Posts Tagged ‘Hema Malini’
Main hoon chhui mui
Posted on: April 14, 2024
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5749 | Post No. : | 18272 |
Today’s song is from the film Chhupa Rustom-1973.
This was a Dev Anand film. Once upon a time, when I was very very young, I was very fond of his every film. He looked so cute, handsome and a real film Hero ! As the years rolled by, I saw less and less films. The last film that I enjoyed in which Dev was a hero was, perhaps, Guide -1965. Thereafter Dev Anand’s cute looks started fading, age was showing on his face and probably on his brain too, because he refused to accept that he was no more a cute looking actor. The result was saddening. Further, he was adamant in writing his own film stories, directing them and acting also as a Hero.
He no longer looked like his old self but refusal to accept it made Dev Anand get far away from his admirers. His films were failures, the audience was thin, but surprisingly he always got financiers to produce his films ! His other contemporary actor Heros like Raj Kapoor and Dilip Kumar had accepted the reality and adjusted to the roles in their new films, but Dev Anand was convinced that he would never look old,haggard or senior. So he continued his same old style of acting, choosing young Heroines- who would be like his daughters- whether it suited him or not.
From 1978 to 2011 he appeared in 18 films and 15 of them were directed by him. At the age of 88 years, he was the lead actor in his own film. Whatever he did in his later years gave his old admirers immense pain and sorrow but all this was pardoned for what he gave them when he was young and handsome ! His bank of popularity never became bankrupt for his old fans, because they shunned his later films but remembered Dev Anand of C.I.D., Paying Guest, Baazi, Patita, Taxi driver, Munimji, Pocket Maar, Funtoosh, Baarish, Kala Pani, Hum Dono and many more memorable films. For fans like me, he lived only in those films and after 1970, “our Dev Anand ” was not in the film line !
Dev Anand rejected many films where he did not have any songs. He never accepted sad and tragedy films. Unlike Dilip and Raj, he did not like ” Dying” at the end of a film. However, in his entire career, he ” died’ only TWICE in his films. First film was ” Zalzala”-1952 and the last was ” Guide’-1965. He was the hero in one English film “The Evil Within”-1970, made by 20th Century Fox of Hollywood. Baburao Patel of ” Film India ” magazine called him ‘ effeminate ‘. Wish Dev should have followed Shanta Apte’s example, but his temperament was different. he might not have had discretion of doing romantic roles in an unsuitable age, but surely he knew better than Ashok kumar not to work in Mythological or Historical war films and become an object of ridicule 1 (Watch Ashokmkumar in film ‘Humayun-1945’ of ‘ Uttara-Abhimanyu-1946’).
Film Chhupa Rustom was directed by Vijay Anand. Dev was paired with young and beautiful Hema Malini. Being his own company’s film, he was dominating in the film with cameras on him for a greater time, like always. The story of the film was…….
The Government of India had granted Rs.50,000/- to Prof. Harbanslal to conduct a study in the mountains bordering Tibet with India, called the Nangala Project. Harbans Lal(A.K.Hangal) is sure that within these ice-capped mountains lies an entire temple made of pure gold. When Vikram Singh (Ajit) and his son, Bahadur (Prem Chopra), find out about the Nangala Project, they abduct Harbans Lal in order to force him to reveal the exact location of this temple, in vain though and end up killing him.
Having failed in this venture, they kidnap the wife (Veena) and son of multi-millionaire Rajendra Jain(Sajjan) and demand that he get Bahadur married to his daughter, Ritu (Hema Malini). Rajendra discusses this matter with Ritu, and Ritu is ready and willing to do anything for her mother and brother. Rajendra hesitates, and soon he receives his wife’s thumb in the mail. Losing no time, Rajendra and Ritu make arrangements for the marriage and communicate accordingly with the kidnappers. Soon a wedding date is fixed, however, things do not go as planned as Ritu is abducted by a man called Natwarlal( Dev Anand) and taken to his hideout. While driving there, their car breaks down and they are forced to take a lift from Jimmy Fernandes (Vijay Anand), albeit at gunpoint. Jimmy drops them off at an isolated spot, leaving Natwarlal to work out the details of getting the ransom money from Rajendra. Before that could happen, Jimmy shows up and abducts Ritu.
With his wife and son still held captive with Vikram and his son, Rajendra is at his wits’ end as to whose life he should give priority to. Dev and his team kidnap Hema Malini, and get Ajit and his henchmen after them. The ruse is to somehow get the gangsters interested in Dev Anand, as the only person who can decipher the secret diary of Hangal, who is in Ajit’s custody. After more machinations, finally Dev Anand leads Ajit and Prem Chopra to the treasure, only to trap them in the underground vault, and extracts their confessions under the fear of death. Dev Anand reveals his identity. Ritu and Dev get United.
I always liked Vijay Anand – both as an actor and a director. Vijay Anand was a celebrated filmmaker, writer, editor, and actor in Hindi cinema. Known as “Goldie,” the younger brother of filmmaker Chetan Anand and matinée idol Dev Anand, Vijay Anand was born in Gurdaspur, Punjab, India on January 22, 1934. A very literate man, he graduated from Bombay University and while still a teenager wrote the script for his brother Dev Anand starrer “Taxi Driver” (1954), directed by his other brother Chetan Anand. The film, inspired by the crime thrillers of Hollywood, was released through their home production company Navketan, and became his first big hit.
“Nau Do Gyarah” (1957) was Vijay Anand’s directorial debut, which was based on his own script. The film starred his brother Dev Anand and Dev’s wife Kalpana Kartik. It became another hit. Goldie showed an exceptional visual style, especially when it came to picturizing song sequences. His next film was the story of a black marketer and his redemption in “Kaala Bazaar” (1960). The film starred his brother Dev again, along with Waheeda Rehman, who became a regular heroine for most Navketan films during that era. This was also the only film where all three brothers (Chetan, Dev, and Vijay Anand) acted together. “Tere Ghar ke Saamne” (1963) with Dev Anand and Nutan was a romantic comedy that became another hit. Goldie also wrote the screenplay for “Hum Dono” (1961) and supposedly ghost-directed the film as well.
His masterpiece as a filmmaker came with “Guide” (1965). Based on RK Narayan’s novel The Guide, the film is unforgettable for its bold themes about how a man (Dev Anand) and woman (Waheeda Rehman) live together outside the sanctity of a marriage. Composer S.D. Burman’s songs were given stunning visuals. The film became a huge hit and won several major awards, including two Filmfare Awards for Vijay himself for directing and for writing the dialogue for the film. With Guide, Vijay Anand became the Hindi film industry’s big star filmmaker. He was a visionary, a genius who could make intellectually stimulating films that could also generate profits and win industry awards. His next film also brought him everlasting glory. He directed and edited “Teesri Manzil” (1966) for producer and writer Nasir Husain. The film starred Shammi Kapoor and Asha Parekh and gave composer R.D. Burman (S.D. Burman’s son) his first major success. The film’s suspenseful story, combined with the stars’ romantic chemistry, and Burman’s modern songs, made it into another box office smash and a perpetual favorite among moviegoers.
Vijay Anand was at the pinnacle of his fame, when he went back to Navketan to direct the hit film “Jewel Thief” (1967). But there was a wrinkle. He found his “Jewel Thief” leading lady Vyjayantimala to be a distracted diva, especially after he enjoyed the professionalism and dedication of his previous leading ladies Waheeda Rehman and Asha Parekh. Nevertheless, Vyjayantimala gave a heartfelt and polished performance in “Jewel Thief,” and it seemed like Vijay Anand can do no wrong. But his next film proved otherwise.
After three hit films in a row (Guide, Teesri Manzil, Jewel Thief), Vijay Anand experienced his first flop. Initially, “Kahin Aur chal” (1968) had the makings of a hit, as it starred Dev Anand and Asha Parekh, who were both top box office draws in 1968, along with music composers Shanker-Jaikishen. But the film’s financier Tolaram Jalan wanted a flop film to adjust his income taxes, and so he took the film from Vijay Anand and released it in a single matinée show and then pulled it out. This experience pained the filmmaker, especially since the film never resurfaced again.
He bounced back with “Johnny Mera Naam” (1970), which grabbed the top stop at the box office in 1970. It starred Dev Anand and Hema Malini. Vijay Anand won two Filmfare Awards, one for editing and the other one for his screenplay. He then directed “Tere Mere Sapne” (1971) based on the A.J. Cronin’s novel “The Citadel.” He also played a supporting role as an alcoholic doctor. While the film became his personal favorite, it wasn’t a major success at the box office and became a turning point in his career. His subsequent films like “Blackmail” (1973), “Chhupa Rustom” (1973), “Bullet” (1976) were major disappointments. Also, at this time, Dev Anand was establishing himself as his own director.
At this time Vijay Anand was going through personal problems, as he married his much younger relative ( his sister’s daughter) and turned to a spiritual leader Godman Rajneesh. He did return to directing films with multi-starrers like Ram Balram (1980) and Rajput (1982) but the filming took a long time, because of the stars’ busy schedules and Anand felt he made too many compromises. He still made occasional films, such as Hum Rahe Na Hum (1984) and Main Tere Liye (1988) but these films lacked the famous Vijay Anand style. In all he directed 16 Hindi films.
Vijay Anand also acted in films for other directors, such as Double Cross (1973) and Ghungroo ki Awaaz (1980). Waheeda Rehman and Rakhee proclaimed him to be a genius filmmaker but also told the press that his acting skills paled in comparison to his directing skills. Generally it is believed that he made his acting debut with the film “Joru ka Bhai”-56. I always remember his small but eye-catching role of a journalist,in the initial part of the film Funtoosh-56. He acted in two major hit films, Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), but in both instances his acting was overshadowed by his leading ladies, Jaya Bhaduri and Nutan, who both won Filmfare Awards in the Best Actress category.
He acted in 13 films, including Funtoosh-56. In the early 1990s, he was seen in the television serial Tehqiqaat playing Sam the Detective. In 1997, his older brother Chetan Anand’s death devastated him. In 2001, he took over as the new censor board chief after Asha Parekh finished out her controversial three year term. Earlier, she hadn’t given clearance to his nephew Shekar Kapur’s film “Elizabeth” (1998) and several film industry insiders expected some tension between them, especially after Parekh admitted that she and Anand didn’t see eye-to-eye on policing adult films. But she invited him to her sixtieth birthday celebration in 2002, and they both celebrated the occasion as old friends and colleagues.
Anand was in the process of making another film with brother Dev Anand, when he died on February 23, 2004 due to a heart attack. He left behind his wife Sushma and son Vaibhav, an aspiring filmmaker. His grief-stricken older brother Dev Anand wept openly at the funeral.( Thanks to material from an article of Ramstep-IMDB, Ateet ke Sitare and my notes).
Today’s song is sung by Asha Bhosle. Written by Vijay Anand, it had music by Navketan’s favourite and regular Music director – S.D.Burman. This is the last and final song from this film. The film is YIPPEED now.
Audio
Video
Song- Main hoon chhui mui (Chhupa Rustam)(1973) Singer- Asha Bhosle, Lyricist-Vijay Anand, MD-S D Burman
Lyrics(Provided by Prakashchandra)
huhhh…hhh
chhuo naa..aaa
mar jaaoon sharmaa ke uyyee
main hoon chhui mui ee ee
aankhon se dekho lekin
chhuo naa aa aa
mar jaaoon sharmaa ke uyyee
main hoon chhuyee muyee ee ee
aankhon se dekho lekin
chhuo naa aa aa
mar jaaaon sharmaa ke
uyyee
khiltey ae aey ae
baagon..on kee main
komal
daalee ee
thheee…ee..ee ee
ghar mein..aen laakar
rakhaa..aaa..aa tumney
chaahaa..aaa dil se
phir bhee..ee..ee
murjhaaaaoon..oon oon
mar jaaoon
huhh
mar jaaoon sharmaake uyyee
main hoon chhuyee muyee ee ee
aankhon se dekho lekin
chhuo naa aaaa
mar jaaaon sharmaake uyee
madiraa aa aa
ki hoon oon pyaalee
lekin
chhoti ee ee ee
seee ee ee
pyaasey ae
ho tum
kuyein jaisey
thhar thhar..rrr…rrr kaanpoon
main..ae ae
dar jaa..aa aaoon oon
mar jaaoon
huhh
mar jaaoon sharmaa ke uyee
main hoon chhuyyee muyee ee ee
aankhon se dekho lekin
chhuo naa aaaa aaa
mar jaaaon
sharmaa ke
uyee
main hoon chhui mui eee
aankhon se dekho lekin
chhuo naa..aa aaa
Na dekho badan hee badan
Posted on: March 7, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5711 | Post No. : | 18229 |
“Aansoo Aur Muskaan”(1970) was directed by P Madhvan for Screen Gems, Bombay. This “social” movie had Hema Malini, Ajay Sahni, Wonder child Bobby, Jagdeep, David, Suresh, Maruti,Birbal, Prem Kumar, Sadan, Swaraj Kumar, Subba Rao, Raghaviah, Anand, Behari, Pandey, Babu, Kiran, Bindu, Shabnam, Tuntun, Kanakadurga, Shyamala, Udayalakshmi and Om Prakash in it. Kishore Kumar had made a special appearance whereas Padmini and Man Mohan had made guest appearances in the movie.
“Aansoo Aur Muskaan”(1970) had six songs in it. Four songs have been covered in the past.
Here is the fifth song from the movie to appear in the blog. The song is sung by Suman Kalyanpur. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a mujra dance song on Hema Malini. Ajay Sahni (aka Parikshit Sahni) and Bindu are also seen in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
Song-Na dekho badan hi badan (Aansoo aur Muskaan)(1970) Singer-Suman Kalyanpur, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics(Provided by Prakashchandra)
aaaa
aa aa aa
aa aa aa
ye maana Khuda ne
nigaahon mein shole
adaaon mein jaadoo
to baahon mein jannat
chhupaayi hai
magar ek cheez
husn aisi banaayi
ke hai jiske andar
muhabbat ka mandar
samandar ki jismein
gehraayi hai
na dekho
na dekho badan hi badan
na dekho badan hi badan
kabhi dil ka bhi to deedaar karo
kabhi dil ka bhi to deedaar karo
adaaon pe marna bahut ho chuka
adaaon pe marna bahut ho chuka
kabhi pyaar se pyaar karo o o
na dekho badan hi badan
na dekho badan hi badan
jalta ho dil furkat mein agar
jalta ho dil furkat mein agar
aanchal ki hawa humse le leejiye
aanchal ki hawa humse le leejiye
zakhmi ho kar bane chaaragar
har gham ki dava humse le leejiye
har gham ki dava humse le leejiye
bina pyaar ke zakhm bharta nahin
bina pyaar ke zakhm bharta nahin
tum nazare nazar?? karo o
na dekho badan hi badan
na dekho badan hi badan
Ganga ki ada hum dil mein liye
Ganga ki ada hum dil mein liye
auron ke gunaahon ko dhote rahe
auron ke gunaahon ko dhote rahe
khushiyaan baanti mehfil ko magar
tanhaayi mein chhup chhup ke rote rahe
tanhaayi mein chhup chhup ke rote rahe
hamaara to sauda hai sachchaayi ka
hamaara to sauda hai sachchaayi ka
koi humse karaar karo
na dekho badan hi badan
kabhi dil ka bhi to deedaar karo
kabhi dil ka bhi to deedaar karo
adaaon pe marna bahut ho chuka
adaaon pe marna bahut ho chuka
kabhi pyaar se pyaar karo o
na dekho badan hi badan
na dekho badan hi badan
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5597 | Post No. : | 18072 |
“Chhupa Rustam”(1973) was produced and directed by Vijay Anand for Navketan Enterpreises, Bombay. The movie had Dev Anand, Hema Malini, Vijay Anand, Prem Chopra, Bindu, Ajit,Veena, Sajjan, A.K.Hangal, Late Rashid Khan, Shyam Kumar, Anil, Kirti Kumar, Sudhir, Manohar, Bipin Nesargi, Uma Dutt, Dhannalal, Bihari, Nawab, Gopal Srivastav, Rattan Gaurang, Kishen Bahadur, Gopal Bhutani, Ujagar Singh, Noshir, R.D.Khan etc in it. Kamran figured in guest appearance and Premnath in special appearance in the movie.
“Chhupa Rustam”(1973) had seven songs in it. Five songs have been covered so far.
Here is the sixth song to appear in the blog. This song is sung by Lata Mangeshkar. Neeraj is the lyricist. Music is composed by S D Burman.
The song is picturised as a flashback song on Hema Malini, Dev Anand and Vijay Anand.
Lyrics of the song and other details were sent to me by Prakashchandra.
Video link:
Audio link:
Song-Suno suno suno meree dukh bharee daastaan (Chhupa Rustam)(1973) Singer-Lata, Lyrics-Neeraj, MD-S D Burman
Lyrics(Provided by Prakashchandra)
oooo
oooo
ooo
ooo
koyee hai ae ae ae jo..oo suney aey ae
suno suno suno meri
dukh bhari daastaan..aaan
dukhbhari meri daastaan
ho o ho o o
suno suno suno meri
dukh bhari daastaan..aaan
dukhbhari meri daastaan
jalaa mera aashiyaan..aan…aaan…aa
haayye main kyaa karoon
ho o o
suno suno suno meri
dukh bhari daastaan..aaan
dukhbhari meri daastaan
Maa meri khoyee..eee
bhai mera khoyaa
pyaar bhari duniyaa..aa aa mit gayee..eee
Maa meri khoyee..eee
bhai mera khoyaa
pyaar bhari duniyaa..aa mit gayee..eee
mehlon ki raanee
banee hai bhikhaarin
beech dagar main to..oo
lut gayee
jalaa meraa aashiyaan..aan..aaan
haayye main kyaa karoon..oon
ho o o
suno suno suno meri
dukh bhari daastaan..aaan
dukh bhari meri daastaan..aan
huhh bairi hai zamanaaa
gaaon hai ajaanaa
raahein mushqil
jahaan mujhe jaanaa
honthh siley mere..aey ae
paaon bandhey mere
nainon mein aansoon kee hathhkadee
honthh siley mere..aey ae
paaon bandhey mere
nainon mein aansoon kee hathhkadee
idhar udhar merey aey ae
khadey hain luterey
dekhey koyi meri bebasi
jalaa mera aashiyaan..aa..aan…aa
haayye main kyaa karoon
ho o o
suno suno suno meri
dukh bhari daastaan..aaan
dukhbhari meri daastaan..aan
jalaa mera aashiyaan..aan…aaan…aan…aa…aan..aa…aaa
haayye main…aen..aen kyaa karoon
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5568 | Post No. : | 18039 | Movie Count : |
4838 |
Hullo atuldom
Wishing the Dream Girl of the 1970s, 1980s,1990s a very happy birthday. She is still so dainty, graceful & I shall not use the cliché word “Beautiful”- there is no debate about that.
She has been a favourite of the public through her career – a personal favorite ever since I saw her singing “zindagi ek safar” to her tiny son. Her Geeta in “Seeta aur Geeta” just entrenched her in my head. She followed it up with ‘Basanti’ & my love for her has never dried up.
My tryst with Bollywood began with The Dream Girl and then the other beauties of the industry got added to my file of favourites; but Dream Girl is Dream girl- no two ways about that.
16th October is the date for which I make an attempt to write a post. And I have the usual dilemma- too many options to choose from. My general habit- I try to find anything connected with the debut of the artist. Our Dream Girl is a producer/director in addition to being a classical dancer & actress. Actually it is the other way round- she was first a dancer, then an actress then she turned a producer / director.
She was the unofficial producer of “Sharara”(1984) – almost her debut as producer. R. J. Chakravarti (her brother) was the producer & S. V. Rajendra Singh Babu (I think he was associated with telugu and/or Kannada films) was the director. The songs of the film were written by Anand Bakshi & Laxmikant- Pyarelal used only 3 singers Asha Bhonsle Lata Mangeshkar & Suresh Wadkar.
This was a production for which she is said to have first approached Dharmendra for playing the lead (as quoted in magazines of those times) but ended up having Raaj Kumar (8th October 1926- 3rd July 1996) playing the central character of Dharam Veer Singh Pathan. Shatrughan Sinha, Tina Munim, Kadar Khan, Shakti Kapoor, Ranjeet, Tom Alter, Bob Christo, Asrani, Ramesh Deo, Dina Pathak, Kalpana Iyer, were the other actors in the film. Vijendra Ghatge, Mithun Chakravarti were in guest appearances. The film had an armed forces & espionage based story.
Our Dream Girl (do I need to mention who I am referring to) played a double role of Chandni (Champavati) & Madhu.
The film was given an “A” certificate at the time of its release, hence I was not allowed to see it but there was a Lata Mangeshkar solo which was a party song that was heard often on the Radio, I may have seen it only once in my life. I think it is a multi-part song.
Presenting a song from “Sharara” (1984) in the voice of a “nightingale” on our “Dream Girl”. Wishing Hema Malini all health & happiness with friends & family.
(part 1, audio)-Longer
(part 1, video)
(part 2, video)
Song-Shabnam ka ye qatra hai yaad ka ik sharaara (Sharaara)(1984) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics
———————
Part I (Based on audio link)
——————–
hmmmm hmmmm hmm hmmm
lalala aaaa
laa lalaa
lalaalaa
shabnam ka ye qatra hai
yaad ka ik sharaara
shabnam ka ye qatra hai
yaad ka ik sharaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye qatra hai
yaad ka ik sharaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
laalaalalaalaalaalaa
laalaalalaalaalaalaa
lalalalala
laalaalalalalaa
sau raaton ke baad sahi
ik chaand(?) ki raat to hogi
sau raaton ke baad sahi
ik chaand(?) ki raat to hogi
is chaahat mein aakhir koi
aisi baat to hogi
ho o o o o gi
jiski khaatir kar dete hain log marna gawaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye qatra hai
pyaar mohabbat na ho
to na ho koi bhi kahaani
pyaar mohabbat na ho
to na ho koi bhi kahaani
patjhad mein man tarse
na barse saawan mein paani ee
ye jannat ka phool hai koi
ya baadal aawaara
pyaar mohabbat kehta hai jisko
ye zamaana saara
shabnam ka ye katra hai
laalaalalaalaalaalaa
laalaalalaalaalaalaa
lalalalala
laalaalalalalaa
ik nasha ban kar rehta hai
khaali paimaanon mein
ik nasha ban kar rehta hai
khaali paimaanon mein
mast hawaa ban kar chalta hai
dil ke veeraanon mein aen
dil ke veeraanon mein aen
mere honthhon par aaya hai
ban kar naam tumhaaraa
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye katra hai yaad ka ik sharaara
sharaaraa
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye katra hai
yaad ka ik sharaara aa
pyar mohabbat kehta hai jisko
ye zamaana saara
—————————-
Part II
—————————-
shabnam ka ye qatra hai yaad ka ik sharaara
shabnam ka ye qatra hai yaad ka ik sharaara
pyaar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye qatra hai
shaque ek begaana hota hai apnon ki mehfil mein
aankhon mein kya dhoond rahe ho
jhaanko mere dil mein
dil mein
aankhen hain do chamkeele patthar
dil hai ek sitaara
pyar mohabbat kehta hai jisko ye zamaana saara
shabnam ka ye qatra hai yaad ka ek sharaara
pyaar mohabbat kehta hai jisko ye zamaana saara
ye zamaana saara
ye zamaana saara
ye zamaana saara
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5518 | Post No. : | 17966 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
(Down Memory Lane with songs of Mukesh)
————————————————————————
(A tribute to Singer Mukesh on his Remembrance Day 27th Aug’2023)
——————————————-———————————
Readers of this blog are aware that this year is the ‘birth centenary year’ of the legendary singer Mukesh (22.07.1923 – 27.08.1976). Earlier we had a few posts on the blog for the birth centenary celebrations. When our respected Sudhir ji and Mahesh ji started presenting posts with Mukesh songs I was under the impression that there will be post on every day starting from 22nd July to 27th August (which is Mukesh’s Remembrance Day) since many Mukesh songs are yet to be posted here. That did not happen. But there were some Mukesh related posts till his birth anniversary …
In the case of remaining Mukesh songs to be posted, I am under confusion whether that song is going to be taken by Mahesh ji or not? 🙂 Sometimes (or most of the times) I seek confirmation from him.
In one recent post of Mahesh ji, I had commented and mentioned that I woul;d also be sharing a write-up with a Mukesh song from a film of seventies.
Here is that article which I would like to share. The songs of Mukesh are very much the part of my life. I used to listen to his songs frequently during my cassette listening days. These songs have been there in the moments of struggle, happiness, joy, despair, disappointment, inspirational and motivating depending on the ‘phase of emotions’ I was going through in my life.
I was born in the year 1968. The two oldest songs of Mukesh that I became aware of are ‘chal akelaa, chal akelaa, chal akelaa aa’ and ‘duniyaa se jaanewaale jaane chale jaate hain kahaan’. Even today When I listen to these songs, they transport me back to the era when I was a child and these songs would be playing on radio.
Other Mukesh songs too got embedded on my impressionable mind either through listening on the radio and/or by watching the movies containing those songs with the elders in the family. One such song was ‘wo pari kahaan se laaun …ye gangaaram ki samajh’. My uncles used this song to tease me during family get together. ( I used to get irritated when they called me as ‘Gangaaram 🙂 ). The other songs were from movies like ‘Hariyaali Aur Raastaa-1962’ which was a family favorite. I remember to have watched it multiple times with my uncles, grandmother, aunts, parents etc.
I remember that one of my Uncles had bought a record player. He had one LP record of the movie ‘Be-imaan’. it’s’ title song – ‘jai bolo beimaan ki’ is among the memorable songs of those days for me.
As I grew up, I became aware of two patriotic songs sung by Mukesh. These songs were my favorites during school days. These were also frequently played on loud speakers and radio during celebrations of Independence Day and Republic Day of our country.
These are the songs ‘chhodo kal ki baatein kal ki baat puraani’ and ‘honthhon pe sachchaayi rehti hai’. I learnt these songs by heart and I used to sing them (in my own voice 🙂 ).
My school going years beginning from standard 7th up to passing out of matriculation exams in 1983 was the phase of movie watching for me. During those years, I got to watch many of the old ‘black & white’ movies (in our colony club e.g. ‘Nazraana-1961’, ‘Kanhaiyya-1959’, ‘Aashiq-1962’ etc. and movies like ‘Deewaana-1967’ etc ). They often had songs sung by Mukesh. Moreover current movies of that time too had songs sung by Mukesh that left permanent impression on my impressionable mind. In addition to watching movies, I was heavily into listening to songs played on radio programmes such as ‘Vividh Bharati’ & ‘Urdu Service of AIR’.
I am listing a few such songs heard during those days that I used to like a lot.
Aaya hai mujhe phir yaad wo zaalim (also the other song ‘bahaaron ne mera chaman loot kar’ from the same movie), Main pal do pal ka shaayar hoon (this was obviously much before the I got into the ‘Sahir –era’), ‘Ik din bik jaayegaa maati ke mol’, ‘Tu shaitaanon ka sardaar hai’, ‘Chandan sa badan’, ‘Aansoo bhari hain ye jeewan ki raahen (this is also the one which I learned by heart and …)’, ‘Phool tumhe bheja hai khat mein’, ‘Chanda re mori patiyaan le jaa’, ‘Aa laut ke aaja mere meet’, ‘Dil lootne waale jaadugar’, ‘Saarangaa teri yaad mein’, Dil Hi To Hai’ (all songs sung by Mukesh), ‘Bade armaanon se rakhaa hai balam teri kasam’, ‘main aashiq hoon bahaaron kaa’…
Then there were songs like ‘do jaasoos karen mehsoos’, ‘ye duniya ek numberi to main dus numberi’, ‘pari re tu kahaan ki pari’, ‘tere hamsafar geet hain tere’, ‘kuchh aise bandhan hote hain’, ‘saat ajoobe is duniya mein’, ‘ham donon milke kaagaz pe dil ke’, ‘Tan man dhan sab hain tera’, ‘Sansaar hai ik nadiyaa’ etc etc …
I am only mentioning here those songs that were special to me or songs which I like most at that stage of my life. There were obviously many songs of Mukesh which were frequently heard and those which were very popular and they became part of my collection – ‘cassette collection’ – later.
The two years from 1983 to 1985 was another phase of movie watching for me and also this was the period that was a ‘peak period’ as a Rajesh Khanna fan for me when I watched most of the new and old movies of Rajesh Khanna in theatres, TV, Video Parlors etc. So, when I get to watch the movie ‘Raaz-1967’, ‘Maryaadaa-1971’ etc then I liked these songs much more ‘dil sambhaale sambhaltaa nahin aaj to’, ‘zubaan pe dard bhari daastaan chali aayi’ , Anand-1970 (all songs by Mukesh), ‘jis gali mein tera ghar na ho baalmaa’, ‘haan to main kya keh rahaa thhaa’, ‘phool aahistaa phenko’ …
This routine got further extended from 1985 to 1988 during my stay at Parli Vaijnath. By then cassette players have become a ‘norm’ and I too bought a ‘mono cassette player’ on installment in 1986. I had started working since April’1985. During this period while I was getting compilation of songs prepared by me and getting them recorded for my ‘Boss’ and for my personal collection too. So I got recorded a ‘Mukesh sings for Raj Kapoor’ in TDK90. Then I also got film combinations recorded like ‘Shree 420-Aawaaraa’, ‘Jis Desh Mein Gangaa Behti Hain-Mera Naam Joker’, ‘Kabhi Kabhi- Silsilaa’ etc.
Pre-recorded albums like ‘Andaaz-Baabul’ were getting added to my collections ‘swiftly’ 🙂
The pre-recorded compilations from HMV which my Boss was buying frequently and I too bought many during my tour to our Head Office – Delhi also introduced me to many Mukesh songs which I liked most. These included songs like … ‘koi bulaaye aur koi aaye (Moods & Memories – Mukesh), ‘hari bhari vasundhara hai neelaa neelaa ye gagan’, ‘khushi ki wo raat aa gayi koi geet bajne do’, ‘cheen o arab hamaara’ (much before the Sahir phase for me was yet to come:) ), ‘sajanwaa bairi ho gaye hamaar (for that matter all songs sung by Mukesh of ‘Teesri Kasam’), ‘Sada khush rahe tu jafaa karne waale’ (Jubilee Hits of Rajendra Kumar) etc etc.
During this period one of my colleagues was a pure Mukesh fan and he used to listen to songs sung by Mukesh only. I was wondering how one can like only Mukesh songs so much? But that also motivated me to explore Mukesh songs further.
In HMV’s compilations for ‘duet songs’ of the various decades there were many duet songs sung by Mukesh. I may have mentioned some above and would like to add these ones further … ‘chori chori jo tumse mili to log kya kahenge’, ‘tumse kuchh kehna hai gar tum kuchh kehne do’, ‘tum roothhi raho main manaataa rahoon’, ‘dekho mausam kya bahaar hai’, ‘maine dekhi jag ki reet meet sab’, ‘bikhraa ke zulfein chaman mein na jaanaa’, ‘humsafar mere humsafar’..
When HMV had started the ‘music mail’ scheme I had also taken its’ membership and I remember I had then ordered among other cassettes one of Raj Kapoor or Mukesh Hits because it had this song ‘tum aaj mere sang hans lo tum aaj mere sang gaa lo’ though the album contained some songs which I already had.
Then I got posted at Kota (Rajasthan) and during my stay there another phase of getting recorded albums/compilations happened where I remember I got ‘Pehchaan-Beimaan’, ‘Anaari-Chhaliya’ like combinations recorded. Then I got to know about the rendition of ‘Sunderkaand’ by Mukesh, either somebody suggested me or I read about it, so I added this ‘divine’ album to my collection and used to listen it then.
From the above period I would like to mention two songs separately which I must have heard on radio and like them very much but they keep me eluding till the internet age. I was getting to listen them sometime on radio but was not aware the name of their movie and other details. And these were not featuring in any of the compilations then.
‘gardish mein hon taare naa ghabraanaa pyaare’, ‘ek hasrat thhi ke aanchal ka mujhe pyaar mile’ …
From Kota I was transferred to Phulpur near Allahabad (1996-98) where I spent two years. Phulpur is a small town and whenever we get to visit there in the market I was always looking for cassettes. One day I bought a cassette containing ‘saawan ke geet’ and I was very happy that day because the album was having this song ‘aye baadal jhoom ke chal’ which I think was not available in the popular albums. (This was a ‘T-series’ cassette).
After the ‘All Time Great’ series HMV brought the ‘The Golden Collection’ series and as usual many more albums keep adding to my collection including Mukesh songs.
Later on the CDs/DVDs took over and listening to cassettes was getting reduced and nowadays even the cassettes are lying in the drawers since many years now. Even the CD/DVDs are out of routine now…
From ‘2008’ onwards I landed into Sahir era so the songs from ‘Phir Subah Hogi’, ‘Kabhi Kabhi’, ‘Dil Hi To Hai’ etc had become a routine, and songs from movies like ‘Dilli Ka Daada’ which I was not aware became known to me where Mukesh songs were also there.
After getting associated with this blog I got to know and listen to the many lesser heard and rare songs of Mukesh which I had not heard so far.
I also got the opportunity to share Mukesh songs though there were not many of his songs remaining to be posted. Still I was very happy to share the songs like ‘kahaani kismat ki’, ‘tu miley to poochhoon tujh se’, ‘dil se dil ki dor bandhi jo’, ‘anuraagi man sab kuchh seh le’ which I am very happy to have shared on the blog. Also I was very happy to share the song from ‘Romeo In Sikkim-1975’ – ‘tum hi to ho’, and ‘Shri Krishna Arjun Yuddh-1971’ – ‘kiskee dharti kiskaa gaam’ recently on the blog. Still there are songs from movies like ‘Ek Bechaara’-‘naach haseena naach’ etc. which I like and would like to see them coming here as early as possible.
The journey continues and the songs of Mukesh will be forever with us till HFM exists on this planet …“maanjhi naiyya dhhoondhhe kinaaraa … kabhi na kabhi to milan hogaa tumse hamaaraa aa”… Singer Mukesh left this planet when I was just eight years old in 1976, but his voice had been always with me in my journey of life and it will be there always with my soul further…
For today’s presentation and as a tribute to Mukesh I have taken a song from my younger days from the decade of ‘seventies’. This is from the movie ‘Dus Numberi-1976’. It is sung by Lata Mangeshkar and Mukesh. On screen Hema Malini and Manoj Kumar lip sync the song and perform with other artistes also visible.
Lyrics for this song are by Majrooh Sultanpuri and music is composed by Laxmikant-Pyarelal.
This song featured at number 24 in the ‘annual Binaca Geetmala List of 1976’. The other song from the same movie i.e. ‘duniya ek numberi to main dus numberi’ also featured in this list at number 10 ( 🙂 a coincidence?)
Let us enjoy the song now …
Video
Song-Mujhe dard rehta hai dil mein dard rehta hai (Dus Numberi)(1976) Singers-Lata Mangeshkar, Mukesh , Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics
mujhe dard rehtaa hai
hmm
dil mein dard rehtaa hai
achchhaa
mujhe bhookh nahin lagtee
mujhe pyaas nahin lagtee
baap re
saaraa din tadaptee hoon
saari raat jagtee hoon
jaane kya huaa mujhko o
koyi de dawaa mujhko
mujhe dard rehtaa hai
dil mein dard rehtaa hai
mujhe bhookh nahin lagtee
mujhe pyaas nahin lagtee
saaraa din tadaptee hoon
saari raat jagtee hoon
jaane kya huaa mujhko o
koyi de dawaa mujhko
mujhe dard rehtaa hai ae
dil mein dard rehtaa hai
to hari naam ko jaap ke
gangaa jal pi lenaa aa
arey hari naam ko jaap ke
gangaa jal pi lenaa aa
pi kar phir aaraam se praani
jug jug ji lenaa
yadi phir bhi naa miley
tujhe aaraam
to rakshaa kare teri siyaa raam
siyaa raam siyaa raam
siyaa raam siyaa raam
teri dillagi
haaye haaye haaye
ik aankh naa bhaaye bhaaye
bhaaye
teri dillagi
haaye haaye haaye
ik aankh naa
bhaaye bhaaye bhaaye
mujhe rog bhaari
hai hai hai
badi bekaraari hai hai hai
jab dil dhadktaa hai
jaise dank lagtaa hai
jiyaa talmalaataa hai
rab yaad aataa hai
teri dillagi haaye ae
ik aankh naa bhaaye ae
hai buraa aankh ka rog
sundari ee
sudh iski lenaa aa
hai buraa aankh ka rog
sundari ee
sudh iski lenaa aa
soormaa ????
aankhon mein jee lenaa
yadi phir bhi ho wahi
subah o shaam
to rakshaa karen teri siyaa raam
siyaa raam siyaa raam
siyaa raam siyaa raam
hey raam kya hogaa
anjaam kya hogaa
aawaaz doon kisko o
koyi thhaam le mujhko
bechain phirtee hoon oon oon
uthhtee hoon
girtee hoon oon oon
ik saans aati hai
ik saans jaati hai
hey raam kya hogaa
anjaam kya hogaa aa
arey jataa dhaari ke naam
baalike
ik rassi lenaa aa
jataa dhaari ke naam
baalike
ik rassi lenaa
aur galey mein phandaa daal ke
har dukh se chhuttee lenaa
yadi phir bhi naa bane
teraa kaam aam
to rakshaa kare teri siyaa raam
siyaa raam siyaa raam
siyaa raam siyaa raam
nahin maut bhi aati
tujh se hain ghabraatee
nahin maut bhi aati
tujh se hain ghabraatee
main hoon kya boori aisi ee
jaanu kya main pardesi
haay haay
phir ye dil dhadkaa aa
phir naam le ishwar kaa aa
arjun
arjun
arjun mere arjun arjun
arjun
arjun
arjun mere arjun arjun
rahi jo o yahi uljhan n n
to ban jaaungee ee jogan
abhi jaa ke baazaar se
bhagwaa chunree le aanaa
arey abhi jaa ke baazaar se
bhagwaa chunree le aanaa
tyaag ke phir sansaar ko praani
ban mein bas jaanaa aa
yadi phir bhi tu phirey
dil ko thhaam aam
to rakshaa kare teri siyaa raam
siyaa raam siyaa raam
siyaa raam siyaa raam
mujhe dard rehtaa hai
dil mein dard rehtaa hai
siyaa raam
siyaa raam
siyaa raam
siyaa raam
mujhe bhookh nahin lagtee
mujhe pyaas nahin lagtee
siyaa raam
siyaa raam
siyaa raam
siyaa raam
siyaa raam
siyaa raam
siyaa raam
siyaa raam
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5492 | Post No. : | 17930 | Movie Count : |
4793 |
‘Laaga Chunari Mein Daag’ (2007) was produced under the banner of Yash Raj Films and was directed by Pradeep Sarkar. The star cast included Rani Mukherjee, Jaya Bahaduri, Konkana Sen Sharma, Anupam Kher, Abhishek Bachchan, Kunal Kapoor, Tinnu Anand, Sushant Singh, Kamini Kaushal, Suchitra Pillai etc. Hema Malini made a special appearance in the film in the role of a courtesan. This was the second film of Pradeep Sarkar as a director after his critically acclaimed film, ‘Parineeta’ (2005). The film is available for viewing only on the OTT platform.
The gist of the story of the film is as under:
The family of Shivshankar Sahay (Anupam Kher) consisting of his wife, Savitri (Jaya Bachchan) and the two daughters – Vibha (Rani Mukherjee) and Shubha (Konkona Sen Sharma) is going through hard days. Due to financial constraints, Vibha’s education has been discontinued after 12th standard. Their haveli located at Banaras ghat is in danger of going on the auction by the creditors including Shivshankar’s elder brother, Rajshankar (Tinnu Anand) who wants his share in it.
To take care of the financial problem of the family, Vibha moves to Mumbai to get a job. But her educational qualification is not enough to get her a job. Willy-nilly, she falls into a trap which forces her to become a call girl and later the job of an escort under a new name, Natasha. With her new job, Vibha is flushed with money not only to regularly remit the money to her family in Banaras, but she has an apartment to stay in and owns a car. Except her mother, none of the other members of the family is aware as to how Vibha earns so much money. But the financial crunch makes Savitri to keep mum.
With Vibha’s financial support, Shubha completes her MBA and moves to Mumbai for her internship in a company. She becomes close to Vivaan Verma (Kunal Kapoor) during her internship in the company. Vibha is sent to Switzerland as a part of her PR job to make necessary arrangements for a meeting. In the flight, she meets Rohan Verma (Abhishek Bachchan) and develops an acquaintance. She again meets him during the meeting, and they become close friends.
In Mumbai, the relationship between Shubha and Vivaan goes to a higher level and their marriage is fixed in Banaras. However, Savitri does not want Vibha to attend the marriage for fear of her antecedent. Shubha convinces Vibha to join her marriage in Banaras where she is surprised to see Rohan Verma joining the pre-marriage ceremony. He turns out to be the elder brother of the bridegroom, Vivaan Verma. During the ceremony, Rohan proposes to Vibha which she is reluctant to agree to. However, things are sorted out as Rohan is already aware of Vibha’s background and he has no reservation about it. The film ends with both brothers getting married to sisters on the same day.
The story discussed above seems to be a familiar one. Yes, ‘Aaina’ (1977) had, more or less, the same story. I will not be surprised, there could be a couple of more films with the near identical theme. That may be the reason as to why the film becomes predictable after Vibha moves to Mumbai for a job. Perhaps, for this reason, Rani Mikherjee’s role in the film, despite her good performance, does not generate sympathy.
After watching the film, I felt a let down from director, Pradeep Sarkar who had directed a sensitive film and critically acclaimed ‘Parineeta’ (2005). The problem starts with the selection of an outdated story which, to my mind, would not be good enough even as the family soap opera on TV channels. The film starts with a song picturised on Rani Mukherjee and Konkona Sen Sharma of more than 5 minutes duration when the credit titles are displayed. Though the picturisation has been aesthetically done, the song gives an impression more of a music video than a part of the film. Even the end of the film is lackluster.
‘Laagi Chunari Mein Daag’ (2007) had six songs accredited to Swanand Kirkire as a lyricist which were set to music by Shantanu Moitra. I am presenting the first song “Ehi Thaiyaan Motiya Hiraaye Gayili Raama” from the film to appear on the Blog. The song is rendered by Rekha Bhardwaj. The lyrics of the song are accredited to Swanand Kirkire probably because in the credit titles of the film, only his name appears as a lyricist. However, the lyrics are traditional if one goes by the renditions of the song by Hindustani classical singers like Rasoolan Bai, Girija Devi, Nirmala Devi and Pandit Channulal Mishra with, more or less, the identical wordings decades back.
The background to this song is that the haveli on the Banaras ghat in which the family of Shivshankar Sahay (Anupam Kher) are staying, has been selected for a film shooting. During the film unit’s reconnaissance visit to the haveli, one lady crew member, Sofia (Tarana Raja) wants to visit the kotha to watch and shoot the mujra dance of the famous Banaras courtesan, Dulari Bai (Hema Malini). Since the ladies are prohibited to watch mujra, Vibha and Shubha take Sofia to an ante room of the kotha from where she can watch and shoot the mujra dance through a lattice window. The song is picturised on Hema Malini who is performing a mujra dance in front of the select audience. The song is interspersed with the dialogues between Anupam Kher and Jaya Bahaduri in their haveli about their financial condition. The audio clip contains the full song.
This is a traditional Chaiti song – a sub-sect of Thumri/Dadra under semi-classical form of Hindustani classical music. Lyrics are mostly in Purbi dialect which is spoken in Eastern Uttar Pradesh and Western part of Bihar. Chaiti is sung in the Hindu month of Chaitra that falls in March-April. Chaiti songs generally have the romantic theme with words like ‘ho raama’, ‘arrey raama’, ‘re raama’.
The first line of the song has an erotic element. The deeper meaning of courtesan losing a nose ring is indicative of messing with her lover. In keeping with the erotic nature of the lyrics, Rekha Bhardwaj has sensually rendered the song.
The tune of the song under discussion sounds like that of “Kaise Din Beete Kaise Beeti Ratiyaan” from film ‘Anuradha’ (1960) which has been composed by Pandit Ravishankar. The song is based on Raag Manj Khammaj which is said to be invented by Ustad Allauddin Khan, the Guru of Pandit Ravi Shankar.
Video (Partial)
Audio (Full)
Song – Ehi Thaiyaan Motiyaan Hiraaye Gayili Raama (Laaga Chunari Mein Daag) (2007) Singer – Rekha Bhardwaj, Lyrics – Sawanand Kirkire, MD – Shantanu Moitra
Lyrics
(Based on Audio)
aa aa aa aa maa
aa aa aaa
aa aa aaa
ehi thaiyaan motiya hiraaye gayili raama..aa
kahaan wa….aa main dhoondoon
ehi thaiyaan motiya hiraaye gayili raama..aa
kahaan wa…aa main dhoondoon
ho o o
ae hi thaiyaan motiya hiraaye gayili raama..aa
kahaan wa…aa main dhoondoon
nathni se moti kahin hir gaya raama
nathni se moti kahin hir gaya raama
kahaan wa…aa main dhoondoo…..oon
haa……ay ehi thaiyaan
[Tabla Beats]
saasu se poochha
nanadiyaa se poochhaaa
aa aa aa aa
hey raam
saa..su se poochha
nanadiyaa se poochha
saiyyaan ji se poochha to lajaaye gayi raama
haan aa aan
saiyyaan ji se poochha to lajaaye gayi raama
kahaan wa main dhoondoo..oon
ehi thaiyaan
ehi thaiyaan
ehi thaiyaan aa aa aa aa
ehi thaiyana motiya hiraaye gayili raama
kahaan wa main dhoondoon
ehi thaiyaan
ehi thaiyaan
ehi thaiyaan
ehi thaiyaan aa aa aa aa
ehi thaiyaan motiyaa hiraaye gayili raama
kahaan wa..aa main dhoondoon
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
आ आ आ आ मा
आ आ आ आ
आ आ आ आ
एही थइयान मोतिया हिराये गईली रामा॰॰आ
कहाँ वा॰॰आ मैं ढूँढूँ
एही थइयान मोतिया हिराये गईली रामा॰॰आ
कहाँ वा॰॰आ मैं ढूँढूँ
हो ओ ओ
एही थइयान मोतिया हिराये गईली रामा॰॰आ
कहाँ वा॰॰आ मैं ढूँढूँ
नथनी से मोती कहीं हिर गया रामा
नथनी से मोती कहीं हिर गया रामा
कहाँ वा॰॰आ मैं ढूँढूँ
हाए
एही थइयान
[तबले की ताल]
सासू से पूछा
ननदिया से पूछा
आ आ आ आ
हे राम
सा॰॰सू से पूछा
ननदिया से पूछा
सइय्याँ जी से पूछा तो लजाये गयी रामा
हाँ॰॰आं
सइय्याँ जी से पूछा तो लजाये गयी रामा
कहाँ वा मैं ढूँढूँ॰॰ऊँ
एही थइयान
एही थइयान
एही थइयान आ आ आ आ
एही थइयान मोतिया हिराये गईली रामा॰॰आ
कहाँ वा मैं ढूँढूँ
एही थइयान
एही थइयान
एही थइयान
एही थइयान आ आ आ आ
एही थइयान मोतिया हिराये गईली रामा॰॰आ
कहाँ वा॰॰आ मैं ढूँढूँ
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5371 | Post No. : | 17614 |
———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.58
————————————————————————————–
On this date ten years ago (2 April 2013), eight songs were covered in the blog. Seven of them were from seven different movie while one song was a non film song. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 7801 | Kis paapi sang uljhhin ankhiyaan | Suhaag Raat (1948) | Movie YIPPEED by now |
| 7802 | Aayi milan ki bahaar re | Naiyya (1947) | 3 songs covered out of 6 by now |
| 7803 | Jab pyaar kiya to marna kyun | Raaz(1967) | movie YIPPEED by now |
| 7804 | Aankh milaaye na muskuraaye na | Milan Ki Raat (1967) | 2 songs covered out of 5 by now |
| 7805 | Raaj Kapoor ki neeli aankhen | Maa Aur Mamta (1970) | 4 songs covered out of 6 by now |
| 7806 | Tere sang jeena tere sang marna | Naach Uthhe Sansaar(1976) | 2 songs covered out of 6 by now |
| 7807 | Phir shaam se dooba jaaye dil mera | Suman Kalyanpur NFS(1981) | |
| 7808 | Dhoop ke makaan sa ye | Break Ke Baad (2010) | One song covered out of 6 by now |
We observe that two movies (out of 7) whose songs were covered on this date ten years ago (on 2 april 2013) have since been YIPPEED. That leaves us with five unYIPPEED movies that re eligible for Blog Ten Year Challenge today (2 april 2023).
Three movies that are eligible for BTYC today have already been taken up earlier in the day.
The fourth BTYC eligible movie to the day is “Naach Uthhe Sansaar”(1976).
“Naach Uthhe Sansaar”(1976) was directed by Yakub Hasan Rizvi for Regal Theatres, Bombay. The movie had Shashi Kapoor, Hema Malini, Simmi Garewal, Rajinder Nath, Leela Mishra etc in it.
“Naach Uthhe Sansaar”(1976) had six songs in it. Two songs have been covered in the past.
Here is the third song from the movie. the song is sung by Rafai and female chorus. the song is picturised as a stage dance song on Shashi Kapoor, Hema Malini and many other dancers.
Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal
Audio
Video
Song-Aa ab to aajaa bahut din beet gaye aaja (Naach Uthhe Sansaar)(1976) Singer-Rafi, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Female chorus
Lyrics
sookhi dharti dhool udaawe
jalta gagan agan barsaawe
daar se patiyaan toot ke gir gayin
chhaanv nahin panchhi ee ee kit jaaye
rut basant ki ee ee jaane kahaan hai
gali gali main raha bulaaye ae
kahin se ab to bol de sajni
gale mein kaante pad gaye haaye
aa ab to aaja aa
bahut din beet gaye aaja
aa ab to aaja aa
bahut din beet gaye aaja
pyaase dil pe
pyaar ki barkha
chham chham barsa jaa aa
kasam se
aa ab to aaja aa
bahut din beet gaye aaja
aa ab to aaja
bahut din beet gaye aaja
koi birha ki dhoop mein sulge
koi birha ki dhoop mein sulge
teri dagri se ankhiyaan jode
aaja o meri pawan basanti ee
baadal ki chunariya odhe
aa jeewan ke veeraane mein
bahaar banke chhaa ja
aa ab to aaja
bahut din beet gaye aaja
aa ab to aaja aaaaa
aaajaaa aa
aaaaajaa
aaaaaja aa
aayi more raaja
tere liye
aayi more raaja
aayi more raaja
tere liye
aayi more raaja
ankhiyaan milaayi
ras ki boonden pee ke lehra jaa
kasam se
aayi more raaja
tere liye
aayi more raaja
aayi more raaja
tere liye
aayi more raaja
bin baadal bijli chamki
din mein taare toot gaye
aa aa aa
aa aa aa
bin baadal bijli chamki
din mein taare toot gaye
pyaar ne aisi angdaayi li
bandhan saare toot gaye
khil gaye phulwa
dekh milan ke
tu bhi khilta jaa aa kasam se
aayi more raaja
tere liye
aayi more raaja
aayi more raaja
tere liye
aayi more raaja
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
Prem ka rog bada buraa
Posted on: February 14, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5324 | Post No. : | 17454 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Prem ka rog badaa buraa)
——————————————-——————————
#Claimer ( 🙂 ) #
“Today’s article is inspired from a real-life story and is based on real life experiences happening in our day to day life”
Any ‘resemblance’ of the story/character mentioned in the article is much expected (and is not a mere ‘coincidence’) with ‘everyman’/ ‘everywoman’s life especially who have been ‘immersed’ in love sometime in their life, and/or could not turned into a lifetime relationship.
Some of them could be ‘Hindi movie buffs’ and lovers of HFM (especially the songs of love –and songs of milan and judaai etc etc.) for which the author should not be held responsible or criticized or punished in ‘any’ form 🙂
So, the ‘claimer’ above would have given some hint about the article here today. Aaj ham dil ki baatein karenge or it will be more accurate to say ki aaj ham ‘toote’ huye dil ki baatein karenge 🙂
So, here we begin this story …
I have one of my childhood friends who is closed to me, and we two have many things in common. His life also has the similar ‘struggle’ and many similar incidents happened in my life. We were classmates from KG to 12th standard and both of us had to take to job early in our life leaving the formal education after 12th standard.
Well, whenever we are together we often discuss many things and refresh our childhood memories- memories related with cricket, of watching films, and memories of film songs of course!
During all such meetings and the discussions therein there would always be the discussion about the ‘crush’ this guy had in school days. If our meeting happens on weekends and accompanied by ‘drinks’ sometimes it would end with listening various songs from the seventies to pre-eighties and even singing and dancing with on the tunes.
Here we begin the story of this guy (my friend, hereinafter refer to as ‘hero’ of our story today).
This is sometime during 1977-1978.
So it happened that a new girl joined us in when we were learning in standard seventh when first semester had been over. Her father was a class two officer. Our parents were from class four employees.
Over the period this guy developed a liking for this girl and with supportive talks among friends group he fall in love – yes one sided only. In those times it would take time to open your heart so easily.
All of us were a staying in a small colony for the electricity board employees. So it would so happen on ‘Dushehra’ or other festivals and special occasions that all us would visit to all families in the colony and greet them. Our parents would also accompany us on such occasions. On all such occasions this boy and girl would meet and our hero would take all such meetings a chance to become friendlier with this girl.
Slowly this talk spread in the class and in the colony about this guy and this girl. Still everything was not as open and since all of us were still considered as ‘children’ nobody was as serious in this matter as this guy was. He started following this girl and dreaming about her. And then he also fall in love with all the golden oldies from Hindi movies ‘sau saal pehle mujhe tumse pyaar thaa’, ‘ehsaan tera hoga mujhpar’, ‘phool tumhe bheja hai khat mein’, ‘suhaani raat dhhal chuki’ etc etc.
As days passed , this guy had seriously fallen in love with this girl, with the girl totally unaware about this. When ‘Muqaddar Ka Sikandar’ came this guy easily related his character with the young Mayur (the young Sikandar) in the movie and this ‘girl’ was his ‘memsaab’ since she comes from a upper class family.
More than two years passed easily with our hero shining in the class as ‘monitor’, his friends making stories of him and this ‘girl’, our hero ‘burning’ himself in the ‘pyaar ki aag’ sometimes, or taking overdose of playing cricket etc etc. All the legendary stories of ‘Laila Majnu’ type going through his mind.
Finally the day arrived when the news came that the girl’s father was transferred to Koradi Thermal Power Station, near Nagpur.
Now that year was – ‘1982’- when we landed in on an important milestone of our life – standard tenth. We had to appear for board exams and that was an important year for anybody’s life and career.
This guy told his mother (in those days you cannot share something like this to your father. It was ‘highly hazardous ’and could have invited ‘beating blue and black 🙂 ) that he wants to go to Koradi to meet this girl. His mother was a working woman and she tried to make him understand this was not the right time for him for these things and he should focus on studies first and then think about this later after some years. For the time being the matter was put in the ‘cold storage’, but our hero silently suffered missing the heroine.
Years passed and our hero’s parents were also transferred to other location of the state electricity board’s unit in Marathwada region. So now the ‘geographical gap’ become wider than earlier which was from Akola to Nagpur.
After fairing good at the standard tenth exams our hero somehow could not fair good in his 11th and 12th standard studies’ as the subjects were not of his likings (same like me 🙂 ). And he focused more on cricket and watching Hindi movies especially of Rajesh Khanna.
So after 12th he took some job temporarily, thinking that he would return to studies later. But it did not happen and he continued his work life further forever.
In the meanwhile he was always missing this girl and once he gets chance to visit Nagpur for some official work. He visited his Uncle at Koradi and in the same colony he also met some of his childhood friends who were his classmates earlier. With the help of a friend he finds out what this girl was doing. She was pursuing medical studies (MBBS) at Nagpur (Mayo College (then) in Nagpur). So our hero with this friend visits the girl in the Hospital, but fortunately or unfortunately she didn’t recognize him and our hero’s friend was more in shock than our hero was ( ). He come back from Nagpur and shares the story to his bosses where he was working. His boss advised him to forget all and focus on career as he should be supporting his parents and brothers who came from a middle class family and since he was also the elder among the children he should be taking more responsibility (? ).
Well, our hero decided that before leaves this ‘story’ why not to vent out his feeling to the girl so that he would not have any regrets in life further. Because this girl had become a regular feature in his dreams and that would stir his heart only to increase his craving for her. (tujhko pukaare mera pyaar … aaja main to mitaa hoon teri chaah mein…)
So he thought that may be after venting out his feelings will give him relief and may help him to forget her if she did not have the same love for him too.
So, he wrote all his thoughts on paper (which was a ten page letter written on both sides of a long ‘ruled paper’ ) and posted her.
***
‘teri zulfon se judaayi to nahin maangi thhi ee ee ee….’
The heroine didn’t respond to our hero’s letter…
All sad and melancholic songs become his companion and he continued his journey for the future.…
He had to leave the home state or his job postings and years passed.
Our hero finally got married in ‘1994’ to a girl suggested by his parents. And the couple started their family life happily and had two daughters. Though our hero didn’t keep anything hidden and had told his wife about the happenings in his life.
No communication or contact happened with the heroine thereafter.
***
Our hero struggled hard. Completed his formal education via distance courses and also keep growing at professional front too.
Years passed … our hero still having the ‘bachpan ki muhabbat ko’ feeling in a corner of his heart…
In between whenever he had to visit Nagpur he used to look for his childhood friends and their whereabouts.
Internet and mobile connectivity had made inroads into Indian society … TV take a new ‘avtaar’ from ‘Doordarshan’ to ‘cable tv’ etc etc…
Advent of Internet and social media become platform for people to look for information about their lost contacts …
The ‘hero’ also took advantage of this and keep searching for the girl on internet. Sometimes getting results her name in the list of pass-out students from the university she was studying at Nagpur …
But still he was not aware where she was …
It so happened that after spending over twenty years outside the state he got an opportunity to stay in Nagpur for his job 🙂
He resumed the search … after all it is not easy to ‘forget your first love’ in life …
He got her address in Nagpur and thought to meet her, but returned back from mid-way that it was not morally right to do this after so many years … but just once … he wanted to meet her and see her … (bas ek baar nazar bhar ke usey dekh loon)
***
But destiny has some other thoughts. This guy had to leave Nagpur after two years and move elsewhere outside the state.
Years passed …. Our hero had a job-stint abroad and returned back after three years … Covid2019 happened… this fellow lost his new job in India and lost in depression with diagnosis of OCD. Medication started … he got a new job after few months and everything was again going normal … but somehow his heart still craving for the childhood days, and whereabouts of the girl…
Now the latest searches were not showing any result he earlier had though they still mentioned the same address of the heroine..
(roke zamaana chaahe roke khudaayi tumko aana padega) …:)
Hero was experimenting with his searches so once it so happened that he looked for the heroine’s father’s contact on ‘mukh-pustak’ and he got him there !!!
The heroine’s father had contacts of Heroine and her two sisters. And slowly our hero opened the contact page of the Heroine and with goose bumps get to see her latest photo after a gap of almost forty long years … the same beauty the same radiance …
Searching more information about her it was known that she now is renowned doctor in Nagpur city and had married a doctor. She too had two daughters (like our Hero has). And more importantly her phone number was also given there on the internet …
After getting her number he texted her about him and proposing an idea of ‘reunion’ of classmates. But no reply came. He tried to contact her but some technical glitch prevented the communication to happen. After few attempts the girl blocked his number without any communication happening. Request for adding friend is still pending …
Haunting dreams resumed again … the childhood place, school , meeting the girl , telling her about his love … Hero decided that now this time he will definitely meet her when he visits Nagpur…
But the big question was what to do with the dreams …
Why they come?
***
And it so happened that one day the younger daughter of our Hero find the name of this girl in search history of his phone …
I am now leaving it to your imagination what could have happened after that …
Papa you are stalking her? … (Our heroes daughters were also aware of his this story of childhood ‘crush’)
Somehow our Hero convinced his wife that there is nothing like that and he only want to see this girl who was studying with her just an excitement and nothing else…
Finally our Hero consulted our other common friend thinking that me too was a ‘highly sentimental’ like him, who told him to accept the reality and forget her ….
Boss I have tried my best … but when she comes in my dream I cannot tell you how my heart goes and the next many days I am lost in some different world altogether…
What say? Do you think our Hero will be able to get a chance to meet his ‘dreams girl’ at least once in this lifetime and get his wish fulfilled of seeing her after so many years …?
We do not know what is going to happen…
But for now we do have a song of the ‘dream girl’ from the world of cinema from those years …
Listen to the today’s song sung by Lata Mangeshkar and lip-synced on screen and performed by Hema Malini.
Also seen the in picturisation of this song are Manoj Kumar, Imtiaz Khan, David and many others.
Lyrics for the today’s song are written by Majrooh Sultanpuri and music is composed by Laxmikant-Pyarelal.
Movie- Dus Numberi-1976 🙂
Prem ka rog badaa buraa ??? is it ???
(Note – names of places have not been changed and no cinematic liberty taken in the presentation of this write-up 🙂 )…
Prem ka rog badaa buraa….
Video
Audio
Song-Prem ka rog bada bura (Dus Numberi)(1976) Singer-Lata Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
prem ka rog badaa buraa
maakaa nakaa ga baai
maakaa nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
aisaa mere ko
meri maa ne kahaa
nakaa nakaa nakaa
baai makaa nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
aisaa mere ko
meri maa ne kahaa
nakaa nakaa nakaa
baai makaa nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
ro ro kategaa din
to bekal raaton ko rahoongi
ro ro kategaa din
to bekal raaton ko rahoongi
nanhe se ae dil pe
baaba kaise main ye dukh sahungi ee ee
nanhe se ae dil pe
baaba kaise main ye dukh sahungi
kachchi kali hoon
rang dekho zaraa
dil dil dil bhi hai
naazuk mera aa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
prem ka rog badaa buraa
nakaa nakaa nakaa
baai makaa nakaa
yo yo o
yo yo o
yo yo yo yo yo yo
phir bhi karoon main kya
ke tu badaa baanka mohe laage ae
phir bhi karoon main kya
ke tu badaa baanka mohe laage ae
par kaise mera tera
milan ho tu hi bataa de ae
par kaise mera tera
milan ho tu hi bataa de
abhi abhi abhi haathh chhodo mera
dekho dekho dekho koi hai teesra
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
prem ka rog badaa buraa
nakaa nakaa nakaa
baai makaa nakaa
dekhoon mere liye
kise aataa hai mar jaana
dekhoon mere liye
kise aataa hai mar jaana
donon mein kaun hai
main dekhoon to mera deewaana aa aa
donon mein kaun hai
main dekhoon to mera deewaana
chakku chhuri chalne do zaraa
arey arey arey arey
giraa giraa aa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
aisa mere ko
meri maa ne kahaa
nakaa nakaa nakaa
baai makaa nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
prem ka rog badaa buraa
nakaa nakaa nakaa
baai makaa nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
prem ka rog badaa buraa
maaka nakaa ga baai
maaka nakaa
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
yo yo o
yo yo o
yo yo yo yo yo o
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5317 | Post No. : | 17437 |
“Sanyasi”(1975) was produced and directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, PremNath, Prem Chopra, Hema Malini, Brahma Bhardwaj, Aruna Irani, Sulochana Latkar, Pran, Kamini Kaushal, Indrani Mukherjee, Chandrashekhar, Shailesh Kumar, Raj Mehra, Helen, Aparna Chowdhary, Jayashree T, Hari Shivdasani, Brahm Bhardwaj, Murad, V.Gopal, Rajpal, Kuljeet, Kamaldeep, Keshav Rana, Yunus Parvez, C.S.Dubey, Narbada Shankar, Tiger, Shera, Romeo,
G.A.Sheikh, Dinesh Hingoo, Bihari, Darshan Arora, Sabina, Sheila, Madhup Sharma, Krishna Kumar, Kumari Naaz, Nazima, Monty Nath, Surendra Rahi, Gurcharan Pohli etc in it.
“Sanyaasi”(1975) had nine songs in it. Eight songs have already been covered in the blog. Here are their details:-
| Blog post number | Song | Date of posting | Singer(s) | Lyricist | Remarks | |
|---|---|---|---|---|---|---|
| 7457 | Tu mera din hai main teri raat | 6 February 2013 | Suman Kalyanpur, Mukesh | M G Hashmat | ||
| 10614 | Chal sanyaasi mandir mein | 31 December 2014 | Lata, Mukesh | Vishweshwar Sharma | ||
| 12259 | Karm kiye ja phal ki ichcha mat kar ae insaan | 24 July 2016 | Lata, Mukesh | M G Hashmat | ||
| 13659 | Baali umariya bhajan karoon kaise | 16 October 2017 | Lata, Mukesh | Vitthal Bhai Patel | ||
| 14052 | Kya maar sakegi maut usey | 12 February 2018 | Manna Dey | Indeewar | Multiple version song | |
| 16624 | Sun baal brahmchaari main hoon kanya kunwaari | 16 October 2021 | Lata, Mukesh | Verma Malik | ||
| 17432 | Shaam e furqat ka dhhal gaya saaya re | 6 February 2023 | Lata, Premnath | Hasrat Jaipuri |
Here is the ninth and final song from “Sanyaasi”(1975) to appear in the blog. This song is sung by Lata Mangeshkar. Vishweshwar Sharma is the lyricist. Music is composed by Shankar Jaikishan.
This song is picturised as a villain’s den dance song cum distraction song on Hema Malini. The villains present in their den are Premnath, Prem Chopra, Raj Mehra, Kamal Deep, Keshav Rana, Bihari, Sheikh,etc. Naazima and Sulochana Latkar are also present as prisoners of the baddies.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Sanyaasi”(1975) have been covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
audio link:
video link:
Song-Jaisa mera roop rangeela waisa miley jawaan (Sanyaasi)(1975) Singer-Lata, Lyrics-Vishweshwar Sharma, MD-Shankar Jaikishan
Lyrics(Provided by Prakashchandra)(Based on Audio link)
jaisa mera roop rangeelaa
waisaa miley jawaan..aa aa aa aan
to saudaa aa pat jaaye ae
haayye haayye
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa aaa aaa pat jaaye ae
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aa aa pat jaaye ae
ek umariyaa baali meree
us par chadhhee jawaanee
uske oopar nashaa roop kaa
ho gayee main deewaanee
ek umariyaa baali meree
us par chadhhee jawaanee
uske oopar nashaa roop kaa
ho gayee main deewaanee
aisey mein phir saath tumhaaraa
aur ye raat suhaanee
mumkin hai ho jaaye hamse
aaj koyi naadaani..ee
darti hoon kuchch ho naa jaaye
dol rahaa imaan aa aa aan
ye dil naa..aa..aa lut jaaye
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa pat jaaye ae
iska dil..ll uska dil ..ll
sabka dil hai kaalaa
khol rahaa har koyee dekho
ek doojey kaa taalaa
iska dil..ll uska dil ..ll
sabka dil hai kaalaa
khol rahaa har koyee dekho
ek doojey kaa taalaa
soney kaa pinjraa ley koyee
khadaa udhar dilwalaa
idhar jaal ley ghoom rahaa hai
mujhe pakadney waalaa
kis par karoon bharosaa
saarey
log yahaan be-imaan..aa..aa..aan
galaa na kat jaaye ae
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa aaa pat jaaye ae
haayye haaye
jaisa mera roop rangeelaa
waisaa miley jawaan
to saudaa aa pat jaaye
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments