Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6272 Post No. : 19412

There has been very few Hindi films produced with the main theme of Indian classical dances. As far as I know, the first Hindi film with Indian classical dances as the main theme was Uday Shankar’s ‘Kalpana’ (1948) in which his wife, Amla Shankar was in the lead role of a classical dancer. This was followed by V Shantaram’s ‘Jhanak Jhanak Paayal Baaje’ (1955) in which his then future wife, Sandhya was in the lead role of a classical dancer along the Gopikrishna. Another Hindi film I remember is ‘Naache Mayuri’ (1986) which was more like a biographical film on the classical dancer, Sudha Chandran who lost her leg but continued her dancing career after lot of efforts. In this film, Sudha Chandran acted as herself.

There may be a few more films with the omnibus dance theme. I was aware of the film, ‘Paayal Ki Jhankaar, (1980) but, until recently, I did not know that this film was also made with the main theme of Indian classical dances. Perhaps, my mind about this film may have been prejudiced by another film with the same name released in 1968.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6271 Post No. : 19409 Movie Count :

5132

Today, September 18, 2025, is the 75th birthday of Shabana Azmi which is an important milestone in anyone’s life. I thought that on this occasion I should write an article on a film in which, in my view, Shabana Azmi has accepted a challenging role and has given a brilliant performance. The film I am covering in my article is ‘Morning Raaga’ (2004), a predominantly English language film in which Shabana Azmi’s role is that of a Carnatic vocalist.

‘Morning Raaga’ (2004) was produced by K Raghavendra Rao and was directed by Mahesh Dattani, a well-known personality in English theatre. The film was later dubbed in Telugu language with the title, ‘Raagam’ (2006). The cast included Shabana Azmi, Prakash Kovelamudi, Perizaad Zorabian, Lillete Dubey, Nasser, Ranjani Ramakrishnan, Vaishali Bisht, Shashi Sudigala, Sheela Naidu, Shaleen Sharma, Elahe Hiptoola etc. Prakash Kovelmudi is the son of Producer K Raghavendra Rao who is a producer-director, screenplay writer and an actor in his own right.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6268 Post No. : 19399

‘Basera’ (1981) was produced by Ramesh Behl under his banner, Rose Movies and was directed by Ramesh Talwar. The cast included Shashi Kapoor, Rakhee, Rekha, Poonam Dhillon, Raj Kiran, Iftekhar, A K Hangal, Sudha Chopra etc. The film was based on a Marathi novel written by Leela Phansalkar. In fact, Ramesh Talwar has directed IPTA play, Tanhaai’ (1971) based on this novel. It was decided to convert his IPTA play into the film, ‘Basera’ (1981).

The film is about two sisters who are wedded to the same man by a twist of fate. In an interview published in ‘Filmfare’, April 22, 2016, Ramesh Talwar had revealed that for the roles of two sisters, he had already finalised Rakhee. He told Rakhee that if she accepted the role of the younger sister, he would take Nutan for the role of elder sister. However, Rakhee preferred the elder sister’s role and suggested Rekha’s name for the younger sister’s role. After the separation of Rakhee and Gulzar, this was the first film with Rakhee in which Gulzar got associated as the screenplay, dialogues and song writer. Interestingly, Rekha, apart from her role as the second wife of Shashi Kapoor is also in the role of Raj Kiran’s mother, who in reality, is elder to her by 5 years.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6266 Post No. : 19393

‘Imaandaar’ (1987) was produced by Surendra Pal Chaudhary and Sarla Sandhu and was directed by Sushil Malik. The cast included Sanjay Dutt and Farah Naaz in the lead roles supported by Pran, Sumeet Saigal, Satyen Kappu, Vikas Anand, Rohan Kapoor, Ranjeet, Mehmood, Om Prakash, Birbal, Chandrashekhar, Sudhir Dalvi, Dinesh Hingoo, Shammi, Shashi Kiran, Mehmood Jr., Ram Sethi, Subbiraj etc.

The film was a Prakash Mehra presentation which indicates as to who was behind this film. Sushil Malik, the director of the film was Prakash Mehra’s assistant director. The film’s producer, Surendra Pal Chaudhary was one of the partners of Prakash Mehra Productions. Another connection of this film with Prakash Mehra is his trademark film story revolving around a homeless, abandoned and orphaned lead actor, like in ‘Muqaddar Ka Sikandar’ (1978), ‘Jwaalaamukhi’ (1980), ‘Laawaaris’ (1981), ‘Sharaabi’ (1984) etc. In a way, Prakash Mehra was replicating his own story who was an orphan child having lost his mother and thereafter his father abandoning him when he was 8 year of age.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6265 Post No. : 19390

‘Solvaan Saawan’ (1978) was produced by A.S.R. Anjaneyulu and was directed by Bharthi Rajaa. The cast included Amol Palekar, Sridevi, Adil Amaan, Kulbhushan Kharbanda, Sajjan, Madhukar, Deena Pathak, Savita Bajaj, Vijayalakshmi, Rajeshwari etc. The film was Bharathi Rajaa’s first foray in Hindi films as a director. This was Sridevi’s first Hindi film in a lead role. The film was entirely shot in Jharkhand in a month’s time in rural region. Hence, it was decided to write dialogues with a mix of Hindi and Bhojpuri languages. The film got a very limited theatrical release on January 22, 1979.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6262 Post No. : 19380

‘Beraham’ (1980) was produced by K D Shorey and was directed by Raghunath Jhalani. The cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I S Johar, Keshto Mukherjee, Rinku Jaiswal, Manmohan, Raj Mehra, Dev Kumar, Helen, Padmini Kapila, Brahm Bhardwaj, Viju Khote etc. Moushumi Chatterjee made a special appearance in the role of a qawwali singer. It was a last film for Mala Sinha in a lead role.

Delhi-born Raghunath Jhalani started him filmy career in 1950s joining Bimal Roy as assistant director. He assisted him in about half a dozen films until Bimal Roy’s death. He debuted as an independent director in J Om Prakash’s ‘Aaye Din Bahaar Ke’ (1966). He directed 10 films, most of which were musical family dramas. It was a rare occasion for him when he admirably handled the genre of crime-action-thriller film, ‘Beraham’ (1980).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6261 Post No. : 19377 Movie Count :

5130

‘Bepanaah’ (1985) was produced by Sagar Bhagat and directed by Jagdish Sidana. The cast included Shashi Kapoor, Mithun Chakraborty, Poonam Dhillon, Rati Agnihotri, Kadar Khan, Dheeraj Kumar, Madan Puri, Satyen Kappu, Suresh Oberoi, Paintal. Gajanan Jagirdar, Sharat Saxena etc. It was an action drama film loosely based on Sidney Sheldon’s novel, ‘Rage of Angels’ (1980) which I had read long back.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6260 Post No. : 19366

‘Shrimaan Shrimati’ (1982) was produced by B Nagi Reddy under the banner of Vijaya Productions and was directed by Vijaya Reddy. The cast included Sanjeev Kumar, Rakhee, Rakesh Roshan, Deepti Naval, Amol Palekar, Sarika, Dheeraj Kumar, Lalita Pawar, A K Hangal, Paintal, Naaz, Leela Mishra, Dinesh Hingoo etc with special appearances by Dr. Shreeram Lagoo and Ramesh Deo. The film was a remake of the Telugu film, ‘Tayaramma Bangarayya’ (1979) which was also remade in Tamil as ‘Sathya Sundharam’ (1981). This was B Nagi Reddy’s last Hindi film as a producer. It is interesting to note from his filmography as producer that his last four Hindi films had Sanjeev Kumar in the lead role with music director, Rajesh Roshan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6258 Post No. : 19359

In the Indian traditional societal setting, the men are regarded as the bread winner for the family while the women are assigned as homemakers who stay at home and manage the kitchen, housekeeping, taking care of the children etc. In urban setting, some women have dual roles. They are not only the homemakers, but they are also the working women giving the financial support to the family. Men are not expected to be homemakers. These gender-based responsibilities have been majorly followed in India since long. The role reversal in responsibilities between husband and wife was unthinkable even in the last century and it is still not fully appreciated.

There has been some cases of role reversal taking place especially in metropolitan and urban India. I had known one such case in my office as early as in 1965 when the wife was working in my office and her husband was employed in a private firm. But the situation in the family forced the wife to think of resigning from her service to look after her infant when the alternative arrangements did not work out. Her husband volunteered to resign from his private job on a realistic consideration as the wife was getting higher salary than him. At that time, her husband was the talking point in my office as it was thought to be a revolutionary step by him.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6256 Post No. : 19353

Today, September 03, 2025 is the 28th Remembrance Day of a well-known lyricist who wrote more than 1300 songs in over 300 films. His name was Lalji Pandey but his college friends gave him a pseudo name, ‘Anjaan’ while participating in mushaira in the college functions as well as elsewhere. He retained this pseudo name when he started writing articles, poems and later lyrics.

Anjaan (28/10/1930 – 03/09/1997) was born in Odar village, about 30 kms from Banaras. His father was working as a peon in Central Bank of India, Banaras. After completing the primary school in his village, Anjaan came to Banaras and completed high school. His father was keen that he also joins the bank services like him. So, he put him in commerce stream of Banaras Hindu University from where he passed B.Com. In this way, Anjaan became the first graduate from his village.
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