Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hema Malini


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5183 Post No. : 17161

Hullo Atuldom

A very Happy Navaratri to all. The date corresponds to the first day after Amavasya in the month of Ashwin of the sixth month (as per the Solar Bengali calendar) and seventh month (as per the Indian National lunar calendar of the Deccan Plateau) overlapping the months of September and October of the Gregorian calendar. It is the Sharath Navaratri. The period when we worship the Mother Goddess in the form of Durga Lakshmi and Saraswati. Additionally, this is also the time when we have Ram Leela celebrations across the country.

That is why I have chosen a song featuring Ram Leela. We can see Dev Anand, Janakidas, Premnath, Paintal, on stage enacting the Lanka dahan part of the Ramayan. It begins with Seeta maiyya crying under a tree in Ashok Vatika and  Hanuman seeing her from atop a tree. Sita maiyya (who is the actress?) sees Hanuman when he falls from the tree (I don’t know if all Ram Leelas have such comic elements. Remember there was a similar comic Ram Leela in Hrishikesh Mukherjee’s ‘Naram Garam’). Ravan’s son Meghnad is played by Sharat Saxena. Did anyone recognize the Kumbhkaran? It is the actor who has a Guinness book entry for playing a police inspector maximum number of times. Yes, Jagdish Raj. Then we have two Hema Malini in the audience.

I could only recognize Manna Dey’s voice as the male playback, there is one more male singer. The female voice belongs to Anuradha Paudwal. The song is written by Anand Bakshi and Laxmikant Pyaarelal are the music directors. Also we can hear Dev Anand’s voice in all the dialogues in between.  All-in-all an entertaining song from the 1976 released Chetan Anand directed ‘Jaaneman’.

The storyline of the film had Dev Anand playing a taxi driver and Hema Malini in the double role of sisters -Santo & Banto. Plus there were Premnath, Ajit, Paintal, Janakidas Sharat Saxena Jagdish Raaj etc. in the cast.

I have read somewhere that it was a movie in the 25th year of Navketan Films. The movie has 6 songs and the blog has 4 of them (one is a three part song).  The last song from this movie was posted in 2016. Today’s song is sort of in the same category as the iconic song from ‘Munim ji’ (1955) – “O Shivji Bihaane Chale Paalki Sajaaye Ke

Born on 26 September, 1923, today is also the 99th birth anniversary of Dev Anand. With this song, we remember him and celebrate his birth anniversary.blog

Editor’s note:-This song is the 200th song picturised on Dev Anand in the blog.

 

Song – Siyavar Ramchandra Ki Jai (Jaaneman) (1976) Singer – C Anand Kumar, Manna Dey, Anuradha Paudwal, Vinod Sharma, Lyrics – Anand Bskshi, MD – Laxmikant Pyaarelal
Dev Anand
Chorus

Lyrics (Provided by Sudhir)

siyavar ramchandra ki
jai
janak nandini siya maiyya ki
jai
laadle lakhan lal ki
jai
pavan sut hanuman ki
jai

seeta ji ka haran kiya
ravan ne badal ke bhes
ram bhaye vyaakul lachhman ke
mann ko laagi tthes
pavan putr hanuman chala
udd kar laane sandes
baavan kot chhappan darwaazon waale lanka dhaam
aur phir

[parda kholo]
[laughter]
[ae bhai]
[? Kholo]

lanka pahunch kar hanuman ne dekha

kya dekha

ke ashok vatika mein
seeta maiyya
ik vriksh ke neeche
apni akhiyaan meeche
ram ke. . .
dhyaan mein
khoi huyi hai

tum bin naahi chain
din raean. . .
tum bin naahi chain
rim jhim barsat nain
din raean. . .

[laughter]
[kamjor ped kaahe laaye]
[tum kaun ho]
[bolo, bolo kyon maun ho]

pavan putr main ram bharose

[ram bharose aap apne ghar honge]
[yahaan hanuman ho, hanuman]

pavan putr shri ram ka pyaara
mere mann mein ram rehte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain
pavan putr shri ram ka pyaara
mere mann mein ram rehte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain

seeta ji ko hamri batiyaan
kahin laage na jhoothi
is kaaran raghunath ne bheji
hamre haath angoothi

[hanuman, ram kaise hain]
[kuchh wahan ka haal sunaao]

ram sukhi hain

[arey seeta ke bina ram sukhi kaise ho sakte hain]
[kaho ram dukhi hain]

ram dukhi hain
aapki aankhon se aansoo behte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain

[seeta maiyya, yadi aapki aagya ho to]
[main kuchh kha loon]
[apni bhookh mita loon]

[khaa lo]
[mita lo]

bees bhuja das sees ka ravan
gyaani aur balwaan
kaisi nadaani kar baitha
dekho wo nadaan
us ko sabak sikhaane aaya
ram bhakt hanuman

[hmmm. . .]
[meghnaad, ye tum kya laaye]

pujya pita ye hai ik bandar
is be baag ke sab phal khaaye
isi liye isey baandh ke laaye

[bol tu hai kiska doot]

main
main hoon teri maut ka bhoot

[ha ha ha]
[tu aur mujhko maarega]

arey marte samay
hee hee hee hee
marte samay tu ram ka naam pukaarega

bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram

[raavan tum kyon gaate ho jai siya ram]

[band karo ye ram ram ram ram ram]

ram
ram

[khubhkaran]
[bolo isey dand kya doon]

[snoring]

[ye sota hai]
[isey sone do]
[meghnaad tum to jaagte ho]
[tum hi kaho isey kya dand den]

[iski poonchh mein aag laga do]

[satya vachan]
[main teri poonchh mein aag laga doonga]

[laga do, laga do]
[main apni poonchh se teri lanka jala doonga]

[jala do jala do]
[aieeen, ye kya kaha vaanar]

[laughter]

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5092 Post No. : 17020

We are in the fag-end of the month of June of this year 2022. As I had mentioned earlier that this month is a special for many of us due to the many anniversaries falling in this month i.e., anniversaries of relatives, friends and as well as anniversaries of many artists too. Today we celebrate birth anniversary of our beloved music genius Rahul Dev Burman, and one post has already been posted on the blog remembering Pancham.

Today 27th June, 2022 is also the seventy-second birth anniversary of singer Nitin Mukesh (born on 27th June, 1950). We wish him a very happy birthday today and also wish him a healthy and peaceful life ahead.

On this occasion I am once again going back to the songs from the movie ‘Santosh’ (1989). There is one duet sung by Nitin Mukesh and Asha Bhonsle in this movie which is yet to be posted on the blog. This song is lying ready with us since long and I take this opportunity to present it today here on the blog.

‘Santosh’ was an East-n-West Movies presentation. It was produced and directed by Balbir Wadhawan. Hansraj Wadhawan was the production controller of this movie. It has Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pichoo Kapoor, Om Shivpuri, Praveen Kumar, and others. Story of ‘Santosh’ is written by Kaushal Bharti. Editing of this movie was done by VV Kamat (assisted by Ashok Naik).

This movie has seven songs written by Santosh Anand (six songs) and Manoj Kumar (one song). Music for this movie was composed by Laxmikant-Pyarelal. I have earlier mentioned the details of the songs of this movie in my previous posts, so I am not going to repeat them again here.

As mentioned above today’s song is sung by Nitin Mukesh and Asha Bhonsle and on screen it is lip-synced by Manoj Kumar and Hema Malini. This song is a nice duet to watch and listen.

Let us enjoy this beautiful song now …

Bataao tumhe pyaar kaise karoon

Video (Partial)

Audio (Full)

Song – Bataao Tumhen Pyaar Kaise Karoon (Santosh) (1989) Singers – Asha Bhosle, Nitin Mukesh, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal

Lyrics

ye aankhon se aankhon ka milna hai kya
bina bole hothon ka hilna hai kya
mujhe inka matlab to samjhaaiye
khayaalon mein phoolon ka khilna hai kya
na yun chup raho mujhko aawaz do
mujhe ghut ke marne ki aadat nahin
bataao tumhe ae …

bataao tumhe pyaar kaise karoon
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin
main jaisa bhi hoon
haan
jaisa bhi hoon
saamne hoon khadaa aa
mujhe kuchh chhupaane ki aadat nahin
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin

ye aankhon se aankhon ka milna hai kya
ye aankhon se aankhon ka milna hai kya
bina bole hothon ka hilna hai kya
mujhe inka matlab to samjhaaiye
khayaalon mein phoolon ka khilna hai kya
na yun chup raho mujhko aawaz do
na yun chup raho mujhko aawaz do
mujhe ghut ke marne ki aadat nahin

mujhe itni fursat mili hai kahaan
mujhe itni fursat mili hai kahaan
jo padhta tumhaare nayan ki ghazal
mujhe aaj lagta hai sach maan lo
ye chehra nahin hai gulaabi kamal 
ye dil kaise chori kiya jaayega
ye dil kaise chori kiya jaayega
mujhe dil churaane ki aadat nahin

aa aa aa
aa aa aa
aa aa aa aa

mujhe kuchh huaa hai pataa hai tumhe
badi nam hawaa hai pataa hai tumhe
badan jal rahaa hai ragon mein magar
lahu jam gaya hai pataa hai tumhe*
lo sar jhuk gaya hai tumhe kya khabar
lo sar jhuk gaya hai tumhe kya khabar
mujhe sar jhukaane ki aadat nahin
main jaisa bhi hoon
haan
jaisa bhi hoon
saamne hoon khadaa aa
mujhe kuchh chhupaane ki aadat nahin
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin

[Author’s Note: * In the video version these lines are in the voice of Asha Bhonsle, while the audio version has them in Nitin Mukesh’s voice.]


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4978 Post No. : 16857

‘Santosh’ (1989) was an East-n-West Movies presentation. It was produced and directed by Balbir Wadhawan. Hansraj Wadhawan was the production controller of this movie. Story of ‘Santosh’ was written by Kaushal Bharti. Editing of this movie was done by VV Kamat (assisted by Ashok Naik). Cinematography was done by Rajan Kinagi. The movie was passed by Censor board on 28.02.1989.

The star cast of the film includes Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pinchoo Kapoor, Om Shivpuri, Praveen Kumar, and others.

This movie has seven songs written by two lyricists. Santosh Anand wrote six songs and Manoj Kumar contributed one song. Following is the list of songs of this movie.

Sl. No. Song Title Lyricist Singer/s Posted On the blog
01 Are Logon Tumhe Kya Hai Santosh Anand Lata Mangeshkar
02 Bataao Tumhen Pyaar Kaise Karoon Santosh Anand Nitin Mukesh, Asha Bhonsle
03 Kahkahon Ke Liye Santosh Anand Mahendra Kapoor
04 Yoon Lagne Lagi Aajkal Zindagaani Santosh Anand Lata Mangeshkar, Nitin Mukesh 27.06.2018
05 Aaj Main Bechain Hoon Santosh Anand Mahendra Kapoor, chorus 09.01.2022
06 Bansi Waale Ne Gher Lai Santosh Anand Lata Mangeshkar
07 Tera Allah Beli Manoj Kumar Mahendra Kapoor, chorus

So far as I remember this movie didn’t perform well at the box office then and even forgotten also. But this movie had some good songs, or in fact, all songs in this movie are good songs to listen. Music was composed by Laxmikant Pyarelal.

Though I had not watched this movie then in 1989-90. I am not sure if it was released at all in theatres. I do not remember correctly now. I watched some part of it online in 2018. However, one song from this movie “Yoon Lagne Lagi Aajkal Zindagaani” was in my memory since long. And later one of my friends who also liked this song refreshed its memory. So, when I came into the contact with this blog, I shared this song and later represented it with a post here. Subsequently I listened to all the songs in this movie and liked them very much as they have a nice poetry content in them. I have all of them ready and noted with men since long. Another song from this movie “Aaj Main Bechain Hoon” was posted on the blog on 09.01.2022.

As mentioned above lyrics for as many as six songs in this movie were written by Santosh Anand. Today 5th March, 2022 is the birth anniversary of Santosh Anand (born on 5th March, 1940, some sources have mentioned the year of his birth wrongly as 1929 or 1939?).

Santosh Anand has written some of the memorable songs in Hindi Films. And he went on to receive appreciation as well as awards. However, in personal life destiny has not been so kind with him as he lost his son and daughter in law, and later due to bad economic condition he has to suffer a lot. Old age ailments and his deteriorating health condition have made his life difficult further. And that is how it happens with many around us, but life goes on …

Today I present the third song from this movie, which is sung by Lata Mangeshkar and on screen Rakhee is lip-syncing and performing his song. We can also see Manoj Kumar, Hema Malini, Prem Chopra, and others in the picturization of this song. From the picturization of the song we can guess that Manoj Kumar and Rakhee are working at a construction site. The picturization is typical for a Manoj Kumar movie where the characters are going through lot of emotions.

When I had first shared this song to Atul ji, I had mentioned the following

THIS IS FOR THE RAKHEE fans, because I think even, they have forgotten this movie or the movie itself is a forgotten movie,

(Because on AVA ji’s post on Rakhi’s birthday – “Jab Tum Ho Mere Humsafar Khoobsurat” none of the commentors mentioned about this movie)

The song is a typical ‘Manoj Kumar’ type movie song. After ‘ROTI KAPADA Aur MAKAAN’ he tried to recreate that magic in every movie but failed. (and still luckily got ‘TWO’ women loving him in every movie),

Let us now listen to the song which is composed by Laxmikant-Pyarelal and the tune is a catchy one and the music is quite enjoyable and so are the lyrics by Santosh Anand.

Video (Partial)

Audio (Longer)

Song – Arey Logo Tumhen Kya Hai (Santosh) (1989) Singer – Lata Mangeshkar, Lyrics – Santosh Anand, MD – Lakshmikant Pyaarelal

Lyrics

arey logo
tumhen kya hai
ya main jaanu
ya wo jaane
ye kissa mera unka hai
ya main jaanu ya wo jaane ae

arey logo
tumhen kya hai
tumhen kya hai
tumhen kya hai
ye kissa mera unka hai
ya main jaanu ya wo jaane ae

arey logo
tumhen kya hai
ya main jaanu
ya wo jaane
ye kissa mera unka hai
ya main jaanu ya wo jaane

idhar bijli chamakti hai
udhar meha barasta hai
akele dil tadapta hai ae
akele dil tadapta hai
ya main jaanu oo oo
ya wo jaane ae
kadar bulbul ke gaane ki
bhala saiyyaad kya jaane
jo aashiq hai samajhta hai
aashiq hai samajhta hai
ya main jaanu ya wo jaane
arey logo
tumhen kya hai
ya main jaanu
ya wo jaane
ye kissa mera unka hai
ya main jaanu ya wo jaane

hamaare marne jeene ka
tumhen kyun fikr hai itna
hamen kis ore jaana hai
hamen kis ore jaana hai
ya main jaanu u u
ya wo jaane
hamaare haal par chhodo
arey chhodo ye hamdardi
tumhaare dil mein kya kya hai
tumhaare dil mein kya kya hai
ya main jaanu ya wo jaane ae
arey logo
tumhen kya hai
ya main jaanu
ya wo jaane
ye kissa mera unka hai
ya main jaanu ya wo jaane

hamaari apni marzi hai
tumhe kya lena dena hai
buraa kya hai
bhala kya hai
buraa kya hai
bhala kya hai
ya main jaanu ya wo jaane ae
asar hain pyaar mein itnaa
ke patthhar ban gaya ishwar
yun patthar mein rakha kya hai
patthar mein rakha kya hai
ya main jaanu ya wo jaane ae
are logon

tumhen kya hai
ya main jaanu
ya wo jaane
ye kissa mera unka hai
ya main jaanu ya wo jaane

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

अरे लोगो
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने

अरे लोगो
तुम्हें क्या है
तुम्हें क्या है
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने

अरे लोगो
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने

इधर बिजली चमकती है
उधर मेहा बरसता है
अकेले दिल तड़पता है
अकेले दिल तड़पता है
या मैं जानूँ॰ ॰ ॰
या वो जाने
कदर बुलबुल के गाने की
भला सैय्याद क्या जाने
जो आशिक है समझता है
आशिक है समझता है
या मैं जानूँ या वो जाने
अरे लोगो
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने

हमारे मरने जीने का
तुम्हें क्यों फिक्र है इतना
हमें किस ओर जाना है
हमें किस ओर जाना है
या मैं जानूँ॰ ॰ ॰
या वो जाने
हमारे हाल पर छोड़ो
अरे छोड़ो ये हमदर्दी
तुम्हारे दिल में क्या क्या है
तुम्हारे दिल में क्या क्या है
या मैं जानूँ या वो जाने
अरे लोगो
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने

हमारी अपनी मर्ज़ी है
तुम्हें क्या लेना देना है
बुरा क्या है
भला क्या है
बुरा क्या है
भला क्या है
या मैं जानूँ या वो जाने
असर है प्यार में इतना
के पत्थर बन गया ईश्वर
यूं पत्थर में रखा क्या है’
या मैं जानूँ या वो जाने
अरे लोगो
तुम्हें क्या है
या मैं जानूँ
या वो जाने
ये क़िस्सा मेरा उनका है
या मैं जानूँ या वो जाने


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4973 Post No. : 16849

2022 is marching and we are into March.

There are many actresses who have graced the silver screen eversince the moving images have held the fantasy of audiences. Some of these ladies began their on-screen life as ‘heroines’, a term used to denote the main female protagonist or the romantic interest of the main male in the story that the movie is depicting. That means the actress will be playing Seetha to a Ram, Parvati to her Mahadev, Radha to her Kanhaiya etc. if the movie was a mythological. If the movie was historical then a Rani Padmini, Rani Lakshmibai etc would be the main protagonist and the lady playing these characters would be called the heroine of the movie. The other ladies gracing the movie- playing Sakhi (friend), Maa, Didi, Bhabhi or Manthara, Kaikeyi, or a nautch girl- would be called supporting actress. No story (whether in movies or novels or real-life) is complete without supporting characters.

I know, there is no need for me to explain these terms -supporting cast, hero, heroine etc.- to regular movie buffs. But the person who is celebrating her 80th birthday today is one who was the first heroine of Rajesh Khanna- the superstar of the 70s.

She was born in Allahabad on 1st March 1942 to Dr. Jitendra Mukherjee and a homemaker mother- Kamini Devi. She was one of seven children i.e. she had four sisters and two brothers. (Allahabad also gave us a superstar. But more about that later).

We are talking of Indrani Mukherjee who made her debut in Bimal Roy Productions “Usne Kaha Tha” (for which she was given the Filmfare Best Supporting Actress) in 1960 which was followed by ‘Dharmputra’, ‘Grahasti’, ‘Haqeeqat’ which were the more notable initial films of this dainty Bengali beauty. In between she appeared as Dharmendra’s wife in ‘Shaadi’ which was a movie with Manoj Kumar as main lead. She was also seen in Manoj Kumar’s ‘Shaheed’ in 1965. That means she was decently active in the 60s and “Aakhri Khat” by Chetan Anand saw her play Rajesh Khanna’s love interest. We also saw her in a song where Sanjeev Kumar wooed her singing ‘tumhaari zulf ke saaye mein shaam kar doonga’.

Of course, I have not seen any of the films or songs that I have mentioned here other than possibly the song from ‘Grahasti’ when it appeared on Doordarshan ages back. Recently I discovered that the song “paayal ki jhankaar raste raste” has her dancing and decently too.

Possibly the first time I saw her on-screen was in Manmohan Desai’s “Chacha Bhatija” and “Parvarish” both in 1977. In one she played Amitabh Bachchan and Vinod Khanna’s mother and in the other she played Dharmendra’s bhabhi and mother to Randhir Kapoor.

I also remember her as Maharani Meenakshi in Desai’s “Dharam Veer” (1977) where she falls in love with a brave hunter, thinking him to be dead marries the crown-prince of some XYZ kingdom, gives birth to twins who are separated at birth etc. Indrani Mukherjee had a sizable screen time in this movie too where Jeetendra and Dharmendra played her sons.

Here I would like to point out that these actors, barring Dharmendra, were all in the same age bracket as Indrani and this is something that I have always had a problem with. Actors never age and the lady who once played his love-interest plays his mother, bhabhi etc a supporting character, I mean ladies get to play young characters for a shorter period as compared to gents. But that is not the point of this post. This post is meant to wish a healthy and happy 80th birthday to Indrani Mukherjee.

Let us have a song from “Chacha Bhatija”. It is a song and dance situation where we see Hema Malini playing a kind of ‘ojha’. Randhir Kapoor and Dharmendra (in disguise of course) have brought Sonia Sahni to the ‘ojha’ to get the spirit, of a supposedly dead Indrani Mukherjee, to leave her. We can also see the “permanently drunk” Keshto Mukherjee recording the proceedings, specially assigned to record Sonia’s confession. All in all a very entertaining song. And where does it come from?

From a Manmohan Desai movie of course, which was meant to relax the audience. His movies were the type where logic was conspicuous by its absence, the movies were fast-paced giving the viewer little time to think “what is happening!!!” The absence of logic is realized only on repeat viewing of these films. And all of Desai’s films have repeat value and are entertaining to the generations that were not even born back then.

Incidentally 1st March also happens to be Manmohan Desai’s anniversary, it is 28 years since his passing, he had just celebrated his 57th birthday.

Today’s song is by the team of Anand Bakshi-Laxmikant-Pyarelal-Asha Bhonsle. (I am not sure if it is the voice of any male singer for the words uttered by the two heroes)


Song-Bhoot Raaja bahaar aa jaa (Chaacha Bhateeja)(1977) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

ooooo ooooo
aa aa aa aaa
ooooo oooo
aa aa aa
ooooo oooo
aa aa aa

hahaha
ahahahaha
bol
kaun hain tu
tu kahaan se aaya hain
kisne bheja hain
main dekh loongi tujhe
haa

bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja
seedhi tarah se maan ja nahin toh
main baja doongi tera band baaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja
seedhi tarah se maan ja nahin toh
main baja doongi tera band baaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja

laaton ke bhoot baaton se nahin maantey
jooton ke shaukeen haathon se nahin maantey
aaja
raaja
nahin aayega toh maar khayega
aaja
raaja
nahin aayega toh maar khaayega
huh kyun Khushiram
bol Hansiram
sat vachan hain maa
sat vachan hain maa

din hai abhi ke raat
raat
jeet teri ke maat
maat
joota pade ke laat
laat
ek
do
teen
chaar
paanch
chhe
saat
bas bas
poore hone do das das
seedhi tarah se maan ja nahin toh
main baja doongi tera band baaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja

aaaaa aaaaaa
hu
aa aa aa aa aa
hu
aa aa aa aa aa
hu
aa aa aa aa aa
hu
aa aa aa aa aa

tujhko pasand ho toh sar pe maaroon danda
garmi ka hai mausam
tujhko karoon thhanda
aaja
raaja
nahin aayega toh maar khayega
aaja
raaja
nahi aayega toh maar khaayega
bol Hansiram
kyun bey Khushiram
sat vachan hai maa
sat vachan hai maa

chup bhali ke shor
shor
mor hai ye ke chor
chor
kaafi hai ya aur
aur
ek
do
teen
chaar
paanch
chhe
saat
bas
bas
poore hone do das das
roti kyun hai hans
seedhi tarah se maan ja nahin toh
main baja doongi tera band baaja
bhoot raja bahaar aaja
aaja ho aaja bahaar aaja
bhoot raaja bahaar aaja
aaja ho aaja bahaar aaja

bol
yehi hai na woh bhoot
haan yehi hai
yehi hai
ha ha ha ha
hahahaha

kaisa jakda shikanje mein
ye ab hai mere panje mein
kaisa jakda shikanje mein
ye ab hai mere panje mein
bol tu is’se kyun sataata hai
maine nahin
issne mujhe
beghar banaaya hai
hmm
beghar banaya hai
bol

(some dialogue)
——————————

aur kya kya zulm kiye hain in par
zyaada nahin
Seeta devi par jhoothha ilzaam lagaa kar
unhen marne par majboor kiya thha
aur
zyaada nahin
Teja ke chhote bhai Shankar ko jaan se maarne ki koshish ki thhi
aur
zyaada nahin
apne bete ko Teja ka beta banaa kar
uski daulat ka waaris banaaya thha
bas bas
bas nahin
abhi to poore gin’ne hain das
————————————-
toh chal
tu isse maafi maang
baith
uthh
baithh
uthh
let
??
ghoom
baithh
uthh
let
ghoom
ghoom
naach
bhaag


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16793

Rafi Sahab’s Legendary Associations – 10
———————————————————

73rd Republic Day of India

ek hai apni zameen
ek hai apna gagan
ek hai apna jahaan
ek hai apna watan
apne sabhi sukh ek hain
apne sabhi gham ek hain
aawaaz do
aawaaz do ham ek hain
ham ek hain

“What is it that I want? The same as you, the same as everyone else. I want to be physically safe and healthy, financially secure and personally happy. I want the same confidence in my abilities, in my environment and social acceptance. I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”
This is me, in conversation with a dear friend and a long-time colleague. This conversation happened some 15-16 years ago. Actually, we were on the same page in the topic, she was not coming from any opposite direction at all. But she was the one clear on the causes of a problem, I was the one confused.
But things are a lot clearer to me now, exactly what I wanted to explain at that time is more obvious now.

apne sabhi sukh ek hain
apne sabhi gham ek hain

The causes of happiness for the common man are the same everywhere, whatever is the religion, caste, race, region, language, state or country they are allied to. The aspirations are same and the apprehension and causes of sadness are also the same essentially. This is the way a social environment develops, where people go and join hands with each other in times of happiness and sadness.

Today the country is celebrating 73rd Republic Day.

The constitution gives us the right to live with dignity. What is a person’s dignity? it is not just the pride in its citizenship, its values and its integrity. A person’s dignity is the self-belief that I have done nothing wrong and don’t mean any harm to anyone. And a feeling of security, that me, my life, my livelihood and my family is safe. A sense of belonging that makes us feel responsible for the safety and security of fellow citizens and has assurance of reciprocation. Also, that I deserve all that I command. Personally, socially and professionally.

As a citizen it is a right to demand and acquire good education, an adequate health facility, a great judicial system and better law enforcement agencies, plus a media which gives us information, that really mattered. Real information, on what has been done to give the above rights to the citizens.

With the slow and gradual increase of opportunities in education and personal growth, the inequalities have also increased. A success story in monetary terms and career, is just not enough. It is also important to have balanced and broad-minded success stories. Rationality and seeing an issue in a truly international perspective are what will make a successful person intellectually empowered.

At the ripe old age of 75, we should have been a mature people.
Do we see enough, do we care enough?
Do we bother to call out the misbehaviour, of miscreants we see on the streets? Are we bold to speak out against injustice?
Are we smart enough to sift through the crap fed to us day in and day out in the guise of news and entertainment?
Do we bother to check the authenticity of WhatsApp forwards before sharing with other people?
Do we even care that our ‘can’t care less’ attitude is destroying the centuries old social fabric of our society and stripping us of our identity as a people, the whole world, looked at with respect?

Munshi Premchand said “Communalism, whenever it raises its head, it comes within a cloak. Because it is ashamed of coming alone or walking alone. “
Yes, at the age of 75, we are a nation of most young people in the world. Being second largest population in the world, with an average age of 28 years, the figures of young people and children are just hugest in the world. If these young people are a part of work force and aspire for personal growth and are able to collectively individually, contribute to the nation building, what can be built and achieved is mind boggling.
But are we looking at what the young population of this country is aspiring to be?
What is the ambition of an average Indian youngster?
what are their hopes?
What are their priorities?

It is very important to channelise the energies and ambitions of youth towards personal and professional excellence. There is enough talent, brains and hands in this country to make it an economic force. But for that we have to rise above the politics of religion, caste, us and they, region etc.

There was a story of cats and a monkey, we used to hear and read as children. Lately I have not seen it repeated anywhere. So here is the story for refreshing the memory of readers:

Two cats are fighting for a roti. The monkey comes and tells them to stop fighting and make two equal pieces of the roti. The cats agree and make two parts. The monkey tells them the two parts are not equal, one is larger and the other is smaller. He advises the cat holding the larger piece, to break a small part and give it to him, so both the cats have equal portions. The result is again the same, the parts of the roti the cats have are still not equal. So, the other cat is asked to break a small piece and give it to the monkey, to establish the equality. So on and so forth the dispute continues, till the whole roti is finished, while the cats remain empty handed in the end.

Similar is the case of inequality in opportunities in our set up. In the name of equalising those opportunities, the opportunists among us are gobbling up the parts and parcel. Keeping the marginalised sections divided and fighting imaginary/perceptive fights with each other. It is not a true cut and dried, there are multiple layers to these differences, perceptions of not getting a fair share of the ‘roti’. The majority/minorities tussle is but one layer of it and the cloak which Munish Premchand referred to. The real divide here is still the have’s and have nots. Then there is a gender divide, which is inherent and keeps getting uglier.

Where does all this leave the common man, with its apprehensions and aspirations? With their same dukh and sukh, I spoke about in the first para.
“I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”

It is true, that once I had children, all my self-interests and care less impulsiveness gave way to worries of the future. Not the least of which was the worry for their safety, physical, emotional and psychological. Major part of their time was spent outside the home, in school and in the creche. How the things that they imbibe from the social atmosphere will affect their character, their thought processes and their choices and priorities? This was a cause of worry for me.

Yes, these ills in society are stemming for this one vice, i. e. selfishness. A few days ago, I had a big discussion with my son, regarding the self-interest of sections of society, and the marginalised sections of the society, who are still outside a certain margin. This margin is not unbreachable. We can see it breached in some developed states in the country. In most parts of the country, the focus of the populace is on the personal growth, better life quality and the common interests of the common man.

My son, interestingly was coming from the other direction in the discussion. I have managed to make an inroad in the way, he looks at opportunities for himself and for others, his fellow countrymen, who have the talent, ability and deserve to take their rightful place in the progress and development of the country, I hope, because he has not come to me with any counter-arguments on the topic :-).

This is my quest to make a balanced, truly intellectual success story out of my children. There is no ‘ism’ in this thought process, just a bit of logic and unselfishness. The conscious unwillingness to get embroiled in a conflict of interests which is a matter of perception. This really is a distraction, which our youth do not need.

The problems and issues in our country are centric and specific to our country. These have to be looked at with a prism of our own, not look for solutions to it, from examples of other nations and other societies.

I will move on to the song post.

The song is an iconic song from the 1981 film “Kranti’. The punch line, or the concluding line of the song is

Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa

“mera chana’ can be interpreted as ‘my passion’ or ‘my goal’, which really is to treat ‘khudgarzi’ i.e. selfishness as the enemy.

The song is iconic, as it has three legends of hindi film music singing it with the son of another legend. Mohammed Rafi, Kishore Kumar and Lata Mangeshkar are singing for Dilip Kumar, Shatrughan Sinha and Hema Malini, whereas Nitin Mukesh is giving playback to Manoj Kumar in the song, which is written by Santosh Anand and composed by Laxmikant-Pyarelal.

I used to hear the ‘sponsored programme’ of this film on Vividh bharati, I have seen the movie also long back. But I only recalled that Rafi Sahab is singing just one line for Dilip Kumar in this song. But now that I have seen and heard the song multiple times, the lines Rafi sahab is singing towards the end of the song, are definitely very significant and elevate the whole song to another level. The composition and orchestration have been kept very simple and basic by Laxmikant-pyarelal, so this is not a crowded song, with all these greats singing their parts, independently and together, with male and female chorus to add to the group.

This is the only song of these four singers. For Rafi sahab’s series, this must be the last such song remaining to be posted in the blog where Rafi sahab and Kishore Kumar are singing together, with or without Lata Mangeshkar and Nitin Mukesh. For Rafi-Lata duets, there are a few songs, at least one of them I plan to include in the series. So, this post takes care of Rafi sahab’s association with Kishore kumar, Nitin Mukesh and Santosh Anand.

Let us go to the song, and listen to the rendition which is a real ‘hair raising’ experience.

Audio:

Video:

Song-Chana jor garam baabu main laaya mazedaar chana jor garam(Kraanti)(1981) Singers-Lata Mangeshkar, Kishore Kumar, Nitin Mukesh, Mohammed Rafi, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lata Mangeshkar + Kishore Kumar
Female chorus
Male chorus

Lyrics
(Provided by Avinash Scrapwala)

Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum taram
Tum tum ta ra ra ra
Tum tum taram

Tum tum taram taram
Tum tum taram taram
Duniya ke hain laakh dharam
Par apna ek karam
Chana jor garam

Chana jor garam baabu
Main laayi majedaar
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mera chana bana hai a’alaa
Jis mein daala garam masaala
iss ko khaayegaa dilwaala
Chana jor garam
Mera chana khaa gayaa goraa
Mera chana khaa gayaa goraa
Khaa ke ban gayaa tagda ghodaa
Main ne pakad ke usse marodaa
Maar ke tangdi uss ko todaa
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mere chane ki aankh sharaabi
Sharaabi ee
chane ki aankh sharaabi
Ho oo
Iss ke dekho gaal gulaabi
Gulaabi ee
dekho gaal gulaabi
ho …
iss ka koyi nahin jawaabi
iss ka koyi nahin jawaabi
jaise koyi kudi punjaabi
jaise koyi kudi punjaabi ee

naache chhanan chhanan
naache chhanan chhanan
kothhe chadh ke tainu pukaaraan
sun le mere balam
chana jor garam
Chana jor garam baabu
Main laayi majedaar
Chana jor garam

Meraa chana khaa gaye gore
Gore meraa
chana khaa gaye gore
ho gore
jo ginti mein hain thhode
ho phir bhi maare ham ko kode
phir bhi maare ham ko kode
Tum tum taram taram

Tum tum taram taram
Laakhon kode toote phir bhi
Toota na dum kham
chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam
Chana jor garam
Chana jor garam
Chana jor garam(hoo oooo)
Chana jor garam(oooooo)
Chana jor garam(aa aaaa)
Chana jor garam(aaa aaaa)
Chana jor garam(ooo oooo)
Chana jor garam(ooo oooo)
Aaa aaaaaa
Aaaaa aaaaaa
Aaaaa aaaa
Ooooo oooo
Oooooo oooo

Oooo oooooo
Ooooooo
Aaaa aaaaaa
Aaaaaa
Aaaaaaaa
Aaaaaa
Ho oooo oooo
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Sar kafan baandh ke niklaa hai
Deewaana hai yeh pagla hai
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Apnon se naataa jodegaa
Gairon se sar ko phodegaa
Apna yeh vachan nibhaayegaa
Maati ka karz chukaayegaa aa

chana hai apni marzi kaa
Marzi ka bhai marzi ka
Mit jaane ko mit jaayegaa
Azaad watan kar jaayegaa

Na to chori hai
Na to daakaa hai
Bas yeh to ek dhamaaka hai
Dhamaake mein aawaaz bhi hai
Ek soz bhi hai ae
Ek saaz bhi hai
Samjho to baat yeh saaf bhi hai
Aur na samjho to raaz bhi hai
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Iss par jo aankh utthaayegaa
Zinda dafnaayaa jaayegaa
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Aaa aaaaa
Aaaa aaaaa
Aaaa aaaaa
Aaaa aaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4926 Post No. : 16764

Today’s song is from the film ‘The Burning Train -1980’.

‘The Burning Train -1980’ was the 275th movie to be introduced on the blog on the 143rd day of the blog (on 8 december 2008) . Today the number of movies launched on the blog has reached 4562 on 12 January 2022. These numbers give us some idea of the long journey of the movie ‘The Burning Train” on the blog. 😊

The first song from this movie was posted on 08.12.2008. Today, 4784 days later(on 12.01.2022) we are posting the final song from this movie. So, “The Burning Train-1980” finally arrives at its destination YIPPEE station on the blog today. It becomes the 1304th movie to get YIPPEED in the blog.

“The Burning Train-1980” was one of the most ambitious movies from the Chopras’ (B.R. Chopra Films). It had a long list of star-artists performing in it.
I vaguely remember to have watched this movie with my parents when I was a child. Later, as I grew, I kept reading about this movie and kept listening to its songs as I liked them all. I think this movie should be ‘one of the most discussed or hyped but less successful commercially movie ’ of its time.

I loved to watch this movie whenever it was played on Cable TV or TV channels. It must have been liked by many like me and may be many in the new generations in eighties, nineties and more. This movie has good songs written by Sahir and composed by R.D. Burman. Especially its qawwali ‘pal do pal ka saath hamaara’ is liked even today.

‘The Burning Train -1980’ was directed by Ravi Chopra for B.R. Films, Bombay. It was produced by B.R. Chopra. Ravi Chopra also wrote the story of this movie.

It had Dharmendra, Hema Malini, Vinod Khanna, Parveen Babi, Neetu Singh, Danny, Vinod Mehra, Jeetendra, Navin Nischol, Simi, Asha Sachdev, Padmini Kapila, Romesh Sharma, Payal, Asrani, Ranjeet, Iftekhar, Om Shivpuri, Sujit Kumar, Nana Palsikar, Rajendra Nath, Mukri, Keshto Mukherji, Padma Khanna, Komila Virk, Nazir Hussain, Indrani Mukherji, Paintal, Dinesh Thakur, Yunus Parvez, Shammi, Ravindra Kapoor, T.P. Jain, Jankidas, Jagdish Raj, Gufi, Sudha Shivpuri, M. Rajan, Uma Dhawan, Mac Mohan, Anand Balraj, Prem Bedi, Master Bittoo, Baby Khushboo, Junior Danny, Master Romy, Master Salim and others.

Madan Puri, Chandrashekhar, Satyen Kappu and Urmila Bhatt make a guest appearance in this movie.
Its screenplay and dialogues were written by Kamleshwar ji. Pran Mehra was the chief editor for this movie and S.B. Mane and R.P. Bapat assisted him. This movie was passed by Censor Board 20.03.1980.

This movie had six songs penned by Sahir Ludhianvi and composed by R.D. Burman. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Padmini Kolhapure and Sushma Shreshtha and Usha Mangeshkar gave their voices to the songs in this movie.

So far, five songs from this movie have been posted on the blog earlier. Here are the details of all the six songs of this movie.

Sr.no. Song Title Singer/s Posted On
01 Ae Ae la laa laa laa … meri nazar hai tujhpe Asha Bhonsle Being discussed today
02 La laa laa laa …pehli nazar mein hamne to apna… Asha Bhonsle, Mohd Rafi, Kishore Kumar, Usha Mangeshkar 25.10.2021
03 Kisi ke waade pe kyon hamne aitbaar kiyaa Asha Bhonsle 22.02.2021
04 Waada, haan jee waada, jab tak amber par taare… Asha Bhonsle, Kishore Kumar 08.12.2016
05 Pal do pal ka saath hamaaraa Asha Bhonsle, Mohd Rafi 08.12.2008
06 Teri hai zameen tera aasmaan Sushma Shreshtha, Padmini Kolhapure 17.10.2012

The final tally of Sahir- R.D. Burman collaboration including this song looks like this now.

Name of the Movie Year Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
Aa Galey Lag Jaa 1973 6 6 5
Joshila 1973 8 8 8
Deewaar 1975 5 5 5
The Burning Train 1980 6 6 6
25 25 24

Today’s song is the first song appearing in this movie which happens at the cultural program held by the ‘Railway Cultural Organisation’ in the movie.

Hema Malini and Parveen Babi are performing on this song which is a ‘traditional dance vs a modern dance’ type song.

Also seen in the picturization of this song are Dharmendra, Vinod Khanna, Danny, Madan Puri, Iftekhar, Urmila Bhatt, and many others.

Let us now listen to the today’s song and say YIPPEEEE to ‘The Burning Train-1980’.

Video

Audio

Song-Meri nazar hai tujh pe (The Burning Train)(1980) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-R D Burman

Lyrics

Hey
Hey
Laa laa laa laa laa laa laa
Laa laa laa laa laa laa laa
Meri nazar hai tujhpe
Teri nazar hai mujhpe
Meri nazar hai tujhpe
Teri nazar hai mujhpe
Isiliye rehte hain donon khoye huye
Ho
Laa laa laa
Laa laa laa laa laa
Laa laa laa
Meri nazar hai tujhpe
Teri nazar hai mujhpe
Laa laa laa laa laa laa laa
Laa laa laa laa laa laa laa laa

Tere bina jiyaraa maane na aa aa
Tere bina jiyaraa maane na
Lagi agan ye kaisi
Haaye
Jaane na
Balmaa
O o sajna aa
Ho o tere bina jiyaraa maane na
Hey
Hey
Laa laa laa laa laa laa laa laa
Laa laa laa laa laa laa laa
Meri nazar hai tujhpe
Teri nazar hai mujhpe ae

Tere liye ae
Kaliyaan main chunti rahoon un un
Aashaaon ki
Maalaayein bunti rahoon
O o o o o
Jaage mein bhi
Sapnon mein khoyi rahoon oon
Sote mein bhi aahat si sunti rahoon
O saajna aa aa
Baalmaa
Mujhko kya ho gaya aa
Haaye
Ho jaanoon na
Jaanoon na
Ho o o
Tere bina jiyaraa maane na
Lagi agan ye kaisi
Haaye jaane na
Balmaa
Ho o sajna
Hey
Hey
Laa laa laa laa laa laa laa
Laa laa laa laa laa laa laa
Meri nazar hai tujhpe
Teri nazar hai mujhpe

Mere bina
Ab tu bhi reh na sake
Ho tere bina
Ab main bhi reh na sakoon
Oo oo oo oo oo oo
Haaye magar tu bhi ye keh na sake
Haaye haaye magar
Main bhi ye keh na sakoon
Jaaneman kaho tum dil ko ye kya huaa hai
Ho
Jaanoon na
Jaanoon na
Meri nazar hai tujhpe
Teri nazar hai mujhpe
Isiliye rehte hain donon khoye huye
Ho
Laa laa laa laa laa laa
Laa laa laa laa laa laa
Tere bina jiyaraa maane na
Tere bina jiyaraa maane na


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4923 Post No. : 16757

Today 9th January’2022 is eighty-eighth birth anniversary of singer Mahendra Kapoor.

He was born on 9th January’1934 and passed away on 27th September’2008.

We remember him on this occasion and pay our tributes by listening to a song sung by him here on this blog. I am a big fan, if not a great fan, of Mahendra Kapoor songs.
These include patriotic songs and songs from other genres too.

After getting associated with this blog I have tried to bring many of his songs which so far are not posted on the blog.

Today’s song is one such song which I have noted long time back or almost nine years back.

This song is from the movie ‘Santosh-1989’.

One song from this movie has already been posted on the blog.

‘Santosh-1989’ was an ‘East-n-West Movies’ presentation. It was produced and directed by Balbir Wadhawan.
Hansraj Wadhawan was the production controller of this movie. It had Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pinchoo Kapoor, Om Shivpuri, Praveen Kumar, and others.

Story of ‘Santosh-1989’ was written by Kaushal Bharti. Editing of this movie was done by V.V. Kamat (assisted by Ashok Naik).
Cinematography was done by Radian Kinagi.

This movie had six songs. Lyrics for the songs of this movie were written by Santosh Anand (five songs) and Manoj Kumar (one song). Music was composed by Laxmikant Pyarelal.

It was passed by Censor board on 28.02.1989.

A brief about this movie has been taken from IMDB and reproduced here below.

Cold-hearted and manipulative Kamla has fallen in love with a poor man and marries him and has a child named Santosh. She soon realizes that life is not fun living in poverty, and abandons her child and husband, and returns back to her father and his wealth. She re-marries millionaire Kailashpathi, and has a child named Kundan from him. Years pass by, Kundan and Santosh have both grown up. Kundan is the owner of the mill with his mom, while Santosh is a struggling mill worker, and a union worker. A confrontation ensues between the mill and the workers, and Kamla is able to negotiate a settlement and get the workers back to work but fails to keep the promise. Santosh opposes this, and she sets her goons and Kundan against him. Santosh is abducted and held prisoner by Kamla and Kundan, and the only way he can be released is when he compromises with them.

Today’s song is sung by Mahendra Kapoor. It is lip-synced by Manoj Kumar. Also seen in the picturization of this song is Herma Malini.

Lyrics are by Santosh Anand and music was composed by Laxmikant-Pyarelal.

Listening to today’s song may remind some, the well song ‘aur nahin bas aur nahin, gham ke pyaale aur nahin’ from ‘Roti, Kapada Aur Makaan-1974’. I like this song and today’ song very much.

Let us now listen to today’s song which is written by Santosh Anand and composed by Laxmikant-Pyarelal.

Enjoy!!!

Video

Audio (Longer)

Song-Aaj main bechain hoon yaar main bechain hoon (Santosh)(1989) Singer-Mahendra Kapoor, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
female chorus,
male chorus,
all chorus

Lyrics

Aaj main bechain hoon
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon
Aaj main bechain hoon
Yaar main bechain hoon

Ye mahaz tanhaayiyaan
Dard ki angdaayiyaan
Ye mahaz tanhaayiyaan
Dard ki angdaayiyaan
Maut ki parchhaayiyaan
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon
Aaj main bechain hoon
Yaar main bechain hoon

Ek nabh mein maahtaab
Ek gori ka shabaab
Ek nabh mein maahtaab
Ek gori ka shabaab
Ek mere din kharaab
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon
Aaj main bechain hoon
Yaar main bechain hoon

Hmm hmm hmm

Ye mahal ye takhto taaj
Ye mahal ye takhto taaj
Ye mahal ye takhto taaj
Ye sharifon ke rawaaz
Hai kahaan bandaa nawaaz
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon
Aaj main bechain hoon
Yaar main bechain hoon

Geet gaana hai manaa
Muskurana hai manaa
Geet gaana hai manaa aa
Muskurana hai manaa
Sar uthaana hai manaa
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon
Aaj main bechain hoon
Yaar main bechain hoon

Aa aa aa aa
Aa aa aa aa aa

Aa aa aa aa
Aa aa aa aa

Aa aa aa
Aa aa aa aa
Aa aa aa aa

Aa aa aa
Aa aa aa aa
Aa aa aa
Aa aa aa aa
Aa aa aa aa
aa aa aa aa
Aa aa aa aa

Aa aa aa
Aa aa aa aa
Aa aa aa
Aa aa aa aa
Aa
Aa
Aa
Aa
Aa
Aa

Ye to zindagi nahin
Jisko jee rahein hain ham
Aas koi bhi nahin
Ghut ke reh gaya hai dam

Chal rahaa hai karwaan
Aa aa
Chal rahaa hai karwaan
Chal rahaa hai karwaan
Aa aa
Chal rahaa hai naujawaan
So rahe hai rehnuma
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon
Hoon oon

Aaj main bechain hoon
Yaar main bechain hoon
Aaj main bechain hoon
Yaar main bechain hoon


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4847 Post No. : 16636

‘The Burning Train -1980’ was directed by Ravi Chopra for B.R. Films, Bombay. It was produced by B.R. Chopra. Ravi Chopra also wrote the story of this movie.

It had Dharmendra, Hema Malini, Vinod Khanna, Parveen Babi, Neetu Singh, Danny, Vinod Mehra, Jeetendra, Navin Nischol, Simi, Asha Sachdev, Padmini Kapila, Romesh Sharma, Payal, Asrani, Ranjeet, Iftekhar, Om Shivpuri, Sujit Kumar, Nana Palsikar, Rajendra Nath, Mukri, Keshto Mukherji, Padma Khanna, Komila Virk, Nazir Hussain, Indrani Mukherji, Paintal, Dinesh Thakur, Yunus Parvez, Shammi, Ravindra Kapoor, T.P. Jain, Jankidas, Jagdish Raj, Gufi, Sudha Shivpuri, M. Rajan, Uma Dhawan, Mac Mohan, Anand Balraj, Prem Bedi, Master Bittoo, Baby Khushboo, Junior Danny, Master Romy, Master Salim and others. Madan Puri, Chandrashekhar, Satyen Kappu and Urmila Bhatt make a guest appearance in this movie.

Its screenplay and dialogues were written by Kamleshwar. Pran Mehra was the chief editor for this movie and S.B. Mane and R.P. Bapat assisted him.

This movie was passed by Censor Board on 20.03.1980.

This movie had six songs penned by Sahir Ludhianvi and composed by R.D. Burman. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Padmini Kolhapure and Sushma Shreshtha and Usha Mangeshkar gave their voices to the songs in this movie.

So far, four songs from this movie have been posted on the blog earlier. Here are the details of all the six songs in this movie;

Sr.no. Song Title Singer/s Posted On
01 Ae Ae la laa laa laa … meri nazar hai tujhpe Asha Bhonsle
02 La laa laa laa …pehli nazar mein hamne to apna… Asha Bhonsle, Mohd Rafi, Kishore Kumar, Usha Mangeshkar
03 Kisi ke waade pe kyon hamne aitbaar kiyaa Asha Bhonsle 22.02.2021
04 Waada, haan jee waada, jab tak amber par taare… Asha Bhonsle,Kishore Kumar 08.12.2016
05 Pal do pal ka saath hamaaraa Asha Bhonsle, Mohd Rafi 08.12.2008
06 Teri hai zameen tera aasmaan Sushma Shreshtha, Padmini Kolhapure 17.10.2012

Today’s song is sung by Asha Bhonsle, Mohd Rafi, Kishore Kumar and Usha Mangeshkar.

The final tally of Sahir- R.D. Burman collaboration including this song looks like this now;

Name of the Movie Year Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
Aa Galey Lag Jaa 1973 6 6 5
Joshila 1973 8 8 8
Deewaar 1975 5 5 5
The Burning Train 1980 5 6 6

let us now enjoy today’s song picturized on Dharmendra, Hema Malini, Vinod Khanna and Parveen Babi.

Today (25 october 2021) is the remembrance day of Sahir Ludhianvi. We pay our homage to him on this occasion.

Audio

Video

Song-Pehli nazar mein hamne to apna dil de diya thha tujhko (The Burning Train)(1980) Singers-Asha Bhonsle, Mohd Rafi, Kishore Kumar, Usha Mangeshkar, Lyrics-Sahir Ludhianvi, MD-R D Burman

Lyrics

la laa laa laa laa
la laa la la laa lala
la laa laa la la la laa laa
la la la laa la la la laa laa
la la la
la laa la la la laa laa

pehli nazar mein
hamne to apnaa
dil de diyaa thhaa tumko
par tumne der lagaayi
ruk ruk ke baat badhhaayi

waise to hamne
dil se hi tumse
apnaa liyaa thhaa tumko
par jaan ke baat chhupaayi
naa kah ke qadar badhhaayi

dekha tumhen to hamne ae
sabse nazar uthhaa li ee ee
khone ki cheez kho di
paane ki cheez paa li ee ee
ho seedhe na sahi ee
ghoom ke sahi
mil to gaye hain ae ae
la laa laa laa laa
laa laa laa laa laa
pehli nazar mein
hamne to apnaa
dil de diyaa thhaa tumko
par tumne der lagaayi
ruk ruk ke baat badhhaayi
laa laa laa aa

hamne tumhaari khaatir
kya kya kiye bahaane ae
ho o o o o
aasaan nahin mohabbat
ab to ye baat maane ae
thhoda nahin kam
jaise bhi hon ham
mil to gaye hain
pehli nazar mein
hamne to apnaa
dil de diyaa thhaa tumko
par tumne der lagaayi
ruk ruk ke baat badhhaayi

likkhaa thhaa aasmaan par
yoon hi ye khel honaa aa
pehle nazar ulajhnaa aa
phir dil ka mel honaa aa
ho o o
chhodo ye giley ae ae
jaise bhi miley
mil to gaye hain ae ae
pehli nazar mein
hamne to apnaa
dil de diyaa thhaa tumko
laa laa laa laa laa
par tumne der lagaayi
ruk ruk ke baat badhhaayi
la laa la la laa
la laa la la laa
la laa laa la la la laa laa
la la la laa la la la laa laa
la la la laa la la la laa laa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4838 Post No. : 16624

Hullo Atuldom

My family and some members of this world of Atulsongaday, which I like to refer to as Atuldom, know my love for a few actors from the Hindi Film World. Specially the actors who graced the silver screen in the 70s, 80s and early 90s. Many of the actors of that period are in the 60 to 75/80+ age group. Actors Amitabh Bachchan, Jeetendra, Rekha, Hema Malini, Zeenat Aman, Jaya Bhaduri, Dharmendra, some actors played character roles in that period etc. when they make an appearance on reality television I make it a point to see those episodes and on repeat if possible.

Kaun Banega Crorepati had one such episode on 15th October 2021. It was advertised as ‘Sholay Reunion Special’ (if I got the title right). It was like a reunion of school friends. Hema Malini and Ramesh Sippy were the guests who played the game for some charity. It was cute to see Hemaji and AB Sr. mouthing lines of all the characters – Gabbar Singh, Angrezon ke zamaane ka jailor, Veeru, Jai – whose pictures were flashed on the big screen. Hema Malini did the Jailor’s typical laugh and also “basanti inn kutton ke saamne matt nachna” and I was all eyes and ears. Imagine how soothing it must have been to see a sooper pretty lady, with her typical manner of speech, giving answers to the questions. Here I would like to mention that the questions were ‘made to order’ to enable Ramesh Sippy and Hemaji earn 25l to fund their charities. There were two highlights in the show; one was when Veeru joined the show over video call.
The other and more appropriate (IMO) part of the show was when they brought Reshma Pathan on the show. This is the lady who has played a body double for all the stunts that heroines were shown to be carrying out in the movies of the 70s and 80s. Hemaji and Rameshji showered their praises on this lady for helping out with the stunts in Sholay. They specially mentioned the action scene, after the Holi song, where a child is shown crying near the ‘merry-go-round’ and a lady comes running to rescue the child.

Towards the final section of the program they wished (in advance) The Beautiful Hema Malini for her birthday. I had also thought up a few possible songs to go with this post. Then I happened to see a comment on the blog, by Manohar Lal Dave, who had reminded that 15th October was the birth anniversary of Shankar of the Shankar-Jaikishan duo.

We will enjoy this song from “Sanyasi” (1975) of which the blog has five songs. This is the sixth written by Varma Malik and tuned S-J and it is sung by Mukesh and Lata Mangeshkar.

Wishing the Ever-so- gorgeous, beautiful, elegant DreamGirl on her birthday with this song.

Audio

Video

Song-Sun baal brahmchaari main hoon kanya kunwaari (Sanyaasi)(1975) Singers-Lata, Mukesh, Lyrics-Verma Malik, MD-Shankar Jaikishan

Lyrics

om nama shivay
haay
om nama shivay
hmm
om nama shivay
hahahah
om nama shivay
hahahah
om nama shivay

sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwari

aake khadi hoon dwaare tere
kyun baithha hai aankhen phere
aake khadi hoon dwaare tere
kyun baitha hai aankhen phere
in aankhon ki madira pee le
in aankhon ki madira pee le
chhodne waala hans kar jee le
ari sun roopwati
main hoon sant jati sati (?)
kisi aur pe dore daalo
meri maa mujhe bacha lo

sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari

bol Siyapati Ramchandra ki jai

ban thhan ke main aise nikli
jaise saawan mein chamke bijli
ban thhan ke main aise nikli
jaise saawan mein chamke bijli
aisi meri bharpoor jawaani
aisi meri bharpoor jawaani
aag se jaise lipta paani
hey Raamji duhaai
ye Saroopnakha aayi
apne Lakshman ko sambhaalo
meri maa mujhe bacha lo

sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari

bana jawaani mein tu jogi
teri saadhana poori na hogi
bana jawaani mein tu jogi
teri saadhna poori na hogi
poori na hogi
roop mein mere itni shakti
karne lagega meri bhakti
aaye nikat nikat
hai samaysya vikat
koi iska ticket kata lo
meri maa mujhe bacha lo

sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man me preet ka rang bhar du
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4833 Post No. : 16616

Hullo Atuldom

Another date of October for which I always need to write out a post for.

It being the birth date of an actor whose work I began liking post 1975- “Sholay” to be exact. I liked the way he delivered his dialogues. Some dramatic dialogues which he had casually uttered are iconic and classic and stuff which fans quote as legendary.

Remember ‘mere paas maa hai’ it was not said forcefully or with banging of fists or any such heavy add-ons. He was also given dialogues which were comic in nature -for example the cricket commentary in English that has made “Namak Halal” a movie worth watching; he even managed to squeeze in some comedy intto the fight sequence in the climax of the movie. But I always loved the late night scene in Asrani’s office when Amitabh Bachchan calls Asrani and Dharmendra for a meeting to discus the situation between Vasudha and himself. I know I need not mention that I am talking of the Hrishikesh Mukherjee ’70s classic “Chupke Chupke” and the expression that he had when he said “for safety’s sake main woh bhi batadoonga”- priceless. He was so nice at depicting his emotions and I may have mentioned this a few times in earlier posts about how the scene between Sanjeev Kumar and AB Sr. in “Khuddar” was memorable as both the actors spoke with their eyes. An added advantage the film industry had when working with AB Sr. was he was good in action sequences too and is known to have enacted many of them without using a body-double or ‘stuntman’ (in filmy parlance). He managed to overcome his awkwardness where dance (a necessity in Indian movies) was concerned. He has also tried his hand at singing for his characters; for which initially, he was made-fun-of as he was considered to be a tuneless singer but he has sung and many of them have been very popular with his fans.

Today’s post which celebrates this all-time favorite actor of mine turning a year older or a step closer to 80 has a song from the 2003 (can’t believe this film was 18 years back, time has just flown) B R films production and Ravi Chopra directed “Baghban”. It had music by Aadesh Srivastava and Uttam Singh and songs were penned by Sameer. Alka Yagnik, Hema Sardesai, Richa Sharma, Sneha Pant, Udit Narayan, Aadesh Srivastava, Sudesh Bhonsle and Amitabh Bachchan were the playback singers used.

This song is pictured with an emotional Raj Malhotra (AB Sr.) singing, and yearning for his wife Pooja (Hema Malini) who is staying with one of their sons and he himself with another son. The story of ‘Baghban’ was something which was popular in the 60s and early 70s; but even this movie was successful with the new generation moviegoers. This song can also been seen as proof of what I stated earlier in this post viz. “actors speaking with their eyes”; here it is Hema and AB Sr. They have played the old couple so convincingly. The song is sung by Amitabh Bachchan and Alka Yagnik.

Here is wishing the (once) Angry- Youngman, Shahenshah of Bollywood, Star of the Millennium, Big B or AB Sr. (people in entertainment industry have been addressing him in this manner for a few years now) a Happy Birthday and lots of good health.

Audio

Video

Song-Main yahaan tu wahaan zindagi hai kahaan (Baagbaan)(2003) Singers-Amitabh Bachchan, Alka Yagnik, Lyrics-Sameer, MD-Aadesh Srivastava

Lyrics

main yahaan tu wahaan
zindagi hai kahaan

main yahaan tu wahaan
zindagi hai kahaan
main yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin yaad jaati nahin ee ee
neend aati nahin yaad jaati nahin
bin tere abb jiya jaaye naa aa aa
main yahaan tu wahaan
zindagi hai kahaan

waqt jaise thehar gaya hai yahin
har taraf ek ajab udaasi hai
bekaraari kaa aisa aalam hai
jism tanha hai rooh pyaasi hai

teree soorat ab ek pal kyun nazar se hatati nahin
raat din toh kat jaate hain
umr tanha katati nahin
chaah ke bhi naa kuchh keh sakoon tujhse main aen aen
chaah ke bhi naa kuchh keh sakoon tujhse main
dard kaise karoon main bayaan aan aan
main yahaan tu wahaan
zindagi hai kahaan

jab kahin bhi aahat huyi
yoon laga ke tu aa gaya aa
khushboo ke jhonke ki tarah
meri saansen mehka gaya
ek woh daur thha
ham sada paas thhe ae ae
ek woh daur thha
ham sada paas thhe
ab toh hain faasle darmiyaan aan aan
main yahaan tu wahaan
zindagi hai kahaan
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm

beeti baaten yaad aati hain
jab akela hota hoon main
bolti hain khaamoshiyaan
sabse chhupke rota hoon main
ek arsa huwa muskuraaye huye ae ae
ek arsa huwa muskuraaye huye
aansuon mein dhali daastaan aan aan
mai yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin
yaad jaati nahin ee ee
neend aati nahin
yaad jaati nahin
bin tere ab jiya jaaye naa aa aa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17162

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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