Posts Tagged ‘Hema Malini’
Mere naseeb mein tu hai ke nahin
Posted on: May 27, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3600 | Post No. : | 14368 |
Today (27 may 2018) is the 3600th day for the blog. I posted a light hearted song on the occasion. Now, here is a proper party song. 🙂
This song is from “Naseeb”(1981). “Naseeb”(1981) was an archtypical Manmohan Desai movie. It had Amitabh Bachchan, Hema Malini, Shatrughan Sinha, Reena Roy, Rishi Kapoor, Kim Yashpal,Pran, Amjad Khan, Kader Khan, Amrish Puri, Prem Chopra, Shakti Kapoor etc in it.
It is amazing to realise that this movie had just six songs in it but they were sung by as many as eleven singers ! Rafi, Lata, Asha Bhonsle, Kishore Kumar, Usha Mangeshkar, Suman Kalyanpur, Amitabh Bachchan, Rishi Kapoor, Anwar, Shhailendra Singh, Kamlesh Awasthi were the singers who lent their voices in these six songs.
Five songs from the movie have been covered in the past. Here are the details of these five songs :-
|
Song Title |
Post No. |
Post Date |
| John Jaani Janardan | 68 | 4-Sep-08 |
| Zindagi imtihaan leti hai | 2546 | 18-Jun-10 |
| Chal mere bhai tere haath jodta hoon | 10401 | 24-Oct-14 |
| Rang jama ke jaayenge | 11621 | 1-Dec-15 |
| Pakdo pakdo pakdo jakdo jakdo jakdo | 13683 | 28-Oct-17 |
Theree is never a dull moment in a Manmohan Desai movie. There are many great HFM songs that are regarded as “better heard than watched”, but no Manmohan Desai song is likely to fall in that category. Manmohan Desai songs are almost always great treats to watch. These songs would tend to be long songs but audiences would still watch them spellbpound.
This song under discussion is no exception. Lilting Laxmikant Pyarelal prelude music begins while a cage descends on the banquet hall of the five star hotel. Hema Malini emerges out of a cage. This is somewhat (or rather delibetarely) reminiscent of Amitabh Bachchan emerging out of an easter egg in “Amar Akbar Anthony”(1977), another Manmohan Desai blockbuster. Amitabh Bachchan is very much present here in this song as well- and this time as a waiter in that five star hotel who tends to double up as a singer as well as is testified in the song John Jaani Janardan from this movie.
Amitabh Bachchan may be waiting on the guests, but he also manages to dance a step or two in between serving the guests. 🙂 He would get to do this some more in “Namak Halal”(1982) a few months later. 🙂
In these parties, one is bound to have a guest showing undue interest on the female singer. Prem Chopra is that errant guest here. Oldtimers may recall that Prem Chopra was lusting after Hema Malini since the days of “Raaja Jaani”(1972) and he even got Hema Malini to sing a song or two for him. For instance, this song Kitna mazaa aa raha hai(Raja Jani)(1972). 🙂
Prem Chopra has a message for Hema Malini (dance ke baad kamre mein milo) and he gets Amitabh Bachchan to act as the instant messenger. Amitabh Bachchan, as is his wont, hands his tray over to Prem Chopra and goes towards Hema Malini to deliver the message. Whether Hema Malini is scandalised by the contents of the message is something we never get to know because the song resumes as if nothing happened.
The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The video of the song is over five minutes long. Still the video version has one stanza missing in it. The audio version of the song has all stanzas, but then this version has a few lesser lines (less repetition of lines) and the Amitabh Bachchan- Hema Malini dialogue is missing in the audio version.
The song is the title song and so it talks about “Naseeb” viz fate. Naseeb leads to coincidences which we already know even without Manmohan Desai telling us. This song as well as other songs of this movie too have some coincidences associated with them. This song, the sixth and final song from the movie appears on the 3600th day of the blog. The movie had another philosophical song in it, viz Zindagi imtihaan leti hai . And guess what ! That song was covered in the blog eight years ago on a day that happened to be the 700th day of the blog !
That is not all. The fifth and penultimate song from the movie, viz Pakdo pakdo pakdo jakdo jakdo jakdo was covered on the day when the final of Premier Kabaddi League was being played. Now, the sixth and final song from the movie is being covered on the day when the final of IPL is under progress as I type these lines. 🙂
So, without typing any more lines, here is this wonderful philosophical title song from “Naseeb”(1981) on the 3600th day of the blog.
With this song, all the songs of “Naseeb”(1981) are covered in the blog and “Naseeb”(1981) now joins the list of movies that have all their songs covered in the blog.
Audio (all stanzas)
Video (misses one stanza)
Song-Mere naseeb mein tu hai ke nahin (Naseeb)(1981) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
laa lalalala lalalaala lalalala
laa lalalala lalalaala lalalala
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
ye hum kya jaanen
ye wohi jaane
jisne likha hai sab ka nasee ee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
suniye
aap
aap ne to kahaa thha ke
thheek hi to kahaa thha
five star hotel mein rahta hoon
bhookhon ko khaana khilaata hoon
hmm
aa
ye wo saahab hain na
unhone ye chitthi di hai
aap ko raat ko khaane par bulaaya hai
ek din khwaab mein ae ae
wo mujhe mil gaya aa aa
ek din khwaab mein ae ae
wo mujhe mil gaya aa aa
dekh kar jo mujhe ae ae
phool sa khil gaya
sharma gayi main haaye haaye
ghabra gayi haaye haaye haaye
sharma gayi main haaye haaye
ghabra gayi haaye haaye haaye
sharma gayi main
ghabra gayi main
kehne laga wo aa kar karee ee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
baat ye khwaab ki ee ee
sach magar ho gayi ee ee
baat ye khwaab ki ee ee
sach magar ho gayi ee ee
naujawaan main tujhe ae ae
dekh kar ho gayi
aankhen mili hain haaye haaye
dil bhi miley haaye haaye haaye
aankhen mili hain haaye haaye
dil bhi miley haaye haaye haaye
aankhen mili hain
dil bhi miley hain
dekhen miley kab apne nasee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
aa aa aa aa
aa aa aa aa
aa aa aa aa
hum kahin phir miley ae ae
ik haseen raat mein aen aen
hum kahin phir miley ae ae
ik haseen raat mein aen aen
baat ye aa gayi ee ee
phir kisi baat mein
ab ke hua ye haaye haaye
maine kaha haan haaye haaye
ab ke hua ye haaye haaye
maine kaha haan haaye haaye
ab ke hua ye haay haay
maine kaha haan haay haay
mujhko bataa de mere habee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
ye hum kya jaanen
ye wohi jaane
jisne likha hai sab ka nasee ee ee ee
everybody
come on
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
(lalalalalalala)
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
yeaah
Saawan nahin bhaadon nahin
Posted on: April 27, 2018
- In: "saawan" song | Asha Bhonsle songs | Asha Bhonsle Suresh Wadkar duet | Duet | Feelings of heart | Guest posts | Post by Peevesie's mom | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1980s (1981 to 1990) | Songs of 1981 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s mom , a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3570 | Post No. : | 14307 |
Hullo to all in Atuldom
My post today (27 april 2018) should be read after reading what our dear Rajaji wrote last year in this post of his. In there he has poured a lot of love for the handsome actor- producer- (and lastly) a politician. He has spoken for all the fans of Vinod Khanna.
It is simply unbelievable that a year has passed since this most charming actor passed away. I remember how shocked I was on reading the news on our WhatsApp group that day. The news must have broken on the news channels about noon, around the time when Vividh Bharati – All India Radio’s commercial channel- starts their farmaishie filmy gaane etc. I used to have this habit of listening to this programme, with headphones on, as I commute around (I have stopped it since). Now that day, I was most happy with the content of the programme as every single song was from a Vinod Khanna movie and all of which I simply love. It occurred to me that those songs were being played as a tribute to the departed artist, only when I read all the WA messages on returning home. It was very very saddening. But then life is like that, and apparently Vinod was ill for sometime before his death. And as Rajaji has mentioned in his post last year, there were photographs being shared on social media of a rather sick Vinod, but I always thought that must be a look for some forthcoming movie. But that was not how it was to be.
I cannot forget the look on his face when he is listening to the recorded message from his wife. And then the pain on discovering that his wife has been unfaithful- in Gulzar’s song less wonder “Achanak”. Can remember how he smartly outwits Jeetendra’s father as villain in “Anokhi Ada”. Thinking of him singing “nainon mein darpan hain darpan mein koi dekoon jise subaha shaam” with Saira Banu on a cycle in “Aarop”.
After having made his debut in 1968 through Sunil Dutt’s “Man Ka Meet” and doing roles of secondary characters as Manoj Kumar’s friend in “Purab Aur Paschim”; Shammi Kapoor’s younger brother who loses track of ‘good and bad’ in “Jaan Pehchaan”; an inspector out to nab the smuggler (Rajesh Khanna) in “Sachha Jhootha”; and a few villainous characters we saw him as a confused educated unemployed man in “Mere Apne” which was followed by “Achanak” and a small blink and miss role in “Parichay”- all of which were made by Gulzar. No mention of Vinod Khanna is complete without thinking of the “Jabbar Singh” he played in “Mera Gaon Mera Desh”- he was unforgettable, he is unforgettable, we can’t forget him.
How can we forget him- when the radio plays “priye praneshwari” or “koi hota jisko apna” or “bambai se aaya mera dost” or “ruk jaana nahin tu kahi haarke” or “darbaar mein uparwaale ke” or “bhaagi re bhaagi re brijbala kanha ne pakda rang dala” or “lagi aaj saawan ki phir who jagi hai” and all the other famous and not so famous songs featuring him.
Though his pairing with Amitabh was always enjoyed we cannot forget that he paired well with Feroz Khan, Shatrughan Sinha, Vinod Mehra, Rajesh Khanna, Dharmendra, Jeetendra, Sunil Dutt etc. As I was writing this post I wondered if he has never worked with Sanjeev Kumar and I saw that among yesterday’s posts is a song from “Chowkidaar” which had Sanjeev Kumar and VK is also there. The later year heroes Govinda, Salman Khan, Shahrukh Khan etc also co-starred with him playing an elder brother or father figure to them. He has done more than two movies each with most of the heroines of his era; be it Leena Chandavarkar, Bharati, Saira Banu, Zeenat Aman, Hema Malini, Rakhee, Parveen Babi, Reena Roy, Shaban Azmi, Rekha, Yogita Bali etc. and in his second innings Dimple Kapadia, Meenakshi, Madhuri, Madhavi, Jaya Prada, Sridevi etc. God, he had a good career and we were well entertained by him.
“Kudrat” was one of the movies where he co-starred Rajesh Khanna and Hema Malini. It also had Raaj Kumar and Priya Rajvansh in important roles. It was directed by Chetan Anand and had rebirth as its theme. It had great songs written by Majrooh Sultanpuri and Qateel Shifai and R D Burman was the music director. The song with this post is written by Majrooh and sung by Suresh Wadkar and Asha Bhonsle. It is a typical pahadi folk song performed by local dancers and as is the norm in Indian films the stars in the audience are drawn in to dance and shake a hip or leg with the performers. So, we can see Vinod Khanna starting the dance and trying to drag Hema Malini into it. This is followed by Aruna Irani (who plays the missing link between the two births of the main characters) Rajesh Khanna and Priya joining in. The song is meant to transport Hema into memories of her past birth and give her hints of link between Madho and Paro, Vinod catches Hema staring at Rajesh Khanna. And from here the story moves towards what the purpose of the movie is – getting justice for Madho and Paro (Rajesh and Hema) for the crime done to them by Raaj Kumar, father of Priya in this movie.
Thinking of the handsome Vinod Khanna today.
Song-Saawan nahin bhaadon nahin (Kudrat)(1981) Singers-Suresh Wadkar, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Male chorus
Female chorus
All Chorus
Lyrics
taakita dhim takita dhim
taakita dhim dhim dhim dhim
taakita dhim takita dhim
taakita dhim dhim dhim dhim
ho o o
saawan nahin bhaado nahi
saawan nahin bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
Ha aa
taakita dhim takita dhim
taakita dhim dhim dhim dhim
Ha aa
toone abhi dekha hai kya
toone abhi dekha hai kya
pagle nazar toh uthha aaa
bin baadal bijli idhar chamki
ho oo bin badal bijli idhar chamki
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
ho oohoo ohoooo
dhim taakita dhim takita dhim (oh ho ho ho hoho)
taakita dhim dhim dhim dhim (ho ho hoho)
dhim taakita dhim takita dhim (oh ho ho ho ho)
taakita dhim dhim dhim dhim
arey sun kar ke mele ki dhoom
hum aaye hain tumhre gaanv
sunkar ke mele ki dhoom
hum aaye hain tumhre gaanv
haan gori sambhaalo humein
kar do chunariya ki chaanv
gori sambhaalo humein
kar do chunariya ki chhaanv
arrey dil pe kahin gir na pade
dil pe kahin gir na pade
dhadke hamaara jiya aaa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki
dikhti nahin sar pe dhoop
saawan ke andhe ho kya ha ha
dikhti nahin sar pe dhoop
saawan ke andhe ho kya
arre bijli kahaan baaware
gora badan hai mera ha aa
arey bijli kahaan baaware
gora badan hai mera
arey thoda sa main balkha gayi
thoda sa main bal kha gayi
toh jhooma mera jhumka
ho bin baadal bijli idhar chamki
ho ooo
ho bin badal bijli idhar chamki
oo saawan nahin bhaado nahi
saawan nahin arey bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli
idhar chamki
oo bin badal bijli
kidhar chamki
Prem hai prem hai
Posted on: April 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3548 | Post No. : | 14238 |
“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂
It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).
I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.
The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-
|
Song Title |
Post No. |
Post Date |
| Main kaun sa geet sunaaun | 8137 | 27-may-13 |
| Kar gayee mast mujhe phaagun ki hawaa | 9584 | 17-Mar-14 |
| Baadal to aaye lahra ke chhaaye | 14234 | 4-Apr-18 |
With time, the movie, and moreso its songs have ended up becoming obscure.
The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.
The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.
Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂
Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.
With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.
Video
Audio (Longer)
Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both
Lyrics (of audio link)(Provided by Prakashchandra)
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae
aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa
saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o
kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa
piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae
aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa
saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
prem hai ae ae ae ae ae
Baadal to aaye lahra ke chhaaye
Posted on: April 4, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3547 | Post No. : | 14234 |
“Dillagi” (1978) was directed by Basu Chatterji for Vikramjeet Films, Bombay. It was a romantic comedy which had Dharmendra, Hema Malini, Mithu Mukherji, Deven Verma, Asrani, Urmila Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali, Manjeeta, Poornima Jairam, Dulaari, Lalita Kumari, Rajan Kapoor, Shobhana Shah, Geetanjali, Manik Chaudhary, Goofy Patel, Qamar Khan, Bina Bawa etc, with special appearnce by Shatrughan Sinha and friendly appearances by Keshto Mukherji and Brahmchaari in it.
The movie had four songs in it. Two songs have been covered in the past.
Here is the third song from “Dillagi” (1978) to appear in the blog. The song is sung by Lata. Yogesh is the lyricist. Music is composed by Rajesh Roshan.
The song is picturised on Hema Malini as a “missing the beloved” genre of song that plays in the background.
Lyrics of this song were sent to me by Prakashchandra.
Song-Baadal to aaye lahra ke chhaaye (Dillagi)(1978) Singer-Lata, Lyrics-Yogesh, MD-Rajesh Roshan
Lyrics(Provided by Prakashchandra)
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum zindagi mein kyun meri aakar
gum ho gaye ho aise mujh ko bhulaa kar
main pyaar tera dil mein sajaa kar
baithhi hoon kab se aas laga kar
dukh mere dil se honthon pe aaye
o aane waale par tum to na aaye
aawaaz meri aa jaao sun ke
todo na sapne haaye mere nayan ke
is baar tumse kisi bhi jatan se
main raaz apne saare kah doongi man ke
khaamosh rah ke ye dard paaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum to na aaye
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3546 | Post No. : | 14231 |
“Razia Sultan”(1983) was produced by Chitra Bharat and directed by G P Pawar and Kamal Amrohi. The movie had Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Ajit, Vijayendra Ghatge, Jankidas, Sohrab Modi, Veena, Shahu Modak, Heena Kausar, Shree Bhagwan, Husn Banu, Anu Dhawan, Sapru, Mahipal, Roopmala, Reshma, Shakila, Maruti, Sarika, Tajdar Amrohi, Radha Saluja, Madhu Malini, Chitra, Sujata, B M Vyas, Anis Sabri, Geeta Kapoor, Mumtaz Begum, Naseem, Aarti Chopra, M M Baig, Amarjeet, Kalpana, Balraj etc in it.
This is a movie from 1983, and so I have no HFGK available to consult to find out he number of songs in the movie. Going by online sources, I have counted seven songs in the movie. Five of these songs have been covered in the past. Here are the details of these five songs:-
|
Song Title |
Post No. |
Post Date |
| Ae dile naadaan | 150 | 14-Oct-08 |
| Aayi zanjeer ki jhankaar Khuda khair kare | 368 | 10-Dec-08 |
| Tera hijr mera naseeb hai | 374 | 11-Dec-08 |
| Khwaab ban kar koyee aayegaa | 7508 | 14-Feb-13 |
| Jalta hai badan | 8075 | 10-May-13 |
I find that “Hariyaala Banna aaya re” and ae khuda shukr tera” appear to be the two songs from the movie that are yet to be covered. On watching the picturisation, I find that both these songs are picturised together in the movie and so in effect they are reated as two songs in one. Asha Bhonsle, Jagjit Kaur and female chorus sing for ladies playing sahelis of Razia Sultan, the dulhan (Hema Malini) whereas Bhupinder Singh, Mahendra Kapoor and male chorus sing fopr friends of Yakut, the dulha (played by Dharmendra). So in effect, two wedding songs get combined into one in the picturisation.
So in effect both songs need to be covered in one article, viz this article. It seems that the female song is penned by Nida Fazli and male song by Kaif Bhopali. I request our knowledgeable readers to throw light on this matter. The music is of course composed by Khayyam.
So, with these two songs, all the songs of “Razia Sultan”(1983) have been covered. With this, “Razia Sultan”(1983) joins the list of movies that have all their songs covered in the blog.
Song-Hariyaala banna aaya re …ae khuda shukr tera(Razia Sultan)(1983) Singers-Asha Bhonsle, Jagjit Kaur, Lyrics- Nida Fazli/ Kaif Bhopali, MD-Khayyam
Female chorus
Bhupinder Singh, Mahendra Kapoor + Male chorus
Lyrics
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathhe jhoomar saja
aa aa aa aa
aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathe jhoomar saja
banni ke jo man bhaaya re
hariyaala banna aaya re
hariyaala banna aaya
ae khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandhke sar par sehra
aye khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandh ke sar par sehra
aisa sehra gul-o-gulzaar na dekha na suna
aisa naushaah ha mere yaar na dekha na suna
aisa bemeez(?) haseen pyar na dekha na suna
aaisa dildaar tarajaar na dekha na suna
saari duniya ki
saari duniya ki zubaanon pe hai ghar ghar sehra
ye mera yaar chala baandh ke sar par sehra
hariyaala banna aaya re
hariyaala banna aaya re
hariyala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
aa aa aa
aa aa aa
aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
khushiyon ke chaman laaya re
hariyaala banna aaya re
hariyala banna aaya
waah kya baat hai kya shaan hai subhaan allah
iske har phool mein ek jaan hai subhaan allah
har nazar dekh ke hairaan hai subhaan allah
jisne dekha wahi qurbaan hai subhaan allah
wakeya ye hai
wakeya ye hai ke behtar se hai behtar sehra
ye mera yaar chala baandhke sar par sehra
hariyaala banna aaya re
hariyaala banna aaya re
hariyaala banna aaya
yaa khuda
ye khushi ye masarrat rahe
dulha dulhan ki jodi salaamat rahe
aa aa aa
aa aa aa
aa aa aa
aa aa
rahti duniya talak ye muhabbat rahe
saare aalam mein malika ki azmat rahe
rahmat ka sama chhaaya re
hariyaala banna aaya re
hariyaala banna aaya
Kabhi kasmein na toden
Posted on: March 16, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3528 | Post No. : | 14172 |
“Trishul”(1978) was produced by Gulshan Rai and directed by Yash Chopra for Trimurti Films, Bombay. The movie had Shashi Kapoor, Sanjeev Kumar, Rakhi, Amitabh Bachchan, Prem Chopra, Poonam Dhillon (new discovery), Hema Malini (special appearance), Sachin (guest role), Manmohan Krishn, Ifthhikar, Yunus Parwez, Geeta Siddharth, Sudha Chopra, Jagdeesh Raj, Mohan Sherry, B K Dubey, Mahan, Baldev Trehan, Master Raju, Waheeda Rehman etc in it.
“Trishul”(1978) had seven songs in it. Five of these songs have been covered in the past. Here is the sixth song from “Trishul”(1978) to appear in the blog. This song is a duet which is sung by Kishore Kumar and Lata. Sahir Ludhianvi is the lyricist. Music is composed by Khayyam.
The song is picturised as a romantic song on Shashi Kapoor and Hema Malini.
Song-Kabhi kasmein na toden (Trishul)(1978) Singers-Kishore Kumar, Lata, Lyrics-Sahir Ludhianvi, MD-Khayyam
Both
Lyrics
o kabhi kasmein na toden
usey jeete jee na chhoden
jo ho yaar apna
o chaahe roke duniya saari
uspe kar den sab kuchh waari
jo ho yaar apna
o kabhi kasmein na toden
use jeete jee na chhoden
jo ho yaar apna
yaar jisko bhi kah den jubaan se
mol uska chukaayen dil jaan se
o yaar jisko bi kah den jubaan se
mol uska chukaayen dil jaan se
o haath rahe chaahe toote
baanh uski na chhoote
jo ho yaar apna
o chaahe roke duniya saari
uspe kar den sab kuchh waari
jo ho yaar apna
dukh yaar se miley to sukh jaaniye
yaar kahiye jise usey rab maaniye
dukh yaar se miley to sukh jaaniye
yaar kahiye jise usey rab maaniye
o ghaav kitne bhi sahiye
bura usko na kahiye
jo ho yaar apna
o kabhi kasmein na toden
use jeete jee na chhoden
jo ho yaar apna
bair pad jaaye chaahe jahaan se
o yaari yaar ki nibhaayen sada shaan se
bair pad jaaye chaahe jahaan se
o yaari yaar ki nibhaayen sada shaan se
o jaan rahe chaahe jaaye
aanch us pe na aaye
jo ho yaar apna
o kabhi kasmein na toden
use jeete ji na chhoden
o chaahe roke duniya saari
uspe kar den sab kuchh waari
o haath rahe chaahe toote
baanh uski na chhoote
o ghaav kitne bhi sahiye
bura usko na kahiye
o jaan rahe chaahe jaaye
aanch us pe na aaye
jo ho yaar apna
o kabhi kasmein na toden
usey jeete jee na chhoden
jo ho yaar apna
o jo ho yaar apna
o jo ho yaar apna
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3508 | Post No. : | 14095 |
“Jugnu”(1973) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Hema Malini, Pran, Prem Chopra, Manmohan, Raj Mehra, Lalita Pawar, Nazeer Hussain, Randheer, Shameem, Asha Potdar, Kamal Kapoor, Brahm Bhardwaj, Kanu Roy, Rajan Kapoor, Paresh Nanda, Khursheed, Ratan Gaurang, Birbal, Sabeena, Mona, Parwez, Master Alankar, Master Ravi, Master Satyajit, Bhanumati, Shyam Kumar, Fakira, with special appearances by Sujit Kumar, Sonia Sahni, Ajit, Dhumal, Jayshree T and Mehmood.
The movie, though described as a “social” movie, was a crime thriller. The movie had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Jugnu”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by S D Burman.
The song is picturised as a rain song cum female drunkaard song cum expression of love song on Hema Malini and Dharmendra.
Song-Jaane kya pilaaya toone bada maza aaya (Jugnu)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-S D Burman
Lyrics
hmm hmm
jaane kya pilaaya toone
bada maza aaya
jaane kya pilaaya toone
bada maza aaya
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya
paayal nahin ghunghru nahin
chham chham kaise ye hone lagi
dhoondho mujhe main khone lagi
ho paayal nahin ghunghru nahin
chham chham kaise ye hone lagi
dhoondho mujhe main khone lagi
hua kya mujhe
ui tauba
main na jaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya
aisa laga
toone piya
kheencha najariya ki dor se
dhadka mera dil
zor zor se
hmm
aisa laga toone piya
kheencha najariya ki dor se
dhadka mera dil
zor zor se
tera naam leke boli
meri jawaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya
hmm
hmm hmm
hmm hmm hmm hmm
mere balam
mere nazar
maare sharam ke jhukne lage
chalta zamaana rukne lage
hmm
mere balam mere nazar
maare sharam ke jhukne lage
chalta zamaana rukne lage
aise waqt chheda koi aisi kahaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya
jaane kya pilaaya toone
bada maza
Chalo ree chalo ree
Posted on: January 23, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 900th song of Anand Bakshi as a lyricist in the blog.
| Blog Day : | 3476 | Post No. : | 13965 |
When one looks at it, R D Burman, Rajesh Khanna, and Kishore Kumar rose to the top, taking the film world by storm almost simultaneously. In many of these movies, the three in fact worked together as well.
But their careers diverged as far as staying at the top was concerned. While Kishore Kumar remained at the top throughout his life, Rajesh Khanna’s superstardom deserted him by the mid 1970s. R D Burman continued to rule throughout 1970s, before he found himself upstaged, not by better music, but by music of the nature that testified to the fact that the saying “if you cannot dazzle them by brilliance, baffle them by bulshitting” applied to HFM after 1980s. R D Burman could not cope with that kind of music that began the vogue after 11980s and he slowly began to lose ground and assignmet, before finding a late second wind with “1942 a Love Story”(1994) which came a bit too late for him as he has already expired by the time music of this movie began to make waves.
One can notice that while Rajesh Khanna saw a meteoric rise and then fall, R D Burman maintained his brilliance for much longer. If fact, the music that R D Burman created in the second half of 1970s was arguably better that those composed in the first half of 1970s. While majority of R D Burman compositions in first half are inspired by Western music, the second half finds him using more and more Indian kind of music.
“Mehbooba”(1976) is a case in point. The songs of this movie present some very fine examples of semi classical songs. This movie finds R D Burman composing songs based on Raag Bihag, Raag Darbari Kaanda as well as Raag Shivranjani. One of these songs, viz
“Mehbooba”(1976) was produced by Musheer-Riaz andit was directed by Shakti Samanta. The movie had Rajesh Khanna, Hema Malini, Yogita Bali, Manmohan Krishan, Nazir Hussain, Sujit Kumar, Asrani, Asha Sachdev, Prem Chopra, Meena.T., Harindranath Chattopadhyaya, Chandrashekhar, Leela Mishra, Madan Puri, Master Alankar, Birbal, UmaDutt, Raj Rani, Abhimanyu Sharma, Ram Murti Chaturvedi etc in it.
The movie had eight songs in it. seven of these songs have been covered in the blog in the past. Here are the details of these seven songs posted in the blog:
| Parbat ke peeche chambe da gaaon | 410 | 19-Dec-08 |
| Gori tori paijaniya | 411 | 20-Dec-08 |
| Mere naina saawan bhaadon phir bhi mera man pyaasa Multiple version song | 480 | 1-Jan-09 |
| Main tawaayaf hoon mujra karoongi | 10692 | 13-Jan-15 |
| Haseenon mere paas aao | 11710 | 30-Dec-15 |
| Jamuna kinaare aaja chhaliya pukaare aaja | 13948 | 20-Jan-18 |
That leaves us with the eighth and final song from “Mehbooba”(1976). This song is sung by Lata. Anand Bakshi is the lyricist and music is of course composed by R D Burman. It is an extremely sweet and melodious folk music based song which is picturised as a “panghat” song on Hema Malini and sahelis, while Rajesh Khanna looks on from a distance. He acts and grabs Hema Malini’s kalaai only after the song gets over. Good to see him not interrupting the song midway. Our heroes and also villians certainly have taste for HFM music. 🙂
With this song, “Mehbooba”(1976) joins the list of movies that have all their songs covered in the blog.
And unnoticeably, R D Burman touches 900 songs as a lyricist in the blog with this spng.
Chalo ree chalo ree(Mehbooba)(1976) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Chorus
Lyrics
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
ho o o
chalo ri
chalo ri
chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
chameli ke prem ki kahaani
sunaata hai nadiya ka paani
naina uljha ke kahin raani
ban gayi kisi ki deewaani
ho kam ho gayi
gaanv tere chhichhori
rurururururru
haayhaayhaayhaay
hoyhoyhoyhoyhoy
rurururururru
ho o
chalo ri
chalo ri
chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri
isi panghat pe raam jaane
ghada uthwaane ke bahaane
mile kitne log anjaane
janmon ke premi puraane
o ho
o o o o
logon se chupke duniya se chori
chalo ri
chalo ri
chalo ri
chalo ri
ho o
chalo ri
chalo ri
chalo ri
chalo ri
- In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Free Spirit Song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Song in Film Inside Film | Songs of 1970s (1971 to 1980) | Songs of 1971 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3457 | Post No. : | 13870 |
phoolon ke rang se
dil ki kalam se
tujh ko likhi roz paati
‘Nirantar Neeraj’ – the name of a stage program that has been created by the Ibaadat group, on the life and works of this distinguished poet of this sub continent. [Ed Note: Ibaadat Foundation (www.ibaadatindia.org) is a non-profit group of lovers of poetry and film music, who conduct regular stage shows in various cities. Each of their programs is focused on an eminent poet. ‘Nirantar Neeraj’ was first staged in Delhi, in September 2014.] When I read the title of the, it enamoured me so much. A feeling of profundity follows the sound of this title.
Gopaldas Saxena ‘Neeraj’, turns 92 today. We all wish for him continued – ‘nirantar’ – time of good health, comfort and above all, creative passions.
Neeraj has had a patchy relationship with the Hindi film industry. But despite that, the gems that have come from this partnership are simply too great to be overlooked. He made his debut in the film world with the film ‘Nai Umar Ki Nai Fasal’ (1965). The director of this film, R Chandra, an earlier acquaintance of Neeraj, was highly influenced by his famous poem “Kaarwan Guzar Gaya Gubaar Dekhte Rahe”. His vision for the film was to present the essence of this poem as the theme of the film. How successful he was in translating this theme into the film is a matter of judgment. The film did not do well at the box office. However, its songs went on to become very famous and popular – “Dekhti Hi Raho Aaj Darpan Na Tum”, “Aaj Ki Raat Badi Shokh Badi Natkhat Hai”, “Mero Saiyyaan Gulabia Ko Phool”, and of course the theme song.
In terms of timeline, his first songs appeared in the film ‘Cha Cha Cha’ which was released in 1964. The two songs in the voice of Rafi Sb, and composed by Iqbal Qureshi, have stood the test of time – “Subah Na Aayi, Shaam Na Aayi” and “Wo Hum Na The Wo Tum Na The”. Till this day, when these song are heard, one is struck by the sheer poetic content.
In 1965, came another film which, by industry standards, also did not do too well on the box office. However, its song – well that is another story. The film is “Tu Hi Meri Zindagi” – a film about Goa’s struggle for independence from Portuguese rule. The film has not stayed in the collective memory of the filmgoers. Maybe, the songs even were not very popular. But the songs, created in partnership with the music director Rono Deb Mukherjee, themselves are a shining gems, each one of them. Listen to “Ye Kaun Thak Ke So Raha Hai Gulmohar Ki Chhaon Mein”; or “Mere Watan Ka Hai Tu Wo Ratan” (happy version); or “Aadam Ka Lahu”; or “Mere Himaalay Ke Paasbaanon”.
Coming to work with Shankar Jaikishan for the film ‘Kanyadaan’ (1968), the initial working relationship was quite ‘explosive’, especially with Shankar. S-J requested for a love song, and Neeraj returned to them with a poem that spanned three handwritten pages. Shankar was ‘snappy’, but then decided to work with the poet. A very hard give and take had to happen to convert this poem into a film song of three minutes. But the end result of this was the fabulous love song that broke all broadcasting records in that year – “Likhe Jo Khat Tujhe. . .”.
Neeraj used to teach at the Dharam Samaj College in Aligarh. In 1970, he got an invitation from Dev Anand to come to Bombay and stay for a week at his expenses. Dev Anand was preparing for ‘Prem Pujari’ (1970). SD Burman was very cautious, and not confident that Neeraj would assimilate well into his music, with predefined situations and pre-prepared tunes. When Neeraj arrived in Bombay, Dev Sb immediately took him to meet Burmam Da. Dada already had a tune in mind, and wanted lyrics set to the tune and the situation. He explained that a girl sees her beau at a party in the company of another lady, and the circumstances are such that the beau is not recognizing her. The song should be of a complaint, frustration, depression, sarcasm – all this Burman Da piled on to Neeraj. So much that even Neeraj himself became hesitant and unsure. To top it, Burman Da also informed that the song has to start with the words “Rangeela Re”. Neeraj returned from the meeting, not sure about his own nerve. He mentioned this to Dev, and Dev said, you have a week to make it happen. If it does not happen, then no problem, you are still my guest for a week in Bombay.
In his hotel room, Neeraj worked the night, and next morning met again with Dev Anand to tell him he has something he would like to show to Burman Da. They immediately drove down to the latter’s residence. Neeraj handed him the paper with the lyrics he had written for the tune and for the situation. One look at the lyrics, and Burman Da said to Dev Anand – you may leave now, the two of us have work to do.
This started a partnership that Neeraj says he really enjoyed in the industry. After ‘Prem Pujari’ they went on to work together on such memorable films as ‘Gambler’ (1971), ‘Sharmeeli’ (1971), ‘Tere Mere Sapne’ (1971) and ‘Chhupa Rustom’ (1973). A scan through the song lists of these films is enough to send a shiver down the spine.
The other close partnership that he enjoyed working with was Shankar Jaikishan. After ‘Kanyadaan’, their partnership continued with ‘Duniya’ (1968) – “Ye Dharti Hindustan Ki”; ‘Chanda Aur Bijli’ (1969) – “Kaal Ka Pahiya Ghoome Bhaiya”; ‘Mera Naam Joker’ (1970) – “Ae Bhai Zara Dekh Ke Chalo” (1970); ‘Pehchaan’ (1970) – “Bas Yahi Apradh Main Har Baar Karta Hoon”; ‘Umang’ (1970); ‘Ek Naari Ek Brahmchari” (1971); ‘Kal Aaj Aur Kal’ (1971) – “Tik Tik. . . Chalti Jaaye Ghadi”; ‘Laal Pathar’ (1971) – “Sooni Sooni Saans Ki Sitar Par”; ‘Patanga’ (1971) – “Jhoom Ke Ga Yun Aaj Mere Dil”; and some more.
There is an interesting note that Neeraj shares about the song “Ae Bhai. . .”. When this song was presented to S-J, Shankar’s mood was sitched off – such bland and blank verses, he could not get himself to compose a tune for this song. The song finally turned out after Neeraj and Shankar both worked together for the composition.
Working closely with some of the best and the most successful music directors in the industry, turned out to be both a blessing and a curse. Blessing that we see a heady proliferation of magical songs created by Neeraj together with these music directors, in the period from 1965 to about 1972. And then there is a tapering down of this creative streak. In Neeraj’s own words, he got caught in a cycle of near depression, when in quick succession his music director partners departed – first Roshan in 1967, then Jaikishan in 1971 and finally SD Burman in 1973. These departures created a vacuum in his life that was depressing enough for him to pack his bags and move back to Aligarh and to academics.
He continued to work sporadically, but not many people from Bombay called upon him any more. Dev Anand and Vijay Anand were the only film persona who continued to call upon Neeraj to pen songs for them. Neeraj was associated with Dev and Navketan right till the film ‘Chargesheet’ which released in 2011, and Dev Anand playing the lead at 82. 🙂
At 92, Neeraj currently is the chancellor of the Mangalayatan University in Aligarh. At 92, he has health limitations. But the poet in him is still very active. A recent couplet from him
ab to mazhab bhi koi chalaaya jaaye
ke insaan ko insaan banaaya jaaye
aag behti hai ganga mein jehlum mein bhi
tum bataao kahaan jaa ke nahaaya jaaye
For today’s song I turn to the film ‘Tere Mere Sapne’ from 1971. This song is a light hearted dance song which is performed by Hema Malini on the screen, inside the screen that we watch. Meaning that the situation is the Dev Anand and Mumtaz are on a ‘date’ at a village ‘mela’ (i.e. before they are married in the film), and they get into a tent cinema to watch a film. And this song is playing in the film that they are watching. So this maybe a unique situation wherein a complete song is performed on the screen that is being watched by the actors we are watching on our screen.
From the looks of it, Dev Anand is hugely enamoured by the actress on the screen, much to the chagrin of Mumtaz, whose pleasure of the evening suddenly evaporates, as she looks at Dev Anand watching Hema Malini with fascination. 🙂
Interesting to hear such light hearted verses coming from Neeraj. But you know, that is not an isolated incident. Sample some of his other songs – “Sunday Ko Pyaar Hua, Monday Iqraar Hua” from ‘Kanyadaan’, “Darr Lage To Gaana Ga” from ‘Yaar Mera’ (1971) and “Dheere Se Jaana Khatiyan Mein” from ‘Chhupa Rustom’ (1973).
But this song, is still so very special. Note the huge variation in the metre of different parts of lyrics. And kudos to Burman Da to have seamlessly knitted together the song with such a variety of lengths of singing lines. Quite a masterpiece it is.
And then once again, heartful wishes to Neeraj ji – continue ‘nirantar‘.
[Ed Note: Part of the material for this write up is adapted from an interview with Neeraj published in the Hindu of May 21, 2015.]
[Ed Note: Although the video clip is quite adequate in itself, the audio link is also presented, not for the sound of the song, but for the image that is accompanying it. The image shows Asha Bhosle standing next to a seated Kersi Lord – musician and instrumentalist par excellence. Kersi had a very close working relationship with SD Burman. At first I wondered why someone has created this audio post this way. But then when I listened to this song again, it was clear. I suggest the readers also to listen to this song closely, and more than once if possible. There are many little special sound effects and variations in the instrumentation, that make this song really so magical. That is all Kersi Lord’s handiwork. 🙂 ]
Video
Audio
Song – Phurr Ud Chala Hawaaon Ke Sang Sang Dil Jaane Kidhar (Tere Mere Sapne) (1971) Singer – Asha Bhosle, Lyrics – Neeraj, MD – SD Burman
Lyrics
phurrrrr
ud chala..aa..aa..aa
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr
main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
main hi nahin. . .
main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
kabhi yahaan
kabhi wahaan
kabhi wahaan
kabhi yahaan
jaane nahin kahaan kahaan
ud chalaa. . .
ud chala
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar aa aa
sooni sooni
bheeni bheeni
rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
sooni sooni. . .
sooni sooni
ha bheeni bheeni
ha rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
roko isey toko isey
thaamo isey baandho isey
dekho dekho ye to ud chala. . .
ha ha ha
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
फुर्रर्रर्र
उड़ चला॰॰आ॰॰आ॰॰आ
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र
मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
मैं ही नहीं॰ ॰ ॰
मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
कभी यहाँ
कभी वहाँ
कभी वहाँ
कभी यहाँ
जाने नहीं कहाँ कहाँ
उड़ चला॰ ॰ ॰
उड़ चला
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर आ आ
सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
सूनी सूनी॰ ॰ ॰
सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
रोको इसे टोको इसे
थामो इसे बांधो इसे
देखो देखो ये तो उड़ चला॰ ॰ ॰
हा हा हा
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र
Kaun hai wo kaun mujhe jisne jagaaya
Posted on: May 15, 2017
- In: "Bhoot" Song | "Diversion" song | "Witch Doctor" song | Asha Bhonsle songs | Comedy song | Devnagri script lyrics by Sudhir | Duet | Fun lyrics song | Lyrics contributed by readers | Manna Dey songs | Manna Dey-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
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We in this blog had two new resolutions and I had decided to stick to them as long as I can. One was to introduce a “new” movie daily and another was to to close the account of another movie by YIPPying it.
We are in may 2017, and both these resolutions have finally seen breaks. For instance, there was no YIPPEE song on 13 may 2017, a day that had only one post, a post that introduced a “new” song. The string on YIPPEE posts was in fact broken a few days earlier on 6 may itself when I posted a song that I thought was YIPPYing its movie but I was wrong. The “new” post string had got broken a while ago.
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