Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hema Malini


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3867 Post No. : 14885

Today 18th February 2019 is the Ninety-second birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab.

He was born on 18th February 1927 in a village Rahon in the District of Jalandhar- Punjab.

From Jalandhar he came to Delhi and from Delhi to Lahore to Mumbai again back to Lahore and finally to Mumbai to start his career in Hindi Films in 1948.
He started his musical career as a Singer first in, singing a duet in the movie ‘Romeo And Juliet-1947’ with Zohrabai Amablewali. And later got his first assignment to compose music for the movie ‘Heer Ranjha-1948’.
After that he keep scaling new heights and achieving new milestones by simultaneously creating many everlasting unforgettable melodious gems and timeless classics.

Since 1948 to 2007 in a career spanning six decades, he has composed music for 54 movies (released) for 327 songs.
As many as 17 movies where he composed music for 60 songs were not released for various reasons and even some of them were shelved and were not completed.

He has also given music to 194 non-filmy songs composed for various albums including patriotic songs and others.

He also composed music for 08 TV serials composing 45 songs.

(*source for the above statistics is from the book ‘Khayyam’ – The Man -His Music, researched, compiled and edited by Vishwas Nerurkar and Bishwanath Chatterjee)

He is the recipient of many awards and honors.

Following is the detailed filmography of Khayyam Saab’s music for Hindi films;

S.no Film Year Song composed by Khayyam in the movie Songs posted on the blog
1 Heer Ranjha 1948 6 2
2 Parda 1949 4 4
3 Biwi 1950 6 2
4 Putli 1950 1 1
5 Pyar Ki Baaten 1951 5 4
6 Footpath 1953 6 6
7 Gul Sanobar 1953 3 2
8 Dhobi Doctor 1954 7 1
9 Gul Bahar 1954 2 2
10 Tatar Ka Chor 1955 6 5
11 Lala Rukh 1958 7 7
12 Phir Subah Hogi 1958 8 8
13 Bambai Ki Billi 1960 7 1
14 Baarood 1960 7 7
15 Shola Aur Shabnam 1961 11 5
16 Shagoon 1964 8 8
17 Mohabbat Isko Kehte Hain 1965 7 7
18 Aakhri Khat 1966 6 6
19 Mera Bhai Mera Dushman 1967 6 1
20 Pyaase Dil 1974 4 4
21 Sankalp 1974 4 4
22 Mutthi Bhar Chawal 1975 4 1
23 Sandhya 1975 3 1
24 Kabhie Kabhie 1976 10 10
25 Shankar Hussain 1977 5 5
26 Trishul 1978 8 8
27 Chambal Ki Kasam 1979 9 5
28 Khaandaan 1979 6 2
29 Meena Kumari Ki Amar Kahaani 1979 2 1
30 Noorie 1979 6 2
31 Thodisi Bewafai 1980 6 3
32 Ahista Ahista 1981 8 2
33 Dard 1981 7 2
34 Dil E Naadaan 1981 6 3
35 Nakhuda 1981 5 1
36 Umrao Jaan 1981 9 6
37 Baawri 1982 6 1
38 Baazaar 1982 5 5
39 Dil Aakhir Dil Hai 1982 5 2
40 Sawaal 1982 8 1
41 Mehndi 1983 6 1
42 Razia Sultan 1983 10 8
43 Lorie 1984 5 1
44 Bepanaah 1985 5 0
45 Anjuman 1986 5 1
46 Devar Bhabhi 1986 4 0
47 Tere Shahar Mein 1986 4 0
48 Ek Nayaa Rishta 1988 5 0
49 Parbat Ke Us Paar 1988 8 1
50 Jaan E Wafaa 1989 6 0
51 Mohabbaton Ka Safar 1995 11 0
52 Ek Hi Manzil 2000 6 0
53 Baazar E Husn(Benaras 1918 A Love Story) 2014 3 0
54 Yatra 2007 3 0
55 Begam Jaan 2017 1 1
(55 movies) 321 161
S.no unreleased Film Year Song composed by Khayyam in the movie Songs posted on the blog
1 Agala Mausam UR 5 0
2 Begam Sahibaan UR 2 0
3 Daaman UR 6 0
4 Ham Ek Hain UR 2 0
5 Ham Hain Raahi Pyaar Ke UR 6 4
6 Kaafir UR 4 0
7 Kharidaar UR 2 0
8 Majnoon UR 2 0
9 Naghma E Sahra UR 2 0
10 Pyaasi Dharti UR 4 0
11 Raahat UR 2 0
12 Sooraj Pe Dastak UR 2 0
13 Zeenat UR 2 0
14 Zooni UR 10 0
15 Vag De Paani (Punjabi) UR 5 0
16 Unutilized Movies (02)(2+2 songs) UR 4 0
Total unreleased movies 60 4

• Note – there are many movies where other composers also give music to the same film with Khayyam Saab. For some of the songs posted on the blog we need to correct the details and tagging.
• This will be done and compiled in in days to come.
• Also there are many songs composed by him which were neither included in movie or for which the records were not released, I have excluded them while counting the total number of the songs for a movie.

Today on the occasion of Khayyam Saab’s ninety-second birth anniversary here is song from the movie ‘Dard-1981’.
‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’.
It was produced by Shyam Sundar Shivdasani.

It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha.
Actress Ranjeeta makes a ‘freindly appearance’ in this movie.

Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie.

Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.

Music of this film was composed by Khayyam Saab.

Lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri and Music was composed by Khayyam Saab.

Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.
Lata Mangeshkar had two solo songs, Kishore Kumar, Asha Bhonsle and Bhupinder have one solo song each and there were two duets sung by Asha Bhonsle and Kishore Kumar in this movie.
Today’s song is the multiple version song sung by Bhupinder Singh and Lata Mangeshkar.

This film was passed by censor board on 24.07.1981.

On our blog so far, we have 179 songs composed by Khayyam Saab already posted (165 songs from movies (released +unreleased), 14 non-movie songs, and one still a long way to go in bringing the remaining songs here.

Thanking Khayyam Saab for all the musical treasure-trove he has given to us and wishing him a ‘Very Happy Birthday’ today and a ‘healthy and peaceful’ life ahead, let us now enjoy the today’s song!!!

Video

Audio-Female version

Audio-Male version

Song-Ahl e dil yoon bhi nibha lete hain (Dard)(1981) Lata/ Bhupinder Singh, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Dil ki mehfil mein ujaalon ke liye
Dil ki mehfil mein ujaalon ke liye
Yaad ki shammaa jalaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Jalte mausam mein bhi yeh deewaane ae
Jalte mausam mein bhi yeh deewaane ae ae
Kuchh haseen phool khilaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Apni aankhon ko banaa kar ye zubaan
Apni aankhon ko banaa kar ye zubaan
Kitne afsaane suna lete hain ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Jinko jeena hai mohabbat ke liye ae
Jinko jeena hai mohabbat ke liye ae ae
Apni hasti ko mitaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

SINGER – BHUPINDER SINGH

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Zakhm jaise bhi mile zakhmonse
Zakhm jaise bhi mile zakhmonse
Dil ke daaman ko sajaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Apne kadmon pe mohabbat waale ae ae
Apne kadmon pe mohabbat waale ae ae
Aasmaanon ko jhukaa lete hain
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

Ahl-e-dil yoon bhi nibhaa lete hain ae ae
Dard seene mein chhupa lete hain
Dard seene mein chhupa lete hain

—————————————–

Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————

स्वर – लता मंगेशकर

अहले दिल यूँ भी निभा लेतें हैं ए ए
अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

दिल कि महफ़िल में यादों के लिए
दिल कि महफ़िल में यादों के लिए
याद कि शम्मा जला लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

जलते मौसम में भी ये दीवाने ए
जलते मौसम में भी ये दीवाने ए ए
कुछ हसीं पल खिला लेतें है
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अपनी आँखों को बना कर ये जुबां
अपनी आँखों को बना कर ये जुबां
कितने अफ़साने सुना लेतें हैं ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

जिनको जीना है मोहब्बत के लिए ए
जिनको जीना है मोहब्बत के लिए ए ए
अपनी हस्ती को मिटा लेतें हैं
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

———————
स्वर – भूपिंदर सिंह
———————-
अहले दिल यूँ भी निभा लेतें हैं ए ए
अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

ज़ख्म जैसे भी मिले ज़ख्मोंसे
ज़ख्म जैसे भी मिले ज़ख्मोंसे
दिल के दामन को सजा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अपने क़दमों पे मोहब्बत वाले ए ए
अपने क़दमों पे मोहब्बत वाले ए ए
आसमानों को झुका लेते हैं
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

अहले दिल यूँ भी निभा लेतें हैं ए ए
दर्द सीने में छुपा लेतें हैं
दर्द सीने में छुपा लेतें हैं

Ahl -e-dil
अहल-ए-दिल
اہل_دل
People of generous/loving heart

Advertisements

This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3816 Post No. : 14814

Hullo to all of Atuldom

I seem to be running short of time daily. And I have missed many dates in the month of DECEMBER for which I would have loved to atleast write out the lyrics and send it to Atulji for appropriate posts. Birthdates of Shatrughan Sinha, Dilip Kumar, Rajnikant, Raj Kapoor, Om Prakash, Govinda, Anil Kapoor, Salman Khan etc. I even had songs of Suresh Oberoi, Mahipal, John Abraham ready in my head. Atulji surprised me by nearly missing Mohd. Rafi’s birthdate, but trust the eternal Rafi Bhakts in our group to send in posts on time and remind Atulji (he always tells that he is bad at remembering dates 🙂 🙂 ).

29th December is another important date for bhakts of Hindi films of the 70s- it is the birthdate of Kaka aka Rajesh Khanna of the charming smile that got him a huge female-fan-following that was crazy enough to write him letters dipped in blood, and I have read in numerous articles and heard hundreds of interviews about how his car would be covered with kisses of his fans. Rajesh Khanna the first real superstar of Bollywood who had 15 consecutive solo hits from 1969 to 1971- an unbroken record. He had 127 films (117 released and 11 unreleased) as protagonist and only 22 multi-star films. He had a fan-following among his fraternity too and Mehmood parodied him in “Bombay To Goa” where the driver and conductor of the bus were called ‘Rajesh’ and ‘Khanna’.

We all know that Rajesh Khanna’s career had a great take off with the double role that he played in Shakti Samantha’s ‘Aradhana’ singing “ho oooo,he aeae, ha aaaa” on an open jeep travelling alongside the Darjeeling Himalayan Railway’s toy train to a bashful Sharmila Tagore pretending to be disturbed in her reading of the Alister Maclean’s “Where Eagles Dare”. But his pairings with Asha Parekh, Mumtaz, Hema Malini, Rekha, Rakhee, Zeenat and others of the 70s were no less eye-pleasing. His most popular songs may have been sung by Kishore Kumar but can anyone forget “Ye jo chilman hai dushman hai humari”; “bina badra ke bijuriya kaise chamke”; “humse ka bhool hui jo yeh sazaa humka mili”; “arre jana hai toh jao boolayenge nahin” or the forever classic “zindagi kaisi hai paheli hai re”. A lot of the singers of the 70s and 80s have had opportunity to give playback for Kaka but we cannot escape the Kishore Kumar for Rajesh Khanna songs.

For today’s post I have chosen a Rajesh Khanna – Hema Malini song- this was a favourite pair of mine post “zindagi ek safar hai suhana” and Kudrat, Mehbooba, Rajput etc only made me love this pair even more. They have appeared in 10-15 movies together.

The song I chose is from the 1979 released Mehmood directed “Janta Hawaldaar”. Hema Malini had an extended guest appearance in the movie. I have also managed to steer clear of ‘Kishore Kumar for Rajesh Khanna’ addiction as also the Anand Bakshi- R D Burman strangle. The song is sung by Anwar in a very Rafi-like manner with Majrooh as the lyricist ad Rajesh Roshan as composer. And the added bonus in the song is Rajesh Khanna has danced differently.

This may be my last post for the year. So I thought I should take this opportunity to wish all of Atuldom a very Happy 2019. And close the year thinking of Kaka or Jatin Khanna (his birthname)- our very own Rajesh Khanna.


Song-Aadhi roti saara kabaab (Janta Hawaldaar)(1979)Singers-Lata, Anwar, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
Chorus

Lyrics

aadhi roti saara kabaab
bol mere murge kukdu koon
haan aadhi roti saara kabaab
bol mere murge kukdu koon

hey jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

hey jaisi boli waisa jawaab
bol ri kabutari gutar goon goon

ho aadhi roti saara kabaab
bol mere murge kukdu koon

are ye ka nakli toda maarat ho
asli toda humse suno
taa tadkat taa tadkat tai
dhirkat dham dhadakat dhai
tam tadhkat thai
tam tadhkat thai
tam tadhkat thai

aaaaaa
kaali ek bhains thi
kaali ek bhains thi ande pe baiti thhi kal
ab tum bataao
kya iska matlab asal
kal raat chaand ke upar thi kaali ghata
ande ki bhains ki tumne bana di ghazal

arrey waah
aur kya
arey waah
aur kya

achcha to shaayar bhi hain janaab
bol mere murge kukdu koon
haah jaisi boli waisa jawab
bol ri kabutari, gutar goon goon

ghoda be-pair ka
lambi bechaare ki dum
chalta hai dum se
dekhe akal ho gum
jawaab do
arey ee leo
ghoda patang hai
dum uski lambi si dor
udta patang hai dori se
samjhe ji tum

arey waah
aur kya
arey waah
aur kya

achchi kaudi laaye janaab
bol mere murge kukdu koon
hoy jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

ab humaare sawaal ka jawaab do
humne baadaam ke andar dekha aadmi
kya iska matlab
ab tum bataao ji
bolo
bolo
arey bolo

sakhi sun
ri sakhi sun
inne badaam ke andar dekha aadmi
aisa kahin bhi toone suna hai ri
arey hum bataate hain
baadaam aankon ko bhi toh kehte hain log
inmein jo jhaanke
dikhe wahi aadmi

arey waah
aur kya
arey waah
aur kya
haar gayi main to tumse janaab
ban gayi murgi kukdu koon
heyy jaisi boli waisa jawaab
bol ri kabutari, gutar goon goon

haa aadhi roti saara kabaab
bol mere murge kukdu koon
aadi roti saara kabaab
bol mere murge kukdu koon
bol mere murge kukdu koon
bol mere murge kukdu koon


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3795 Post No. : 14783

Hullo, hi, pranaam. Good day to all of Atuldom.

Today (8 december 2018) we have a handsome man turning a year older. He has crossed 80 a few years ago but that has not reduced his charisma or charm or fan-following. He is still active on the silver-screen, even if only in home productions, and has his sons as his co-stars.

He has had a rather loooonnnngggg journey having started in 1960. He was the son of a village school headmaster in Ludhiana of Punjab. His mother was the one who supported him in fulfilling his dream of being an actor (he has mentioned this in various interviews of his). He was bitten by the acting bug after seeing Dilip Kumar on-screen. To pursue his dream, he entered the Filmfare New Talent Contest and won it. He was launched by Arjun Hingorani in “Dil Bhi Tera Hum Bhi Tere” in 1960. From then on, he has been entertaining us.

Dharmendra – the he-man with a soft heart. I have read in numerous of his interviews and heard him on television too that his home is always open to anyone who needs his help. The first time I registered this actor or fell in love with him was probably in “Guddi” along with Jaya Bhadhuri (she was also shown to be a Dharmendra fan) or was it in “Seeta aur Geeta”. Or it could be that I saw “Sholay” fell in love with Veeru and then subsequently saw “Guddi” and “Seeta aur Geeta” on Doordarshan and realized who Raka or Dharmendra (he played himself in Guddi) the actor was.

After “Sholay” I have seen many of his movies, even those where he stood next to a bookshelf and sang – “ya dil ki suno duniyawalon ya mujhko abhi chup rehne do” or stood looking out of a window with the “Meghdhoot” in had singing – “tum pukarlo, tumhara intezaar hai”. Loved him even with his heavy lip-sticked- makeup singing “aap ki haseen rukh pe aaj naya noor hai”.

How can anyone forget his pairing with Meena Kumari, Asha Parekh, Waheeda Rehman, Nutan, Vyjayanthimala, Sadhana, Saira Bano, Mumtaz, Babita and all the other ladies of the 60s. He is a lucky guy as he got to romance all the leading ladies of the 70s & 80s. He was sensible enough in not trying to play a romantic lead in the 90s and the few movies where he had heroines it was either Jaya Prada or Sridevi. In the other movies he played a mentor or guardian to the hero or heroine as in “Dadagiri” {1987} he mentors Padmini Kolhapure and helps her in her mission to take revenge against Amrish Puri.

Similarly, in the 1988 “Paap ko jalakar raakh kar doonga” he is shown his to keep his emotions under control in front of his niece played by Farha after her husband is killed by ‘goondas’ and quietly trying to take revenge against the people responsible of the havoc caused in his ‘hasta khelta’ niece’s life. He is an actor who held his ground during the Rajesh Khanna and Amitabh Bachchan wave.

There are many movies starring Dharmendra and we have covered all his popular ones. Atleast that is what I expected. But I am proved wrong there are many more out there which makes it a difficult job to decide what song to present here. I am taking the easy way out and posting the song which is topmost on my head. It is by the Kishore Kumar- Anand Bakshi- R D Burman trio, from the 1978 Pramod Chakravarty produced and directed “Azaad” which was decently successful at the box office.

It was a typical masala movie where Hema Malini played a rich-spoilt- haughty princess and Dharam an eccentric do-gooder (Ashok) who first has his run-ins with the Rajkumari, teaches her to respect food, the poor etc and finally lands up in a factory owned by her. The movie goes through the routine of the princess trying to humiliate Ashok, then falling in love with him and the evil villains trying every trick to bring the movie to the climax.

Today’s song happens when Hema is in the haughty phase and Dharam wants to protect all of the jungle creatures if possible. The song shows our darling Dharam in his trade mark style of being rough and tough (junglee to an extent) and Prem Chopra to be a little stupid. But this is the perfect song to show who or what we experienced when we saw Dharmendra on screen in the late 70s and early 80s.

Wishing you a very Happy Birthday dear Veeru or Garam Dharam alias Dharmendra.


Song-Main Laila ka Majnu Shirin ka Farhaad (Aazaad)(1978) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

O hoooo
o hoooooo

main laila ka majnu
shireen ka farhaad
main hoon sabse pehle
arre sab hain mere baad
main aazaad
main aazaad
main laila ka majnu
shireen ka farhaad
main hoon sabse pahle
arre sab hain mere baad
main aazaad
main aazaad

Ooooo
Ooooo

pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
arre pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
tum jaise dekhe hain
maine bade saiyyaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
arre mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
bhool na paaogi tum
main aaunga yaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

inn aankhon ke raste
dil mein bas jaaoonga
tum naagin toh main sapera
tumko das jaaoonga
arre inn aankhon ke raste
dil mein bas jaaoonga
tum naagin to main sapera
tumko das jaaoonga
ab karti ho gussa
phir karna fariyaad
main laila ka majnu
shireen ka farhaad
main aazaad


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3790 Post No. : 14774

Hullo to Atuldom

At the outset let me wish our friend of Atuldom “A very Happy Birthday” and lotsa of love and joy forever. Let her always be a mystery (paheli); atleast till I meet her personally. But from accounts about her that Sudhirji had once shared on the blog and Atulji’s had written in his post I am very eager to meet her. Till then I will be content with the occasional telephonic chat or WhatsApp masti that we indulge in. Wish you a very Happy Birthday Khyatiji. Have a great day musical day.

“Amir Garib” is a movie I have seen ages back at the time it was released. I have very foggy memory of the contents, only thing I recollect is both Dev Anand and Hema play petty thieves in addition to picking each other’s pockets, and sing the same song one after the other i.e. “soni aur moni ki hai jodiajeeb” has two versions that follow each other in quick succession, in Kishore Kumar and Lata Mangeshkar. Also, I recollect how gorgeous and petite Hema lookedand Dev Anand’s style of dressing, and dancing.

For the plot content I consulted the WIKI and this is what I found :-

The film starts with Mumbai police officials deliberating how to crack a spate of robberies targeting the rich in the city by a masked thief called Bagula Bhagat. Inspector Anand (Sujeet Kumar) is given charge of the case.
Meanwhile, one gets to see musician and singer, Manmohan, alias Moni, working in a hotel owned by Seth Daulatram (Premnath) who is pursued by Sunita aka Soni, a pickpocket, who lives with her foster mother (Sulochana). In fact, Sunita’s rich businessman father died when he was duped by his treacherous manager, Daulatram.

Actually, Bagula Bhagat is Moni in disguise, whose informers (including Birbal and Tuntun) garner information about the misdeeds of unscrupulous traders and businessmen. These then become the target of Bagula Bhagat, who robs them of their riches only to distribute among the poor and the needy. Moni’s heart beats for the ill trodden after a childhood incident, in which his grandfather was killed by a ruthless landowner, who not only belittles him for his poverty, and mocks him about Moni’s mother having been duped by a rich man.

After a series of incidents-some interesting, others outright boring and outlandish Moni and Soni agree to teach Seth Daulatram a lesson for his misdeeds. But before that, Moni comes to know that Soni’s foster mother is actually his mother and that inspector Sujeet Kumar is the fiancé of his foster sister. The film ends after a courtroom drama, in which the judge tries Bagula Bhagat for his misdemeanours. Does the judge take a lenient view of Moni’s plea for rights of the poor? Or is he delivered a harsh punishment?

Lets have this party song today to celebrate our Khyatji’s birthday. It has the normal masala movie setup of a climax song, with the villain (Premnath) bringing in the heroine’s mother (Sulochana) as his hidden trump to thwart the hero and heroine in their mission. We have Ranjeet playing Premnath’s chamcha.

This song also shows Dev Anand in the style he was known for after the advent of colour in movies.

Video

Audio

Song-Kahin janaab ko mera to intzaar nahin (Ameer Ghareeb)(1974) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics(Based on Audio version)

thha intzar jiska aaa
woh raat aa gayi hai
thha intzaar jiska
woh raat aa gayi hai
dulha miyaan kahaan hai
baaraat aa gayi hai
uljhe huye hain saahib
uljhan ko dhoondhte hain
mehfil mein doston ki ee
dushman ko dhoondhte hain

nashe ka jhonka hai woh
nazar kaa dhokha hai woh
nashe ka jhonka hai woh
nazar kaa dhokha hai woh
huzoor aayega woh zuroor
aayega woh

magar woh dushman e jaan
na aa chuka ho yahaan
magar woh dushman e jaan
na aa chuka ho yahaan
kisi pe kya hai yaqeen
kahin woh main toh nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

nazar udaas hai kyon
labon pe pyaas hai kyon
nazar udaas hai kyon
labon pe pyaas hai kyon
uthhaaon jaam piyo
usi ke naam piyo
guzarne do yeh ghadi
badi hai raat padi
guzarne do yeh ghadi
badi hai raat padi
ke thhodi der mein woh kahega aake suno
tumhen karaar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

aaa
aa aa aa aa aa
yeh ameer aur gareeb
zara se aayen kareeb
yeh ameer aur gareeb
zara se aayen kareeb
toh koyi baat bane
meri baaraat bane
yahi toh soch ke haan
main aa gaya hoon yahaan
yahi toh soch ke haan
main aa gaya hoon yahaan
yeh meri bhool sahi
ghalat asool sahi
main sharmsaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

mera jo haal hai abb
kiya hai tumne yeh sab
mera jo haal hai abb
kiya hai tumne yeh sab
tumhaara kaam hai yeh
ke intekaam hai yeh
diya jo toone mujhe
wahi main doongi tujhe
diya jo toone mujhe
wahi main doongi tujhe
yahi hai kaam mera
khizaa hai nam mera
ke main bahaar nahi ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin
kahin janaab ko

mera toh intzaar nahin
kahin janaab ko mera toh intzaar nahin


This article is written by Aparna HM, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is just past midnight (IST) in India. Time to wish, a very happy and progressive 10th Anniversary to our Blog. What a wonderful thought this post carries – an everlasting love for music.

Blog Day : 3653 Post No. : 14507

ASAD 10th Anniversary Celebrations – 13
———————————————————————

“Love is so short, forgetting is so long” – ah, this quote by Pablo Neruda! How true it is!! So simple yet so profound. . .  Don’t we all agree? Love, that feeling which each and every living being experiences for sure in its lifetime. Each one of us would have definitely celebrated it many times in our lives.

And this feeling is celebrated in this song too. Naqsh Lyallpuri, the lyricist puts it down so very simply. The pain of love is sweet and lovable. Its beautiful and it is the sustenance of two hearts that are in love. Love is serene and at the same time exciting. Lovers meet every day but that is inadequate, the longing to meet again remains. Hunger for the loved feeling, however much it is satisfied by these meetings, it remains. It is a feeling, a feeling forever. This is how the lyricist expresses the feeling in this song. His choice of words is simple, the lines are short but very effective in conveying the sentiment. Khayyaam, one of my favourite music composers has composed a distinctive kind of tune. The singing of Asha and Kishore is adorable.

Coming back to Pablo Neruda (12 Jul, 1904 – 23 Sep, 1973), the poet I alluded to in the beginning. He is a very well-known poet from Chile, winner of the Nobel Prize for Literature in 1971. He was also a diplomat and politician. This is a rare combination I feel, a poet and a politician!! Very unique. He is known for love poems. I found these lines by him fascinating.

He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.

Anybody that agrees with the quote? Yes, we do. At least, the majority of us. For few it is “Love is for lifetime etc.”. For people who don’t fall into either category, they should do this – “Miley Na Phool To Kaanton Se Dosti Kar Lee“.

Ah, this is the first song posted by our indefatigable Atul ji. From then to now, it is has been a decade. I am yet to find a person who is as consistent as Atul ji. His very able co-travellers, Sudhir ji and Arun ji are no less consistent. All these three are tireless wayfarers of the musical journey that is our blog. Arun ji is in fact the Bhishm Pitamah of Hindi Films. How can I forget the others? I cannot, they all contribute regularly. Each of them is unique in their own ways.  Unlike me who makes a guest appearance now and then!! Well, I was prodded by Sudhir ji into writing this. I feel grateful to him that he has not forgotten a nacheez like me. I am thankful to Raja ji for allowing to write on a song which he intended to write on. And to Avinash ji for providing the lyrics and all meta-data associated with song. And to Pradeep for being an inspiration. There I go accusing him again! Thank you all 😊

I am sure that the journey will continue until the end of our days on this beautiful Earth. Let us contradict Neruda now. Love for music is so long and cannot be forgotten. Neruda, are you listening? I am being a little cheeky 😉

Here is wishing the blog a long and musically fulfilled life!!

 


Song – Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara (Dard) (1981) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Naqsh Lyallpuri, MD – Khayyaam
Asha Bhosle + Kishore Kumar

Lyrics

pyaar kaa dard hai
pyaar kaa aa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaaaa
pyaaraa pyaaraa
ye haseen dard hi
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

thodaa thodaa chain bhi hai
thodi thodi bekaraari
thodaa thodaa aa chain bhi hai,
thodi thodi ee bekaraari
aur bhi ho pyaar jawaaan
aarzoo hai ye hamaari
aur bhi ho o pyaar jawaaan
aarzoo hai ae ye hamaari

ye milan ho dobaaraa aa

pyaar kaa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaa aa
pyaaraa pyaaraa
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

mujhe milaa pyaar teraa
tujhe meri chaah mili
mujhe milaa aa pyaar teraa
tujhe meri ee chaah mili
naye naye sapnon ki
hamein nayee raah mili
naye naye ae sapnon ki
hamein nayee ee raah mili

ek armaan hamaaraa aa
 
pyaar kaa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaa aa
pyaaraa pyaaraa
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

roz hamein mil ke bhi
milne ki aas rahey
roz hamein ae mil ke bhi
milne ki ee aas rahey
roz mitey pyaas koyee
aur koyee pyaas rahe
roz mitey ae pyaas koyee
aur koyee ee pyaas rahe

dil diwaaanaa pukaaraa aa

pyaar kaa dard hai
meethaa meethaa
pyaara pyaara
haan meethaa aa meethaa
pyaara pyaara
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

pyaar kaa dard hai
meethaa meethaa
pyaara pyaara
haan meethaa aa meethaa
pyaara pyaara
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

———————————————————-
Hindi script lyrics (Provided by Aavinash Scrapwala)
———————————————————-

प्यार का दर्द है
प्यार का आ दर्द है
मीठा मीठा
प्यारा प्यारा
मीठा मीठा॰॰आ
प्यारा प्यारा

ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का आ है सहारा

थोडा थोडा
चैन भी है
थोड़ीथोड़ी बेकरारी
थोडा थोडा॰॰आ चैन भी है
थोड़ी थोड़ी॰॰ई बेकरारी
और भी हो प्यार जवाँ
आरज़ू है ये हमारी
और भी हो ओ प्यार जवाँ
आरज़ू है ए ये हमारी

ये मिलन हो दुबारा॰॰आ

प्यार का दर्द है
प्यार का दर्द है
मीठा मीठा॰॰आ
प्यारा प्यारा
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का॰॰आ है सहारा

मुझे मिला प्यार तेरा
तुझे मेरी चाह मिली
मुझे मिला॰॰आ प्यार तेरा
तुझे मेरी॰॰ई चाह मिली
नये नये सपनों कि
हमें नयी राह मिली
नये नये॰॰ए सपनों कि
हमें नयी॰॰ई राह मिली

एक अरमान हमारा॰॰आ

प्यार का दर्द है
प्यार का दर्द है
मीठा मीठा
प्याराप्यारा
मीठामीठा आ
प्यारा प्यारा
ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा

रोज़ हमें मिलके भी
मिलने कि आस रहे
रोज़ हमें॰॰ए मिलके भी
मिलने कि॰॰ई आस रहे
रोज़ मिटे प्यास कोई
और कोई प्यास रहे
रोज़ मिटे॰॰ए प्यास कोई
और कोई॰॰ई प्यास रहे
दिल दीवाना पुकारा॰॰आ

प्यार का दर्द है
मीठा मीठा
प्यारा प्यारा
हाँ मीठा मीठा॰॰आ
प्यारा प्यारा
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा

प्यार का दर्द है
मीठा मीठा
प्यारा प्यारा
ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3631 Post No. : 14459

# The Special Voices of the Decade (1971-1980) – 4 # Nitin Mukesh #
———————————————–———————————–——————

Welcome all to this fourth article in this series where we are discussing the ‘special voices of the seventies’ and the nostalgia and memories associated with the songs of these ‘special voices’ from Hindi Movies.

As Gulzar Sahab has said in one of his famous albums. . .

door kahin jab wo pahaad ka tilaa baadlon se dhhak jaata tha
to ek aawaaz sunaayi deti

Zaahir si baat hain ki umr ke jis padaav par aap honge, aur jo yaadein aapke zehan mein bas gayin hongi, aap ko bhi kuchh aawaazein sunaayi deti hongi, aur ho sakta hai unka andaaz shaayad kuchh alag sa hota hoga, jaise ki mujhe lagta hai ki ye aawaaz. . .

Noorie. . .     Noorie. . .

Lekin ye aawaaz to mere dil ki gehraaiyon mein tab se hi utar gayi thi. . .

Since, and so far, I vaguely remember to have heard this song playing on the radio in home and too on a dark rainy night. Maybe I was in half sleep when this song was playing on radio. Even today whenever I get to listen to this song, I have the same nostalgic feeling always

teri jheel si gehri aankhon mein
kuchh dekha hamne, kya dekha

May be that time I didn’t even have this knowledge of who was singing but as I grew up and this voice also grew up over the years leaving behind very few yet unforgettable gems in the history of HFM. The most popular of them all, I think, must be this,

zindagi kin aa toote ladi ee
pyaar kar le ghadi do ghadi

Yes!! Today we are discussing Nitin Mukesh under this series of ‘Special Voices’. As I took this journey through his biography and filmography (or discography), as usual, I am filled with ‘nostalgia’ and the years and those songs which brings back many memories. Maybe he has sung very less songs in numbers but almost all of them are so special and unique that one cannot forget them easily.

Nitin Mukesh was born on 27th June, 1950, to a celebrity father who by then had established himself in HFM. There were days he saw his father struggling and they didn’t have enough money to pay even his school fees. And on the other hand, Mukesh, who unlike him wanted that his children get good higher education, sent Nitin to the London School of Economics. However, like his father Nitin was also not interested and not good in studies and hence requested his father to allow him to come back home and leave studies and pursue singing. There after Nitin used to accompany his father on all of his musical tours and stage programmes. He was doing this since he was nine.

As his father Mukesh used sing his own songs in these programmes he asked his son that he should sing other singers’ or specifically Rafi Saab’s songs. Nitin Mukesh remembering this has talked about how great his father was and how much both of them respect and loved Rafi Saab’s singing. It is said that Raj Kapoor wanted that Mukesh’s son should sing a song for his son Rishi in the movie ‘Mera Naam Joker’ (1970) and so Nitin had given his voice for Rishi Kapoor in this song.

Earlier Nitin Mukesh was mainly interested in singing and doing stage programmes only, however on insistence from his father he took on to singing in his movies and thus make a debut in singing with this song from ‘Dhuen Ki Lakeer’ (1974), a duet with Vani Jairam,

teri jheel si gehri aankhon mein
kuchh dekha hamne, kya dekha

Moving forward with Gaapoochi Gaapoochi Gam Gam’ (‘Trishul’, 1978) and ‘Wo Aurat hai tu mehbooba’ from ‘Satyam Shivam Sundaram’ also of 1978. And reaching the popular heights with Zindagi ki naa toote ladi’ in ‘Kranti’ (1981). He continued the same magic with two songs from the movie ‘Nakhuda-1981’ of which “Suno Ik Baat Bolen” is already posted on the blog. After that very few playback songs, as I think he mainly got involved with doing stage shows only and singing ‘bhajans’.

During those years I was in Kota (Rajasthan) and I had bought his album on cassette, ‘Nehanjali’ by HMV which had ‘bhajans’ composed by Shekhar Sen. This album was released in 5/89 and it was added to my collection on 28.10.1989 (may be around ‘Diwali’ festival, if I am correct).

However the songs of ‘Eeshwar’ (1989) especially “Ram ji Ne Dhanush Toda”  and one song in particular from the movie ‘Clerk’ (1989) – “Rakh Gita Par Haath”, are those which were quite good and were appreciated well, with ‘Ye Paisa Bolta Hai” from ‘Kaala Baazaar’ being the most popular. Other favorites that I want to list are – “Tu Mujhe Suna Main Tujhe Sunaaun’ from ‘Chaandni’ (1989), and ‘So Gaya Ye Jahaan’  topping the popularity charts in the previous year of 1988. Among his other songs I like ‘Zindagi Ka Naam Dosti’ from ‘Khudgarz’ (1987}, and “Dil Ne Dil Se Kya Kahaa” from ‘Aaina’ (1993). However, as said earlier Nitin Mukesh had been continuing with his stage shows, and we can find the details of his latest tours on his website here.

On our blog so far, we have only four of Nitin Mukesh songs (all duets) posted. Out of the many of his songs that are yet to make it on the blog, and taking a ‘liberty’ for this series I have selected a song not from the decade of 1971-80 but, for this today’s post I have selected a ‘very special and lovely song’ from a 1989 movie, for this today’s special day too. This is a song from the 1989 movie ‘Santosh’, which is also making a debut on the blog today.

This song was lying dormant in my memory and got revived in 2010-2011, after many years, during a discussion with a friend.

Thereafter, when I joined this blog as a ‘lyrics contributor’ I had shared this song with Atul ji in 2012. In fact, thereafter I have shared all the songs of this movie with him. However they are yet to be posted. It is opportune that Nitin Mukesh’s birth anniversary is on 27th June’ which incidentally is a ‘special day’ for me too. 🙂

‘Santosh-1989’ was an East-n-West Movies presentation. It was produced and directed by Balbir Wadhawan. Hansraj Wadhawan was the production controller of this movie. The star cast includes Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pichoo Kapoor, Om Shivpuri, Praveen Kumar and others. The story of this film was written by Kaushal Bharti. Editing of this movie was done by VV Kamat, assisted by Ashok Naik. Cinematography was done by Radian Kinagi. Lyrics of this movie were written by Santosh Anand and Manoj Kumar. Music was composed by Laxmikant Pyarelal. The film Was passed by Censor board on 28.02.1989.

A brief about this movie from IMDB is reproduced here below;

Cold-hearted and manipulative Kamla has fallen in love with a poor man and marries him and has a child named Santosh. She soon realizes that life is not fun living in poverty, and abandons her child and husband, and returns back to her father and his wealth. She re-marries millionaire Kailashpathi, and has a child named Kundan from him. Years pass by, Kundan and Santosh have both grown up. Kundan is the owner of the mill with his mom, while Santosh is a struggling mill worker, and a union leader. A confrontation ensues between the mill and the workers, and Kamla is able to negotiate a settlement and get the workers back to work. But then, she fails to keep her promise to the workers. Santosh opposes this, and she sets her goons and Kundan against him. Santosh is abducted and held prisoner by Kamla and Kundan, and the only way he can be released is when he compromises with them.

The today’s song is a duet song sung by Nitin Mukesh and Lata Mangeshkar. On screen it is lip-synced by Manoj Kumar and Herma Malini respectively, while many other artists are present and can be seen in the picturization of this song. One can easily spot Sarika in this crowd of party-goers.

 

Song – Yun Lagne Lagi Aajkal Zindgani (Santosh) (1989) Singer – Nitin Mukesh, Lata Mangeshkar , Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Nitin Mukesh + Lata Mangeshkar
Chorus

Lyrics

hmm hmm hmm hmm
yoon lagne lagi
hmm hmm hmm
aaj kal
hmm hmm hmm
zindgaani

yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani

yoon lagne lagi aaj kal zindgaani
yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani

yoon lagne lagi aajkal zindgaani

kahaan se kahaan aa gaye chalte chalte
kahaan se kahaan aa gaye chalte chalte
ke dil ban gayaa
haan
ke dil ban gayaa dard ki rajdhaani
yoon lagne lagi aaj kal zindgaani

badi cheez hai pyaar mein doob jaana
badi cheez hai pyaar mein doob jaana
badi baat hai
haan
badi baat hai roop ki meherbaani
yoon lagne lagi aajkal zindgaani

la laa aa
la laa aa aa
la laa aa
aa aa aa

chalo pyaar ki aag mein jal ke dekhen
chalo pyaar ki aag mein jal ke dekhen
bahot ho chuki zindagi
zindagi paani paani
yoon lagne lagi aajkal zindgaani

kabhi kya kisine suni dhyaan dekar
kabhi kya kisine suni dhyaan dekar
tumhaari zubaani
hamaari. . .
hamaari kahaani
yoon lagne lagi aaj kal zindgaani

o o o o o
ho ho o o o o

bade pyaar se sun rahaa hai zamaana
(bade pyaar se sun rahaa hai zamaana)
bade pyaar se sun rahaa hai zamaana
hamaari zubaani tumhaari
tumhaari kahaani
yoon lagne lagi aajkal zindagaani

ho la la la laa laa laa laa laa laa aa

kabhi ek santosh hota tha shaayar
kabhi ek santosh hota tha shaayar
(aa aa aa aa aa aa)
ghazal ban gayi haan
ghazal ban gayi
haaye
uski kahaani
yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani
yoon lagne lagi aaj kal zindgaani
(yoon lagne lagi aaj kal zindgaani)
zindgaani
zindgaani
zindgaani

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

हम्म हम्म हम्म हम्म
यूं लगने लगी
हम्म हम्म हम्म
आज कल
हम्म हम्म हम्म
जिंदगानी

यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी

यूं लगने लगी आज कल ज़िंदगानी
यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी

यूं लगने लगी आज कल ज़िंदगानी

कहाँ से कहाँ आ गए चलते चलते
कहाँ से कहाँ आ गए चलते चलते
के दिल बन गया
हाँ
के दिल बन गया दर्द कि राजधानी
यूं लगने लगी आज कल ज़िंदगानी

बड़ी चीज़ है प्यार में डूब जाना
बड़ी चीज़ है प्यार में डूब जाना
बड़ी बात है
हाँ
बड़ी बात है रूप कि मेहरबानी
यूं लगने लगी आज कल ज़िंदगानी

ल ला आ
ल ला आ आ
ल ला आ
आ आ आ

चलो प्यार कि आग में जलके देखे
चलो प्यार कि आग में जलके देखे
बहोत हो चुकी ज़िन्दगी
ज़िन्दगी पानी पानी
यूं लगने लगी आज कल ज़िंदगानी

कभी क्या किसीने सुनी ध्यान देकर
कभी क्या किसीने सुनी ध्यान देकर
तुम्हारी जुबानी
हमारी
हमारी कहानी
यूं लगने लगी आज कल ज़िंदगानी

ओ ओ ओ ओ ओ
हो हो ओ ओ ओ ओ ओ

बड़े प्यार से सुन रहा है ज़माना
(बड़े प्यार से सुन रहा है ज़माना)
बड़े प्यार से सुन रहा है ज़माना
हमारी जुबानी तुम्हारी
तुम्हारी कहानी
यूं लगने लगी आज कल ज़िंदगानी

हो ल ल ल ला ला ला ला ला ला आ

कभी एक संतोष होता था शायर
कभी एक संतोष होता था शायर
(आ आ आ आ आ आ )
ग़ज़ल बन गयी हाँ
ग़ज़ल बन गयी
हाय
उसकी कहानी

यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी
यूं लगने लगी आज कल ज़िंदगानी
यूं लगने लगी आज कल ज़िंदगानी
ज़िंदगानी
ज़िंदगानी
ज़िंदगानी


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3600 Post No. : 14368

Today (27 may 2018) is the 3600th day for the blog. I posted a light hearted song on the occasion. Now, here is a proper party song. 🙂

This song is from “Naseeb”(1981). “Naseeb”(1981) was an archtypical Manmohan Desai movie. It had Amitabh Bachchan, Hema Malini, Shatrughan Sinha, Reena Roy, Rishi Kapoor, Kim Yashpal,Pran, Amjad Khan, Kader Khan, Amrish Puri, Prem Chopra, Shakti Kapoor etc in it.

It is amazing to realise that this movie had just six songs in it but they were sung by as many as eleven singers ! Rafi, Lata, Asha Bhonsle, Kishore Kumar, Usha Mangeshkar, Suman Kalyanpur, Amitabh Bachchan, Rishi Kapoor, Anwar, Shhailendra Singh, Kamlesh Awasthi were the singers who lent their voices in these six songs.

Five songs from the movie have been covered in the past. Here are the details of these five songs :-

Song Title

Post No.

Post Date

John Jaani Janardan 68 4-Sep-08
Zindagi imtihaan leti hai 2546 18-Jun-10
Chal mere bhai tere haath jodta hoon 10401 24-Oct-14
Rang jama ke jaayenge 11621 1-Dec-15
Pakdo pakdo pakdo jakdo jakdo jakdo 13683 28-Oct-17

Theree is never a dull moment in a Manmohan Desai movie. There are many great HFM songs that are regarded as “better heard than watched”, but no Manmohan Desai song is likely to fall in that category. Manmohan Desai songs are almost always great treats to watch. These songs would tend to be long songs but audiences would still watch them spellbpound.

This song under discussion is no exception. Lilting Laxmikant Pyarelal prelude music begins while a cage descends on the banquet hall of the five star hotel. Hema Malini emerges out of a cage. This is somewhat (or rather delibetarely) reminiscent of Amitabh Bachchan emerging out of an easter egg in “Amar Akbar Anthony”(1977), another Manmohan Desai blockbuster. Amitabh Bachchan is very much present here in this song as well- and this time as a waiter in that five star hotel who tends to double up as a singer as well as is testified in the song John Jaani Janardan from this movie.

Amitabh Bachchan may be waiting on the guests, but he also manages to dance a step or two in between serving the guests. 🙂 He would get to do this some more in “Namak Halal”(1982) a few months later. 🙂

In these parties, one is bound to have a guest showing undue interest on the female singer. Prem Chopra is that errant guest here. Oldtimers may recall that Prem Chopra was lusting after Hema Malini since the days of “Raaja Jaani”(1972) and he even got Hema Malini to sing a song or two for him. For instance, this song Kitna mazaa aa raha hai(Raja Jani)(1972). 🙂

Prem Chopra has a message for Hema Malini (dance ke baad kamre mein milo) and he gets Amitabh Bachchan to act as the instant messenger. Amitabh Bachchan, as is his wont, hands his tray over to Prem Chopra and goes towards Hema Malini to deliver the message. Whether Hema Malini is scandalised by the contents of the message is something we never get to know because the song resumes as if nothing happened.

The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The video of the song is over five minutes long. Still the video version has one stanza missing in it. The audio version of the song has all stanzas, but then this version has a few lesser lines (less repetition of lines) and the Amitabh Bachchan- Hema Malini dialogue is missing in the audio version.

The song is the title song and so it talks about “Naseeb” viz fate. Naseeb leads to coincidences which we already know even without Manmohan Desai telling us. This song as well as other songs of this movie too have some coincidences associated with them. This song, the sixth and final song from the movie appears on the 3600th day of the blog. The movie had another philosophical song in it, viz Zindagi imtihaan leti hai . And guess what ! That song was covered in the blog eight years ago on a day that happened to be the 700th day of the blog !

That is not all. The fifth and penultimate song from the movie, viz Pakdo pakdo pakdo jakdo jakdo jakdo was covered on the day when the final of Premier Kabaddi League was being played. Now, the sixth and final song from the movie is being covered on the day when the final of IPL is under progress as I type these lines. 🙂

So, without typing any more lines, here is this wonderful philosophical title song from “Naseeb”(1981) on the 3600th day of the blog.

With this song, all the songs of “Naseeb”(1981) are covered in the blog and “Naseeb”(1981) now joins the list of movies that have all their songs covered in the blog.

Audio (all stanzas)


Video (misses one stanza)

Song-Mere naseeb mein tu hai ke nahin (Naseeb)(1981) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

laa lalalala lalalaala lalalala
laa lalalala lalalaala lalalala

mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
ye hum kya jaanen
ye wohi jaane
jisne likha hai sab ka nasee ee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin

suniye
aap
aap ne to kahaa thha ke

thheek hi to kahaa thha
five star hotel mein rahta hoon
bhookhon ko khaana khilaata hoon

hmm
aa
ye wo saahab hain na
unhone ye chitthi di hai
aap ko raat ko khaane par bulaaya hai

ek din khwaab mein ae ae
wo mujhe mil gaya aa aa
ek din khwaab mein ae ae
wo mujhe mil gaya aa aa
dekh kar jo mujhe ae ae
phool sa khil gaya
sharma gayi main haaye haaye
ghabra gayi haaye haaye haaye
sharma gayi main haaye haaye
ghabra gayi haaye haaye haaye
sharma gayi main
ghabra gayi main
kehne laga wo aa kar karee ee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin

baat ye khwaab ki ee ee
sach magar ho gayi ee ee
baat ye khwaab ki ee ee
sach magar ho gayi ee ee
naujawaan main tujhe ae ae
dekh kar ho gayi
aankhen mili hain haaye haaye
dil bhi miley haaye haaye haaye
aankhen mili hain haaye haaye
dil bhi miley haaye haaye haaye
aankhen mili hain
dil bhi miley hain
dekhen miley kab apne nasee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin

aa aa aa aa
aa aa aa aa
aa aa aa aa

hum kahin phir miley ae ae
ik haseen raat mein aen aen
hum kahin phir miley ae ae
ik haseen raat mein aen aen
baat ye aa gayi ee ee
phir kisi baat mein
ab ke hua ye haaye haaye
maine kaha haan haaye haaye
ab ke hua ye haaye haaye
maine kaha haan haaye haaye
ab ke hua ye haay haay
maine kaha haan haay haay
mujhko bataa de mere habee ee ee ee eeb
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
ye hum kya jaanen
ye wohi jaane
jisne likha hai sab ka nasee ee ee ee
everybody
come on
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin

(lalalalalalala)
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin
mere naseeb mein tu hai ke nahin
tere naseeb mein main hoon ke nahin

yeaah


This article is written by Peevesie’s mom , a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3570 Post No. : 14307

Hullo to all in Atuldom

My post today (27 april 2018) should be read after reading what our dear Rajaji wrote last year in this post of his. In there he has poured a lot of love for the handsome actor- producer- (and lastly) a politician. He has spoken for all the fans of Vinod Khanna.

It is simply unbelievable that a year has passed since this most charming actor passed away. I remember how shocked I was on reading the news on our WhatsApp group that day. The news must have broken on the news channels about noon, around the time when Vividh Bharati – All India Radio’s commercial channel- starts their farmaishie filmy gaane etc. I used to have this habit of listening to this programme, with headphones on, as I commute around (I have stopped it since). Now that day, I was most happy with the content of the programme as every single song was from a Vinod Khanna movie and all of which I simply love. It occurred to me that those songs were being played as a tribute to the departed artist, only when I read all the WA messages on returning home. It was very very saddening. But then life is like that, and apparently Vinod was ill for sometime before his death. And as Rajaji has mentioned in his post last year, there were photographs being shared on social media of a rather sick Vinod, but I always thought that must be a look for some forthcoming movie. But that was not how it was to be.

I cannot forget the look on his face when he is listening to the recorded message from his wife. And then the pain on discovering that his wife has been unfaithful- in Gulzar’s song less wonder “Achanak”. Can remember how he smartly outwits Jeetendra’s father as villain in “Anokhi Ada”. Thinking of him singing “nainon mein darpan hain darpan mein koi dekoon jise subaha shaam” with Saira Banu on a cycle in “Aarop”.

After having made his debut in 1968 through Sunil Dutt’s “Man Ka Meet” and doing roles of secondary characters as Manoj Kumar’s friend in “Purab Aur Paschim”; Shammi Kapoor’s younger brother who loses track of ‘good and bad’ in “Jaan Pehchaan”; an inspector out to nab the smuggler (Rajesh Khanna) in “Sachha Jhootha”; and a few villainous characters we saw him as a confused educated unemployed man in “Mere Apne” which was followed by “Achanak” and a small blink and miss role in “Parichay”- all of which were made by Gulzar. No mention of Vinod Khanna is complete without thinking of the “Jabbar Singh” he played in “Mera Gaon Mera Desh”- he was unforgettable, he is unforgettable, we can’t forget him.

How can we forget him- when the radio plays “priye praneshwari” or “koi hota jisko apna” or “bambai se aaya mera dost” or “ruk jaana nahin tu kahi haarke” or “darbaar mein uparwaale ke” or “bhaagi re bhaagi re brijbala kanha ne pakda rang dala” or “lagi aaj saawan ki phir who jagi hai” and all the other famous and not so famous songs featuring him.

Though his pairing with Amitabh was always enjoyed we cannot forget that he paired well with Feroz Khan, Shatrughan Sinha, Vinod Mehra, Rajesh Khanna, Dharmendra, Jeetendra, Sunil Dutt etc. As I was writing this post I wondered if he has never worked with Sanjeev Kumar and I saw that among yesterday’s posts is a song from “Chowkidaar” which had Sanjeev Kumar and VK is also there. The later year heroes Govinda, Salman Khan, Shahrukh Khan etc also co-starred with him playing an elder brother or father figure to them. He has done more than two movies each with most of the heroines of his era; be it Leena Chandavarkar, Bharati, Saira Banu, Zeenat Aman, Hema Malini, Rakhee, Parveen Babi, Reena Roy, Shaban Azmi, Rekha, Yogita Bali etc. and in his second innings Dimple Kapadia, Meenakshi, Madhuri, Madhavi, Jaya Prada, Sridevi etc. God, he had a good career and we were well entertained by him.

“Kudrat” was one of the movies where he co-starred Rajesh Khanna and Hema Malini. It also had Raaj Kumar and Priya Rajvansh in important roles. It was directed by Chetan Anand and had rebirth as its theme. It had great songs written by Majrooh Sultanpuri and Qateel Shifai and R D Burman was the music director. The song with this post is written by Majrooh and sung by Suresh Wadkar and Asha Bhonsle. It is a typical pahadi folk song performed by local dancers and as is the norm in Indian films the stars in the audience are drawn in to dance and shake a hip or leg with the performers. So, we can see Vinod Khanna starting the dance and trying to drag Hema Malini into it. This is followed by Aruna Irani (who plays the missing link between the two births of the main characters) Rajesh Khanna and Priya joining in. The song is meant to transport Hema into memories of her past birth and give her hints of link between Madho and Paro, Vinod catches Hema staring at Rajesh Khanna. And from here the story moves towards what the purpose of the movie is – getting justice for Madho and Paro (Rajesh and Hema) for the crime done to them by Raaj Kumar, father of Priya in this movie.

Thinking of the handsome Vinod Khanna today.


Song-Saawan nahin bhaadon nahin (Kudrat)(1981) Singers-Suresh Wadkar, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Male chorus
Female chorus
All Chorus

Lyrics

taakita dhim takita dhim
taakita dhim dhim dhim dhim
taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho o o
saawan nahin bhaado nahi
saawan nahin bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
toone abhi dekha hai kya
toone abhi dekha hai kya
pagle nazar toh uthha aaa
bin baadal bijli idhar chamki
ho oo bin badal bijli idhar chamki

dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho oohoo ohoooo
dhim taakita dhim takita dhim (oh ho ho ho hoho)
taakita dhim dhim dhim dhim (ho ho hoho)
dhim taakita dhim takita dhim (oh ho ho ho ho)
taakita dhim dhim dhim dhim

arey sun kar ke mele ki dhoom
hum aaye hain tumhre gaanv
sunkar ke mele ki dhoom
hum aaye hain tumhre gaanv

haan gori sambhaalo humein
kar do chunariya ki chaanv
gori sambhaalo humein
kar do chunariya ki chhaanv

arrey dil pe kahin gir na pade
dil pe kahin gir na pade
dhadke hamaara jiya aaa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki

dikhti nahin sar pe dhoop
saawan ke andhe ho kya ha ha

dikhti nahin sar pe dhoop
saawan ke andhe ho kya

arre bijli kahaan baaware
gora badan hai mera ha aa

arey bijli kahaan baaware
gora badan hai mera

arey thoda sa main balkha gayi
thoda sa main bal kha gayi
toh jhooma mera jhumka
ho bin baadal bijli idhar chamki
ho ooo

ho bin badal bijli idhar chamki
oo saawan nahin bhaado nahi
saawan nahin arey bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli
idhar chamki
oo bin badal bijli
kidhar chamki


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14238

“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂

It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).

I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.

The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-

Song Title

Post No.

Post Date

Main kaun sa geet sunaaun 8137 27-may-13
Kar gayee mast mujhe phaagun ki hawaa 9584 17-Mar-14
Baadal to aaye lahra ke chhaaye 14234 4-Apr-18

With time, the movie, and moreso its songs have ended up becoming obscure.

The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.

Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂

Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.

With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.

Video

Audio (Longer)

Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both

Lyrics (of audio link)(Provided by Prakashchandra)

prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa

aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o

kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa

piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa

prem hai ae ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3547 Post No. : 14234

“Dillagi” (1978) was directed by Basu Chatterji for Vikramjeet Films, Bombay. It was a romantic comedy which had Dharmendra, Hema Malini, Mithu Mukherji, Deven Verma, Asrani, Urmila Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali, Manjeeta, Poornima Jairam, Dulaari, Lalita Kumari, Rajan Kapoor, Shobhana Shah, Geetanjali, Manik Chaudhary, Goofy Patel, Qamar Khan, Bina Bawa etc, with special appearnce by Shatrughan Sinha and friendly appearances by Keshto Mukherji and Brahmchaari in it.

The movie had four songs in it. Two songs have been covered in the past.

Here is the third song from “Dillagi” (1978) to appear in the blog. The song is sung by Lata. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised on Hema Malini as a “missing the beloved” genre of song that plays in the background.

Lyrics of this song were sent to me by Prakashchandra.


Song-Baadal to aaye lahra ke chhaaye (Dillagi)(1978) Singer-Lata, Lyrics-Yogesh, MD-Rajesh Roshan

Lyrics(Provided by Prakashchandra)

baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye

tum zindagi mein kyun meri aakar
gum ho gaye ho aise mujh ko bhulaa kar
main pyaar tera dil mein sajaa kar
baithhi hoon kab se aas laga kar
dukh mere dil se honthon pe aaye
o aane waale par tum to na aaye

aawaaz meri aa jaao sun ke
todo na sapne haaye mere nayan ke
is baar tumse kisi bhi jatan se
main raaz apne saare kah doongi man ke

khaamosh rah ke ye dard paaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum to na aaye


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14884

Number of movies covered in the blog

Movies with all their songs covered =1162
Total Number of movies covered =4071

Total visits so far

  • 11,344,206 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,682 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: