta ( in my opinion,every Hindi film coming from Calcutta was like watching a Bangla film with Hindi dialogues,using Bookish Hindi language) and the second influence was that of the Parsee Theatre stories. Parsee Theatre was very active from 1850 to 1930s. With their costumes, sets,stories and dialogues they influenced theatres of all languages of India. Plays were in Gujarati,Hindi,Urdu and English, but its impact was widespread. The Parsee Theatre dramas spread from Bombay to Karachi, Lahore, Dacca, Lucknow, Aligadh, Meerut, Delhi, Calcutta, Jodhpur and Hyderabad. The active theatres lasted till the 40s, but then most big drama companies started film companies like Imperial, Minerva,Wadia and Madan from Calcutta. They borrowed stories from Parsee Shahnama, Arabian Nights, Mahabharat, Shakespeare etc. They employed paid drama writers.
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Kaanha murlee bajaayee

Posted by: on: January 14, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6389 Post No. : 19816

Today’s song is from a Mythological film Shri Ganesh Mahima aka Shri Krishna Vivah – 1950.

This is one Genre that I have my soft corner for. I like religious songs. I find bhajans by various artists from different films so enchanting to listen to. Seeing Religious or Mythological films attracted me as much as the ‘C ‘grade action/stunt films did. I used to go to the extreme corners of the city to watch such films in absolutely dilapidated old theatres, which were affordable for the lowest strata of the society. I used to get so engrossed in seeing the action films that the presence of the third grade public passing lewd and loud comments never disturbed me ! Similarly, visiting Theatres along with the old and the senior most family members, composed mainly of old ladies to watch mythological movies was an experience to remember till date ! Later on I realised these films also provided a lot of religious knowledge, in the formative years.
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Haay ye maine kya kiya

Posted by: on: January 13, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6388 Post No. : 19810

Today’ song is from an early film of Talat Mehmood – Samapti-1949.

Talat has sung some memorable songs. He worked in 3 films in Calcutta and 9 films in Bombay as an actor. Today’s film is his 3rd and last film done in Calcutta. His first film as an actor was Raj laxmi-1945, the second was Tum aur Hum-1947. For this film, he had taken a new name – Tapan Kumar. The reason, presumably, was that there was another actor with a similar name – Talaaq Mehmood, working in this film. To avoid any confusion, he probably took this name. During the period 1947 to 1949, he sang many Bangla NFS in the name of Tapan Kumar.

Today’s song was composed by Music Director Timir Baran Bhattacharya. It was directed by Amar Mullick and the star cast was Bharati Devi, Heeralal, Sunder, Talat mehmood and others. I have neither seen this film nor know of its story. The film had 8 songs. 2 Solos and 2 Duets of Talat and Puprabha Sarkar and 2 solos of Suprabha are mentioned in HFGK. 2 remaining songs do not show a singer’s name. The HFGK also mentioned the title of this film as Sampatti instead of Samapti. This was , however, corrected in subsequent editions.
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Main pyaar karoon unse kaho jee kya khayaal hai

Posted by: on: January 12, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6387 Post No. : 19808

Today’s song is from a Remake film from the south – Mangala-1950.

By 1950, it was just about 3 years after we got our Independence. Many talented and gifted artistes from Film industry – composers, actors, directors, lyricists and technical people, chose to leave India, which once was their Motherland, to start a new life in a new born country, their country! The vacuum created by their exit was soon filled up by the then current, and the upcoming and aspiring artists in India. For that point in the history of India cinema, I would list the following as upcoming and aspiring artists :

– Composers: Shankar-Jaikishan, SD Burman, Madan Mohan, Roshan, Khayyam etc.
– Lyricists: Shailendra, Hasrat Jaipuri, Shakeel Badayuni, Majrooh, Rajendra Krishan, Raja Mehdi Ali Khan, Sahir Ludhianvi etc.
– Singers: Rafi, Mukesh, Kishore, Talat, Manna Dey etc.
Female singers like Lata, Asha, Geeta etc filled up the void created by the departure of Noorjehan, Khursheed etc. And of course, many new actors and actresses also came up shining.
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Pyaar kee chaandnee le ke raat aayegee

Posted by: on: January 11, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6386 Post No. : 19804

Today’s song is from a Muslim Social film Paak Daman-1957.

1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daman, Pawanputra Hanuman, Ustad, Zamana.

Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.
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Saare jag mein pet ka dhandha

Posted by: on: January 10, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6385 Post No. : 19801

Today’s song is one of the very few songs sung by the Music Director Anil Biswas. Today’s film is Bhookh-1947.

In olden days, there were 3 major film centres-Bombay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.
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Bhagwaan mitaa de meree hastee ko mita de

Posted by: on: January 9, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6384 Post No. : 19797

Today’s song is from a non descript C grade stunt film, Namumkin aka Impossible – 1946.

1946 was an important year in the history of Hindi films. This was the period when the impending Independence of India was on the Anvil and everyone knew that in the year 1947 it would take place. At the same time when the country was to be divided on the basis of Religion and another muslim country Pakistan was to come into existence. Many of the muslims in the film industry were excitedly awaiting their departure from India to the Utopia. This would, naturally, create a lot of vacancies in every department of film making. However, there was enough talent available in the remaining India to fill up the void. Hence from the year 1946 itself there were several debutantes. This made the year 1946 an year of Debuts of several new actors, directors, MDs, Lyricists etc etc.
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Kal honge Raaja Raam

Posted by: on: January 8, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6383 Post No. : 19794

Today’s song is a duet from a Mythological milestone film – Bharat Milap-1942.

Mythological films have been an important part of Indian films for a long time and this was evident from the fact that there was hardly any production house that did not make a Mythological film. The period of 1940 to 1965 can be called an age of meaningful religious films. In this too, the 1950 to 1960 period was the peak period for this genre. Later on the production of such films dwindled and these days, of course, one has to make efforts to find such a film, with a large magnifying glass !
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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.
This is a labour of love, where “new” songs are added every day, and that has been the case for over SEVENTEEN years. This blog has exactly 20100 song posts by now.
This blog is active and online for over 6000 days since its beginning on 19 July 2008.
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(© 2008 - 2026) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.
Total number of songs posts discussed
20100

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Movies with all their songs covered =1580
Total Number of movies covered=5200

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