Archive for the ‘Post by Arunkumar Deshmukh’ Category
Aaj mera man doley re
Posted on: March 5, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6439 | Post No. : | 19986 |
Today’s song is from a social film Chand Tara-1945.
1945 was the year when the devastating II World War ended and the film industry heaved a sigh of relief. Many irksome regulations were relaxed. There was no force now to make Propaganda films for war, no shortage of Raw Film and plenty of Finance available through black money, generated during the war times. However, the year saw only 73 Hindi films made.
One of the most successful and famous film directors of Hindi films- Bimal Roy had a beginning in 1945. He was the director of the Bangla film “Udayer Pathe”, based on the story by Jyotirmoy Roy. It was remade in Hindi as ” Humrahi”. Both versions became Hit films. Thus a cameraman and editor Bimal Roy emerged as a big name in Hindi films. He got this opportunity as New theatres, Calcutta had dried up with its ace and famous directors, who left the company and had marched towards Bombay, even when NT was downhill. This film was also noteworthy because Tagore’s “Jana Gana Mana” was used in the film Humrahi-1945, which later on became India’s National Anthem (though it was written by Tagore to please and welcome King George V, on his visit to India in 1911).
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Jhoole mein laal jhulaave re
Posted on: March 3, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6437 | Post No. : | 19980 |
Today’s song is from a re-made costume film from the South – Nishan-1949.
Besides being a Musical films’ year, 1949 was also an year when the South Indian filmmakers, especially S.S.Vasan, became active after the film Chandralekha-1948 became a successful one and brought in huge profits. It became an attraction for the filmmakers in the South. They understood that the Hindi film market was many times bigger than the Southern film market and that it was possible to capture a part of it with their south made Hindi films.
Initially, in the early era, Bombay was the biggest centre for film making. When the Talkie films started, other smaller centres in those times, like Lahore and the South, woke up. For Lahore, language was not a problem and so there was a traffic between Lahore and Bombay film people for work and technology. Thus few centres for film production prospered in Lahore-like Pancholi and Shorey etc.
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Goree ankhiyon se ankhiyaan milaao
Posted on: March 2, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6436 | Post No. : | 19978 |
Today’s song is from a Mythological film Hanuman Pataal Vijay-1951.
The film was made by Basant Pictures of Homi Wadia, who was the Producer and the Director of this film. It is very strange that a person who separated from his own brother on the issue of making stunt/action films- which he advocated- resorted to making social and Mythological films and his brother, who advocated making films other than stunt/action films, continued to make stunt films ! One wonders why at all they separated then !
The film had music by the Wadia favourite – S.N.Tripathi, who also expertly acted as Hanuman in such films. The cast of the film included Meena Kumari, Mahipal, Niranjan Sharma (a fixed actor as Ravan in every Wadia film), S.N.Tripathi, Dalpat, H. Prakash, Amarnath, Rajni (daughter of Bhudo Advani’s brother) and many others. The 4 Lyricists of the film wrote 8 songs.
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Bhaabhee ke nakhre bade
Posted on: February 27, 2026
- In: "Bhabhi" song | "Nok-Jhonk" song | "teasing" song | Bhaabhi-Nanad song | Duet | Guest posts | Khursheed Bano songs | Khursheed Bano-Snehprabha Pradhan duet | Nanad-Bhaabhi song | Post by Arunkumar Deshmukh | Snehprabha Pradhan Songs | Songs of 1940s (1941 to 1950) | Songs of 1941 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6433 | Post No. : | 19969 |
Today’s song is from a social film – Pardesi-1941.
It was a Ranjit Movietone presentation. Directed by Chaturbhuj Doshi, its music was provided by Khemchand Prakash. Film’s 15 songs were written by D.N.Madhok and Pyarelal Santoshi. The cast included Motilal, Khursheed, Snehprabha, E. Billimoria, Durgesh (Debut of actress Anjali Devi-Bombaywali- in her real name), Kantilal, Bhagwandas etc.
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Main to gaaoongee
Posted on: February 26, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6432 | Post No. : | 19965 |
Today’s song is from a Costume imaginary film Gul Bakawali-1947.
The year 1947 is a reminder not only for the Independence of India, but also for the upheaval that took place in the film industry that time. More than in any other industry in India, Muslims were plentiful, working in different sections and departments of the Hindi film industry. Majority of them migrated to the newly formed Muslim Nation of Pakistan. This did create a lot of disturbance in the film industry. Right from the beginning of 1947, there were signs that soon the British would leave India – after dividing it into two Nations, India and Pakistan. When the month and date became known for the Partition, there was a great hurry among the filmmakers to complete their projects on hand and in process, compromising many factors like quality of the film, number of songs and such other things.
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- In: Devotional song | Duet | Geeta Dutt songs | Guest posts | Islamic Devotional Song | Islamic religious song | Lata Geeta Dutt duet | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Seeking divine intervention | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6430 | Post No. : | 19959 |
Today’s song is the last and final song of the film Son of Sindbad-1958.
So far, hundreds of songs have been discussed from films on Arabian Nights stories of Alladin, Alibaba and Sindbad. In these posts almost all the relevant points have been discussed. So, there is a very little new thing that can be brought out and now such posts look repetitive. But it does not mean that everything is over. There are still many things which can be discussed with new angles and especially new information found on the older artists can be brought out.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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